Relevant bibliographies by topics / Stenographer

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Stenographer'

Author: Grafiati
Published: 28 May 2022

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Journal articles on the topic "Stenographer"

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Craig, Marveen. "Sonographer Please, Not Stenographer." Journal of Diagnostic Medical Sonography 17, no. 5 (September 2001): 298–302. http://dx.doi.org/10.1177/875647930101700511.

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Cramer, Alfred W. "Of Serpentina and Stenography: Shapes of Handwriting in Romantic Melody." 19th-Century Music 30, no. 2 (2006): 133–65. http://dx.doi.org/10.1525/ncm.2006.30.2.133.

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Like nineteenth-century handwriting, Romantic melody consisted of a single unbroken, shaped curviline and was invested with the ability to evoke the ideal, maternal feminine, to evoke deeper images and specific meanings, and to function simultaneously as language and as signifier of infinite meaning. It can be fruitfully compared with stenography, a handwriting-based information technology flourishing in the middle nineteenth century. This article documents the perceived handwriting-like nature of music and the perceived musicality of stenography through writings of E. T. A. Hoffmann, Robert Schumann, Wagner, and the stenographer F. X. Gabelsberger. The perceptual phenomenon of auditory streaming, along with analytical approaches developed by Robert O. Gjerdingen and Eugene Narmour, makes it possible to demonstrate structural similarities between stenography and melody (in examples by Berlioz, Mendelssohn, and Wagner) and to show commonalities between the notion of the "music of the future" and the futuristic aspirations of stenography. In turn, it becomes possible to perform the shapes of handwriting in Romantic melody and hear voices and fantastic visions in those shapes.
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Andrianova, Irina. "Stenography and Literature: What did Western European and Russian Writers Master the Art of Shorthand Writing For?" Studia Slavica Academiae Scientiarum Hungaricae 64, no. 1 (June 2019): 1–11. http://dx.doi.org/10.1556/060.2019.64101.

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What brings together Daniel Defoe, Charles Dickens, Vsevolod Krestovsky, Nikolai Chernyshevsky, Fyodor Dostoevsky, Аlexander Kuprin, George Bernard Shaw, and Аstrid Lindgren, i.e. writers from different countries and belonging to different epochs? In their creative work, they all used stenography, or rapid writing, permitting a person to listen to true speech and record it simultaneously. This paper discloses the role of stenography in literary activities of European and Russian writers in the 19th and early 20th centuries. Some researchers believe that the first ties between shorthand and literature appeared in the days of Shakespeare when the playwright's competitors used shorthand to put down the texts of his plays. Others have convincingly refuted this viewpoint, proving that such records never existed. The most famous English novelist in the 17th and 18th centuries Daniel Defoe can be considered one of the first writers who used shorthand in his literary work. The writers mastering the art of shorthand writing such as Defoe, Dickens, and Lindgren were popular in various professional spheres (among others, the secret service, journalism, and secretarial service) where they successfully applied their skills in shorthand writing. Stenography was an integral part of a creative process of the authors who resorted to it (Dostoevsky, Krestovsky, Shaw, and Lindgren). It economized their time and efforts, saved them from poverty and from the terms of enslavement stipulated in the contracts between writers and publishers. It is mainly thanks to stenography that their works became renowned all over the world. If Charles Dickens called himself “the best writer-stenographer” of the 19th century, F. M. Dostoevsky became a great admirer of the “high art” of shorthand. He was the second writer in Russia (following V. Krestovsky), who applied shorthand writing in his literary work but the only one in the world literature for whom stenography became something more than just shorthand. This art modified and enriched the model of his creative process not for a while but for life, and it had an influence on the poetics of his novels and the story A Gentle Creature, and led to changes in the writer's private life. In the course of the years of the marriage of Dostoevsky and his stenographer Anna Snitkina, the author's artistic talent came to the peak. The largest and most important part of his literary writings was created in that period. As a matter of fact, having become the “photograph” of live speech two centuries ago, shorthand made a revolution in the world, and became art and science for people. However, its history did not turn to be everlasting. In the 21st century, the art of shorthand writing is on the edge of disappearing and in deep crisis. The author of the paper touches upon the problem of revival of social interest in stenography and its maintenance as an art. Archival collections in Europe and Russia contain numerous documents written in short-hand by means of various shorthand systems. If humanity does not study shorthand and loses the ability to read verbatim records, the content of these documents will be hidden for us forever.
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Holmes, Tiffany. "The Corporeal Stenographer: Language, Gesture, and Cyberspace." Leonardo 32, no. 5 (October 1999): 383–89. http://dx.doi.org/10.1162/002409499553613.

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The author describes her research and creative practice exploring the intersection between digital, biomedical, and linguistic modes of bodi ly representation. She synthesizes traditional forms of painting with new computer and medical imaging technologies to call into question the relationship between visible and invisible bodily forms and actions. Her paintings and installations use scientifically rendered images of the body (from symbolic DNA sequences to developing cel lular structures) in order to consider the role of the tools and technologies used to organize and view these images. The issue of visual, linguistic, and scientific literacy is thus a corollary concern.
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Treigys, Povilas, and Antanas Lipeika. "INVESTIGATION OF THE SPEAKER IDENTIFICATION METHOD BASED ON CLUSTERED PSEUDOSTATIONARY SEGMENTS OF VOICED SOUNDS." Technological and Economic Development of Economy 12, no. 1 (March 31, 2006): 50–55. http://dx.doi.org/10.3846/13928619.2006.9637722.

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The problem of speaker identification is investigated. Basic segments ‐ pseudo stationary intervals of voiced sounds are used for identification. The identification is carried out, comparing average distances between an investigative and comparatives. The coefficients of the linear prediction model (LPC) of a vocal tract are used as features of identification. Such a problem arises in stenographic practice where it is important for speech identification to know who is speaking. Identification should be used in stenography and it has to be fast enough in order not to disturb the stenographer's job. The clustered parameter data will be investigated by providing the performance of the speaker identification method with respect to the computational time and the number of errors.
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Pierce, J. Mackenzie. "Writing at the Speed of Sound: Music Stenography and Recording beyond the Phonograph." 19th-Century Music 41, no. 2 (2017): 121–50. http://dx.doi.org/10.1525/ncm.2017.41.2.121.

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Music shorthand systems devised by Michel Woldemar, Hippolyte Prévost, and August Baumgartner adapted the quill strokes of speech stenography to the seemingly analogous domain of music. Eschewing conventional staff notation in favor of cursive lines that indicated pitch, register, interval, and duration, music stenographers endeavored to record in real time instrumental improvisations and fleeting inspirations that would otherwise have been lost forever due to a lack of recording technology. To advocates of such methods, more efficient technologies of musical writing were indispensable for capturing fugitive musical thoughts and acts: music stenography aided Hector Berlioz, for example, in the composition of his Requiem. For others, including Rossini, Fétis, and contributors to the Allgemeine musikalische Zeitung, the claims and merits of stenography were a source of controversy as well as fascination. Grounded in a corpus of seventy music stenographies that have been largely ignored by musicologists and historians of technology alike, this article asks how musical intuitions became musical texts, thereby entering print-based networks of circulation. Although the importance of “genius” and “work” as historical concepts regulating the production, ontology, and reception of nineteenth-century music has long been acknowledged, the material basis of these concepts has been overlooked until recently. The efforts of musical stenographers demonstrate that the inscription and circulation of material texts provided the means by which musical inspiration could be registered and stored, constituting a material substrate on which such idealist concepts depended. Whereas historians of sound recording have focused on seismic historical and cultural shifts wrought by the introduction of the phonograph in 1877, the preoccupation with capturing music in the decades preceding and following this date suggests an alternate conception of text-based sound recording.
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Troeller, Jordan. "A (Still) Marginal Modernity, or The Artist as Stenographer." October 172 (May 2020): 3–7. http://dx.doi.org/10.1162/octo_a_00390.

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This essay discusses some of the stakes involved in this issue's cluster of texts on women photographers of Weimar Germany. They are critical assessments by contemporary art historians that draw attention to the still unfinished feminist project of questioning disciplinary assumptions around gender, sexuality, labor, and technologies of reproduction. These essays accompany four new translations of articles written in the 1960s and ’70s by a participant of that historical moment, Lucia Moholy, whose early reflections on the historical avant-gardes anticipate its feminist critique.
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Weissman. "The Conniving Stenographer and Other Stories: A Response to “Authors, Resources, Audiences”." Style 52, no. 1-2 (2018): 56. http://dx.doi.org/10.5325/style.52.1-2.0056.

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Weissman, Gary. "The Conniving Stenographer and Other Stories: A Response to "Authors, Resources, Audiences"." Style 52, no. 1-2 (2018): 56–60. http://dx.doi.org/10.1353/sty.2018.0007.

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Andrianova, Irina. "THE IMAGE OF A STENOGRAPHER IN THE “FANTASTIC STORY” “A GENTLE SPIRIT” BY FYODOR DOSTOEVSKY." Проблемы исторической поэтики 16, no. 1 (March 2018): 155–72. http://dx.doi.org/10.15393/j9.art.2018.4941.

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Dissertations / Theses on the topic "Stenographer"

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Горобей, Р. В. "Причини та заходи боротьби із всиханням сосни звичайної у Вертіївському лісництві ДП «Ніжинське лісове господарство»." Thesis, Чернігів, 2020. http://ir.stu.cn.ua/123456789/20241.

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Горобей, Р. В. Причини та заходи боротьби із всиханням сосни звичайної у Вертіївському лісництві ДП «Ніжинське лісове господарство» : дипломна робота : 205 Лісове господарство / Р. В. Горобей; керівник роботи Селінний М. М. ; Національний університет «Чернігівська політехніка», кафедра аграрних технологій та лісового господарства. – Чернігів, 2020. – 62 с.
У першому розділі розкрито сутність сосни звичайної, наведено період її зростання, розглянуто причини всихання та зменшення їх кількості. У другому розділі визначено лісорослинні умови території, характеристику лісового фонду, досліджено річний план. У третьому розділі описано лісопатологічний нагляд, запропоновано методи боротьби від шкідників та всихання сосни звичайної. У четвертому розділі досліджено охорону праці на підприємстві, на лісосічних роботах, отрутохімікатами та гербіцидами. Практична цінність випускної кваліфікаційної роботи полягає в пропозиціях, які дозволять зменшити кількість по всиханню сосни звичайної у Вертіївському лісництві ДП «Ніжинське лісове господарство».
In the first section the essence of Scots pine is revealed, the period of its growth is given, the reasons of drying and reduction of their quantity are considered. In the second section the forest vegetation conditions of the territory, the characteristics of the forest fund are determined, the annual plan is investigated. The third section describes forest pathological supervision, offers methods of pest control and drying of Scots pine. The fourth section examines labor protection at the enterprise, logging, pesticides and herbicides. The practical value of the final qualification work lies in the proposals that will reduce the number of drying of Scots pine in the Vertiyivsky forestry of the State Enterprise "Nizhyn Forestry".
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Hänsel, Rosemarie. "Die Stenographin Anna Grigorjewna Dostojewskaja." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2008. http://nbn-resolving.de/urn:nbn:de:bsz:14-ds-1200393215164-64357.

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Dresden ist nach Baden-Baden die zweite deutsche Stadt, die Fjodor Michailowitsch Dostojewski ein Denkmal setzte. Es steht am linken Elbufer, hinter dem Landtag in Höhe des Hotels „Maritim“ und wurde am 10. Oktober 2006 in Gegenwart der Bundeskanzlerin Angela Merkel und des russischen Präsidenten Wladimir Putin feierlich eingeweiht.
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jones, vanessa michelle. "Art as Method: Complicating Tales of Visual Stenography and Implications for Urban Education and Research." Cleveland State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=csu1369737270.

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Hänsel, Rosemarie. "Schnell und kurz." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-ds-1237560654987-58203.

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Die Stenografische Sammlung der SLUB wird in diesem Jahr 174 Jahre alt. Schon 1835 erwarb das sächsische Parlament Lehrbücher für die Ausbildung künftiger Landtagsstenografen. Diese kleine Büchersammlung wuchs schnell und wurde 1839 dem neubegründeten „Kgl. Stenographischen Institut“ zugeordnet. 130 Jahre später (1966) kam sie mit Auflösung des „Stenographischen Landesamtes“ an die Sächsische Landesbibliothek.
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Carvalho, Diego Fiori de. "Esteganografia em vídeos comprimidos MPEG-4." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/55/55134/tde-08062009-143448/.

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A esteganografia em vídeos digitais possibilita o ocultamento de um grande volume de informações quando comparada a técnicas em imagens. Contudo, esta tarefa não é trivial quando aplicada a vídeos comprimidos, pois a inserção de informações ocultas pode adicionar ruído dificultando a perfeita recuperação das mesmas durante a decodificação. Este trabalho apresenta uma técnica para esteganografia em vídeos comprimidos, denominada MP4Stego, a qual explora estruturas e tecnologias do padrão de vídeo MPEG-4 de modo a proceder recuperação de informações sem perda e apresentar maior capacidade de inserção de dados ocultos. Entre os benefícios da técnica estão: A capacidade de ocultamento de grande volume de dados; a capacidade de reprodução do vídeo contendo dados ocultos em players não especializados (ajudando a dar a ilusão de que se trata de um vídeo comum), sua imunidade, até o momento, as técnicas de esteganálise
Digital video steganography makes possible to hide higher volumes of information than the broadly used image steganography techniques. However, apply steganography to compressed digital videos is not a trivial task because the information hiding process may add noise to the original data. In this way, during the video decoding, the recovered hidden information is not an exact copy of the original data. This work presents a new steganographic technique, called MP4Stego, which explores new video structures of the MPEG-4 standard in order to recover hidden data without loss and in order to provide higher capacity of hidden data insertion. Some benefits of the MP4Stego technique are: to hide high volumes of data; to playback steganographyed videos by the means of non specialized players (this helps users to think that it is a regular video); so far, its immunity to stegoanalysis techniques
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Кондратенко, А. С. "Комп'ютерне забезпечення стеганографії із застосуванням гармонік сигналу." Thesis, Сумський державний університет, 2017. http://essuir.sumdu.edu.ua/handle/123456789/64306.

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У роботі розглядаються найбільш розповсюджені методи стеганографії, а також методи виявлення наявності в файлі-контейнері прихованого повідомлення. У якості контейнера використовуються гармоніки цифрового сигналу.
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Шляхетський, А. А. "Стеганографія із застосуванням графічних зображень." Thesis, Сумський державний університет, 2017. http://essuir.sumdu.edu.ua/handle/123456789/64333.

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Комп’ютерна стеганографія – розділ класичної стеганографії, що реалізується на основі комп’ютерної техніки й програмного забезпечення в рамках окремих обчислювальних або керуючих систем, корпоративних або глобальних інформаційно-телекомунікаційних мереж. Контейнер – будь-яка інформація, призначена для приховування таємних повідомлень. Початковий файл без скритої інформації називається пустим контейнером. В нього за певним алгоритмом вноситься інформація.
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Шляхетський, А. А. "Стеганографія із застосуванням графічних зображень." Thesis, Сумський державний університет, 2017. http://essuir.sumdu.edu.ua/handle/123456789/65613.

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У роботі розглядаються найбільш поширені методи передачі повідомлень із використанням графічних файлів у якості контейнерів та можливість застосування функцій непропорційностей для шифрування інформації на випадок, коли її наявність в контейнері буде викрита.
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Шеверда, О. Р. "Фотографічний твір як об’єкт авторського права." Thesis, Сумський державний університет, 2018. http://essuir.sumdu.edu.ua/handle/123456789/66835.

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На сьогоднішній день фотографію можна вважати одним із найактуальніших способів відображення реальності. Однією з переваг є легковідтворюваність, але вона є й недоліком. Оскільки їх можна передавати в електронному форматі без перешкод, що сприяє незаконному відтворенню фотографій.
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Válková, Jana. "Formy zadávání a zpracování textových dat a informací v podnikových IS - trendy a aktuální praxe." Master's thesis, Vysoká škola ekonomická v Praze, 2011. http://www.nusl.cz/ntk/nusl-114263.

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This thesis introduces readers to the basic types of the text and information inputs and processing to the computer. Thesis also includes historical contexts, current trends and future perspective of computer data input technologies and their use in practice. The first part of the thesis is a summary of a particular forms of entering and processing of the text data and information. The following part presents technological trends on the market concentrated on the automatic speech recognition systems along with the possibilities of their application in the business sphere. The rest of the thesis consists of a survey between Czech IT companies and based on it's results comes a suggestion of which technologies should be used as a part of the information systems.
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Books on the topic "Stenographer"

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Mark-up clerk, clerk-typist, clerk-stenographer. New York: Arco, 1990.

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Bobrow, Jerry. How to prepare for the Civil Service examinations for stenographer, typist, clerk, and office machine operator. 3rd ed. New York: Barron's Educational Series, 1994.

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Bobrow, Jerry. How to prepare for the Civil Service examinations for stenographer, typist, clerk, and office machine operator. Woodbury, N.Y: Barron's Education Series, 1986.

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Bobrow, Jerry. How to prepare for the Civil Service examination for stenographer, typist, clerk, and office machine operator. 4th ed. Hauppauge, N.Y: Barron's Educational Series, 2000.

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Bobrow, Jerry. How to prepare for the Civil Service examinations for stenographer, typist, clerk, and office machine operator. 2nd ed. New York: Barron's Educational Series, 1989.

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Stenographia. Athēna: Kedros, 2006.

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McCue, Frances. The Stenographer's Breakfast. Boston, USA: Beacon Press, 1992.

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Payne, Sandra S. Preparing for the Federal Clerical Examination: Clerk-typist, clerk-stenographer, office automation clerk, data transcriber, clerk : how to do your best on the written tests. [Washington, D.C.?]: U.S. Office of Personnel Management, Office of Personnel Research and Development, Career Entry Group, 1991.

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Shad, Noor Ahmad. Inclinations of the stenographers/typists: Survey report. Islamabad: National Language Authority, 1988.

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Practice for clerical, typing, and stenographic tests. 8th ed. New York: Arco, 1992.

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Book chapters on the topic "Stenographer"

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Matted, Sushmita, Gori Shankar, and Bharat Bhushan Jain. "Enhanced Image Security Using Stenography and Cryptography." In Computer Networks and Inventive Communication Technologies, 1171–82. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-9647-6_93.

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Henning, Brian G., Joseph Petek, and George Lucas. "Social Ethics 20a: Fundamentals Underlying the Social Sciences, fall semester 1926." In The Harvard Lectures of Alfred North Whitehead, 1925-1927, 391–407. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474416931.003.0008.

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Notes taken by a stenographer and Richard Clarke Cabot during a social ethics seminar. This is the only known lecture Whitehead delivered on the topic of ethics, though there remain strong philosophy and metaphysics components. The stenographer’s account also includes the ensuing discussion with other Harvard professors attending the seminar.
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"Chapter 3. Sergeant Stenographer." In Fulgencio Batista, 23–34. Rutgers University Press, 2020. http://dx.doi.org/10.36019/9780813541006-005.

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"Stenography Stenographie." In Schrift und Schriftlichkeit, edited by Hartmut Günther, Otto Ludwig, Jürgen Baurmann, Florian Coulmas, Konrad Ehlich, Peter Eisenberg, Heinz W. Giese, et al. Berlin • New York: Walter de Gruyter, 1996. http://dx.doi.org/10.1515/9783110147445.2.10.1604.

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"2. From Stenographer To Star." In Brass Diva, 30–56. University of California Press, 2019. http://dx.doi.org/10.1525/9780520927254-003.

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"Heaven's Stenographer Shines the Guiding Light." In Imagined Theatres, 102–3. Routledge, 2017. http://dx.doi.org/10.4324/9781315264950-47.

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"3. The Law Clerk as Stenographer." In Courtiers of the Marble Palace, 38–82. Stanford University Press, 2006. http://dx.doi.org/10.1515/9781503625891-006.

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Gillespie, Alisdair, and Siobhan Weare. "14. Those in Court." In The English Legal System. Oxford University Press, 2017. http://dx.doi.org/10.1093/he/9780198785439.003.0014.

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This chapter focuses on the people who are present during criminal trials. It considers those in summary trials in magistrates’ court (magistrates, justices’ clerks/legal advisors, lawyers, and the defendant). It also considers those who are present in the Crown Court during a trial on indictment (the judge, the jury, lawyers, court clerks, the stenographer, the usher, and the defendant).
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Bowles, Hugo. "Gurney and Sons." In Dickens and the Stenographic Mind, 6–20. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198829072.003.0002.

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Dickens learned shorthand in 1828 from a manual called Brachygraphy, written by Thomas Gurney, which he memorably describes in David Copperfield as a ‘savage stenographic mystery’. This chapter contextualizes the mystery by placing Gurney shorthand in its historical context, as one of many competing alphabetical shorthand systems in the Victorian period. Section 1.1 of the chapter traces the chronological development of sixteenth, seventeenth, and eighteenth-century stenographies and contrasts the alphabetical design, structure, and contents of Brachygraphy with the phonographic system of Isaac Pitman, which came to dominate the nineteenth-century market. Section 1.2 sets out the principles of economy in speech and writing which constrained stenographers in the design of their systems. Section 1.3 examines the surviving shorthand texts that Dickens produced. It also introduces Dickens’s ‘Manchester notebook’, showing how his shorthand teaching notes sought to iron out defects in the Gurney system and provide creative alternatives.
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Gillespie, Alisdair A., and Siobhan Weare. "13. Those in Court." In The English Legal System, 451–92. Oxford University Press, 2019. http://dx.doi.org/10.1093/he/9780198830900.003.0013.

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Abstract:
This chapter focuses on the people who are present during criminal trials. It considers those in summary trials in magistrates’ court (magistrates, justices’ clerks/legal advisers, lawyers, and the defendant). It also considers those who are present in the Crown Court during a trial on indictment (the judge, the jury, lawyers, court clerks, the stenographer, the usher, and the defendant). The chapter also explores how lawyers for the defence are funded under the Legal Aid, Sentencing and Punishment of Offenders Act 2012.
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Conference papers on the topic "Stenographer"

1

Han, Dianyuan, Jianhua Yang, and Wayne Summers. "Inject Stenography into Cybersecurity Education." In 2017 31st International Conference on Advanced Information Networking and Applications Workshops (WAINA). IEEE, 2017. http://dx.doi.org/10.1109/waina.2017.30.

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Salem Atoum, Mohammed, Mohammad M Alnabhan, and Ahmad Habboush. "Advanced LSB Technique for Audio Stenography." In Fourth International Conference on Computer Science and Information Technology. Academy & Industry Research Collaboration Center (AIRCC), 2017. http://dx.doi.org/10.5121/csit.2017.70409.

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Ghasal, Prahalad Sahay, Prakriti Trivedi, Anjali Chandwani, Madan Lal Tetrawal, Abhinash Jha, and Ayush Kumar. "Payload minion stenographic technique for color images." In 2014 International Conference on Optimization, Reliabilty, and Information Technology (ICROIT). IEEE, 2014. http://dx.doi.org/10.1109/icroit.2014.6798343.

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Islam, M. W., and S. alZahir. "A novel QR code guided image stenographic technique." In 2013 IEEE International Conference on Consumer Electronics (ICCE). IEEE, 2013. http://dx.doi.org/10.1109/icce.2013.6487028.

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Neginal, Jyoti, and Ruksar Fatima. "An adaptive stenographic technique, ascertaining upper bounds of embedding." In 2019 International Conference on Smart Systems and Inventive Technology (ICSSIT). IEEE, 2019. http://dx.doi.org/10.1109/icssit46314.2019.8987969.

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AlZahir, S., and Md W. Islam. "A new low energy IMF based audio stenographic technique." In 2013 IEEE International Conference on Consumer Electronics (ICCE). IEEE, 2013. http://dx.doi.org/10.1109/icce.2013.6486908.

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Huang, He, Yinghui Xue, Linna Fan, and Mo Li. "The Development and New Direction of Digital Image Stenography." In 2020 International Conference on Robots & Intelligent System (ICRIS). IEEE, 2020. http://dx.doi.org/10.1109/icris52159.2020.00039.

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Thenmozhi, S., and M. Chandrasekaran. "Novel approach for image stenography based on integer wavelet transform." In 2012 IEEE International Conference on Computational Intelligence and Computing Research (ICCIC). IEEE, 2012. http://dx.doi.org/10.1109/iccic.2012.6510300.

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Yigit, Yildiray, and Murat Karabatak. "A Stenography Application for Hiding Student Information into an Image." In 2019 7th International Symposium on Digital Forensics and Security (ISDFS). IEEE, 2019. http://dx.doi.org/10.1109/isdfs.2019.8757516.

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Loan, Nazir A., Nasir N. Hurrah, Shabir A. Parah, and Javaid A. Sheikh. "High capacity reversible stenographic technique based on image resizing and pixel permutation." In 2017 Fourth International Conference on Image Information Processing (ICIIP). IEEE, 2017. http://dx.doi.org/10.1109/iciip.2017.8313751.

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