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1

Wicker, Tom. A time to die: The Attica prison revolt. Lincoln: University of Nebraska Press, 1994.

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2

Malcolm, Bell. The turkey shoot: Tracking the Attica cover-up. New York: Grove Press, 1985.

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3

Siegel, James. Derailed. [Rockland, Mass.]: Wheeler Pub., 2003.

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Siegel, James. Soshedshiĭ s relʹsov: [roman]. Moskva: AST, 2005.

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Siegel, James. Derailed. New York: Warner Books, 2003.

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Siegel, James. Derailed. New York: Grand Central Publishing, 2003.

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7

Wicker, Tom. Time to Die: The Attica Prison Revolt. Haymarket Books, 2011.

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8

Thompson, Heather Ann. Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy. Vintage, 2017.

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9

Blood in the water : the Attica prison uprising of 1971 and its legacy. Pantheon Books, 2016.

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10

Tisdale, Celes, ed. When the Smoke Cleared. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478023579.

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Following the Attica prison uprising in September 1971, Celes Tisdale—a poet and then professor at Buffalo State College—began leading poetry workshops with those incarcerated at Attica. Tisdale’s workshop created a space of radical Black creativity and solidarity, in which poets who lived through the uprising were able to turn their experiences into poetry. The poems written by Tisdale’s students were published as Betcha Ain’t: Poems from Attica in 1974. When the Smoke Cleared contains the entirety of Betcha Ain’t, Tisdale’s own poems and journal entries from the three years he taught at Attica, a previously unpublished collection of poems by Attica poets, and a critical introduction by poet Mark Nowak. In addition to the poetry, Tisdale’s journal entries give readers a unique opportunity to experience what it was like to enter Attica as an educator and return week after week to discuss poetry. When the Smoke Cleared showcases these poets’ achievements, their desire for self-determination, and their historical role as storytellers of Black life in a prison monitored exclusively by white guards and administrators.
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Siegel, James. Derailed. Grand Central Publishing, 2003.

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Siegel, James. Derailed. Warner Books, 2002.

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Siegel, James. Derailed. Warner Books, 2005.

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Siegel, James. Derailed. Grand Central Publishing, 2003.

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Siegel, James. Derailed. Grand Central Publishing, 2004.

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Siegel, James. Derailed. Grand Central Publishing, 2004.

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Siegel, James. Derailed. Grand Central Publishing, 2003.

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Siegel, James. Derailed. Hachette Audio, 2005.

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Siegel, James. Derailed. Hachette Audio, 2005.

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Siegel, James. Derailed. Grand Central Publishing, 2007.

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Hagen, Trever. Living in The Merry Ghetto. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190263850.001.0001.

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Living in the Merry Ghetto reframes how people use music to build resistance. To do so, Hagen addresses the social context of illegal music-making in Czechoslovakia during state socialism, asking “How Do Aesthetics Nurture Political Consciousness?”. He tells the story of a group of rock ’n’ rollers who went underground after 1968, building a parallel world from where they could flourish: the Merry Ghetto. The book examines the case of the Czech Underground, the politics of their music and their way of life, paying close attention to the development of the ensemble the Plastic People of the Universe. Taking in multiple political transitions from the 1940s to the 2000s, the story focuses on non-official cultural practices such as listening to foreign radio broadcasts, seeking out copied cassette tapes, listening to banned LPs, growing long hair, attending clandestine concerts, smuggling albums via diplomats, recording in home-studios, and being thrown in prison for any of these activities. Drawing on ethnographic interviews with Undergrounders, archival research, and participant observation, Hagen shows how these practices shaped consciousness, informed bodies, and promoted collective action, all of which contributed to an Underground way of life.
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