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Journal articles on the topic 'Steelbands'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Haskett, Brandon L. "Media Review: Steel Drums and Steelbands: A History." Journal of Historical Research in Music Education 35, no. 2 (2014): 158–60. http://dx.doi.org/10.1177/153660061403500207.

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2

Helmlinger, Aurélie. "Pourquoi faire simple quand on peut faire compliqué ?" Anthropologie et Sociétés 38, no. 1 (2014): 139–66. http://dx.doi.org/10.7202/1025812ar.

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Comment un instrument de musique à l’ergonomie aussi difficile que le double tenor pan a-t-il pu se diffuser aussi largement dans les steelbands, ces orchestres de métallophones de Trinidad et Tobago, alors que l’évolution topologique des autres instruments tendait au contraire vers la rationalisation ? On tentera d’abord de comprendre ce qui rend cet instrument cognitivement si coûteux, puis on analysera ce qui a fait son succès. On verra notamment que le parcours de son concepteur, Bertie Marshall, est essentiel dans la construction des représentations à son égard.

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3

Helmlinger, Aurélie. "Les steelbands de Trinidad et Tobago : Ethnomusicologie cognitive d’une mémoire d’orchestre." Intellectica. Revue de l'Association pour la Recherche Cognitive 48, no. 1 (2008): 81–101. http://dx.doi.org/10.3406/intel.2008.1241.

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4

Montagnani, Tommaso. "Aurélie Helmlinger. Pan Jumbie. Mémoire sociale et musicale dans les steelbands (Trinidad et Tobago)." Gradhiva, no. 17 (May 16, 2013): 220–21. http://dx.doi.org/10.4000/gradhiva.2685.

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5

Helmlinger, Aurélie. "Geste individuel, mémoire collective: Le jeu du pan dans les steelbands de Trinidad & Tobago." Cahiers de musiques traditionnelles 14 (2001): 181. http://dx.doi.org/10.2307/40240408.

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6

Helmlinger, Aurélie. "Mémoire et jeu d'ensemble La mémorisation du répertoire musical dans les steelbands de Trinidad et Tobago." Cahiers de musiques traditionnelles 19 (2006): 307. http://dx.doi.org/10.2307/40240662.

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7

Malm, Krister. "Steel Drums and Steelbands. A History. By Angela Smith. The Scarecrow Press, 2012. xvii + 209 pp. ISBN 978-0-8108-8342-0." Popular Music 32, no. 2 (2013): 324–26. http://dx.doi.org/10.1017/s0261143013000172.

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8

Hill, Donald R. "Angela Smith, Steel Drums and Steelbands: A History. Lanham MD: Scarecrow Press, 2012. xiv + 209 pp. (Cloth US$65.00, Kindle US$51.54)." New West Indian Guide 88, no. 3-4 (2014): 431–33. http://dx.doi.org/10.1163/22134360-08803054.

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9

Alexis, Clifford, Allan O’Connor, and Liam Teague. "Music of the steelband." Journal of the Acoustical Society of America 98, no. 5 (1995): 2975. http://dx.doi.org/10.1121/1.413932.

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10

Juman, Solaiman, Collin S. Karmody, and Donald Simeon. "Hearing Loss in Steelband Musicians." Otolaryngology–Head and Neck Surgery 131, no. 4 (2004): 461–65. http://dx.doi.org/10.1016/j.otohns.2003.12.023.

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11

Stuempfle, Stephen. "Recent Steelband Recordings from Trinidad." Journal of American Folklore 110, no. 435 (1997): 73. http://dx.doi.org/10.2307/541587.

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12

Hector, Tim. "The Steelband as Nationalism and Art." CLR James Journal 8, no. 1 (2000): 108–15. http://dx.doi.org/10.5840/clrjames2000/20018114.

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13

Brown, Ernest D. "Carnival, Calypso, and Steelband in Trinidad." Black Perspective in Music 18, no. 1/2 (1990): 81. http://dx.doi.org/10.2307/1214859.

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14

Dudley, Shannon. "Dropping the Bomb: Steelband Performance and Meaning in 1960s Trinidad." Ethnomusicology 46, no. 1 (2002): 135. http://dx.doi.org/10.2307/852811.

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15

Dudley, Shannon. "Ray Holman and the Changing Role of the Steelband, 1957-72." Latin American Music Review 22, no. 2 (2001): 183–98. http://dx.doi.org/10.1353/lat.2001.0012.

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16

Warner, Keith Q., and Stephen Stuempfle. "The Steelband Movement: The Forging of a National Art in Trinidad and Tobago." Western Folklore 57, no. 1 (1998): 70. http://dx.doi.org/10.2307/1500253.

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17

Stokes, Martin, and Stephen Stuempfle. "The Steelband Movement: The Forging of a National Art in Trinidad and Tobago." Journal of the Royal Anthropological Institute 5, no. 1 (1999): 103. http://dx.doi.org/10.2307/2660969.

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18

Dudley, Shannon. "The Steelband "Own Tune": Nationalism, Festivity, and Musical Strategies in Trinidad's Panorama Competition." Black Music Research Journal 22, no. 1 (2002): 13. http://dx.doi.org/10.2307/1519963.

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19

Dudley, Shannon, and Stephen Stuempfle. "The Steelband Movement: The Forging of a National Art in Trinidad and Tobago." Ethnomusicology 42, no. 2 (1998): 366. http://dx.doi.org/10.2307/3113905.

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20

Averill, Gage, and Stephen Stuempfle. "The Steelband Movement: The Forging of a National Art in Trinidad and Tobago." Yearbook for Traditional Music 29 (1997): 164. http://dx.doi.org/10.2307/768311.

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21

Chow, David, and Brian Copeland. "A method for predicting the performance of a steelband orchestra in arbitrary environments." Journal of the Acoustical Society of America 137, no. 4 (2015): 2317–18. http://dx.doi.org/10.1121/1.4920459.

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22

Liverpool, Hollis Urban. "Researching Steelband and Calypso Music in the British Caribbean and the U. S. Virgin Islands." Black Music Research Journal 14, no. 2 (1994): 179. http://dx.doi.org/10.2307/779483.

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23

Wei, Shao Ming. "Progress of Studies on Durability of FRP Rods Used in Civil Engineering." Applied Mechanics and Materials 395-396 (September 2013): 451–54. http://dx.doi.org/10.4028/www.scientific.net/amm.395-396.451.

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Fiber reinforced polymer ( FRP) rods have a broad application in civil eng ineering field used as a material substiting steelbars. Based on the domestic and abroad research, the durability of the fiber reinforced polymer (FRP) rods undermultifarious environmental conditions is summarized in this paper, and the effect of environments such as temperature, humidity, corrosion from acid, alkaline and salt solutions on durability performance of FRP materials as well as the degradation of the bond characteristics between FRP rods and the interface of concrete caused by the acceleration environment t

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24

Hill, Donald R. "From Tin Pan to TASPO: Steelband in Trinidad, 1939-1951. Kim Johnson. Kingston: University of the West Indies Press, 2011. viii + 350 pp. (Paper US$ 50)." New West Indian Guide 87, no. 3-4 (2013): 455–57. http://dx.doi.org/10.1163/22134360-12340096.

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25

CHASTEEN, JOHN CHARLES. "Stephen Stuempfle, The Steelband Movement: The Forging of a National Art in Trinidad and Tobago (Philadelphia PA: University of Pennsylvania Press, 1996), pp. xx + 287, £36.95, £15.95 pb." Journal of Latin American Studies 29, no. 2 (1997): 495–548. http://dx.doi.org/10.1017/s0022216x97604769.

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26

ALLEYNEDETTMERS, P. "The steelband movement: the forging of a national art in Trinidad and Tobago Stuempfle, Stephen (1996), University of Pennsylvania Press (Pennsylvania and London). xx + 287 pp. $dollar;36.95 hbk, $dollar;15.95 pbk." Bulletin of Latin American Research 16, no. 2 (1997): 227–28. http://dx.doi.org/10.1016/s0261-3050(97)83601-7.

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27

KITLV, Redactie. "Book reviews." New West Indian Guide / Nieuwe West-Indische Gids 83, no. 3-4 (2009): 294–360. http://dx.doi.org/10.1163/13822373-90002456.

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David Brion Davis, Inhuman Bondage: The Rise and Fall of Slavery in the New World (Trevor Burnard)Louis Sala-Molins, Dark Side of the Light: Slavery and the French Enlightenment (R. Darrell Meadows)Stephanie E. Smallwood, Saltwater Slavery: A Middle Passage from Africa to American Diaspora (Stephen D. Behrendt)Ruben Gowricharn, Caribbean Transnationalism: Migration, Pluralization, and Social Cohesion (D. Aliss a Trotz)Vilna Francine Bashi, Survival of the Knitted: Immigrant Social Networks in a Stratified World (Riva Berleant)Dwaine E. Plaza & Frances Henry (eds.), Returning to the Source:

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28

Smith, Hope Munro. "Governing Sound: The Cultural Politics of Trinidad’s Carnival Musics, and: Bacchanalian Sentiments: Musical Experiences and Political Counterpoints in Trinidad, and: Music from Behind the Bridge: Steelband Spirit and Politics in Trinidad and Tobago (review)." Latin American Music Review 31, no. 2 (2010): 279–83. http://dx.doi.org/10.1353/lat.2010.0019.

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29

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 71, no. 3-4 (1997): 317–91. http://dx.doi.org/10.1163/13822373-90002612.

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-Leslie G. Desmangles, Joan Dayan, Haiti, history, and the Gods. Berkeley: University of California Press, 1995. xxiii + 339 pp.-Barry Chevannes, James T. Houk, Spirits, blood, and drums: The Orisha religion in Trinidad. Philadelphia: Temple University Press, 1995. xvi + 238 pp.-Barry Chevannes, Walter F. Pitts, Jr., Old ship of Zion: The Afro-Baptist ritual in the African Diaspora. New York: Oxford University Press, 1993. xvi + 199 pp.-Robert J. Stewart, Lewin L. Williams, Caribbean theology. New York: Peter Lang, 1994. xiii + 231 pp.-Robert J. Stewart, Barry Chevannes, Rastafari and other Af

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30

"Steel drums and steelbands: a history." Choice Reviews Online 50, no. 04 (2012): 50–1985. http://dx.doi.org/10.5860/choice.50-1985.

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31

Ferran, Hugo. "Pan Jumbie. Mémoire sociale et musicale dans les steelbands (Trinidad et Tobago)." Cahiers d'études africaines, no. 216 (October 5, 2014). http://dx.doi.org/10.4000/etudesafricaines.17974.

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32

Kuijlaars, Antoinette. "Aurélie Helmlinger, Pan Jumbie. Mémoire sociale et musicale dans les steelbands (Trinidad et Tobago)." Lectures, June 11, 2013. http://dx.doi.org/10.4000/lectures.11713.

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33

Palleschi, Aisling. "The Strength of Steel: Nationality and Power within Trinidad Carnival Music." Inquiry@Queen's Undergraduate Research Conference Proceedings, February 20, 2018. http://dx.doi.org/10.24908/iqurcp.9999.

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This paper discusses how steelband music within Trinidad carnival simultaneously enhances and confuses feelings of national identity. In my current research exploring politics and power in Caribbean carnival music, steel pan has proven to be a strong case study, providing compelling illustrations of the issues surrounding ethnicity, social and economic class structures, politics, and nationalism. The music of steel pan began as a lower-class, ‘grass-roots’, “vulgar, underclass pastime” (Dudley 2007: 3). To the elite citizens, steelband music threatened the social hierarchy and because the laws

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34

"The steelband movement: the forging of a national art in Trinidad and Tobago." Choice Reviews Online 33, no. 11 (1996): 33–6216. http://dx.doi.org/10.5860/choice.33-6216.

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