Log in

Relevant bibliographies by topics / Stavrogin / Journal articles

To see the other types of publications on this topic, follow the link: Stavrogin.

Journal articles on the topic 'Stavrogin'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Stavrogin.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Koroleva, V. V. "Features of Hoffman's Poetics in F.M. Dostoevsky's Novel “Demons”." Solov’evskie issledovaniya, no. 3 (September 30, 2022): 159–73. http://dx.doi.org/10.17588/2076-9210.2022.3.159-173.

Full text

Abstract:

The article examines the issue of reception in F.M. Dostoevsky's novel “Demons” of E.T.A. Hoffman's traditions, which go back to the “Elixirs of the Devil”. It is proposed to consider the features of Hoffmann’s poetics in the novel of the Russian writer in the form of a “Hoffmann’s complex”, which functions systematically and represents the unity of the problematic, stylistics and figurative system. It is argued that the “Hoffmann’s complex” in Dostoevsky’s novel manifests itself in similar problems: the problem of crime and redemption, which is revealed in the image of Stavrogin; actualizatio

APA, Harvard, Vancouver, ISO, and other styles

2

Pope, Richard, and Judy Turner. "Toward Understanding Stavrogin." Slavic Review 49, no. 4 (1990): 543–53. http://dx.doi.org/10.2307/2500545.

Full text

Abstract:

… Freud … on the occasion of his seventieth birthday paid the extraordinary tribute to Dostoevsky acknowledging … that everything he had discovered was already to be found in Dostoevsky's worksEdward WasiolekDostoevsky [was] the only psychologist … from whom I had anything to learn: he belongs to the luckiest finds of my life, even more so than the discovery of Stendhal. This deep man …NietzscheThe whole second half of a man's life is usually made up of nothing but the habits accumulated in the first half.StavroginStavrogin is an immense and bewildering character. In the opinion of Konstantin

APA, Harvard, Vancouver, ISO, and other styles

3

Kibalnik, Kibalnik S. A. "Andrey Bely’s novel Petersburg as Dostoevsky’s hybrid hypertext." Solov’evskie issledovaniya, no. 4 (December 15, 2021): 147–62. http://dx.doi.org/10.17588/2076-9210.2021.4.147-162.

Full text

Abstract:

Andrei Bely’s “Petersburg” has been analyzed primarily with respect to its intertextual connections with Dostoevsky’s novel “The Brothers Karamazov”. This essay offers a comparative analysis of Nikolai Apollonovich Ableukhov, the main character in A. Bely’s novel, and Nikolai Vsevolodovich Stavrogin, the main character of Dostoevsky's novel “Demons”. We see that, in reality, the “Stavrogin genealogy” of the younger Ableukhov begins already with his name and appearance and continues with extravagant acts committed or only conceived by him. In the context of intertextual connections, other chara

APA, Harvard, Vancouver, ISO, and other styles

4

Podosokorsky, Nikolay N. "The Production of Nikolay Stavrogin (1913) at the Moscow Art Theater." Dostoevsky and World Culture. Philological journal, no. 2 (30) (2025): 344–57. https://doi.org/10.22455/2619-0311-2025-2-344-357.

Full text

Abstract:

The review examines the 2023 collection “Nikolay Stavrogin” on the Stage of the Art Theater, 1913, in which a research team (E.A. Kesler, O.V. Egoshina, S.V. Vasilyeva) presents the first complete publication of the script for Vladimir Nemirovich-Danchenko and Vasily Luzhsky’s landmark 1913 production Nikolay Stavrogin. The edition includes extensive critical commentary, an analytical preface and afterword, as well as a selection of contemporary reviews and polemical texts by prominent thinkers (D.S. Merezhkovsky, S.N. Bulgakov, N.A. Berdyaev et al.) concerning both the theatrical adaptation a

APA, Harvard, Vancouver, ISO, and other styles

5

Stryjakowska, Anna. "Процесс индивидуации как ключ к интерпретации главного героя романа Федора Достоевского „Бесы”". Kultury Wschodniosłowiańskie - Oblicza i Dialog, № 6 (22 вересня 2018): 235–44. http://dx.doi.org/10.14746/kw.2016.6.19.

Full text

Abstract:

The article is an attempt to interpret Nikolay Stavrogin, the main character of Fyodor Dostoyevsky’s novel The Possessed, in the key of the analytical psychology. It is argued that Stavrogin may be undergoing the process of individuation by dealing with the collective unconscious. The attention is drawn particularly to the character of Matryosha, who can be perceived as the protagonist’s anima, showing him the way out of the tragic impasse.

APA, Harvard, Vancouver, ISO, and other styles

6

Rollberg, Peter. "Mastermind, Terrorist, Enigma: Dostoevsky's Nikolai Stavrogin." Perspectives on Political Science 43, no. 3 (2014): 143–52. http://dx.doi.org/10.1080/10457097.2014.917244.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Neumann, Harry. "Responsible and irresponsible liberalism: Dostoevsky's stavrogin." History of European Ideas 16, no. 4-6 (1993): 569–75. http://dx.doi.org/10.1016/0191-6599(93)90190-2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Dimitriev, Viktor M. "The Resistance of Memory in Stavrogin’s ‘Confession’." Dostoevsky and world culture. Philological journal, no. 1 (2021): 82–105. http://dx.doi.org/10.22455/2541-7894-2021-1-82-105.

Full text

Abstract:

The article investigates the resistance of memory as a typical narration technique in Dostoevsky’s works, especially in confessional texts. The attention is focused on a fragment of the unpublished chapter “At Tikhon’s” from an unrealized version of the novel The Possessed: Stavrogin bought a photograph of “one girl”, which he perceives as a photograph of Matryosha herself. The article attempts to explain how Stavrogin organizes memories in his “confession” and why the cases of memory aberrations become both the constructive elements of the genre of literary confession and an original “tool” f

APA, Harvard, Vancouver, ISO, and other styles

9

Dimitriev, Viktor M. "The Resistance of Memory in Stavorgin’s “Confession”." Dostoevsky and World Culture. Philological journal, no. 1 (2021): 82–105. http://dx.doi.org/10.22455/2619-0311-2021-1-82-105.

Full text

Abstract:

The article investigates the resistance of memory as a typical narration technique in Dostoevsky’s works, especially in confessional texts. The attention is focused on a fragment of the unpublished chapter “At Tikhon’s” from an unrealized version of the novel The Possessed: Stavrogin bought a photograph of “one girl”, which he perceives as a photograph of Matryosha herself. The article attempts to explain how Stavrogin organizes memories in his “confession” and why the cases of memory aberrations become both the constructive elements of the genre of literary confession and an original “tool” f

APA, Harvard, Vancouver, ISO, and other styles

10

Mazurek, Sławomir. "The individual and nothingness (Stavrogin: a Russian interpretation)." Studies in East European Thought 62, no. 1 (2010): 41–54. http://dx.doi.org/10.1007/s11212-010-9102-2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Benedetta, Cinque. "Nikolaj Stavrogin come incarnazione del principio tragico dostoevskijano." Aura, no. 2 (September 15, 2020): 31–41. https://doi.org/10.5281/zenodo.10614859.

Full text

Abstract:

Although Dostoevsky did not write a page in dramatic form, a strong tragic component echoes in his novels. How do we classify a work as ‘tragic’? Is it enough that it meets the requirements of the literary canon (for example, the Aristotelian unity of place, time and action)? That the development of the work does not focus exclusively on a single man with his personal drama, but is determined by a divine fatum, which exerts an inevitable force, resulting in a novel with an intimidating and uplifting tension?

APA, Harvard, Vancouver, ISO, and other styles

12

Kibalnik, Sergey A. "The Nechaevtsy or the Petrashevites? (Prototypes of the Main Characters in Fedor Dostoevsky’s Novel Demons)." Неизвестный Достоевский 7, no. 2 (2020): 119–41. http://dx.doi.org/10.15393/j10.art.2020.4582.

Full text

Abstract:

The preparatory materials for the novel <i>Demons</i>, published in the first academic edition of Complete Works by Dostoevsky contain his notes stating that the image of one of his main characters, Pyotr Verkhovensky, was partly stylized after M. V. Petrashevsky. At the same time, commentators found a note in this publication indirectly confirming the hypothesis that Nikolai Speshnev was one of the main prototypes of Stavrogin. The paper analyzes the preparatory materials for Demons, in which the future Stavrogin was listed as “Prince”. They are compared with Dostoevsky’s personal

APA, Harvard, Vancouver, ISO, and other styles

13

Carroll, John. "Gatsby and Stavrogin: The Need for a Modern Saviour." Journal of Cultural Analysis and Social Change 5, no. 2 (2020): 13. http://dx.doi.org/10.20897/jcasc/9323.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Serdechnaia, Vera. "William Blake and F. M. Dostoevsky: a History of Comparison." Dostoevsky and world culture. Philological journal, no. 3 (2020): 158–68. http://dx.doi.org/10.22455/2619-0311-2020-3-158-168.

Full text

Abstract:

The article is devoted to the history of comparing the works of William Blake and Fyodor Dostoevsky. The author starts with the lectures of Andre Gide in the 1920s, in which he used quotes from Blake’s Marriage of Heaven and Hell to clarify Dostoevsky. Gide believed that both authors were united by the devil theme and the fascination with evil and started the tradition of comparing Blake with Dostoevsky and Nietzsche, reflected in the works of Jean Wahl and Georges Bataille. American scholar Melvin Rader united Blake and Dostoevsky in rethinking the structure of the Christian Trinity and the i

APA, Harvard, Vancouver, ISO, and other styles

15

Koroleva, Vera Vladimirovna. "The “Hoffman Complex” in V. Khotinenko’s film based on F.M. Dostoevsky’s Demons." Dostoevsky Journal 23, no. 1 (2022): 37–52. http://dx.doi.org/10.1163/23752122-02301004.

Full text

Abstract:

Abstract The article examines the reception of the traditions of E.T.A. Hoffman (Elixirs of the Devil) in F.M. Dostoevsky’s novel Demons and the film directed by V. Khotinenko (Demons) (2014). It is proposed to consider the features of Hoffmann’s poetics in the novel of the Russian writer in the form of a “Hoffmann’s complex”, which functions systematically and represents the unity of problematics, images and stylistic techniques. It is argued that the “Hoffman complex” in Dostoevsky’s Demons manifests itself in the following components: an appeal to the problem of crime and redemption, which

APA, Harvard, Vancouver, ISO, and other styles

16

Liu, Yuanlin. "The Possessed: Dostoevsky’s Conscientious Monarchy." English Language and Literature Studies 11, no. 1 (2021): 31. http://dx.doi.org/10.5539/ells.v11n1p31.

Full text

Abstract:

In the mock apocalypse of The Possessed, Fyodor Dostoevsky references biblical imagery to advocate for a conscientious monarchy as the ideal government to lead the Russian masses from deception. While Varvara Petrovna Stavrogin&rsquo;s oppression of Stepan Trofimovich Verhovensky is similar to the Babylonian kings&rsquo; exploitation of the Jews in Daniel, the love between them and Dostoevsky&rsquo;s eventual glorification of Stepan Trofimovich as the Russian prophet suggest the longevity of a conscientious monarchy, one in which the monarch takes responsibility for the welfare of

APA, Harvard, Vancouver, ISO, and other styles

17

Pershkina, A. N. "Nikolay Stavrogin as a "Praporshchik:" An Additional Historical Commentary to "The Demons" by F. M. Dostoyevsky." Russkaya literatura 2 (2020): 85–87. http://dx.doi.org/10.31860/0131-6095-2020-1-85-87.

Full text

Abstract:

The article provides historical commentary on an episode from the biography of Nikolay Stavrogin, a character from "The Demons" by F. Dostoevsky. Offi cial documents of the mid-1860s help to uncover how he could have regained his offi cer rank after being demoted to a soldier. This episode is important for understanding the characters’ relations, based on the military hierarchy. In addition, it clarifi es Dostoevsky’s methods of working with historical facts.

APA, Harvard, Vancouver, ISO, and other styles

18

Mokina, Natalia V. "F. M. Dostoevsky and A. N. Ostrovsky: To the Problem of Literary Sources of Characters and Collisions in the Drama “Without a Dowry”." Two centuries of the Russian classics 5, no. 2 (2023): 104–21. http://dx.doi.org/10.22455/2686-7494-2023-5-2-104-121.

Full text

Abstract:

The article examines parallels in plot and images between Ostrovsky’s drama “Without a Dowry” and Dostoevsky’s novel “Demons.” Ostrovsky’s remarks about Dostoevsky in the last years of his life reveal that he distanced himself from the creative principles of the author of “Demons.” However, gestures and remarks of the characters of “Without a Dowry,” such as Paratov, Vozhevatov, Larisa Ogudalova, as well as motifs and collisions connected with them allow us to suggest that while working on the drama, Ostrovsky was influenced by a “literary recall” of Dostoevsky’s novel “Demons” and its charact

APA, Harvard, Vancouver, ISO, and other styles

19

Straus, Nina Pelikan. "Every Woman Loves a Nihilist: Stavrogin and Women in Dostoevsky's "The Possessed"." NOVEL: A Forum on Fiction 27, no. 3 (1994): 271. http://dx.doi.org/10.2307/1345645.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Duishenaliev, T. B., V. A. Khokhlov, and S. V. Ushanov. "The Relationship between the Maximum and Minimum Principal Stresses as a Strength Criterion of Brittle Materials." IOP Conference Series: Earth and Environmental Science 988, no. 5 (2022): 052011. http://dx.doi.org/10.1088/1755-1315/988/5/052011.

Full text

Abstract:

Abstract An equation is obtained that expresses the quantitative relationship between the limiting values of the smallest and largest principal stresses. Using this equation, it is possible to determine all those stress states that lead to the destruction of brittle (semi-brittle) materials, as well as to construct an envelope line of limiting stress circles of the German scientist O. Mohr. The experimental consistency of this criterion is checked in comparison with the experimental data of T. Karman, A.N. Stavrogin, M.I. Koifman and M.F. Kuntysh, obtained by testing cylindrical samples of var

APA, Harvard, Vancouver, ISO, and other styles

21

Pruzhinin, Boris I., Tatiana G. Shchedrina, and Irina O. Shchedrina. "Stavrogin and His Soul, or: The Transformation of Skepticism in the Digital Age." Russian Studies in Philosophy 60, no. 1 (2022): 40–59. http://dx.doi.org/10.1080/10611967.2022.2064662.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Kuznetcov, N. N., and L. Yu Kondrashov. "Rockburst hazard potential assessment of rocks of the Khibiny massif deposits according to the Kaiser criterion." Vestnik MGTU 26, no. 2 (2023): 170–79. http://dx.doi.org/10.21443/1560-9278-2023-26-2-170-179.

Full text

Abstract:

The mining and geological conditions in the mines worsen due to changes in the stress-strain state of rock masses and their structural disturbance when mining goes to great depths. Under such conditions, it is necessary to assess the impact hazard of ores and rocks that make up the mined deposits. For the prompt implementation of such an assessment, it is proposed to use the Kaiser criterion consisting in the analysis of experimental data obtained on rock samples. The paper presents the results of laboratory testing of rock samples from the deposits of the Khibiny massif under uniaxial compres

APA, Harvard, Vancouver, ISO, and other styles

23

Serdechnia, Vera. "Stavrogin Seduces Thel: “The Book of Seraphim” by Alexander Belousov at the Stanislavsky Electrotheatre." Dostoevsky and World Culture. Philological journal 3, no. 2 (2020): 211–21. http://dx.doi.org/10.22455/2619-0311-2020-2-211-221.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Adelman, Gary. "Stalking Stavrogin: J.M. Coetzee's The Master of Petersburg and the Writing of The Possessed." Journal of Modern Literature 23, no. 2 (1999): 351–57. http://dx.doi.org/10.1353/jml.1999.0001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Cravens, Craig. "The Strange Relationship of Stavrogin and Stepan Trofimovich as Told by Anton Lavrent'evich G-v." Slavic Review 59, no. 4 (2000): 782–801. http://dx.doi.org/10.2307/2697419.

Full text

Abstract:

The first-person narrative form is notoriously problematic. Throughout the history of the novel, it has both repelled authors due to the obvious limitations imposed by its restriction to a single consciousness and attracted them because of the apparent veracity it imparts to psychological portrayal. In the most conscientiously constructed examples of the type, the first-person narrator is able to portray directly the thoughts of a single character only, that is, himself. Of other characters, he can only report actions and surmise motives, and these characters to whom the reader does not have c

APA, Harvard, Vancouver, ISO, and other styles

26

ŠERPYTYTĖ, Rita. "„TIKĖTI, KAD TIKI“: NUO DOSTOJEVSKIO STAVROGINO IKI GIANNI VATTIMO." Religija ir kultūra 3 (January 1, 2006): 55–63. http://dx.doi.org/10.15388/relig.2006.0.2809.

Full text

Abstract:

Straipsnyje svarstomas tikėjimo ir nihilizmo santykis Gianni Vattimo filosofijoje. Analizuojama Vattimo pozicija, patį nihilizmą traktuojanti kaip „silpnojo mąstymo“ (hermeneutinę) pastangą. „Silpnasis mąstymas“ save apsibrėžia kaip pastangą , skirtingai nei moderno filosofija suprantančią santykį su ankstesnių epochų filosofiniu palikimu ir kitaip traktuojančią patį (metafizikos) įveikos reikalavimą. Įveika Vattimo jau nebeturi tiesiog neigimo ar peržengimo prasmės, bet turi atsisveikinimo vyksmo prasmę. Tokioje perspektyvoje tikėjimo samprata ir ontologijos paieškos tampa susietos su nihiliz

APA, Harvard, Vancouver, ISO, and other styles

27

Schneider, Christoph. "Discernment of Good and Evil in Dostoevsky’s Novels: The Madman and the Saint." European Journal for Philosophy of Religion 12, no. 4 (2020): 117. http://dx.doi.org/10.24204/ejpr.v12i4.3519.

Full text

Abstract:

This article discusses madness and saintliness in Dostoevsky’s novels and investigates how the madman and the saint discern between good and evil. I first explore the metaphysical, spiritual, and moral universe of Dostoevsky’s characters by drawing on William Desmond’s philosophy of the between. Second, I argue that the madman’s misconstrual of reality can be grasped as an idolatrous, divisive, and parodic imitation of the good (Raskolnikov, Stavrogin, Kirillov). Third, I reflect on disembodied discernment. In some cases, due to the weakness of the moral agent, the good cannot be properly embo

APA, Harvard, Vancouver, ISO, and other styles

28

Kalashnikov, Alexander Vladimirorovich. "W.M. THACKERAY Y F.M. DOSTOYEVSKY: AUTORES QUE UTILIZAN NOMBRES SENSITIVOS. HOMENAJE A GRANDES NOVELISTAS." Mutatis Mutandis. Revista Latinoamericana de Traducción 4, no. 2 (2011): 205–14. http://dx.doi.org/10.17533/udea.mut.10342.

Full text

Abstract:

Este artículo se enfoca en nombres característicos que denominaremos caractónimos, en las obras de W.M. Thackeray (1811 - 1863) y de F.M. Dostoyevsky (1821 - 1881). El propósito de este trabajo es contribuir a los estudios sobre el legado de dos grandes autores, uno inglés, el otro ruso. Al estudiar los antropónimos en los trabajos de estos escritores, hemos definido y considerado dos tipos de caractónimos desde la perspectiva de la traducción: caractónimos velados y caractónimos personalia, que incluyen un subgrupo de caractónimos que incorporan una raíz característica. Para estudiar este tip

APA, Harvard, Vancouver, ISO, and other styles

29

Mehlich, Ju B. "N.A. Berdyaev’s “struggle” with I. Kant over irresponsible freedom and self-justification by philosophy." Solov’evskie issledovaniya, no. 1 (March 30, 2025): 98–111. https://doi.org/10.17588/2076-9210.2025.1.098-111.

Full text

Abstract:

The relevance of the study relates to the 300th anniversary of I. Kant and the 150th anniversary of N.A. Berdyaev. The novelty of the study lies in the substantiation of the thesis that Berdyaev’s “struggle” with Kant is the main motive and core of his philosophical thought. A comparative analysis of Berdyaev’s philosophising is carried out, in the course of which similarities and differences of his ideas with those of other philosophers are established. Berdyaev’s new religious consciousness includes the idea of the Eternal Covenant based on freedom and the idea of free theurgy of Vl. Solovyo

APA, Harvard, Vancouver, ISO, and other styles

30

Rudakova, Svetlana V., Tatyana B. Zaitseva, and Alexandr P. Vlaskin. "Forms and Functions of Speech Communication in F. M. Dostoevsky’s Demons." SibScript 26, no. 1 (2024): 150–60. http://dx.doi.org/10.21603/sibscript-2024-26-1-150-160.

Full text

Abstract:

Fyodor Dostoevsky’s novels resonate with the vibes of the current epoch: the fundamental issues that his personages tried to fathom are as relevant now as they were in the XIX century. The problem of communication is one of such issues: oral verbal interaction between people is one of the most disputed problems in modern humanities. The authors relied on the systematic approach, as well as on hermeneutical, analytical, and statistical methods, to analyze the peculiarities of verbal communication in F. M. Dostoevsky’s Demons. The analysis covered the way the author introduced the main character

APA, Harvard, Vancouver, ISO, and other styles

31

Krinitsyn, Alexander B. "The Motive of Foolishness in the Novel by F. M. Dostoevsky “Demons”." Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka 82, no. 3 (2023): 14–24. http://dx.doi.org/10.31857/s160578800026310-7.

Full text

Abstract:

The first part of the article reviews the study of the theme of foolishness in the “Pentateuch8j1; of F.M. Dostoevsky and some of his too broad interpretations are criticized. An own understanding of this motive and its real place in the writer’s work is developed. The differentiation of the holy fool and the foolish hero is carried out, as well as the difference between foolishness and buffoonery. In the second part of the work, the motif of foolishness in the novel “Demons8j1; is considered, since this is the only novel of the “pentateuch8j1; where this motif really performs an ideological a

APA, Harvard, Vancouver, ISO, and other styles

32

Borisova, Valentina, and Yue Li. "“The Priest and the Devil” — a Story that Dostoevsky Never Wrote." Неизвестный Достоевский 12, no. 1 (2025): 210–22. https://doi.org/10.15393/j10.art.2025.7801.

Full text

Abstract:

The article presents a critical analysis of a literary hoax — a text allegedly belonging to F. M. Dostoevsky with more than a century-long distribution history in the form of numerous translations in Japanese and Chinese. “The Priest and the Devil,” attributed to the Russian writer, has never existed in the Russian language. It was created in English by the anarchist Emma Goldman. Its spread in China was facilitated primarily by the mistaken identification of the story with the chapter “At Tikhon’s” from the novel “Demons” due to the similarity of their titles when translated into Chinese. In

APA, Harvard, Vancouver, ISO, and other styles

33

Belous, Anastasya A. "Russian elements or spiritual desert? (on the interpretation of the image of Stavrogin in the Russian emigrant criticism of 1920−1930s)." Sibirskiy filologicheskiy zhurnal, no. 1 (March 1, 2012): 96–99. http://dx.doi.org/10.17223/18137083/38/13.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Kibalnik, Sergey. "“DRAMA ON THE HUNT” BY ANTON CHEKHOV AS ALEXANDER OSTROVSKY’S HYBRID HYPERTEXT." Проблемы исторической поэтики 21, no. 4 (2023): 178–88. http://dx.doi.org/10.15393/j9.art.2023.12822.

Full text

Abstract:

The article is based on the material of the first major prose work of A. P. Chekhov — his “newspaper” detective novel “Drama on the Hunt” (1884–1885). The novel is a parody stylization not only for Western European and Russian detective literature of that time, but also for Russian literary classics. One of the objects of this stylization is the dramaturgic works of A. N. Ostrovsky. The article contains an analysis of specific textual representations of Chekhov’s stylization of Ostrovsky’s most famous plays, such as “Without a Dowry” and partly “The Thunderstorm.” The main character of the “Dr

APA, Harvard, Vancouver, ISO, and other styles

35

Rizzo, Vincenzo. "Trembling in Front of the Destiny." Dostoevsky and World Culture. Philological journal, no. 3 (2022): 37–47. http://dx.doi.org/10.22455/2619-0311-2022-3-37-47.

Full text

Abstract:

For Dostoevsky at the beginning of philosophy there is the mystical tremor not the wonder. The tremor is not fear or torment, but the wound of our weak human condition. Is a sign of our ontological dependence. In Crime and Punishment, the term tremor occurs many times. It breaks the closure of the self and reveals the need for the other. The tremor opens the way for Raskolnikov to inner change. Sonia trembles for him in the face of destiny because she wants salvation for him. She reads with emotion the passage from the Gospel about Lazarus. Sonia trembles and with the words of Jesus, she asks

APA, Harvard, Vancouver, ISO, and other styles

36

Soloshenko, Evgeniya A. "“Fyodor Mikhailovich Dostoevsky and European Culture: On the 200th Anniversary of the Great Russian Writer” International Scientific Conference." Russian Journal of Philosophical Sciences 66, no. 1 (2023): 148–59. http://dx.doi.org/10.30727/0235-1188-2022-66-1-148-159.

Full text

Abstract:

The article provides a summary of “Fyodor Mikhailovich Dostoevsky and European Culture” International Scientific Online Conference, held by the International Laboratory for the Study of Russian-European Intellectual Dialogue of the National Research University Higher School of Economics in cooperation with the Dostoevsky’s Moscow House Museum Center. At the conference, leading experts in various fields of the humanities presented various reports on the mutual influence of Dostoevsky and European culture. Research attention was paid to the problem of the influence of the Russian writer on the c

APA, Harvard, Vancouver, ISO, and other styles

37

Iudakhin, Artem A. "“Do you know, I have thought of giving up the world to the Pope…”: the anti-Catholic layer of the novel by F.M. Dostoevsky “Demons”." Neophilology, no. 3 (2023): 573–82. http://dx.doi.org/10.20310/2587-6953-2023-9-3-573-582.

Full text

Abstract:

We analyzed the anti-Catholic discourse of the novel by F.M. Dostoevsky “Demons” (1872). The object of the study is the religious and confessional views of F.M. Dostoevsky in the aspect of the writer’s polemics with Catholicism and the papacy. The research methodology is based on the principles of comparative and contextual analysis. The interdisciplinary nature of the study is due to the appeal to theological, philosophical, religious-confessional and socio-political issues. The materials of the study were the text of the novel “Demons”, handwritten editions and draft notes to the novel, as w

APA, Harvard, Vancouver, ISO, and other styles

38

Gorbarenko, E. A. "CHAOS OF «HORIZONS OF EXPECTATIONS» IN F.M. DOSTOEVSKY'S NOVEL «THE POSSESSED»." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 24, no. 87 (2022): 45–52. http://dx.doi.org/10.37313/2413-9645-2022-24-87-45-52.

Full text

Abstract:

The article offers a completely new perspective for Dostoevsky studies of the study of Dostoevsky's artistic creativity, specifically one of the novels of the «great five books» – the novel «The Prossessed». The concept of «horizons of expectations», which is used in the presented study, has received its justification within the framework of the receptive aesthetics of G.R. Jauss. In the works of Jauss, the main attention is paid to the peculiarities of the reader's perception of the text. In our study, we propose to expand the possibilities of this approach. Therefore, the concept of «horizon

APA, Harvard, Vancouver, ISO, and other styles

39

Kravchuk, I. A. "The Ghost of the Nephew: Napoleon iii in “The Demons” by F. M. Dostoevsky." Dostoevsky Journal 22, no. 1 (2021): 150–83. http://dx.doi.org/10.1163/23752122-02201003.

Full text

Abstract:

Abstract The article contains an analysis of one of the references to Emperor Napoleon iii in the preparatory materials of F. M. Dostoevsky for The Demons. In addition, the hypothesis of Louis Bonaparte as one of the prototypes of Peter Verkhovensky is considered. This assumption is based on the material of Dostoevsky’s notebooks and has already been expressed by V. A. Tunimanov and A. Pekurovskaya, although it has not yet received complete development. The article shows what are the details of Napoleon iii’s biography, what are the elements of his political tactics and individual myth that co

APA, Harvard, Vancouver, ISO, and other styles

40

Makarichev, F. V. "Artistic redundancy of Fyodor Dostoevsky's early works." Vestnik of North-Eastern Federal University 21, no. 3 (2024): 142–49. https://doi.org/10.25587/2222-5404-2024-21-3-142-149.

Full text

Abstract:

The author's goal is to study such a phenomenon as artistic redundancy. A study of Dostoevsky's works shows that some images and plots were originally conceived by the writer more complex and diverse than they were included in the final text of the work. This is confirmed by the drafts and notebooks of the writer, in which the stages of the creative process are recorded. Dostoevsky returned to unused fiction when writing subsequent stories and novels, creating variants of the intended characters and plots. Therefore, there were several tasks for the study of early works: to highlight the artis

APA, Harvard, Vancouver, ISO, and other styles

41

Ostapenko, Anton Sergeevich. "The image of Pyotr Verkhovensky from F. M. Dostoevsky's novel «Demons»: from the real S. G. Nechaev to new images in the cinema." Культура и искусство, no. 4 (April 2024): 53–64. http://dx.doi.org/10.7256/2454-0625.2024.4.69957.

Full text

Abstract:

The author of the article offers the analysis and dissection of the image of Peter Verkhovensky, one of the main characters of F. M. Dostoevsky's novel «Demons» (1872). The prototypes of the hero from the history of Russia of the XIX'th century are considered in detail, on the example of S. G. Nechaev and M. V. Petrashevsky. The image of a character from F. M. Dostoevsky's novel is analyzed. The author pays special attention to the review of the hero's representation in three post-Soviet film adaptations from 1992 to 2024. The author analyzes the characteristic features, behavior and motivatio

APA, Harvard, Vancouver, ISO, and other styles

42

Kovalevskaya, Tatyana V. "Crime and Punishment and British Gothic of Horror." Dostoevsky and World Culture. Philological journal, no. 2 (26) (2024): 101–30. http://dx.doi.org/10.22455/2619-0311-2024-2-101-130.

Full text

Abstract:

The article considers Fyodor Dostoevsky’s Crime and Punishment alongside several works of the British Gothic tradition of horror (Matthew Gregory Lewis’s The Monk, John William Polidori’s “The Vampyre”) and Mary Shelley’s Frankenstein, or The Modern Prometheus that essentially is the first representative of science fiction in British literature. The fantastic element in the gothic of horror was very important for Dostoevsky as a visible manifestation of the level of being beyond the material plane. “The Vampyre” and The Monk manifest certain commonality of themes and motifs with both Dostoevsk

APA, Harvard, Vancouver, ISO, and other styles

43

Saraskina, Liudmila I. "“Do Not Blame Anyone...” The Suicide Note as a Trait of the Character’s Image." Dostoevsky and World Culture. Philological journal, no. 1 (2022): 63–99. http://dx.doi.org/10.22455/2619-0311-2022-1-63-99.

Full text

Abstract:

The paper analyses the destinies of those characters in Dostoevsky’s novels who resolved to voluntarily part with their lives, committing suicide. The author tries to understand the ideological and practical motives, as well as the concomitant declarations and immediate reasons for these gestures. It is asserted that in every case the decision to annihilate oneself is taken with great effort and that life instinct persists in one’s heart till the very last instants which remain a mystery for those who stay alive. In this respect, the case of Kirillov in The Possessed is unique. The suicide not

APA, Harvard, Vancouver, ISO, and other styles

44

Fatenkov, Aleksey. "Unreasonably Caused (on the Essence of Evil)." Chelovek 33, no. 2 (2022): 147. http://dx.doi.org/10.31857/s023620070019516-4.

Full text

Abstract:

A hypothesis is presented and justified, according to which the essence of evil is considered as something that is unreasonably caused. The author&apos;s arguments are supported by the conceptual interrelation between the following three statements: 1) dialectically conflicting interpretation of evil; 2) traditional classification of evil as an unvalue; 3) suspicious attitude towards causality, which is characteristic of philosophical schools that are not strictly rationalistically oriented. By differentiating causation and founding, evil differs from good, which is understood in its essen

APA, Harvard, Vancouver, ISO, and other styles

45

Lomova, E., A. Tsoy, Y. Arziyeva, and Z. Kokenova. "TYPOLOGY OF FEMALE CHARACTERS IN F. DOSTOEVSKY'S PROSE." POLISH JOURNAL OF SCIENCE, no. 79 (October 17, 2024): 42–46. https://doi.org/10.5281/zenodo.13943373.

Full text

Abstract:

In the novel "Crime and Punishment" Ekaterina Ivanovna represents a contradictory and eccentric nature. She deliberately emphasizes her noble birth and forced presence among people of a lower social circle. The absence of the divine principle in Ekaterina Ivanovna's soul is also confirmed in the figurative structure of F.'s novel. Dostoevsky. She is legitimately compared with Rodion Raskolnikov's mother Pulcheria Alexandrovna. The image of Rodion Raskolnikov's sister Avdotya Romanovna is considered in literary studies to be one of the most vital and recognizable in real life. In Doona, as in R

APA, Harvard, Vancouver, ISO, and other styles

46

Kaianidi, Leonid. "The special features of the transformation of Vyacheslav Ivanov’s mystical anthropologyin the 1930th: the article “Anima” in the light of the dionysian-mysterial metatext." St. Tikhons' University Review 114 (August 30, 2024): 113–32. http://dx.doi.org/10.15382/sturi2024114.113-132.

Full text

Abstract:

The article «Anima» is the most important Ivanov’s work during the period of emigration, representing his religious and mystical views to the European reader. It presents a kind of symbolic and phenomenological description of the dynamic structure of religious and mystical consciousness. In our article, we have three goals: 1) to establish a conceptual relationship between the early (article «Ty esi») and the late («Anima») version of Ivanov’s mystical anthropology, 2) to describe the transformations of Ivanov’s mystical anthropology in the 1930th, 3) to establish the specifics of Ivanov’s mys

APA, Harvard, Vancouver, ISO, and other styles

47

Dr., Vinodhini Chinnaswamy. "DEMONS AS A MARK OF DOSTOEVSKY'S RELIGIOUS IDEA PORTRAYED THROUGH THE PSYCHOLOGICAL TRAUMA OF KIRILLOV AND SHATOV." International Journal of Advance and Applied Research 9, no. 6 (2022): 201–5. https://doi.org/10.5281/zenodo.7069923.

Full text

Abstract:

<strong><em>Abstract:</em></strong> <em>            Kirillov and Shatov, the two characters in Dostoevsky's novel Demons, demonstrate a polar disparity in the need for and significance of God. In the novel, Kirillov takes on the role of Christ. He intends to commit suicide in order to liberate the other members of the gang from their misdeeds. He also takes on the persona of Christ in that he wants to die in order for all humans to be free, to realize their God-like nature. Shatov wants to believe in God, but he doesn't believe he

APA, Harvard, Vancouver, ISO, and other styles

48

Svintsov, Vitalii. "Dostoevsky and Stavrogin's Sin." Russian Studies in Literature 34, no. 4 (1998): 28–55. http://dx.doi.org/10.2753/rsl1061-1975340428.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Kibalnik, Sergey. "The Idea of “Restoration of a Ruined Person” in Classic Russian Literature (Dostoevsky, Tolstoy, Chekhov)." Проблемы исторической поэтики 22, no. 1 (2024): 157–75. http://dx.doi.org/10.15393/j9.art.2024.12882.

Full text

Abstract:

Dostoevsky considered “restoration of a ruined person” to be “the key idea of all art of the nineteenth century.” This is exactly what makes up the inner plot of many of the writer’s works. Such a “restoration” is not so much actually happening as it is implicit in some of them. This is the case in “Crime and Punishment” and “The Brothers Karamazov.” At the same time, in both works it is not only not articulated, but is barely outlined. Meanwhile, there are researchers who believe that Dmitry Karamazov is not sent to hard labor, but flees to America — this is how open the novel’s ending is. At

APA, Harvard, Vancouver, ISO, and other styles

50

Viktorovich, Vladimir. "Dostoevsky’s Lost Play “Boris Godunov” (Sources, Concept)." Неизвестный Достоевский 11, no. 1 (2024): 5–43. http://dx.doi.org/10.15393/j10.art.2024.7121.

Full text

Abstract:

According to contemporaries, the play “Boris Godunov” was written by Dostoevsky before he began work on the novel “Poor People.” The manuscript of the play is lost. Some assumptions about its composition have been made in the scientific literature, but this article for the first time undertakes a systematic analysis, if possible, of all the alleged sources of the idea, as well as some of its reflections in the writer’s later works. The article examines the situation in Russian historiography and fiction related the coverage of the reign of Boris Godunov and the personality of the tsar himself

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!