Relevant bibliographies by topics / Steinbeck

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Steinbeck'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Steinbeck"

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Etheridge, Charles, and Barbara A. Heavilin. "A Retrospective of Steinbeck Biographies." Steinbeck Review 20, no. 2 (December 1, 2023): 149–82. http://dx.doi.org/10.5325/steinbeckreview.20.2.0149.

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Abstract John Steinbeck has been the subject of seven biographies. After a brief definition of what constitutes a “literary biography,” these seven biographies are here divided into three classes: non-literary biographies, full-length biographies (which treat Steinbeck’s life as a whole), and books that chronicle an important relationship between Steinbeck and a person who influenced his artistic development. Each biography is discussed in this order. Non-literary biographies include John Steinbeck, Knight Errant: An Intimate Biography of His California Years by Nelson Valjean (1975) and The Intricate Music: A Biography of John Steinbeck by Thomas Kiernan (1979). Full-length biographies include The True Adventures of John Steinbeck, Writer by Jackson J. Benson (1984), John Steinbeck: A Life by Jay Parini (1995), and Mad at the World: A Life of John Steinbeck by William Souder (2020). Biographies that highlight one of Steinbeck’s important relationships include John Steinbeck and Edward F. Ricketts: The Shaping of a Novelist by Richard Astro (1973), and Carol and John Steinbeck: Portrait of a Marriage by Susan Shillinglaw (2013).
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Hicks, Kathleen. "Steinbeck Today." Steinbeck Review 20, no. 1 (June 2023): 117–21. http://dx.doi.org/10.5325/steinbeckreview.20.1.0117.

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Abstract “Steinbeck Today” covers newsworthy notes and contemporary events related to Steinbeck in popular culture and scholarship. This edition features connections between Steinbeck’s work and the ongoing conflict in Ukraine, updates on efforts to preserve his historic property in Sag Harbor, and work by recent winner of the John Steinbeck Award, Jacqueline Woodson.
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Van Coutren, Peter. "Steinbeck Today." Steinbeck Review 19, no. 1 (June 1, 2022): 100–105. http://dx.doi.org/10.5325/steinbeckreview.19.1.0100.

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Abstract In the second half of 2021, Steinbeck activities included news of the Western Flyer, a book on Ed Ricketts, and the publication of Between Pacific Tides. Archivist Donald Kohrs and Professor Richard Astro provided a look into Ricketts’s collection of books and papers that informed his scientific focus. There followed news of the Steinbeck Festival in Ireland and celebrations around Steinbeck’s birthday.
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Ray, William. "Steinbeck Today." Steinbeck Review 18, no. 2 (2021): 201–4. http://dx.doi.org/10.5325/steinbeckreview.18.2.0201.

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Abstract News of Steinbeck activities in the first half of 2021 was limited by COVID-19, but a reading of one history of the so-called Spanish influenza pandemic includes Steinbeck's 1918 illness in its purview, and new books by William Souder and Gavin Jones provide a deeply sympathetic examination of Steinbeck's life and work from a contemporary perspective.
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Dawson, Jon Falsarella. "Steinbeck Today." Steinbeck Review 20, no. 2 (December 1, 2023): 282–89. http://dx.doi.org/10.5325/steinbeckreview.20.2.0282.

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Abstract “Steinbeck Today” includes contemporary notes and mentions of John Steinbeck’s works and legacy of interest to scholars, fans, and general-interest readers. In 2022 and early 2023, Steinbeck’s fiction has continued to cause controversy, most notably in popular discourse regarding banned books, while also inspiring adaptations in range of mediums, including performances of Of Mice and Men as ballet and an opera. Further, this period has seen efforts to preserve sites that are significant to Steinbeck’s life and work.
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Gladstein, Mimi Reisel. "Soldiering with Steinbeck." Steinbeck Review 20, no. 2 (December 1, 2023): 276–81. http://dx.doi.org/10.5325/steinbeckreview.20.2.0276.

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Abstract “Soldiering with Steinbeck” was delivered as a talk at the 2023 International Steinbeck Conference at San Jose State University. The talk recounts Steinbeck’s varied experiences as a war correspondent and witness across various theaters in World War II and the Vietnam War. Never an enlisted soldier himself, through his writings, Steinbeck provides unique insight into conflict, his own observations on the horrors of war, the life and ways of soldiers, and even his relationship with his own son, John Steinbeck IV, who was drafted into the Vietnam War and served there at the same time his father was working as a war correspondent.
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Koci, Katerina. "On the Legacy of the Land: Ideology Criticism of Walter Brueggemann and John Steinbeck." Theology Today 78, no. 1 (April 2021): 13–28. http://dx.doi.org/10.1177/0040573620959249.

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This article addresses the sensitive, religious-political issue of the promised land. It discusses this issue from the perspective of the criticism of the promised land in the works of Walter Brueggemann in comparison to his artistic source of influence, John Steinbeck. After the systematic analysis of Brueggemann’s criticism of land ideology throughout his work, I elaborate on Steinbeck’s critical attitude to this topic which I offer as Steinbeck’s own alternative criticism. On top of the affirmation that “Steinbeck may have put the issue of the land most eloquently,” as suggested by Brueggemann himself, I propose that Steinbeck (unlike Brueggemann) does not fall into the trap of producing an inverted ideology and offers a balanced and timeless criticism of the promised land issue.
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Wansart, Nikolai. "Dismantling the American Sublime: Crisis in John Steinbeck’s Sublime West." Steinbeck Review 20, no. 2 (December 1, 2023): 256–75. http://dx.doi.org/10.5325/steinbeckreview.20.2.0256.

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Abstract This article examines John Steinbeck’s transformation of the aesthetics of the American Sublime in twentieth-century America. In To a God Unknown (1933), The Grapes of Wrath (1939), East of Eden (1952), and Travels with Charley (1962), Steinbeck taps into the tradition of the sublime that Transcendentalism and the Hudson River School had adapted for American literature. The American Sublime functions in three dimensions, all of which Steinbeck uses: first, in the connotation that the natural space of the continent is nationalistically American; second, in socioeconomic developments that realize the nation’s potential in agricultural economy; and third, in visual tradition. Steinbeck’s sensitivity for this complex of ideas is evidenced in his reception of Emerson’s works in the 1930s. For his descriptions of Steinbeck country closely resemble the visual perspectives in which the Hudson River School portrayed the American Sublime. Steinbeck’s dismantling of this aesthetic is related to his ecological monism: It emphasizes the ultimate dependence of the American Sublime on natural realities and contradicts the economic rationalizations of Steinbeck country, which eventually divide into economic and social fragments in The Grapes of Wrath. By echoing the visual presentations and ideological directives of the most comprehensively conceptualized sublime in America from the nineteenth century and illustrating its defeat at the hands of a capitalized, displaced nation, Steinbeck’s treatment of the sublime also anticipates its discussion in postmodernism.
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SHILLINGLAW, SUSAN. "Steinbeck's Last Words." Resources for American Literary Study 36 (January 1, 2011): 295–301. http://dx.doi.org/10.2307/26367532.

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Abstract Steinbeck's “last words” were about the war in Vietnam. Written in 1966–67, Steinbeck's Vietnam dispatches were published in newspapers across America as “Letters to Alicia” and have been collected for the first time in Steinbeck in Vietnam: Dispatches from the War, edited by Thomas Barden. In a lucid introduction and afterword, Barden explains why the ailing Steinbeck, whose son John was serving in Vietnam, felt compelled to witness this unpopular war for himself. While Steinbeck's “last words” are far from his best, they nonetheless offer captivating evidence of a writer who cared deeply about his country's stake in the world.
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SHILLINGLAW, SUSAN. "Steinbeck's Last Words." Resources for American Literary Study 36 (January 1, 2011): 295–301. http://dx.doi.org/10.5325/resoamerlitestud.36.2011.0295.

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Abstract Steinbeck's “last words” were about the war in Vietnam. Written in 1966–67, Steinbeck's Vietnam dispatches were published in newspapers across America as “Letters to Alicia” and have been collected for the first time in Steinbeck in Vietnam: Dispatches from the War, edited by Thomas Barden. In a lucid introduction and afterword, Barden explains why the ailing Steinbeck, whose son John was serving in Vietnam, felt compelled to witness this unpopular war for himself. While Steinbeck's “last words” are far from his best, they nonetheless offer captivating evidence of a writer who cared deeply about his country's stake in the world.
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Dissertations / Theses on the topic "Steinbeck"

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Jacobs, Christine. "The Reawakening of Steinbeck." Cleveland State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=csu1276890557.

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Simkins, William Scott. "Steinbeck the Writer-Knight." W&M ScholarWorks, 1990. https://scholarworks.wm.edu/etd/1539625595.

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Jasinski, Shawn. "John Steinbeck As a Radical Novelist." ScholarWorks @ UVM, 2008. http://scholarworks.uvm.edu/graddis/117.

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The radical literary tradition of the 1930‟s inspired many American authors to become more concerned with the struggle of the proletariat. John Steinbeck is one of these authors. Steinbeck‟s novels throughout the 1930‟s and 1940‟s display a lack of agreement with the common Communist principles being portrayed by other radical novelists, but also a definite alignment with several more basic Marxist principles. The core of his radical philosophy comes in the form of his interest in group-man or the phalanx. An interest that is rather uncommon for the period, as most radical novelists were more concerned with illustrating the solitary nature of the proletarian worker. Over the course of his career this philosophy evolves, as can be illustrated through an analysis of In Dubious Battle, The Grapes of Wrath, and Cannery Row. In Dubious Battle is highly critical of Communist labor organizers, and sets Steinbeck apart form the radical tradition by questioning rather than supporting their motivation. The labor organizers manipulate the phalanx in this novel, and Steinbeck leaves the reader with the impression that the group-man is being corrupted. The Grapes of Wrath is also a socially motivated novel, with an abundance of Marxist undertones, but most importantly the novel provides Steinbeck with a better medium within which he can further examine the phalanx. Throughout this novel Steinbeck remains separate from other propagandists, as he supports his own agenda rather than that of the Party. Steinbeck‟s communal exploration comes to fruition in Cannery Row. While the novel has received a relatively small amount of critical attention due to the common presumption that Steinbeck intended the work to be a diversion from war, the characters of Cannery Row provide Steinbeck with the ultimate vehicle to illustrate the importance of the phalanx. Together these novels represent the evolution of Steinbeck‟s radical philosophy, particularly as it pertains to his vision of communal existence. While this vision of collectivity is what aligns Steinbeck with the most basic of Marxist principles, the mysticism he surrounds it with is what serves to set him apart from the more utilitarian communist appreciation of the phalanx. This argument will come largely in the form of analysis of Steinbeck‟s mouthpieces, which are characters in the novels that illustrate Steinbeck‟s philosophy either through speech or action. The conclusion of the analysis will show that Steinbeck is definitely a radical novelist, even though he is sometimes at odds with the tenets of the greater radical tradition.
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Steinbeck, Anja Verena [Verfasser]. "Die Übertragbarkeit von Gestaltungsrechten. / Anja Verena Steinbeck." Berlin : Duncker & Humblot, 2020. http://d-nb.info/1238248527/34.

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Šilianskytė, Viktorija. "The Great Depression Period in John Steinbeck’s Prose." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120831_092142-74625.

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The Great Depression Period in John Steinbeck’s Prose The object of the research is the theme of the Great Depression in John Steinbeck’s Of Mice and Men (1937), The Grapes of Wrath (1939) and The Winter of Our Discontent (1961). In the novels, the theme of the Great Depression is analyzed through different values: protagonists’ struggle to remain human, land as a value and friend as a value. The aim of the research is to reveal the theme of the Great Depression through different values in Of Mice and Men (1937), The Grapes of Wrath (1939) and The Winter of Our Discontent (1961) by Steinbeck.Steinbeck’s novels deal with the question of values, which appear to be relevant in all three novels under investigation. Nonetheless, during the Great Depression period the majority of values were pushed aside, however, values such as: friend as a value, land as a value and mans’ struggle to remain human became the most important within the period.
Šiuose kūriniuose Didžiosios depresijos tema analizuojama per skirtingas vertybes: draugystė kaip vertybė, žemė kaip vertybė, pagrindinio veikėjo pastangos išlikti žmogumi. Tyrimo tikslas – atskleisti Didžiosios depresijos temą romanuose Apie peles ir žmones (1937), Rūstybės kekės (1939), Mūsų nerimo žiema (1961) per skirtingų vertybių aspektus.Visi romanai nagrinėja vertybių problemą, kuri aktuali kiekviename analizuotame kūrinyje. Nepaisant to, kad Didžiosios depresijos laikotarpiu dauguma vertybių buvo nustumtos į šoną, vis dėlto, tokios vertybės, kaip draugystė, žemė, bei žmogaus pastangos išlikti žmogumi, tapo svarbiausios analizuojamuoju laikotarpiu.
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Burri, Stella Teresia. "Silenced women of John Steinbeck's dustbowl trilogy." Thesis, University of Fort Hare, 2012. http://hdl.handle.net/10353/d1005643.

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The primary aim of this project is to examine selected works by John Steinbeck, a significant American writer. Through a close contextual and textual analysis of Steinbeck’s Dustbowl Trilogy, which consists of the novels In Dubious Battle, Of Mice and Men, and The Grapes of Wrath, this project will interrogate Steinbeck’s contribution to the silencing of women and their inferior placement in their society and determine the extent to which Steinbeck promotes patriarchal ideology through his literature. A close examination of the modernist era in which these novels were written will provide the method of interrogating Steinbeck’s portrayal of women’s situation during the Depression and determine whether it is a reflection of the reality of women’s situation at that time given the political and environmental factors of the 1930s. The theories of various feminist critics, including Simone de Beauvoir, Judith Butler, Gayle Rubin, Luce Irigaray, Sherry Ortner, and Sandra Gilbert and Susan Gubar will be explored in order to elucidate the author’s treatment of the female characters and determine the extent to which patriarchal ideology is embedded in his writing. A brief examination of some of his contemporaries, namely F. Scott Fitzgerald, William Faulkner and Ernest Hemingway, will reveal the general treatment of women in male authored modernist literature and determine the extent to which Steinbeck’s female subjugation is representative.
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George, Stephen K. "Of vice and men : a virtue ethics study of Steinbeck's The pearl, East of Eden, and The winter of our discontent." Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/952814.

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As a writer and thinker, John Steinbeck has often been ridiculed by the academic community as trite and sentimental--someone who appeals to the masses but has little to say on life's "important" issues. This study applies an interdisciplinary approach to three of his later novels--The Pearl, East of Eden, and The Winter of Our Discontent--in order to more accurately assess the quality of Steinbeck's later fiction and to discover what this writer has to say concerning ethics and human nature, particularly the irrational emotions and vices.In concurrence with some of the latest research available, this study reveals that the emotions play a far greater role within the moral realm than previously believed by some philosophers and psychologists. Irrational emotions, such as extreme fear, anger, hatred, and guilt, are often sequential, cyclical, and cumulative in nature and frequently form dynamic combinations which feed on and intensify each other and which may lead to acts of violence or cruelty. Moreover, far from being uncontrollable, these emotions have been shown to have a cognitive dimension which is greatly influenced by upbringing and environment. As indicated in East of Eden, parental neglect and abuse play prominent roles in making certain characters susceptible to their own states of irrationality.The emotions are also primary to the development of more permanent character dispositions, both good and bad. As illustrated in East of Eden's Cathy Ames, a vice such as cruelty is often motivated and enabled by the fear and hatred that frequently form its core. Moreover, the vices themselves seem to be interactive and cumulatively debilitating; just as dishonesty plays a key role in enabling cruelty and loss of integrity, so does a lack of integrity make sense in a morally weak world.Thus, contrary to popular critical opinion, there was no dramatic falling off of quality in Steinbeck's writing, but rather a deliberate change in emphasis from social criticism to morality and from the group to the individual. This study confirms both the importance of what Steinbeck had to say as well as the eloquent and gifted manner in which he said it.
Department of English
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Shanks, Justin Donald. "Among the Giants: Resituating the Environmental Philosophy of John Steinbeck." Thesis, Virginia Tech, 2009. http://hdl.handle.net/10919/45433.

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Deeply influenced by emotional, ethical, and ecological principles, John Steinbeck developed a holistic ideology to describe and analyze the relationships among individuals, society, and the more-than-human world. Although he explored environmental issues with ecological insight and philosophical contemplation that placed him well beyond his literary and scientific contemporaries, Steinbeck’s contributions to modern ecological inquiry and environmental thought have received only intermittent attention from literary scholars. Throughout his writing, Steinbeck develops a view of intellectual holism that encourages (perhaps even enables) us to dovetail science and ethics as we attempt to construct a new environmental paradigm. Viewing the world through his holistic lens, Steinbeck was able to see the global ecosystem, local environments, human communities, and even minute tide pools as objects of scientific and artistic inquiry. Specifically, it is my contention that the American environmental movement owes a greater debt to John Steinbeck than it realizes. In short, John Steinbeck made significant contributions to the growing awareness of human-nature interconnectedness and the parallels between social ills and ecological ailments. Yet, for whatever reasons Steinbeck is not granted a position of honor alongside the other giants of American environmental thought. Now witnessing the full blossoming of 21st century environmentalism, it is useful to cast a reflexive eye upon our ideological forebears with the intent to better understand the genealogy of the American environmental movement. Doing so will not only provide a richer and fuller family tree, but will also promote additional flourishing of new approaches to solving ongoing environmental troubles.
Master of Arts
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Steinbeck, Lukas [Verfasser]. "Christian Education in Tansania : Missionskatechetischer Hintergrund – werkbiographische Erschließung – vergleichender Horizont / Lukas Steinbeck." Göttingen : V&R Unipress, 2018. http://www.v-r.de/.

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Runge, Evelyn. "John Steinbeck, Dorothea Lange und die Grosse Depression Sozialkritik in Literatur und Fotografie." München M-Press, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2773324&prov=M&dok_var=1&dok_ext=htm.

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Books on the topic "Steinbeck"

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Steinbeck, John. Steinbeck. New York: Penguin USA, Inc., 2009.

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Wagner-Martin, Linda. John Steinbeck. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-55382-9.

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Pehnt, Annette. John Steinbeck. München: dtv, 1998.

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Harold, Bloom, ed. John Steinbeck. Broomall, PA: Chelsea House Publishers, 2000.

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Susan, Williams. John Steinbeck. Vero Beach, FL: Rourke Corp., 1991.

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Reef, Catherine. John Steinbeck. New York: Clarion Books, 1996.

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Reef, Catherine. John Steinbeck. 7th ed. New York: Clarion Books, 1996.

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Reef, Catherine. John Steinbeck. New York: Clarion Books, 1996.

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Harold, Bloom. John Steinbeck. Broomall, PA: Chelsea House Publishers, 1998.

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Harold, Bloom, ed. John Steinbeck. New York: Chelsea House Publishers, 1987.

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Book chapters on the topic "Steinbeck"

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Railsback, Brian. "John Steinbeck." In A Companion to Twentieth-Century United States Fiction, 322–31. Oxford, UK: Wiley-Blackwell, 2009. http://dx.doi.org/10.1002/9781444310108.ch28.

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Kelleter, Frank. "Steinbeck, John." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18730-1.

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Wagner-Martin, Linda. "Steinbeck and the Short Story." In John Steinbeck, 1–17. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-55382-9_1.

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Wagner-Martin, Linda. "The Winter of Our Discontent." In John Steinbeck, 127–40. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-55382-9_10.

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Wagner-Martin, Linda. "Travels with Charley." In John Steinbeck, 141–54. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-55382-9_11.

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Wagner-Martin, Linda. "The Nobel Prize for Literature." In John Steinbeck, 155–62. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-55382-9_12.

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Wagner-Martin, Linda. "Tortilla Flat, the Book of the Others." In John Steinbeck, 19–29. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-55382-9_2.

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Wagner-Martin, Linda. "Journalism v. Fiction." In John Steinbeck, 31–44. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-55382-9_3.

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Wagner-Martin, Linda. "The Grapes of Wrath." In John Steinbeck, 45–63. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-55382-9_4.

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Wagner-Martin, Linda. "The Sea of Cortez: A Leisurely Journal of Travel and Research." In John Steinbeck, 65–74. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-55382-9_5.

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Conference papers on the topic "Steinbeck"

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YURTBEKLER, Hasan. "TWO AUTHORS IN THE CONTEXT OF SOCIALIST-REALISTIC LITERATURE: JOHN STEINBECK AND ORHAN KEMAL." In 3. International Congress of Language and Literature. Rimar Academy, 2021. http://dx.doi.org/10.47832/lan.con3-6.

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Increasing mechanization since the Industrial Revolution has affected many societies of the world, especially Western societies. Increasing mechanization with the revolution has brought with it migration movements due to economic origin. Increasing migration from rural areas to cities with the dream of a better life has resulted in worse socio-economic results rather than individuals leading a better life. The surplus of workers resulting from the ever-increasing population in the cities has provided the capital owners with the opportunity to employ workers at a lower cost. As a result, working hours increased and wages decreased. Workers are compelled to lead an inhuman life in the cities. Increasing mechanization has begun to show its effect in rural areas as well, with the mechanization in agriculture, the workforce of the villagers has decreased, and their lands have been taken away from them by means of banks and they have been forced to migrate. Some artists could not remain indifferent to these difficult life conditions experienced by the workers, and they dealt with this subject in their works. This situation brought with it a new understanding of literature. This understanding is the "Socialist Realist" understanding of art, the foundation of which was laid in Soviet Russia in 1934. With this understanding, a number of duties and ideologies have been imposed on the artist and the artist. In this study, in addition to the universality and literary similarity of the subjects of John Steinbeck and Orhan Kemal, two writers from different geographies in the context of SocialistRealistic Literature understanding, the social and political reasons why Orhan Kemal could not achieve such a great reputation as Steinbeck despite this literary success are both sociological and sociological. and will be examined from the perspective of comparative literature. Key words: Socialist Literature, Orhan Kemal, John Steinbeck.
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Badina, Evita. "Literary Translation in Soviet Latvia: On Latvian Publications of J. Steinbeck�s �The Grapes of Wrath�." In 7th SWS International Scientific Conferences on ART and HUMANITIES ISCAH 2020. STEF92 Technology, 2020. http://dx.doi.org/10.5593/sws.iscah.f2020.7.2/s09.12.

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Jansirani, N., R. Rama, and V. R. Dare. "A counter example to Steinberg conjecture." In INTERNATIONAL CONFERENCE ON RECENT ADVANCES IN MATHEMATICS AND COMPUTATIONAL ENGINEERING: ICRAMCE 2022. AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0156823.

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Jacques Gresset, OD, Hélène Boisjoly, Quynh Nguyen, and Jean Boutin. "A Transcultural Adaptation of the Index of Visual Functioning: The French Version of the VF-14." In Vision Science and its Applications. Washington, D.C.: Optica Publishing Group, 1996. http://dx.doi.org/10.1364/vsia.1996.sad.3.

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In recent years, the development of disease or specific measures of functional status has provided additional insights to the functional status of patients following surgical procedures compared to the measures obtained from more traditional clinical outcome measures or from generic health status questionnaires (Patrick & Deyo, 1989). Several instruments related to functional impairment due to cataracts have been recently proposed (Mangione & al, 1992; Sloane & al, 1992; Brenner & al, 1993; Steinberg & al, 1994a). The index of visual functioning (VF-14 ®), and the Cataract Symptom Score ® (CSS) developed by Steinberg & al. (1994a) seem to be the more widely used (Steinberg & al. 1994b, Schein & al. 1994).
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Pokorny, Joel, Vivianne C. Smith, and Carl Gutterman. "Measurement of the Fast Oscillatory Potential and Light Rise of the Standing Potential Using the EOG." In Noninvasive Assessment of Visual Function. Washington, D.C.: Optica Publishing Group, 1985. http://dx.doi.org/10.1364/navf.1985.tub2.

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We developed computer-controlled equipment to measure the fast oscillatory potential and light rise of the standing potential (Steinberg, Linsenmeier & Griff, Vision Res. 23:1315, 1983) using an electrooculographic (EOG) technique.
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Chen, Ying, Liu Yang, Bingdong Liu, and Dan Xue. "Applicability study of Steinberg vibration fatigue model in electronic products." In 2014 Prognostics and System Health Management Conference (PHM-2014 Hunan). IEEE, 2014. http://dx.doi.org/10.1109/phm.2014.6988127.

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Orlikowski, Daniel, Alfredo A. Correa, Eric Schwegler, John E. Klepeis, Mark Elert, Michael D. Furnish, Ricky Chau, Neil Holmes, and Jeffrey Nguyen. "A STEINBERG-GUINAN MODEL FOR HIGH-PRESSURE CARBON: DIAMOND PHASE." In SHOCK COMPRESSION OF CONDENSED MATTER - 2007: Proceedings of the Conference of the American Physical Society Topical Group on Shock Compression of Condensed Matter. AIP, 2008. http://dx.doi.org/10.1063/1.2833022.

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8

Eschbach, Reiner, and Keith T. Knox. "Error diffusion algorithm with edge enhancement." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1989. http://dx.doi.org/10.1364/oam.1989.thx3.

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Abstract:
The error diffusion algorithm proposed by Floyd and Steinberg for the binarization of continuous tone input exhibits an inherent edge enhancement. An explanation for this enhancement is given and a way to increase or decrease the enhancement inside the error diffusion algorithm is demonstrated.
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Kadarsih, Hening, Ferdinal Ferdinal, and Zurmailis Zurmailis. "White Americans’ Dehumanization Toward American Indians in John Steinbeck’s The Pearl." In International Conference on Social Sciences, Humanities, Economics and Law. EAI, 2019. http://dx.doi.org/10.4108/eai.5-9-2018.2281034.

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Shakirova, Nailya, and Albina Garifullina. "LITERARY INTERPRETATION OF THE IDEAS OF POSITIVISM IN D. STEINBECK'S WORKS." In World literature Cultural Codes. Baskir State University, 2021. http://dx.doi.org/10.33184/kkml-2021-11-19.24.

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Reports on the topic "Steinbeck"

1

Matile, G. L. D. Surficial geology, Steinbach, Manitoba. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2004. http://dx.doi.org/10.4095/215009.

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Matile, G. L. D., and L. H. Thorleifson. Surfical geology - Steinbach area, Manitoba. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1996. http://dx.doi.org/10.4095/208318.

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