Academic literature on the topic 'Stepan Taranushenko'

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Journal articles on the topic "Stepan Taranushenko"

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Levytska, Oksana. "Автопортрет на тлі жорстокої доби: Катерина Білокур в епістолярному, спогадовому та мистецькому дискурсах". Studia Polsko-Ukraińskie, № 10 (10 червня 2023): 165–81. http://dx.doi.org/10.31338/2451-2958spu.10.12.

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Ukrainian history is once again experiencing increased interest in its past, namely the history of Ukrainian art and artists as seen through the lens of postcolonial studies and research of self-narrative. While reading autobiographical documents of artists, it is important to involve interdisciplinary practices and a broader context of documents from a specific era as well as the artistic discourse. A corpus of Kateryna Bilokur’s letters compiled and edited by Mykola Kaharlytskyi is a written testimony of self-narrative amid violent circumstances – the people’s artist was contemporary of the
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Olianina, Svitlana. "Lost icons from the iconostas of the Cathedral of the Dormition of the Yelets Monastery (photo by Stephan Taranushenko)." Culturology Ideas, no. 25 (1'2024) (2024): 110–23. http://dx.doi.org/10.37627/2311-9489-25-2024-1.110-123.

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The article publishes for the first time archival photos of the icons of the lost iconostasis of the 1670s of the Dormition Cathedral of the Yelets Monastery in Chernihiv, as well as a description of this iconostasis and related historical research, which was carried out in 1916 by the outstanding art critic Stephan Taranushenko, at that time a student of Kharkiv university. The exceptional value of the published materials is because S. Taranushenko was the last researcher who examined and described the monument in detail before its destruction in the 1920s. Currently, it is believed that all
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YANENKO, Anna. "THE MUSEUM OF ARCHITECTURE OF THE ALL-UKRAINIAN MUSEUM TOWN." Materials and studies on archaeology of Sub-Carpathian and Volhynian area 27 (2023): 326–41. https://doi.org/10.33402/mdapv.2023-27-326-341.

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The article deals with the history of the Museum (Stock) of Architecture (a department of Ancient Ukrainian Construction Technologies) of the State Historical and Cultural Preserve «All-Ukrainian Museum Town», which existed on the territory of the nationalized Kyiv-Pechersk monastery since 1926. The idea of creating an architectural department of the Lavra Museum probably appeared in the first half of the 1920s. Since 1926, Ipolyt Morhilevskyi, an art and architectural historian, was heading the Museum of Architecture. In the late 1920s, the Museum of Architecture received separate premises (t
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Storchai, Oksana Viktorivna. "Geniuses of Ukrainian arts: Olena Kulchytska’s letters to Stefan Taranushenko (April - September, 1957)." Rukopisna ta knižkova spadŝina Ukraïni, no. 23 (November 22, 2019): 268–313. http://dx.doi.org/10.15407/rksu.23.268.

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Yarova, A. H. "SCIENTIFIC DISCOURSE OF STEFAN TARANUSHENKO (AN ESSAY BASED ON THE TEXTS OF KHARKIV PERIOD)." "Scientific notes of V. I. Vernadsky Taurida National University", Series: "Philology. Journalism" 1, no. 4 (2021): 57–64. http://dx.doi.org/10.32838/2710-4656/2021.4-1/10.

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Sushko, Valentyna. "Regional Features of Planning and Decorative Housing Traditions of Slobozhanshchyna." Folk art and ethnology, no. 2 (July 30, 2021): 37–46. http://dx.doi.org/10.15407/nte2021.02.037.

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Folk architecture is one of the markers of ethnic culture. Builders had to take into account the features of natural conditions, with using natural materials of their dwelling area. However, abode is still the embodiment of the ideal of beauty and comfort, so even while moving to another region, people tried to recreate the ideal under new conditions. Since the reputable researchers of Slobozhanshchyna Ukrainians’ ethno-culture Mykola Sumtsov, Stefan Taranushenko and others convincingly proved the Hutsuls’ participation in the settlement of Sloboda Ukraine in the XVIIth century, it seems inter
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Bon, Oleksandr. "CAMP DAILY ROUTINE OF UKRAINIAN PROFESSORS-HUMANITARIANS: BAMLAG." Kyiv Historical Studies 11, no. 2 (2020): 106–15. http://dx.doi.org/10.28925/2524-0757.2020.2.15.

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The Ukrainian humanitarian intellectuals became the object of the totalitarian regime repressions at the end of 1920–1930s. Ordinary social conditions of cultural life centers changed drastically. Even harsher conditions waited for the repressed humanitarian intellectuals — the conditions of Stalin’s GULAG prisons, concentration camps, and an exile. The survival strategies at GULAG’s extreme conditions had many differences and yet had common features. The subject matter of this article is an daily routine of the Ukrainian humanitarian intellectuals in 1930s. The objective of this research is t
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Shcherban, A., and N. V. Babkova. "The textbook “Ornamentation and Ukrainian ornament”: culturological analysis." Culture of Ukraine, no. 75 (March 21, 2022): 52–57. http://dx.doi.org/10.31516/2410-5325.075.07.

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Abstract. Various aspects of ornamentation have been actively studied by various scientists for about two centuries, and they are included in the curricula of many educational institutions at different educational levels. However, for a long time, pupils and students of Eastern Europe haven’t had ornamentation textbooks and guidebooks adapted to the educational process in their native languages.
 The purpose of this article: to carry out a culturological study of the textbook “Ornamentation and Ukrainian ornament”, prepared for publication by Mykhailo Diachenko in early fileing of 1928.&#
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Mytsyk, Yu., and I. Tarasenko. "From the letters of Ye. Spaska to S. Taranushenko." June 24, 2019. https://doi.org/10.5281/zenodo.3253661.

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<em>The article deals with the correspondence of prominent Ukrainian art Yevhenya Spaska&nbsp;</em><em>and Stefan Taranushenko that are stored in the Taranushenko&rsquo;s personal fund at the Institute&nbsp;</em><em>of Manuscripts VNLU. Тhe significance of these epistles as a historical source, which sheds&nbsp;</em><em>light on important biographical facts Ye. Spaska, the process of introducing its classical works&nbsp;</em><em>on the history of Ukrainian art history, its rekationship with a number of scientists.</em> &nbsp;
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Dissertations / Theses on the topic "Stepan Taranushenko"

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Побожій, Сергій Іванович, Сергей Иванович Побожий та Serhii Ivanovych Pobozhii. "Відгук Ф. І. Шміта на медальний твір С. А. Таранушенка і деякі проблеми українського мистецтвознавства". Thesis, 1989. http://essuir.sumdu.edu.ua/handle/123456789/59802.

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У статті йдеться про відгук професора Харківського університету Федора Шміта на роботу С. Таранушенка про український іконостас. Дослідження представлене (ранише) на конкурс у галузі мистецтвознавства в університеті. Відгук Шміта і деякі проблеми українського мистецтвознавства.<br>The article contains the review of Taranushenko's scientific work about the Ukrainian iconostasis. The review is by Professor Theodore Schmit from Kharkov University. The research has been presented at the contest in the field of the art history at the University. Schmit’s review and some problems of the Ukrainian a
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