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Books on the topic 'Statut avancé'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 April 2024

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1

Québec), Académie St-Viateur (Joliette. Statuts de l'Avant-Garde Forbes. Imp. de l'Institution des Sourds-Muets, 1995.

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2

Años de avance: Escritos políticos de teoría y acción. Editorial Funglode, 2018.

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3

Hegi, Ursula. Avanim min ha-nahar. Modan Publishing House, 1999.

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4

Ruiz, Juana María Gil. Las políticas de igualdad en España: Avances y retrocesos. Universidad de Granada, 1996.

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5

Diputados, Bolivia Asamblea Legislativa Plurinacional Camara de. Avances constitucionales y legislativos de los derechos de las mujeres. Cámara de Diputados, 2012.

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Méndez, Rubén Vasconcelos. Avances y retrocesos de la justicia penal para adolescentes. Editorial Liber Iuris Novum, S. de R.L. de C.V. / Fondo de Naciones Unidas para la Infancia, 2012.

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7

Martínez, J. Daniel Oliva, and Fernando M. Mariño Menéndez. Avances en la protección de los derechos de los pueblos indígenas. Dykinson, 2004.

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8

Arévalo, María del Rosario Sevillano. El derecho a la consulta de los pueblos indígenas en el Perú: Últimos avances. DAR, 2010.

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María del Rosario Sevillano Arévalo. El derecho a la consulta de los pueblos indígenas en el Perú: Últimos avances. DAR, 2010.

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10

Heinz, Paetzold. Profile der Ästhetik: Der Status von Kunst und Architektur in der Postmoderne. Passagen, 1990.

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11

Derechos políticos de las mujeres: Avances y buenas prácticas en el Salvador, Costa Rica y Panamá. Instituto Interamericano de Derechos Humanos, 2016.

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12

Por los caminos de las autonomías indígena originario campesinas: Avances y desafíos. Ministerio de Autonomías, 2012.

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13

Rica, Costa. Avances legales, igualdad y equidad de género: Leyes, proyectos y decretos ejecutivos, 1994-2003. Instituto Nacional de las Mujeres, 2003.

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14

Bacigalupo, Graciela Zubelzú de. La comunidad de estados independientes: Avances y retrocesos en el difícil camino hacia la integración. Centro de Estudios en Relaciones Internacionales de Rosario, 1995.

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15

Avances de la encuesta piloto de la población negra en la Costa Chica oaxaqueña. Universidad Nacional Autónoma de México, 2012.

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16

Guatemala) Seminario internacional "Experiencias y Avances del Derecho Indígena Maya en el Contexto del Pluralismo Jurídico" (2006 Guatemala City. Informe narrativo: Seminario internacional "Experiencias y Avances del Derecho Indígena Maya en el Contexto del Pluralismo Jurídico". Centro de Investigaciones Regionales de Mesoamérica, 2006.

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17

van, Deun Peter, ed. Eustratii Presbyteri Constantinopolitani De statu animarum post mortem (CPG 7522). Brepols, 2006.

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18

Muller, Manuel Ruiz. La protección jurídica de los conocimientos tradicionales: Algunos avances políticos y normativos en América Latina. UICN, Unión Mundial para la Naturaleza, 2006.

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19

Duré, Elizabeth, and María José Garcete. Informe sobre avances y retrocesos de los derechos económicos, sociales y culturales de las mujeres: Paraguay rinde cuentas a Paraguay. ACDM, Articulación por el Cumplimiento de los Derechos Económicos Sociales y Culturales de las Mujeres, 2011.

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20

1941-, Samaja Juan, ed. El derecho a la identidad: Los avances científicos, la regulación jurídica y los principios de la Convención sobre los Derechos del Niño, Ley 23.849. EUDEBA, 1993.

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21

Baumgarten-Sharon, Naama. ʻAtsor! Yeladim le-fanekha: Hitnahalutah ha-bilti ḥukit shel ha-mishṭarah mul keṭinim ha-niḥshadim bi-yidui avanim be-Silṿan. Be-tselem, 2010.

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22

Salazar, Eugenia. Avances legales hacia la equidad de género: Leyes, proyectos de ley y decretos ejecutivos sobre derechos de las mujeres, equidad de género y familia, períodico 1994-1998. Asamblea Legislativa, 1998.

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23

Hull, John A. Avanti: The complete story. Iconografix, 2008.

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24

Hull, John A. Avanti: Studebaker and beyond. Iconografix, 2011.

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25

The end of the American avant garde. New York University Press, 1997.

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26

Sayre, Henry M. The object of performance: The American avant-garde since 1970. University of Chicago Press, 1989.

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27

1958-, Harding James Martin, ed. Contours of the theatrical avant-garde: Performance and textuality. University of Michigan Press, 2000.

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28

Catanese, Rossella, ed. Futurist Cinema. Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789089647528.

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Futurism and early cinema shared a fascination with dynamic movement and speed, presenting both as harbingers of an emerging new way of life and new aesthetic criteria. And the Futurists quickly latched on to cinema as a device with great potential to manipulate our perceptions in order to create a new world. In the edited collection Futurist Cinema, Rossella Catanese explores that conjunction, bringing in avant-garde artists and their manifestos to show how painters and other artists turned to cinema as a model for overcoming the inherently static nature of painting in order to rethink it for

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29

1964-, Asplund Christian, ed. Christian Wolff. University of Illinois Press, 2012.

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30

Avances, estancamientos y retrocesos en el ejercicio de los derechos de los pueblos indígenas (1990-2010): Hallazgos en el pilotaje del sistema de monitoreo sobre la protección de derechos y promoción del buen vivir de las nacionalidades y pueblos indígenas del Ecuador. CODENPE, 2011.

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31

1951-, DeLio Thomas, ed. The music of Morton Feldman. Excelsior Music Pub. Co., 1995.

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32

J, Taylor Marvin, Grey Art Gallery & Study Center., Fales Library, Andy Warhol Museum, and Austin Museum of Art, eds. The downtown book: The New York art scene, 1974-1984. Princeton University Press, 2006.

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33

Singular examples: Artistic politics and the neo-avant-garde. Northwestern University Press, 2009.

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34

1961-, Cohassey John, ed. American cultural rebels: Avant-garde and bohemian artists, writers, and musicians from the 1850s through the 1960s. McFarland & Co., 2008.

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35

Diez años de avances legales después de El Cairo. CLADEM, 2004.

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36

Lysaker, John T. Eno’s Journey from Art School to the Studio. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190497293.003.0004.

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Chapter 3 offers a brief biography of Eno’s development as an artist. It shows how he came to enter the avant-garde and how he acquired the techniques that blossomed on Music for Airports. Early influences like cybernetic theory and avant-garde musical practice are considered. The chapter also looks at his early work with Roxy Music and Robert Fripp in order to explain Eno’s self-proclaimed status as a “non-musician.” The chapter argues that this is Eno’s way of approaching and organizing the activity of sounds. Overall, the chapter argues that Eno is less a rock musician that found the avant-

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37

Petersen, Christina. “The Most Assassinated Woman in the World”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037689.003.0005.

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This chapter examines the evocation of Pearl White's star persona by avant-garde theorists and filmmakers ranging from Sergei Eisenstein to surrealist Robert Desnos. The avant-garde's reactions to White fall largely along movement lines. At once the embodiment of a low-culture narrative mode and a spectacular star object who transcended any particular plot line, White's pejorative status as “the most assassinated woman in the world” may have been more revealing than Jean Epstein originally intended. Whereas Epstein decried White's constant near-death experiences and numerous last-minute escape

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38

Rasia, Carlo. Tutela giudiziale europea e arbitrato. Bononia University Press, 2021. http://dx.doi.org/10.30682/sg254.

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Uno studio sull’arbitrato nell’ordinamento europeo acquista il sapore di una sfida ma al contempo è un invito ad intensificare l’attenzione sull’uso della giustizia privata nello spazio dell’Unione europea, in particolare in quel contesto di globalizzazione dei mercati e del diritto con cui ogni giurista deve inevitabilmente confrontarsi. Il mercato globale ha portato, infatti, ad un ripensamento della dimensione spaziale degli ordinamenti e all’arretramento della sovranità degli Stati, allargando, anche a causa delle disfunzioni dell’organizzazione giudiziaria statale, il fenomeno della priva

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39

Herrera, Eduardo. Elite Art Worlds. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190877538.001.0001.

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Between 1962 and 1971, the Centro Latinoamericano de Altos Estudios Musicales (CLAEM) of the Di Tella Institute in Buenos Aires became the central hub of Latin American avant-garde music. With the support of the Rockefeller Foundation and the wealthy Di Tella family, CLAEM offered two-year fellowships to some of the most recognized young composers of the region to undertake graduate studies in a unique privileged setting under the direction of Alberto Ginastera and with permanent and visiting faculty that included Gerardo Gandini, Francisco Kröpfl, Mario Davidovsky, Iannis Xenakis, Luigi Nono,

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40

Hess, Carol A. Miguel Ángel Estrella. Edited by Patricia Hall. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199733163.013.21.

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This chapter examines the place of Argentine pianist Miguel Ángel Estrella in the politics of Latin American music, focusing on the Dirty War, the wave of repression and violence by military regimes during the 1960s and 1970s. It begins with Estrella’s recital in September 1987 as a tribute to Nadia Boulanger, who died in October 1979 and was one protagonist in Estrella’s story. It then considers Estrella’s political activities in Argentina and his being formally charged with subversion, sedition, and terrorist activities, as well as his promotion of the masterworks of the Western canon. It al

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41

Horowitz, Gregg. Aesthetics of the Avant-Garde. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0045.

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All responsible inquiry into the contemporary state of avant-garde art must acknowledge the possibility that no such art exists. Such non-existence would be dismaying news for a lot of people because, despite the possibility that the concept refers to nothing, many writers and artists continue to invest in it as if its capacity to illuminate contemporary artistic and aesthetic practices were a given. If one inclines towards believing that there was an American avant-garde in those years, one is likely to find that Sayre's roster of participating figures includes the expected artists and moveme

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42

Siwe, Thomas. Artful Noise. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043130.001.0001.

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A substantial body of musical literature for solo and ensemble percussion was created in the twentieth century. This book examines percussion literature’s evolution: how it came to be and the styles that composers embraced as they produced a large body of music for percussion instruments alone. The focus is on the music that was created, the various genres that arose, and the composers who contributed seminal works. The question is posed: What world and cultural events brought composers to reject the past and embrace modernism? The twentieth century is notable for its many technological advanc

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43

DeClue, Jennifer. Visitation. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478023791.

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In Visitation, Jennifer DeClue shows how Black feminist avant-garde filmmakers draw from historical archives in order to visualize and reckon with violence suffered by Black women in the United States. DeClue argues that these filmmakers—including Kara Walker, Kara Lynch, Tourmaline, and Ja’Tovia Gary—create spaces of mourning and reckoning rather than voyeurism and pornotropy. Through their use of editing, performance, and cinematic experimentation, these filmmakers intervene in the production of Blackness and activate new ways of seeing Black women and telling their stories. Theorizing these

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44

Lawrence, Jeffrey. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190690205.003.0001.

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In the summer of 2011, while drinking with friends in a Mexico City pulquería, I met a writer from Los Angeles who had just finished reading the English translation of Chilean novelist Roberto Bolaño’s Los detectives salvajes [The Savage Detectives, 1998]. The novel, which follows the founders of a 1970s Mexican avant-garde literary movement across four continents and a span of twenty years, had appeared in the United States with much fanfare a few years earlier. Since the ...

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45

Thomas, Susan. Experimental Alternatives. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190842741.003.0003.

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In 1969 the director of Cuba’s film institute, Alfredo Guevara, founded a musical collective whose official purpose was to provide film music for Cuba’s vibrant and experimental new socialist cinema. The resulting Grupo de Experimentación Sonora represented something of a “rescue mission” for artists who for reasons political, aesthetic, or of personality found themselves on the margins of increasingly conservative and restrictive state-run cultural institutions. Under the direction of composer Leo Brouwer, the Grupo incorporated musicians who became some of the Revolution’s most renowned arti

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46

The Object of Performance: The American Avant-Garde since 1970. University Of Chicago Press, 1992.

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47

Menand, Louis. Story of the Soup Cans. University of Oregon Press, 2006.

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48

Asplund, Christian, and Hicks Michael. Christian Wolff. University of Illinois Press, 2012.

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49

Christian Wolff. University of Illinois Press, 2012.

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50

Radcliffe, Ann, and Terry Castle. The Mysteries of Udolpho. Edited by Bonamy Dobrée. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199537419.001.0001.

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‘Her present life appeared like the dream of a distempered imagination, or like one of those frightful fictions, in which the wild genius of the poets sometimes delighted. Rreflections brought only regret, and anticipation terror.’ Such is the state of mind in which Emily St. Aubuert – the orphaned heroine of Ann Radcliffe’s 1794 gothic Classic, The Mysteries of Udolpho – finds herself after Count Montoni, her evil guardian, imprisions her in his gloomy medieval fortress in the Appenines. Terror is the order of the day inside the walls of Udolpho, as Emily struggles against Montoni’s rapacious

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