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Journal articles on the topic 'Step dancing. Music therapy'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

Alexander, Kathryn. "Politely Different: Queer Presence in Country Dancing and Music." Yearbook for Traditional Music 50 (2018): 187–209. http://dx.doi.org/10.5921/yeartradmusi.50.2018.0187.

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I walked into the Round-Up Saloon and stood transfixed by the scene out on the dance floor. Surrounded by a wooden corral, the sleek and shining floor was filled with couples taking wide, gracefully fluid steps. Clad in immaculate cowboy hats, crisp work shirts tucked into jeans, and of course boots, the men spinning together around the floor were to me an entirely new form of queer dance. The comfortable intimacy of their bodies was unlike the bump and grind of the dance I was used to encountering at urban American gay bars, and the DJ's musical selections kept well away from pop divas and el

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2

Sacchetti, Clara, and Batia Stolar. "Dancing Italian Culture: Venezia et al." Congress on Research in Dance Conference Proceedings 2016 (2016): 337–43. http://dx.doi.org/10.1017/cor.2016.45.

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How does Le Stelle, an ethnic dance group in the multicultural city of Thunder Bay, Ontario, Canada, represent Italian culture? Our article broaches this question by analyzing Le Stelle's 2012 “Carnivale of Venezia” dance. While the number is meant to evoke the Italian Renaissance, it creatively uses kinetic movements from ballet, Irish step dancing, and the Italian tarantella. It is staged to a 1950s Mantovani song mixed with music from Assassin's Creed II; and it utilizes Italian peasant costuming and Venetian masks. Our paper examines Le Stelle's use of these hybridities in staging Italian

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Stige, Brynjulf. "Dancing the Drama and Singing for Life: On Ethnomusicology and Music Therapy." Nordic Journal of Music Therapy 17, no. 2 (2008): 155–71. http://dx.doi.org/10.1080/08098130809478206.

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4

Greeley, Nansee, and Theresa Reardon Offerman. "Now & Then: Dancing in Time and Space: A Step Back in Time." Mathematics Teaching in the Middle School 4, no. 3 (1998): 192–99. http://dx.doi.org/10.5951/mtms.4.3.0192.

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Now… Michael Anthony Began What Would Be His Career as a dancer when he was in elementary school. His parents had e nrolled him in both piano and dance classes. and he soon discovered his love of music. During junior high school, he succumbed to peer pressure and dropped dance to play sports. Michael's agility and conditioning from dance, however. proved he lpful on both the court and the field, and he soon became a valued member of his junior high school football and basketball team. By the time he started high school, he realized how much he missed dance. While continuing his sports, he retu

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Suter, Rachel, Rachel Suter, Bobaker Elalem, Nancy Eisenson, Heidi White, and Mamata Yanamadala. "From Sleeping to Dancing: Implementation of Personalized Music Therapy in Residents with Dementia." Journal of the American Medical Directors Association 16, no. 3 (2015): B16. http://dx.doi.org/10.1016/j.jamda.2015.01.034.

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Turabian, Jose Luis. "Doctor-Patient Relationship as Dancing a Dance." Journal of Family Medicine 1, no. 2 (2018): 1–6. http://dx.doi.org/10.14302/issn.2640-690x.jfm-18-2485.

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The transcendence of the doctor-patient relationship is given by the confirmed fact of its influence on the results of health care. Several models of doctor-patient relationship can be described, but evidence of improved compliance, satisfaction and recall of physician information has been found in patient-centered consultations. Since these concepts of doctor-patient relationship and patient-centered consultation have multiple facets, they are complex to understand and teach. Using a metaphor is a tool that can be useful in these situations. We could say that the "good" doctor-patient relatio

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Hadley, Susan, and Marisol S. Norris. "Musical Multicultural Competency in Music Therapy: The First Step." Music Therapy Perspectives 34, no. 2 (2015): 129–37. http://dx.doi.org/10.1093/mtp/miv045.

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Santos-Rocha, R., A. Veloso, S. Franco, and P. Correia. "BIODINAMICS OF STEP DOWN PHASE OF STEP EXERCISE. INFLUENCE OF MUSIC SPEED." Medicine & Science in Sports & Exercise 33, no. 5 (2001): S82. http://dx.doi.org/10.1097/00005768-200105001-00471.

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9

Vilchkovska, Anastasiya. "The Organization and Content of Music Therapy Classes for the Prevention and Treatment of Psychosomatic Diseases in Children from Six to Ten Years of Age." Physical education, sports and health culture in modern society, no. 1(37) (March 31, 2017): 141–46. http://dx.doi.org/10.29038/2220-7481-2017-01-141-146.

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The article deals with the organization and content of the music therapy sessions for children 6–10 years of the with psychosomatic diseases. The analysis literature scientists from different countries show that the most rational for music therapy sessions with children of this age a combination of music witch exercise, games and dancing. They actively influence the deprivation of children from diseases related to the negative impact of the environment on their psyche, neurosis, aggression and positively contribute to the psycho–physical development, education aesthetic feeling formation behav

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Chauhan, Manorama. "ART MOVING ALONG THE PATH OF PROGRESS BY COMBINING RHYTHM STEP BY STEP." International Journal of Research -GRANTHAALAYAH 3, no. 1SE (2015): 1–2. http://dx.doi.org/10.29121/granthaalayah.v3.i1se.2015.3443.

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“The first and direct relation of beauty is the experience of the eyes. When man first opened his eyes, he found himself in the lap of nature. Natural beauty was scattered all around. Water, waterfalls, animals and birds tweet, sheets covered Hari-Hari Vasundhara. Humans took inspiration from this natural beauty, decorated the birds and the flowing waterfalls, the sweet music of the air, and the dancing of the animals with a gentle gesture. With this inspiration, humans continued to expand civilization with arts. Today, it is on the path of progress with many new experiments through the though

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Zvicevičienė, Solveiga, and Vilmantė Aleksienė. "Awakening Games Genre of Lithuanian Dancing Folklore: the Aspects of Education and Therapy." Pedagogika 120, no. 4 (2015): 142–53. http://dx.doi.org/10.15823/p.2015.044.

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Lithuanian folk awakening games for babies and young age children are classified as dancing folklore genre. These are syncretic musical compositions of low volume, intended for infants and small children, which are performed vocalising and in action. This is child-friendly interactive action, which has a playful nature and is based on intensive movement. A rich range of possibilities is noticeable in Lithuanian folk awakening games, necessary for versatile child’s education / learning. Purpose of article: to disclose the application possibilities of awakening games in work with children,

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12

Silver, Susan. "Book Review: The Next Step Forward: Music Therapy with the Terminally Ill." American Journal of Hospice Care 6, no. 6 (1989): 17. http://dx.doi.org/10.1177/104990918900600602.

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13

Chawla, Guneet, Madelon Hoppe, Nina Browner, and Michael D. Lewek. "Individuals With Parkinson’s Disease Retain Spatiotemporal Gait Control With Music and Metronome Cues." Motor Control 25, no. 1 (2021): 33–43. http://dx.doi.org/10.1123/mc.2020-0038.

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The purpose of this study was to determine the difference in spatiotemporal gait measures induced by stepping to the beat of a metronome and to music cues of various frequencies in individuals with Parkinson’s disease. Twenty-one participants with Parkinson’s disease were instructed to time their steps to a metronome and music cues (at 85%, 100%, and 115% of overground cadence). The authors calculated cadence, cadence accuracy, and step length during each cue condition and an uncued control condition. The music and metronome cues produced comparable results in cadence manipulation, with reduce

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ATHANASSOPOULOU (Φ. ΑΘΑΝΑΣΟΠΟΥΛΟΥ), F. "The history of development of medicine through time: a repeated case." Journal of the Hellenic Veterinary Medical Society 60, no. 2 (2017): 125. http://dx.doi.org/10.12681/jhvms.14921.

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At all times, man was interested in the therapy of diseases in any possible way. In the Hellenic world, that is generally regarded as the spiritual predecessor of recent Europe, two distinct traditions existed: the first had a true sacred origin and was practiced from a corporation or guild of healers/priests named zsAsklipiades. Asklipios, son of Apollo, was considered by them as their generic leader. The second, practiced by Vakhes, comes from indigenous populations of Eastern Aegean area approx. at 2000 B.C. During its practice patients went into a sacred mania ie., with dancing, music, or

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DeSouza, Joseph F., and Rachel Bar. "The effects of rehearsal on auditory cortex: An fMRI study of the putative neural mechanisms of dance therapy." Seeing and Perceiving 25 (2012): 45. http://dx.doi.org/10.1163/187847612x646677.

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We were interested in examining the time course of the evolution when beginning to learn a motor habit and it’s associated neural functional changes in the brain. To accomplish this we employed five professional dancers that were scanned using a within subjects design. Each dancer participated in four fMRI (functional magnetic resonance imaging) scanning sessions over the training and learning of a dance to a 1 min piece of music employing a typical blocked design (5 epochs with alternations of a 30-s fixation period). We also tested five control subjects that had dance experience but did not

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De Rueda Villén, Belén, and Carlos Eloy López Aragón. "Música y programa de danza creativa como herramienta expresión de emociones (Music and creative dancing programme as a tool to transmit emotions)." Retos, no. 24 (March 7, 2015): 141–48. http://dx.doi.org/10.47197/retos.v0i24.34545.

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Este estudio tiene como objetivo principal elaborar un programa de intervención motora (PIM),compuesto de música y danza creativa, dirigido a investigar sus efectos sobre las habilidades emocionales del ser humano. Para ello, se administró una batería de Test que mide las diferencias individuales en las destrezas para ser conscientes de sus propias emociones, así como la capacidad para poder regularlas, utilizando la escala adaptada al castellano:Trait Meta-Mood Scale 24 (TMMS-24) El diseño de un programa de intervención motora (PIM), utilizando como variables independientes patrones musicales

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Pfeifer, S. M. "A Step in the Right Direction: Suggested Strategies for Implementing Music Therapy with the Multihandicapped Child." Music Therapy Perspectives 6, no. 1 (1989): 57–60. http://dx.doi.org/10.1093/mtp/6.1.57.

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NICKEL, A. K. "Outcome Research in Music Therapy: A Step on the Long Road to an Evidence-Based Treatment." Annals of the New York Academy of Sciences 1060, no. 1 (2005): 283–93. http://dx.doi.org/10.1196/annals.1360.021.

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19

Payk, Th R. "Treatment of Depression." Journal of Geriatric Psychiatry and Neurology 7, no. 1_suppl (1994): 3–5. http://dx.doi.org/10.1177/089198879400701s02.

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Depressions are the most common psychiatric diseases. For treatment, plant extracts have been used for thousands of years: examples are extracts from the (sleeping) poppy (opium), deadly nightshade (Atropa belladonna), Indian hemp (hashish), henbane (hyoscyamine), thorn apple (scopolamine), and St. John's wort (hypericum oil). In addition, psychotherapeutic measures, like playing music, dancing, playing theatre, and also the temple sleep, were used. In the 19th century, the introduction of brome (1826), codeine (1832), chloral hydrate (1869), and paraldehyde (1882), as well as the barbiturates

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Bieleninik, Łucja, and Claire M. Ghetti. "Music therapy for preterm infants and their parents: A path forward for research in Poland." Roczniki Psychologiczne 22, no. 2 (2020): 135–50. http://dx.doi.org/10.18290/rpsych.2019.22.2-3.

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Music therapy has been internationally recognized as a health-promoting profession since the end of World War II, and music therapists have been conducting research in neonatal intensive care since the 1990s. Music therapy professional training was established in Poland in 1973 at the Music Academy in Wrocław, and Polish music therapists have recently begun to seek specialization to work within neonatal intensive care. The commencement of the multi-site international randomized controlled trial LongSTEP, Longitudinal Study of music Therapy’s Effectiveness for Premature infants and their caregi

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Šuriņa, Sanita, Jana Duhovska, and Kristīne Mārtinsone. "MUSIC THERAPY FOR STROKE PATIENTS: A SYSTEMATIC REVIEW WITH META-ANALYSIS." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (May 21, 2019): 287. http://dx.doi.org/10.17770/sie2019vol4.3860.

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There are numerous trials, showing positive results for using the music therapy for stroke patient rehabilitation. Therefore, summarizing the data from these trials is an actual topic. The objective, of this research, was to summarize the data from trials about the use of music therapy methods and techniques, especially the rhythmic auditory stimulation, for improving of the motor functions for stroke patients, by creating a systematic review of randomized controlled trials, with meta-analysis. The trials where searched in MEDLINE, Cochrane Trial Register and EBSO databases. The trial quality

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Duțică, Luminița. "Petruţa Măniuţ-Coroiu – A Philocalic History of Music." Artes. Journal of Musicology 17, no. 1 (2018): 114–18. http://dx.doi.org/10.2478/ajm-2018-0006.

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Abstract The volume titled O istorie filocalică a muzicii [A Philocalic History of Music] by the musicologist Petruța Măniuț-Coroiu offers an unusual approach to the relationship between music and religion. At the core of its demonstration lie the possible relations between the texts in the Ladder of the Divine Ascent from the Philokalia of Saint John Climacus and the masterpieces of Romanian and universal art music. In this volume, the author presents, step by step, the 30 “words of wisdom” without straying from the original text, using direct quotes from Saint John Climacus’ work, putting fo

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Shoemark, Helen, and Monika Nöcker-Ribaupierre. "Growth and identity of music therapy in the NICU: Pioneering perspectives." Music and Medicine 13, no. 2 (2021): 84–90. http://dx.doi.org/10.47513/mmd.v13i2.802.

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This duoethnographic exploration expounds on the journeys of two women who pioneered music therapy in the NICUs in their respective countries. The dialogue uses their practice wisdom and research to illuminate core issues that have served the development of music as process and intervention for infants, families and those in the context of the NICU. They conclude with recommendations for the future.Monika Nöcker-Ribaupierre (MNR): I was a musician and I worked in the theatre. The premature birth of my daughter in the 1970s, experiencing my own helplessness and that of my family and friends, al

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Patt, Debra, Lalan Wilfong, Kathryn Elizabeth Hudson, et al. "Implementation of Electronic Patient-Reported Outcomes for Symptom Monitoring in a Large Multisite Community Oncology Practice: Dancing the Texas Two-Step Through a Pandemic." JCO Clinical Cancer Informatics, no. 5 (May 2021): 615–21. http://dx.doi.org/10.1200/cci.21.00063.

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PURPOSE Among patients receiving chemotherapy, symptom monitoring with electronic patient-reported outcomes (ePROs) is associated with improved clinical outcomes, satisfaction, and compliance with therapy. Standard approaches for ePRO implementation are not established, warranting evaluation in community cancer practices. We present implementation findings of ePRO symptom monitoring across a large multisite community oncology practice network. METHODS Patients initiating a new systemic therapy at one of the 210 practice sites at Texas Oncology were invited to use the Navigating Cancer ePRO pla

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Sun, Fei, Angel Duncan, and Nancy Hooyman. "Arts-Based Interventions for Dementia Care: East Meets West Symposium." Innovation in Aging 4, Supplement_1 (2020): 566. http://dx.doi.org/10.1093/geroni/igaa057.1871.

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Abstract This East Meets West symposium presents evidence of arts-based interventions in dementia care in different societal settings, focusing on the U.S.A. and China, where live about one-third of the world’s total estimated 49 million dementia population. The first study from Kansas in the U.S. outlined the varieties of arts being applied in dementia care and recommended dementia care, inter-professional teams, to involve those professionals in arts and humanities. The second paper, based upon secondary national representative data, examined the association with arts-related hobbies and cog

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Houston, Sara. "The Methodological Challenges of Research into Dance for People with Parkinson's." Dance Research 29, supplement (2011): 329–51. http://dx.doi.org/10.3366/drs.2011.0023.

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Parkinson's is a neurodegenerative disease that affects one in 500 people. It is a condition that affects the ability to initiate movement, to keep movement going and to stop movement voluntarily. Often, symptoms manifest themselves as limb tremors, rigidity of muscles, slowness of movement, a lack of co-ordination and difficulty in balancing. Many people with Parkinson's fall regularly and many feel socially isolated. There is no cure, and drugs to alleviate symptoms can be unreliable, sometimes even resulting in involuntary movement (dyskinesia) and hallucinations. There is a small but growi

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Hicks, Jennifer. "Gatekeepers of the Profession: Using the Code of Ethics to Guide Supervision." Music Therapy Perspectives 38, no. 1 (2020): 13–16. http://dx.doi.org/10.1093/mtp/miaa002.

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Abstract Clinical practicum and internship supervisors often share the role of gatekeepers with university faculty to ensure that students meet all necessary and applicable professional competencies before moving on to the next step in their music therapy journey (Dileo, 2001; Hsiao, 2014). However, the interpretation of these competencies can be subjective, and predicting student success can be challenging (Dileo, 2000). Therefore, making the decision of whether to pass a student from a clinical practicum or internship can be complex and filled with ethical implications for all involved. This

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Archambault, Kim, Karole Vaugon, Valérie Deumié, et al. "MAP: A Personalized Receptive Music Therapy Intervention to Improve the Affective Well-being of Youths Hospitalized in a Mental Health Unit." Journal of Music Therapy 56, no. 4 (2019): 381–402. http://dx.doi.org/10.1093/jmt/thz013.

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Abstract The MAP is an innovative receptive music therapy intervention derived from psychomusical relaxation methods that aims to foster the well-being and recovery of youths with mental health problems by providing them with an adaptive and effective music-assisted means to regulate their mood states. In this quasi-experimental pilot study, we assessed the mood-enhancing potential of participation in MAP sessions delivered by a music therapist in an in-patient mental health facility for children and adolescents. Using short standardized self-reported questionnaires, 20 participants aged 9–17

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Karpaviciute, Simona, Alison Sweeney, Aimee O‘Neill, Sandra McNulty, Thilo Kroll, and Suja Somanadhan. "The use of music for children and adolescents living with rare diseases in the healthcare setting: a scoping review study protocol." HRB Open Research 4 (May 14, 2021): 52. http://dx.doi.org/10.12688/hrbopenres.13280.1.

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Background: Interest in the application of music in the health, social care and community contexts is growing worldwide. There is an emerging body of literature about the positive effects of music on the well-being and social relationships of children and adult populations. Music has also been found to promote social interaction, communication skills, and social-emotional behaviours of children with medically complex care needs. Despite significant advancements in the area, to the authors’ knowledge, this is the first scoping review to investigate the evidence for using music therapy and music

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Schneider, Sabine, Thomas Müünte, Antoni Rodriguez-Fornells, Michael Sailer, and Eckart Altenmüüller. "Music-Supported Training is More Efficient than Functional Motor Training for Recovery of Fine Motor Skills in Stroke Patients." Music Perception 27, no. 4 (2010): 271–80. http://dx.doi.org/10.1525/mp.2010.27.4.271.

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MOTOR IMPAIRMENTS ARE COMMON AFTER STROKE but efficacious therapies for these dysfunctions are scarce. Extending an earlier study on the effects of music-supported training (MST), behavioral indices of motor function were obtained before and after a series of training sessions to assess whether this new treatment leads to improved motor functions. Furthermore, music-supported training was contrasted to functional motor training according to the principles of constraint-induced therapy (CIT). In addition to conventional physiotherapy, 32 stroke patients with moderately impaired motor function a

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Musalek, M. "Ressource-Oriented Treatment of Addiction - the Orpheus Programme." European Psychiatry 26, S2 (2011): 2017. http://dx.doi.org/10.1016/s0924-9338(11)73720-8.

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Major problems in treating patients suffering from addictions derive from the fact that the diagnostic category dependence syndrome covers a highly inhomogeneous patient group. Therefore uniform therapeutic approaches inflexibly following treatment guidelines have not fulfilled prognostic expectations. This was the starting point for developing a new modular resource-oriented treatment program in the Anton Proksch Institute Vienna.Changing paradigms in the treatment of addiction, the Orpheus Programme offers a host of different modules designed to help patients to discover their own aims, obje

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Sousa Nanji, Liliana, André Torres Cardoso, João Costa, and António Vaz-Carneiro. "Analysis of the Cochrane Review: Interventions for Improving Upper Limb Function after Stroke. Cochrane Database Syst Rev. 2014,11:CD010820." Acta Médica Portuguesa 28, no. 5 (2015): 551. http://dx.doi.org/10.20344/amp.7049.

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<p>Impairment of the upper limbs is quite frequent after stroke, making rehabilitation an essential step towards clinical recovery and patient empowerment. This review aimed to synthetize existing evidence regarding interventions for upper limb function improvement after Stroke and to assess which would bring some benefit. The Cochrane Database of Systematic Reviews, the Database of Reviews of Effects and PROSPERO databases were searched until June 2013 and 40 reviews have been included, covering 503 studies, 18 078 participants and 18 interventions, as well asdifferent doses and setting

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Vora, Paayal, Lydia Missaelides, Chau Trinh-Shevrin, and Tina Sadarangani. "Impact of Adult Day Service Center Closures in the Time of COVID-19." Innovation in Aging 4, Supplement_1 (2020): 949. http://dx.doi.org/10.1093/geroni/igaa057.3472.

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Abstract Adult Day Service Centers (ADCs) are a form of community-based long-term care that address frail older adults’ health and social needs. Due to their congregate nature and participants’ compromised health, many ADCs have been forced to temporarily shutter during the COVID-19 pandemic. It is unknown how closures have impacted service delivery at ADCs. Guided by the Resiliency Framework, we (1) explore methods employed by ADCs during the pandemic to meet participant/caregiver needs and (2) determine how/whether these methods have mitigated the negative effects of ADC closures on particip

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Usenko, L. V., and A. V. Tsarev. "Vladimir Negovsky: a dream incarnation." EMERGENCY MEDICINE 16, no. 7-8 (2021): 136–45. http://dx.doi.org/10.22141/2224-0586.16.7-8.2020.223718.

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The article deals with the life path and research activities of the founder of resuscitation science (intensive care) Vladimir A. Negovsky. He was born in 1909 in the city of Kozelets, Ukraine. After graduating from university in 1933, Negovsky worked as a researcher in the pathophysiological laboratory of the Central Institute of Hematology and Blood Transfusion in Moscow, where he worked for about a year with Professor S.S. Bryuchonenko, the creator of one of the world’s first heart-lung apparatus and where, apparently, his scientific interests were finally formed. In 1936, Negovsky wrote a

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Akombo, David Otieno. "Reporting on Music Therapy in Kenya." Voices: A World Forum for Music Therapy 1, no. 1 (2001). http://dx.doi.org/10.15845/voices.v1i1.45.

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There are approximately 500,000 refugees living in Kenya today, with approximately 20,000 children attending formal education in about twenty refugee schools. These children often show severe emotional distress that is observable through consistent evaluation. The children's hopes need to be restored and their mental health rejuvenated. Several Kenyan music teachers and paramedics including myself came together in August 1998, and thought about new ways and means of helping these children. One way we thought was worth trying was music therapy. This we thought could be achieved by incorporating

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Lauzon, Paul J. L. "Anatomy of a Musical Being: A Music Systems Theory of Music Therapy." Voices: A World Forum for Music Therapy 11, no. 1 (2011). http://dx.doi.org/10.15845/voices.v11i1.163.

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The goal of this essay is to work towards an answer to the question, ‘Why is music effective as therapy?’ The general features of the music state, as experienced in therapy, are outlined. Through a step by step process the author integrates features common to all natural systems in coming to a music-centered answer to the question of effectiveness by outlining a new contribution to music therapy discourse, the Music Systems Theory.

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Beevers, Winifred A., Meg E. Morris, and Janet McConville. "Music Used for Parkinson’s Dancing Classes: Rationale and Validity or Instruments and Methods." Voices: A World Forum for Music Therapy 15, no. 1 (2015). http://dx.doi.org/10.15845/voices.v1i1.781.

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Music has the potential to motivate, support and improve exercise performance while reducing the perceptions of fatigue. The music used in exercise groups is rarely examined in detail.This article is an investigation into finding existing methods for analysing recorded music as used in exercise groups. No single method or tool was identified. Existing music analysis methods focus on music that is heard or performed in the therapy session, and are used to facilitate discussion and interpretation of the session with the client, or, to prepare for the next session. The article concludes with a di

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Park, Doo Jae, Na Ri Shin, Synthia Sydnor, and Caitlin Clarke. "Ice Dancing to Arirang in the 2018 PyeongChang Winter Olympic Games: The Intersection of Music, Identity, and Sport." Sociology of Sport Journal, 2020, 1–10. http://dx.doi.org/10.1123/ssj.2019-0186.

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This cultural-interpretive essay offers critical commentary on Koreanness, racial ideology, hegemonic racial power, and racialized cultural taste with the aim of interpreting the sport–music nexus by examining a case of the interface between music and sport: The authors focus on the case of the Olympic ice dance that the South Korean team performed for the Korean traditional folk song Arirang at the 2018 PyeongChang Winter Olympic Games. The authors argue that music and sport can be understood as a semiological system that shapes non-Whites’ ideological belief system. In addition, this essay e

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Aluede, Charles Onomudo. "BIBLIOGRAPHICAL SOURCES ON MUSIC THERAPY IN NIGERIA." Voices: A World Forum for Music Therapy 9, no. 3 (2009). http://dx.doi.org/10.15845/voices.v9i3.31.

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Issues relating to health and healing are quite often very primary in the minds of every Nigerian. This is why in the country, short phrases, sentences and proverbs in appreciation of good health are either constantly said or inscribed on door lintels and vehicles by their owners. The eminence of health is captured in texts such as: Health is Wealth, When Health is Lost all is Lost, No Sickness No Suffering, Death is a small enemy but Sickness is The Great Destroyer. These comments are indicative of the peoples’ views of illness and its effect on the society. To combat illness, allopathic and

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Intveen, Andrea, and Jane Edwards. "The History and Basic Tenets of Anthroposophical Music Therapy." Voices: A World Forum for Music Therapy 12, no. 2 (2012). http://dx.doi.org/10.15845/voices.v12i2.646.

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The approach known as Anthroposophical Music Therapy (AnMt) was developed throughout the 20th century. In this paper we provide an historical and descriptive overview of the foundations, techniques and methods of AnMt for readers who are not familiar with this model of music therapy training and practice. We trace AnMt's origins from the systematic application of music in curative education in Germany, Austria and Switzerland through to its use in many countries of the world, with training programmes available in German and English speaking countries currently. We examined literature sources i

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Sawami, Kazue. "Cognitive ability and psychological effectiveness of brain training dance robot therapy for elderly people." OA Journal of Neuropsychiatry, June 20, 2019. http://dx.doi.org/10.33118/oaj.neuro.2019.01.004.

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Introduction: Regarding dementia prevention, as it has been reported that the volume of hippocampus increase with continuous dancing and that dancers’ gray matter increases, dancing and recognition tasks have been combined and developed into brain training. Furthermore, we equipped a robot with dance therapy and a cognitive evaluation scale, the results of which we will exam as the focus of this study. Methods: Comparison of the results of cognitive evaluation tests before and after 7 weeks of continuous cognitive dance therapy once a week. The cognitive evaluation test utilized was the cognit

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Christensen, Julia F., Meghedi Vartanian, Luisa Sancho-Escanero, et al. "A Practice-Inspired Mindset for Researching the Psychophysiological and Medical Health Effects of Recreational Dance (Dance Sport)." Frontiers in Psychology 11 (February 25, 2021). http://dx.doi.org/10.3389/fpsyg.2020.588948.

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“Dance” has been associated with many psychophysiological and medical health effects. However, varying definitions of what constitute “dance” have led to a rather heterogenous body of evidence about such potential effects, leaving the picture piecemeal at best. It remains unclear what exact parameters may be driving positive effects. We believe that this heterogeneity of evidence is partly due to a lack of a clear definition of dance for such empirical purposes. A differentiation is needed between (a) the effects on the individual when the activity of “dancing” is enjoyed as a dancer within di

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Callaghan, Michaela. "Dancing Embodied Memory: The Choreography of Place in the Peruvian Andes." M/C Journal 15, no. 4 (2012). http://dx.doi.org/10.5204/mcj.530.

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This article is concerned with dance as an embodied form of collective remembering in the Andean department of Ayacucho in Peru. Andean dance and fiesta are inextricably linked with notions of identity, cultural heritage and history. Rather than being simply aesthetic —steps to music or a series of movements — dance is readable as being a deeper embodiment of the broader struggles and concerns of a people. As anthropologist Zoila Mendoza writes, in post-colonial countries such as those in Africa and Latin America, dance is and was a means “through which people contested, domesticated and rewor

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Shoemark, Helen. "Infant-Directed Singing as a Vehicle for Regulation Rehearsal in the Medically Fragile Full-Term Infant." Voices: A World Forum for Music Therapy 8, no. 2 (2008). http://dx.doi.org/10.15845/voices.v8i2.437.

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A significant step in the full-term infant’s development is the achievement of self and mutual regulation. The invasive nature of care on the Neonatal Intensive Care Unit can undermine the medically fragile full- term infant’s efforts to control his experiences through regulation of stimuli. During active music therapy, the therapist provides a contingent relationship in which improvised infant-directed singing serves as a vehicle for rehearsal of self and mutual regulation.

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Siddiqui, A. N., J. Ganai, N. Khan, S. Davari, and A. Mujaddadi. "Effect of differential music tempo on post-exercise cardiovascular recovery parameters in hypertensive individuals: a randomised control trial." Comparative Exercise Physiology, November 16, 2020, 1–8. http://dx.doi.org/10.3920/cep200005.

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Hypertensive individuals tend to have autonomic dysfunction indicated by sympathetic dominance or delayed parasympathetic reactivation. A complimentary therapy such as music following exercise is considered to be beneficial in improving autonomic recovery. The purpose of this study was to assess the effect of differential music tempo on post-exercise cardiovascular recovery parameters in hypertensive individuals. Thirty hypertensive individuals were recruited for the present study which were randomly allocated to no music (n=10), slow music (n=10) and fast music (n=10) group. Participants in a

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Du, Yijie, Mingyue Su, Hongli Xue, et al. "Effects of progressive Orff vocal therapy on BODE index and quality of life in patients with low lung function after non-small cell lung cancer surgery." Traditional Medicine and Modern Medicine, September 2, 2020, 1–7. http://dx.doi.org/10.1142/s2575900019500186.

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Objective: To explore the effect of Orff vocal therapy on BODE index and quality of life of patients with low lung function after non-small cell lung cancer surgery. Methods: From March 2014 to March 2019, 231 patients with NSCLC postoperative (their pulmonary functions FEV1 [Formula: see text] of the expected value) in the Huashan Hospital, Fudan University were selected and randomly divided into observation groups and control group. On the basis of conventional treatment of NSCLC, the control group used lung rehabilitation training, and the observation group used the Orff music therapy. They

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Thompson, Sarah, Kaitlin Hays, Alan Weintraub, Jessica M. Ketchum, and Robert G. Kowalski. "Rhythmic Auditory Stimulation and Gait Training in Traumatic Brain Injury: A Pilot Study." Journal of Music Therapy, October 23, 2020. http://dx.doi.org/10.1093/jmt/thaa016.

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Abstract Rhythmic auditory stimulation (RAS) has been well researched with stroke survivors and individuals who have Parkinson’s disease, but little research exists on RAS with people who have experienced traumatic brain injury (TBI). This pilot study aimed to (1) assess the feasibility of the study design and (2) explore potential benefits. This single-arm clinical trial included 10 participants who had a 2-week control period between baseline and pretreatment. Participants had RAS daily for a 2-week treatment period and immediately completed post-treatment assessments. Participants then had

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Broscheid, Kim-Charline, Tom Behrendt, Dennis Hamacher, et al. "Effect of a Multimodal Movement Intervention in Patients With Neurogenic Claudication Based on Lumbar Spinal Stenosis and/or Degenerative Spondylolisthesis—A Pilot Study." Frontiers in Medicine 7 (December 8, 2020). http://dx.doi.org/10.3389/fmed.2020.540070.

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Chronic low-back pain is a major individual, social, and economic burden. The impairment ranges from deterioration of gait, limited mobility, to psychosocial distress. Due to this complexity, the demand for multimodal treatments is huge. Our purpose is to compare the effects of a multimodal movement intervention (MI) (coordinative–cognitive exercises and dancing program) with standard physical therapy (PT) on gait, physical function, and quality of life in patients with lumbar spinal stenosis (LSS). The study design is based on a 6-week intervention with a two (group: MI/PT) by two (measuremen

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Mercieca, Paul Dominic. "‘Southern’ Northern Soul: Changing Senses of Direction, Place, Space, Identity and Time." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1361.

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Music from Another Time – One Perth Night in 2009The following extract is taken from fieldwork notes from research into the enduring Northern Soul dance scene in Perth, Western Australia.It’s 9.30 and I’m walking towards the Hyde Park Hotel on a warm May night. I stop to talk to Jenny, from London, who tells me about her 1970s trip to India and teenage visits to soul clubs in Soho. I enter a cavernous low-ceilinged hall, which used to be a jazz venue and will be a Dan Murphy’s bottle shop before the year ends. South West Soul organiser Tommy, wearing 34-inch baggy trousers, gives me a Northern

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"The Concept of “Vocalese” in the Class of FLE." International Journal of Innovative Technology and Exploring Engineering 8, no. 6S4 (2019): 1390–92. http://dx.doi.org/10.35940/ijitee.f1281.0486s419.

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“Music is a world within itself a language we all understand “– Steve Wonder. According to these words if this language called “Music” can be used in the teaching of a foreign language it justifies the words of Plato “Music is a more potent instrument than any other form of education because rhythm and harmony find their way into the inward places of the soul”. This article aims To highlight the advantages of “Vocalese” in the teaching of French as a foreign langue (FLE) – Francais Langue Etrangere and to structure a formative and fun FLE course through the exploitation of a song aiming at fun

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