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1

Verba, Daniel. Trinidad: Carnaval, steelbands, calypso. Editions Alternatives, 1995.

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2

Steel drums and steelbands: A history. Scarecrow Press, 2012.

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3

Goddard, George "Sonny." Forty years in the steelbands: 1939-1979. Karia Press, 1991.

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4

Goddard, George. Forty years in the steelbands, 1939-1979. Karia Press, 1991.

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5

Pan jumbie: Mémoire sociale et musicale dans les steelbands, Trinidad et Tobago. Société d'ethnologie, 2012.

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6

Charles, Joseph. A Pan story: Paintings on the development of the steelpan. National Museum of Trinidad & Tobago, 2004.

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7

Maxime, Gideon. Steelband showcase. Gideon Maxime, 2002.

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8

Stuempfle, Stephen. The steelband movement: The forging of a national art in Trinidad and Tobago. Press University of the West Indies, 1995.

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9

The steelband movement: The forging of a national art in Trinidad and Tobago. University of Pennsylvania Press, 1995.

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10

Steelband kit book. Tiger Books, 1989.

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11

Bartholomew, John. The steel band. Oxford University Press, Music Department, 1997.

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12

University of Trinidad and Tobago, ed. The illustrated story of pan. University of Trinidad and Tobago, O'Meara Campus, 2011.

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13

Gideon, Maxime. Steelband Music Festivals, 1952-1989. Macprint Promotions, 1990.

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14

Maxime, Gideon. Steelband music festivals, 1952-1989. Macprint Promotions, 1990.

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15

Nielsen, Hans Christian. Calypso og steelband: Musik fra Trinidad. Systime, 1993.

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16

Connor, Geraldine. PAN!: The steelband movement in Britain. Gbakhanda Pub., 2011.

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17

Unit, Ras Kimani Langa Research. Cultural arts in Britain (special emphasis- steelband): Report. Community Roots College, 1988.

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18

McEachnie, Andre. From Oval Boys to Invaders: Anecdotes of the Invaders Steelband. Branckas Pub., 2008.

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19

McEachnie, Andre. From Oval Boys to Invaders: Anecdotes of the Invaders Steelband. Branckas Pub., 2008.

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20

McEachnie, Andre. From Oval Boys to Invaders: Anecdotes of the Invaders Steelband. Branckas Pub., 2008.

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21

Maxime, Gideon. History of Steelband Panorama of Trinidad and Tobago, 1963-1990. s.n., 1990.

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22

McEachnie, Andre. From Oval Boys to Invaders: Anecdotes of the Invaders Steelband. Branckas Pub., 2008.

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23

Bernard, Lange. Vincent de Souza's story of the earliest beginnings of the steelband. N.E.M. (West Indies) Insurance, 1989.

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24

The advent of the steelband and my life and times with it. J. Slater], 1995.

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25

Wilkins, Verna. The history of the steel band. Tamarind, 2006.

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26

Dudley, Shannon. Music from behind the bridge: Steelband spirit and politics in Trinidad and Tobago. Oxford University Press, 2008.

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27

Dudley, Shannon. Music from behind the bridge: Steelband spirit and politics in Trinidad and Tobago. Oxford University Press, 2006.

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28

Dudley, Shannon. Music from behind the bridge: Steelband spirit and the politics of festivity in Trinidad and Tobago. Oxford University Press, 2007.

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29

Neil, Ancil Anthony. Voices from the hills: Despers & Laventille : the steelband and its effects on poverty, stigma & violence in a community. A.A. Neil, 1987.

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30

Neil, Ancil Anthony. Voices from the hills: Despers & Laventille : the steelband and its effects on poverty, stigma & violence in a community : a classic study of the social, political, and economic changes in a community. A.A. Neil, 1987.

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31

Neil, Ancil Anthony. Voices from the hills: Despers & Laventille : the steelband and its effects on poverty, stigma & violence in a community : a classic study of the social, political and economic changes in a community. [s.n.], 1987.

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32

Verba, Daniel. Trinidad: Carnaval, steelbands, calypso. Editions Alternatives, 1995.

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33

Dudley, Shannon. Musical ambition and community-building in Trinidad and Tobago’s steel orchestras. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199352227.003.0004.

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The steelband emerged in Trinidad in the 1940s as a musical expression of disadvantaged urban youths who made ingenious use of discarded metal containers to accompany carnival dancing and singing. Within a few short years, however, steelpans moved from the social margins to a privileged placed in Trinidad and Tobago’s national culture, and from road to stage. Today, the government of Trinidad and Tobago funds a professional National Steel Symphony Orchestra, and steelpans are also incorporated into Trinidad and Tobago’s National Sinfonia. In this chapter, I reflect on this transformation throu
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34

Smith, Angela. Steel Drums and Steelbands: A History. Scarecrow Press, Incorporated, 2013.

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35

PAN is beautiful 3: The immortal classics played by the world's best steelbands : Trinidad and Tobago Steelband music festival 1984. Trini-T, 1988.

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36

BAND, BRUTUS MARCATO STEEL. Steelband treasure. Coral Island Records, 1986.

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37

The Steelband Movement: The Forging of a National Art in Trinidad and Tobago. University of Pennsylvania Press, 1996.

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38

Stuempfle, Stephen. The Steelband Movement: The Forging of a National Art in Trinidad and Tobago. University of Pennsylvania Press, 1996.

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39

John, Bartholomew. The Steel Band (Topics in Music Series). Oxford University Press, USA, 1985.

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40

Trinibago, Pan, ed. Pan is beautiful V: World steelband festival. Pan Trinibago, 1988.

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41

Hunt, Roderick. Oxford Reading Tree: Stage 3: First Phonics: The Steel band. Oxford University Press, 2004.

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42

From Tin Pan to TASPO: Steelband in Trinidad, 1939-1951. University of the West Indies Press, 2013.

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43

Martin, Andrew, Ray Funk, and Jeannine Remy. Steelpan in Education: A History of the Northern Illinois University Steelband. Northern Illinois University Press, 2017.

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44

Allen, Ray. Jump Up! Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190656843.001.0001.

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Jump Up! Caribbean Carnival Music in New York City is the first comprehensive history of Trinidadian calypso and steelband music in the diaspora. Carnival, transplanted from Trinidad to Harlem in the 1930s and to Brooklyn in the late 1960s, provides the cultural context for the study. Blending urban studies, oral history, archival research, and ethnography, Jump Up! examines how members of New York’s diverse Anglophile-Caribbean communities forged transnational identities through the self-conscious embrace, transformation, and hybridization of select Carnival music styles and performances. The
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45

Music from behind the Bridge: Steelband Aesthetics and Politics in Trinidad and Tobago. Oxford University Press, USA, 2007.

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46

Music from behind the Bridge: Steelband Aesthetics and Politics in Trinidad and Tobago. Oxford University Press, USA, 2007.

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47

Nurse, A. Myrna. Unheard Voices: The Rise of Steelband and Calypso in the Caribbean and North America. iUniverse, Inc., 2007.

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48

Panriga: Tacarigua's contribution to the evolution of the steelband phenomenon in Trinidad and Tobago. Original World Press, 1999.

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49

Panriga: Tacarigua's contribution to the evolution of the steelband phenomenon in Trinidad and Tobago. Original World Press, 1999.

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50

Martin, Andrew R. Steelpan Ambassadors. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496812407.001.0001.

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“Maybe you won't like steel band. It's possible. But it's been said that the Pied Piper had a steel band helping him on his famous visit to Hamelin.” When the US Navy distributed this press release, anxieties and tensions of the impending Cold War felt palpable. As President Eisenhower cast his gaze toward Russia, the American people cast their ears to the Atlantic South, infatuated with the international currents of Caribbean music. Today, steel bands have become a global phenomenon; yet, in 1957 the exotic sound and the unique image of the US Navy Steel Band was one-of-a-kind. From 1957 unti
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