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1

Michele, Borrelli, and Convegno internazionale di studi di Praia a mare (8th : 1992), eds. Popoli, culture, Stati. L. Pellegrini, 1994.

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2

Dertliev, Petŭr. Rechi, statii, intervi︠u︡ta. IK "Khristo Botev", 2003.

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3

Ivan, Stefanov. Idei na granit︠s︡ata na sluchaĭnostta: Statii, ret︠s︡enzii, intervi︠u︡ta. Askoni-izdat, 2006.

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4

Häberle, Peter. Costituzione e identità culturale: Tra Europa e Stati nazionali. A. Giuffrè, 2006.

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5

Poole, Gordon Merritt. Nazione guerriera: Il militarismo nella cultura degli Stati Uniti. 2nd ed. Colonnese, 2002.

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6

Maffi, Mario. Americana: Storie e culture degli Stati Uniti dalla A alla Z. Il Saggiatore, 2013.

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7

Antonelli, Sara. La babele americana: Lingue e identità negli Stati Uniti d'oggi. Donzelli, 2005.

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8

Lombardi, Lia. Società, culture e differenze di genere: Percorsi migratori e stati di salute. FrancoAngeli, 2005.

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9

Jeremy, Mitchell, Maidment R. A. 1944-, and Open University. United States in the Twentieth Century Course Team., eds. Culture. Hodder & Stoughton in association with the Open University, 1994.

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10

Dellapiana, Elena. Giuseppe Talucchi: Architetto : la cultura del classicismo civile negli Stati sardi restaurati. Celid, 1999.

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11

Debora, Dameri, Lodovisi Achille, Luppi Giulia, Museo della bilancia, Università di Modena. Museo astronomico e geofisico., and Università di Modena. Museo universitario di storia naturale e della strumentazione scientifica., eds. La bona opinione: Cultura, scienza e misure negli stati estensi, 1598-1860. Museo della bilancia, Centro di documentazione, 1997.

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12

Speroni, Mario. La tutela dei beni culturali negli stati italiani preunitari. A. Giuffrè, 1988.

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13

1920-, Cranston Maurice William, and Campos Boralevi Lea 1953-, eds. Culture et politique =: Culture and politics. W. de Gruyter, 1988.

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14

Valcaccia, Egidio. Fragmenta stabiana: Storia, arte e cultura a Castellammare di Stabia. N. Longobardi, 2011.

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15

A, Albertoni Ettore, and Koff Stephen P, eds. Elitismo e democrazia nella cultura politica del Nord-America: (Stati Uniti, Canada, Messico). A. Giuffrè, 1989.

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16

1968-, Alovisio Silvio, and Carluccio Giulia, eds. Rodolfo Valentino: Cinema, cultura, società tra Italia e Stati Uniti negli anni Venti. Kaplan, 2010.

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17

Ewen, Stuart. All consuming images: The politics of style in contemporary culture. Basic Books, 1988.

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18

Ewen, Stuart. All consuming images: The politics of style in contemporary culture. Basic Books, 1999.

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19

1958-, Jenkins Henry, McPherson Tara, and Shattuc Jane, eds. Hop on pop: The politics and pleasures of popular culture. Duke University Press, 2002.

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20

Ciglioni, Laura. Culture atomiche: Gli Stati Uniti, la Francia e l'Italia di fronte alla questione nucleare (1962-68). Carocci editore, 2020.

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21

University of Arizona. Center for Creative Photography., ed. Girl culture. Chronicle Books, 2002.

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22

Petracca, Michael, and Madeleine Sorapure. Common culture: Reading and writing about American popular culture. 7th ed. Prentice Hall, 2011.

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23

Lessem, Ronnie. Managing corporate culture. Gower, 1990.

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24

Static. Nono Girl and Squeaky, 1996.

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25

Aquaculture Technology: Static and Flowing Water Fish Culture. Taylor & Francis Group, 2017.

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26

W, Richard Soderberg. Aquaculture Technology: Flowing Water and Static Water Fish Culture. Taylor & Francis Group, 2017.

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27

W, Richard Soderberg. Aquaculture Technology: Flowing Water and Static Water Fish Culture. Taylor & Francis Group, 2017.

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28

W, Richard Soderberg. Aquaculture Technology: Flowing Water and Static Water Fish Culture. Taylor & Francis Group, 2017.

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29

W, Richard Soderberg. Aquaculture Technology: Flowing Water and Static Water Fish Culture. Taylor & Francis Group, 2017.

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30

Gallerneaux, Kristen. High Static, Dead Lines: Sonic Spectres and the Object Hereafter. Strange Attractor, 2018.

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31

Ward, Meredith C. Static in the System: Noise and the Soundscape of American Cinema Culture. University of California Press, 2019.

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32

Ward, Meredith C. Static in the System: Noise and the Soundscape of American Cinema Culture. University of California Press, 2019.

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33

Manzanas, Ana M., and Jesús Benito Sanchez. Occupying Space in American Literature and Culture: Static Heroes, Social Movements and Empowerment. Taylor & Francis Group, 2014.

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34

Manzanas, Ana M., and Jesús Benito Sanchez. Occupying Space in American Literature and Culture: Static Heroes, Social Movements and Empowerment. Taylor & Francis Group, 2014.

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35

Sanchez, Jes Benito. Occupying Space in American Literature and Culture: Static Heroes, Social Movements and Empowerment. Routledge, 2014.

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36

Manzanas, Ana M., and Jesús Benito Sanchez. Occupying Space in American Literature and Culture: Static Heroes, Social Movements and Empowerment. Taylor & Francis Group, 2014.

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37

Manzanas, Ana M., and Jesús Benito Sanchez. Occupying Space in American Literature and Culture: Static Heroes, Social Movements and Empowerment. Taylor & Francis Group, 2014.

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38

Manzanas, Ana M., and Jesús Benito Sanchez. Occupying Space in American Literature and Culture: Static Heroes, Social Movements and Empowerment. Routledge, 2018.

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39

Occupying Space in American Literature and Culture: Static Heroes, Social Movements and Empowerment. Taylor & Francis Group, 2014.

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40

Shields, Anna. Classicisms in Chinese Literary Culture. Edited by Wiebke Denecke, Wai-Yee Li, and Xiaofei Tian. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199356591.013.26.

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The tradition of classical studies in China after the fall of the Han continued to flourish, though in changing forms from the period of division through the end of the Tang dynasty. The ongoing relevance of the Classics and the Masters Texts to both the educational and institutional systems of successive dynasties guaranteed that elites would sustain a heritage of scholarship and transmit commentaries over generations. And yet the classicist tradition was not merely a static corpus of commentary on “dead” texts but rather a dynamic and stimulating body of knowledge that inspired new literary
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41

Note americane: Musica e culture negli Stati Uniti. Shake, 2011.

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42

Pollard, Natalie. Poetry, Publishing, and Visual Culture from Late Modernism to the Twenty-first Century. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198852605.001.0001.

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This book examines why it is important to appreciate cultural artefacts such as poems, sculptures, and buildings not as static, perfected objects, but as meshworks of entangled, mutable, and trans-personal forces. Offering six such case studies across the long twentieth century, the book focuses on how poetic works activate closer appreciation of literature’s hybridity. The book analyses how such texts are collaborative, emergent, and between-categories, and shows why this matters. It focuses, first, on how printed poetry is often produced collaboratively, in dialogue with the visual and plast
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43

Heisey, D. Ray, Xing Lu, and Wenshan Jia, eds. Chinese Communication Studies. Praeger, 2002. http://dx.doi.org/10.5040/9798400625831.

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Many varying factors contribute to the dynamics of Chinese communication, which both resembles and differs from its Western counterparts. In this provocative new collection of essays, an international group of scholars challenges the conventional notion of Chinese culture as static, recognizing the causes of cultural change and strategies of resistance. Examining communication contexts in mainland China, Hong Kong, and Taiwan,Chinese Communication Studies: Context and Comparisonsconsiders the relationship between culture and communication in Chinese political, gender, family, and media context
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44

Muñoz-Rojas, Catalina. Fervent Crusade for the National Soul. Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781666982602.

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A Fervent Crusade for the National Soul examines the implementation of cultural policies in relation to the contested configuration of citizenship in Colombia between 1930 and 1946. At a time when national identities were re-imagined all over the Americas, progressive artists and intellectuals affiliated with the liberal governments that ruled Colombia established an unprecedented bureaucratic apparatus for cultural intervention that celebrated so-called “popular culture” and rendered culture a social right. This book challenges pervasive narratives of state failure in Colombia, attending to t
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45

Dizionario della Grande Guerra: Cronologia, Stati, personaggi, eventi, eserciti, simboli, culture, eredità. Textus edizioni, 2014.

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46

Higbee, Douglas. Military Culture and Education: Current Intersections of Academic and Military Cultures. Taylor & Francis Group, 2016.

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47

Higbee, Douglas. Military Culture and Education: Current Intersections of Academic and Military Cultures. Taylor & Francis Group, 2016.

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48

Military Culture and Education: Current Intersections of Academic and Military Cultures. Taylor & Francis Group, 2016.

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49

Stavans, Ilan, ed. Border Culture. ABC-CLIO, LLC, 2010. http://dx.doi.org/10.5040/9798400620744.

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The border between the United States and Mexico, despite attempts at containment, remains a vast and uniquely malleable yet indefinable region. With Border Culture, Ilan Stavans has collected essays representative of the tangled experiences and issues central to life between cultures. Divided into two sections, Border Culture covers topics essential to better understanding this often misunderstood region and state-of-mind. The first section, "Considerations," culls essays covering socio-economic and political topics illustrating the hyper reality of life and living on La Frontera. Section two,
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50

Cuordileone, K. A. Manhood and American Political Culture in the Cold War (American Cultures). Routledge, 2005.

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