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1

Polish folk dances and songs: A step-by-step guide. Hippocrene Books, 1997.

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2

Rose, Marian. Step lively 2: Canadian dance favourites. Community Dance Project, 2000.

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3

Melin, Mats. One with the music: Cape Breton step dance tradition and transmission. Cape Breton University Press, 2015.

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4

Dancing prophets: Musical experience in Tumbuka healing. University of Chicago Press, 1996.

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5

Forbes, Bronwen. Revel in step and song: A seasonal treasury of music, mummer's plays & celebrations in the English folk tradition. Llewellyn Publications, 2008.

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6

Symposium for Music Therapists Working in Palliative Care (1988 Calvary Hospital, Bronx, New York). The next step forward: Music therapy with the terminally ill : proceedings from a Symposium for Music Therapists Working in Palliative Care. Calvary Hospital, 1989.

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7

Make merry in step and song: A seasonal treasury of music, mummer's plays & celebrations in the English folk tradition. Llewellyn Publications, 2008.

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8

Dances with spiders: Crisis, celebrity and celebration in southern italy. Berghahn Books, 2008.

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9

Symposium for Music Therapists Working in Palliative Care, Susan Monro, and Jenny A. Martin. Next Step Forward: Music Therapy for the Terminally Ill. Center for Thanatology Research &, 1989.

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10

de lʼEtoile, Shannon. Processes of music therapy. Edited by Susan Hallam, Ian Cross, and Michael Thaut. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199298457.013.0046.

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This article reviews behavioural, psychoanalytic, and humanistic music therapy. It then discusses Neurologic Music Therapy (NMT), the Rational–Scientific Mediating Model (R–SMM), and the Transformational Design Model (TDM). NMT techniques address cognitive, sensory, and motor dysfunction resulting from disease of the human nervous system. NMT theory is founded in a neuroscience model of music perception, known as the R–SMM, which explains how music functions as a mediating stimulus. The R–SMM provides clear guidelines for conducting research regarding music's therapeutic effects. A supplementa
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11

Legault, Normand. 1989 Neptune Plaza Concert Series collection. 1989.

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12

Neal, Jocelyn R. Whither the Two-Step. Edited by Travis D. Stimeling. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190248178.013.18.

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This chapter describes and interprets social dance within country music’s fan culture beginning with a historical summary and then focusing on 2005–2015. It explores how dances are learned within fan communities, using the Sweetheart Schottische as a case study. It then traces the adoption of hip hop, rock, and pop into country line dancing, a return to regional differentiation of dance styles, and the migration of more traditional forms of country dancing out of country nightclubs. These shifts correspond to a significant change in how country music defines and incorporates aspects of musical
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13

Blizard, Ralph. 1992 Neptune Plaza Concert Series collection. 1992.

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14

Briscoe, Erald. 1993 Neptune Plaza Concert Series collection. 1993.

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15

Manzo, V. J. Max/MSP/Jitter for Music. Oxford University Press, 2011. http://dx.doi.org/10.1093/oso/9780199777679.001.0001.

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In Max/MSP/Jitter for Music, expert author and music technologist V. J. Manzo provides a user-friendly introduction to a powerful programming language that can be used to write custom software for musical interaction. Through clear, step-by-step instructions illustrated with numerous examples of working systems, the book equips you with everything you need to know in order to design and complete meaningful music projects. The book also discusses ways to interact with software beyond the mouse and keyboard through use of camera tracking, pitch tracking, video game controllers, sensors, mobile d
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