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Journal articles on the topic 'Stéphane (1967-....)'

Author: Grafiati

Published: 25 May 2024

Last updated: 31 July 2025

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1

Hernández Barbosa, Sonsoles. "La «question Mallarmé»: relecturas y querellas en torno al poeta en la Francia de la década de 1960." Çédille 11 (April 1, 2015): 251. http://dx.doi.org/10.21071/ced.v11i.5593.

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Stéphane Mallarmé despertó el interés de la vanguardia artística e intelectual francesa de la década de 1960. De hecho, se convirtió en centro de las polémicas entre los miembros vinculados a la revista Tel Quel, particularmente entre 1967 y 1969. En el presente artículo ofrezco una lectura de las querellas que suscitó entonces su figura: ¿a qué respondió el interés renovado por el poeta? ¿En qué difirió la lectura llevada a cabo desde el entorno de la revista Tel Quel de la propuesta por Jean-Paul Sartre? ¿Cuáles eran las posiciones enfrentadas en torno al poeta desde los miembros de la céleb

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2

Dima, Vlad. "Perinatology – the link between Obstetrics and Neonatology." Romanian Medical Journal 69, no. 3 (2022): 91–92. http://dx.doi.org/10.37897/rmj.2022.3.7.

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Starting from the end of the XIXth century, a decrease in infant mortality was observed worldwide. Care of preterm infants became the domain of dedicated units inside hospitals and technology became more complex. Neonatal Intensive Care Units were created throughout the world, increasing infant survival chances regardless of age and pathology. Alongside Neonatology, better means of investigating the pregnancies were discovered. Ultrasound use during pregnancy improved the chances of identifying complex genetic syndromes, some incompatible with survival after birth. It is considered that Stépha

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3

Silva, Cleuzeni Santiago da, and Gilson Penalva. "Simbolismo." Revista Terceiro Incluído 14, no. 2 (2024): e14208. https://doi.org/10.5216/teri.v14i2.80515.

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O presente trabalho pretende compreender o Simbolismo como um movimento literário em que a estética se sobrepõe à ética. Busca, assim, analisar como na poesia simbolista há a prevalência dos aspectos estéticos sobre os éticos, considerando os princípios e as características desse movimento literário do final do século XIX e as dimensões do ético e do estético na filosofia e nas artes. Trata-se de um estudo de cunho bibliográfico, com breve discussão teórica acerca das noções de ética e estética à luz dos estudos filosóficos, especialmente os de Amelia Valcárcel (2005) e Benedito Nunes (1991);

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Parenteau, Danic. "De la république en Amérique française. Anthologie pédagogique des discours républicains au Québec 1703-1967 by Marc Chevrier, Louis-Georges Harvey, Stéphane Kelly et Samuel Trudeau." Histoire sociale/Social history 47, no. 96 (2015): 314–16. http://dx.doi.org/10.1353/his.2015.0029.

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Pawłowska, Aneta Joanna. "Visual text or "words-in-freedom" from Futurism through concrete poetry to electronic literature." Text and Image: Essential Problems in Art History, no. 1 (2019): 90–101. http://dx.doi.org/10.17721/2519-4801.2019.1.06.

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The aim of the article is to present the changes which the literary text with visual values is subjected to. As the starting point of our intellectual considerations we chose the turning-point between 19th and 20th century, when as a result of artistic actions of such avant-garde artists as Guillaume Apollinaire, Stéphane Mallarmé, dramatic changes in the perception of the semantic meaning of poety occurred, which brought about the situation in which the visual structure of the text became quite essential. In the beginning of the 20th century the need for the necessary changes within the scope

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Levitt, Caroline. "Weaving Words: Le Corbusier and Jean Lurçat Between Tapestry and Poetry." LC. Revue de recherches sur Le Corbusier, no. 2 (October 7, 2020): 76. http://dx.doi.org/10.4995/lc.2020.13922.

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<p>Antes de su funeral en el Cour Carrée del Louvre el 1 de septiembre de 1965, el cuerpo de Le Corbusier (1887-1965) yacía con su tapiz Les Dés sont jetés (1960) como telón de fondo. Este artículo examina el lugar y la importancia del tapiz en la carrera más amplia de Le Corbusier como arquitecto, artista y poeta, y resalta las formas en que sus obras tejidas de 1948 en adelante están intrincadamente conectadas a su pensamiento a través de los medios. Jean Lurçat (1892-1966), el protagonistga del diseño moderno de tapices, generalmente se deja de lado en el análisis histórico del arte.

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Normandeau, Robert. "Influence de Stockhausen chez les compositeurs électroacoustiques québécois." Circuit 19, no. 2 (2009): 51–56. http://dx.doi.org/10.7202/037450ar.

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Résumé Quelle a été l’influence de la musique électroacoustique de Karlheinz Stockhausen sur la production québécoise de cette même discipline ? Un certain nombre de compositeurs québécois de différentes générations ont été sollicités afin de connaître leur avis sur la question : Kevin Austin (1948), Walter Boudreau (1947), Yves Daoust (1946), Jean-François Denis (1960), Marcelle Deschênes (1939), Francis Dhomont (1926), Gisèle Ricard (1944), Stéphane Roy (1959), Alain Thibault (1956). Aux réponses de ce groupe de compositeurs se sont ajoutés les commentaires et souvenirs de l’auteur.

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Charbonneau, François. "Marc Chevrier, Louis-Georges Harvey, Stéphane Kelly et Samuel Trudeau, De la république en Amérique française : anthologie pédagogique des discours républicains au Québec, 1703-1967, Québec, Septentrion, 2013, 529 p." Recherches sociographiques 55, no. 1 (2014): 160. http://dx.doi.org/10.7202/1025666ar.

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9

Lamonde, Yvan. "De la république en Amérique française. Anthologie pédagogique des discours républicains au Québec, 1703-1967, textes choisis et commentés par Marc Chevrier, Louis-Georges Harvey, Stéphane Kelly et Samuel Trudeau, Éditions du Septentrion, 2013, 529 pages." Bulletin d'histoire politique 22, no. 2 (2014): 356. http://dx.doi.org/10.7202/1022014ar.

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10

Lefebvre, Stéphane, Sylvain Richard, Dominique Beaudou, and Gaël P.J. Denys. "Threatened fish: Cottus petiti Bǎcescu & Bǎcescu-Meşter, 1964 (Cottidae)." Cybium 43, no. 3 (2019): 215–16. https://doi.org/10.26028/cybium/2019-433-001.

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Lefebvre, Stéphane, Richard, Sylvain, Beaudou, Dominique, Denys, Gaël P.J. (2019): Threatened fish: Cottus petiti Bǎcescu & Bǎcescu-Meşter, 1964 (Cottidae). Cybium 43 (3): 215-216, DOI: 10.26028/cybium/2019-433-001, URL: http://dx.doi.org/10.26028/cybium/2019-433-001

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Grosjean, Stéphane, and Chantip Inthara. "Molecular identifications and descriptions of the tadpoles of Rhacophorus kio Ohler & Delorme, 2006 and Rhacophorus rhodopus Liu & Hu, 1960 (Amphibia: Anura: Rhacophoridae)." Zoosystema 38, no. 2 (2016): 267–82. https://doi.org/10.5252/z2016n2a5.

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Grosjean, Stéphane, Inthara, Chantip (2016): Molecular identifications and descriptions of the tadpoles of Rhacophorus kio Ohler & Delorme, 2006 and Rhacophorus rhodopus Liu & Hu, 1960 (Amphibia: Anura: Rhacophoridae). Zoosystema 38 (2): 267-282, DOI: 10.5252/z2016n2a5, URL: http://dx.doi.org/10.5252/z2016n2a5

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Черкашина, Маргарита. "Язык в ожидании Годо: Барт о пьесе Беккета". Palladion, № 4 (17 жовтня 2022): 93–112. http://dx.doi.org/10.55167/46fbd1630d19.

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Roland Barthes in his review “The Adult «Godot»” in 1954 claims that the language itself of Becketts’ play Waiting for Godot at last makes the audience take it as comic and understandable, though at the premiere just 17 months before the same text has been condemned as highbrow. The article examines several Barthes’ works (The Third Meaning, S/Z, Camera Lucida), Becketts’ short movie The Film (1964) as well as Stéphane Mallarmé’s article The Impressionists and Edouard Manet (1876) in order to clear up the key question: how the modernity painting method of “cutting down” the picture on canvas c

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Huetz de Lemps, Xavier. "Élites et développement aux Philippines : un pari perdu ?, Stéphane Auvray, Roberto N. Galang Jr. & Cristina T. Jimenez-Hallare." Moussons, no. 9-10 (December 1, 2006): 385–86. http://dx.doi.org/10.4000/moussons.1960.

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Fraser Askin, Debbie. "Looking Forward, Looking Back." Neonatal Network 21, no. 5 (2002): 81. http://dx.doi.org/10.1891/0730-0832.21.5.81.

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MAJOR MILESTONES SUCH AS birthdays and anniversaries provide us with an opportunity to look back and reflect on what has gone before us. They are also a perfect time to look to the future. This special anniversary issue of Neonatal Network® features many reflections of the past twenty years of neonatal care—although for many of us, our history of caring for babies goes back much farther. Do we start with the opening of the first NICU in 1965, or do our influences reach back much farther to the work of some of the early pioneers in neonatal care? Do we mark our beginnings with the development o

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15

Verneuil, Yves. "Stéphane Coutant. L’Université de Picardie, 1960-1971. L’affirmation d’une identité régionale . Amiens : Encrage, 2009, 207 p." Carrefours de l'éducation 38, no. 2 (2014): II. http://dx.doi.org/10.3917/cdle.038.0239b.

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16

Lécrivain, Claudine. "Andrés Holguín et la poésie française: une brève lecture de Mallarmé en traduction." Co-herencia 12, no. 22 (2015): 59–95. http://dx.doi.org/10.17230/co-herencia.12.22.4.

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La réception en Espagne de l’œuvre de Stéphane Mallarmé s’organise en quatre moments centraux, marqués par un certain succès critique et par la circulation de traductions en espagnol. Entre 1940 et 1960, Mallarmé figure dans l’anthologie Poesía Francesa du poète colombien Andrés Holguín (1954), anthologie qui présente l’intérêt d’une articulation permanente entre les poèmes traduits et les notices introductrices sur chaque poète retenu, qui développe ainsi deux niveaux de réception critique et de (re)présentation de la poésie française. L’article analyse dans un premier temps l’environnement s

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17

Carrión Cipriano, Gilmer Ever, and José Samuel Saavedra Pacotaipe. "La semántica estructural de la lírica en los caligramas no canónicos de la poesía posmoderna." Boletín de la Academia Peruana de la Lengua, no. 73 (June 30, 2023): 179–208. http://dx.doi.org/10.46744/bapl.202301.007.

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Desde que los caligramas se dieron a conocer a fines del s. xix por Stéphane Mallarmé (1842-1898), y luego con Guillermo Apollinaire (1880-1918) como una nueva forma de hacer poesía, su moda literaria aún se mantiene vigente. El objetivo del presente estudio fue realizar un análisis semántico que demuestre cómo la estructura de la lírica en los caligramas no canónicos ha alterado los principios que regían a la métrica tradicional. Para ello, se seleccionó una muestra de tres caligramas: «Oda a la tristeza», «Copa de champagne» y «El reloj de arena». Para la investigación, se utilizó el método

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Nagavajara, Chetana. "Kurt Wais :A Centenary Appraisal." MANUSYA 9, no. 3 (2006): 1–34. http://dx.doi.org/10.1163/26659077-00903001.

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Kurt Wais ( 1907-1995) would be 100 years old on 9 January 2007. He was Professor of Romance Philology and Comparative Literature at Tübingen University until his retirement in 1975. His immense erudition spanning several literatures and epochs equipped him well for pioneering work in Comparative Literature, of which he was the leading authority in Germany. Drawing on his "Nachlass" (private papers) now deposited with the renowned German Literature Archive in Marbach/Neckar, the author, a pupil of Kurt Wais, demonstrates how the precocious scholar, who had won international recognition at the

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Simard-Houde, Mélodie. "Françoise Lucbert, Stéphane Tison (dir.), L’imaginaire de l’aviation pionnière. Contribution à l’histoire des représentations de la conquête aérienne, 1903-1927." Artefact 5, no. 5 (2017): 230–32. http://dx.doi.org/10.4000/artefact.739.

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Turquety, Benoît. "Jacques Malthête, Stéphanie Salmon (dir.), Recherches et innovations dans l’industrie du cinéma. Les cahiers des ingénieurs Pathé (1906-1927)." 1895, no. 84 (April 1, 2018): 204–8. http://dx.doi.org/10.4000/1895.6188.

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21

Brady, Marie-Joie. "Les relations internationales du Québec depuis la Doctrine Gérin-Lajoie (1965–2005), Stéphane Paquin (dir.), Les Presses de l'Université Laval, 2006, 234 pages." Canadian Journal of Political Science 41, no. 3 (2008): 807–9. http://dx.doi.org/10.1017/s000842390808102x.

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22

Shellhorse, Adam Joseph. "A Antiliteratura de Augusto de Campos." Revista da Anpoll 52, no. 3 (2021): 139–43. http://dx.doi.org/10.18309/ranpoll.v52i3.1674.

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Este ensaio examina a recepção, trajetória, filosofia e as dimensões estéticas da poética do renomado escritor brasileiro Augusto de Campos dos anos 1950 até o presente. Na contramão das leituras que reduzem Campos ao concretismo, mostro como sua poesia é melhor enquadrada por seu compromisso com a radicalização permanente da linguagem. É o que chamo de abertura “pós-concreta” de Campos para outras artes, poetas e meios de comunicação de massa. Ilustro como a obra de Campos, desde a década de 1960, se caracteriza pelos seguintes motivos: sua ênfase no status liminar, antiliterário da poesia e

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NEIBERG, MICHAEL S. "Revisiting the Myths: New Approaches to the Great War." Contemporary European History 13, no. 4 (2004): 505–15. http://dx.doi.org/10.1017/s0960777304001924.

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Stéphane Audoin-Rouzeau and Annette Becker, 14–18: Understanding the Great War (New York: Hill & Wang), 280 pp., $24.00, ISBN 0-8090-4643-1.Jeremy Black, ed., War in the Modern World since 1815 (London: Routledge, 2003), 268 pp., £18.99, ISBN 0-415-25140-0.Gail Braybon, ed., Evidence, History, and the Great War: Historians and the Impact of 1914–18 (Oxford: Berghahn, 2003), 304 pp., £50.00, ISBN 1-57181-726-7.Roger Chickering and Stig Förster, eds., The Shadows of Total War: Europe, East Asia, and the United States, 1919–1939 (Washington, DC, and Cambridge: German Historical Institute and

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Palard, Jacques. "[ Sans Titre - No Title ]Stéphane Paquin (dir.), Le Québec et la France depuis 1960 : une relation d’exception, Bulletin d’histoire politique, VLB éditeur, 2022, p. 9-132." Recherches sociographiques 64, no. 2 (2023): 483. http://dx.doi.org/10.7202/1110149ar.

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Bascombe, Carla. "‘To sing the beauties of the Haitian motherland’: The voice of the Griot in Jacques-Stéphen Alexis’ Romancero aux étoiles (1960)." Short Fiction in Theory & Practice 3, no. 1 (2013): 53–62. http://dx.doi.org/10.1386/fict.3.1.53_1.

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Durand, Antonin. "Lucbert Françoise et Tison Stéphane (dir.), L’Imaginaire de l’aviation pionnière : contribution à l’histoire des représentations de la conquête aérienne, 1903-1927 , Rennes, Presses universitaires de Rennes, 2016, 354 p., 23 €." Vingtième Siècle. Revue d'histoire N° 133, no. 1 (2016): VIII. http://dx.doi.org/10.3917/ving.133.0185h.

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Khoury, Nadine. "Paquin, Stéphane (dir.), Les relations internationales du Québec depuis la doctrine Gérin-Lajoie (1965-2005). Le prolongement externe des compétences internes, coll. Prisme, Québec, Presses de l’Université Laval, 2006, 324 p." Études internationales 39, no. 1 (2008): 163. http://dx.doi.org/10.7202/018732ar.

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Surmont, Jean-Nicolas De. "Stéphane Paquin (dir.), avec la collaboration de Louise Beaudoin, Robert Comeau et Guy Lachapelle, Les relations internationales du Québec depuis la doctrine Gérin-Lajoie (1965-2005), Québec, Les Presses de l’Université Laval, 2006, 324 p." Recherches sociographiques 51, no. 1-2 (2010): 241. http://dx.doi.org/10.7202/044716ar.

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Martinet, Jean-Luc. "Du côté de Paul Nizan et des années 30. C.F. Ramuz, Le Besoin des choses et autres chroniques, Introduction par Daniel Maggetti et Stéphane Pétermann, Genève, Zoé poche, « Petite bibliothèque ramuzienne », 2022, 285 p. ; Lettres 1904-1947, Introduction de Vincent Kaufmann, Genève, Zoé poche, « Petite bibliothèque ramuzienne », 2022, 182 p." Aden 20, no. 1 (2025): 263–64. https://doi.org/10.3917/aden.020.0263.

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Soll, Jacob. "J. P. Pittion and Stéphan Geonget, eds. Droit et justice dans l'Europe de la Renaissance. Centre d'Études Supérieures de la Renaissance 17: Le Savoir de Mantice. Paris: Honoré Champion Éditeur, 2009. 374 pp. index. append. illus. 荤70. ISBN: 978–2–7453–1907–4." Renaissance Quarterly 63, № 2 (2010): 636–37. http://dx.doi.org/10.1086/655289.

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Brandt-Juergens, J., J. Haschka, R. Finsterwalder, A. Casier, A. Kill, and S. Dierckx. "AB0955 WITHDRAWAL FROM PROFESSIONAL LIFE DUE TO HIGH DISEASE ACTIVITY IN PATIENTS WITH ANKYLOSING SPONDYLITIS TREATED WITH TUMOUR NECROSIS FACTOR INHIBITORS AND/OR NONSTEROIDAL ANTI-INFLAMMATORY DRUGS IN ROUTINE CARE: RESULTS FROM THE MULTINATIONAL “INVISIBLE” STUDY." Annals of the Rheumatic Diseases 82, Suppl 1 (2023): 1695.2–1696. http://dx.doi.org/10.1136/annrheumdis-2023-eular.2202.

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BackgroundAnkylosing Spondylitis (AS) is an inflammatory rheumatic disease affecting the axial skeleton (1), with a prevalence of up to 0.5% in Europe (2; 3), and occurs equally in men and women [4]. Nonsteroidal Anti-Inflammatory Drugs (NSAIDs) and biological Disease-Modifying Antirheumatic Drugs (bDMARDs) such as Tumour Necrosis Factor inhibitors (TNFi) are the first choice in pharmacological treatments for AS patients (5; 6). Data on employment situation in correlation with disease activity and disease duration in AS patients treated in real life settings in Europe are limited.ObjectivesTo

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Brandt-Juergens, J., J. Haschka, R. Finsterwalder, A. Casier, A. Kill, and S. Dierckx. "AB0754 REAL WORLD EVIDENCE ON DISEASE ACTIVITY IN PATIENTS WITH ANKYLOSING SPONDYLITIS TREATED WITH TUMOUR NECROSIS FACTOR INHIBITORS AND/OR NONSTEROIDAL ANTI-INFLAMMATORY DRUGS IN ROUTINE CARE: RESULTS FROM THE “INVISIBLE” STUDY." Annals of the Rheumatic Diseases 81, Suppl 1 (2022): 1502.2–1503. http://dx.doi.org/10.1136/annrheumdis-2022-eular.594.

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BackgroundAnkylosing Spondylitis (AS) is an inflammatory rheumatic disease affecting the axial skeleton (1), with a prevalence of up to 0.5% in Europe (2; 3), and occurs in men twice as often than in women (4). 80% develop AS symptoms before the age of 30 (4). Nonsteroidal Anti-Inflammatory Drugs (NSAIDs) and biological Disease-Modifying Antirheumatic Drugs (DMARDs) such as Tumour Necrosis Factor inhibitors (TNFi) are the first choice in pharmacological treatments for AS patients (5; 6). Data on disease activity and disease control in AS patients treated in real life settings are limited.Objec

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Macieira, Cássia. "As jóias de Mallarmé e Barthes." Modapalavra e-periódico 2, no. 4 (2009). http://dx.doi.org/10.5965/1982615x02042009023.

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Neste estudo, aborda-se a figura de Stéphane Mallarmé que, no final do século XIX criou e redigiu sozinho uma revista de moda; La Dernière Mode - Gazeta da boa sociedade e da família. Essa foi várias vezes evocada por Barthes em entrevistas e, também, no final do seu texto, Da Jóias à Bijuterias (1961). Esta aproximação entre literatura e moda aconteceu em outras obras de Barthes, como: História e Sociologia do Vestuário ( 1957), Linguagem e Vestuário (1959), Neste ano o azul está na moda, ( 1960), Dandismo e moda ( 1962), A moda e as ciências humanas ( 1966 ), O duelo Chanel-Courrèges ( 1967)

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Pierre, Schallum. "Vodou, mystique et Égypte antique dans Les Arbres musiciens." Il Tolomeo, no. 1 (December 19, 2019). http://dx.doi.org/10.30687/tol/2499-5975/2019/01/026.

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This article examines the dual themes of vodou and mysticism in the novel Les arbres musiciens (1957) by Jacques Stéphen Alexis (1922-1961). If Compère Général Soleil (1955), his first novel, barely touches the question, it is his second novel, Les arbres musiciens, that develops this aspect. This one testifies to an excellent knowledge of Haitian vodou and its origins. The article thus shows the relationship that Jacques Stéphen Alexis has in his poetics with ancient Egypt, in particular, and Africa in general.

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Ambroise, Jean-Charles. "Un prophète : Danse avec le siècle aux origines du charisme de Stéphane Hessel." Écrire l'histoire 24 (2024). http://dx.doi.org/10.4000/12azv.

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L’image renvoyée par Stéphane Hessel (1917-2013) se confond avec celle de l’intellectuel engagé, « prophète de l’universel ». Cette dernière figure tire son autorité d’un capital symbolique acquis ailleurs que dans l’espace institutionnel ou politique – il s’appuie sur l’existence d’une œuvre reconnue. Or, Stéphane Hessel, lorsqu’il entreprend la rédaction de ses Mémoires au milieu des années 1990, n’est encore détenteur que d’un capital institutionnel. Normalien, il a été haut fonctionnaire et diplomate. Il adopte cependant dans Danse avec le siècle (1997) une posture susceptible de lui confé

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Vozza, Vincenzo. "La biblioteca di una filantropa Libri e letture di Stéphanie Omboni (1839-1917)." Quaderni Veneti, no. 1 (February 17, 2022). http://dx.doi.org/10.30687/qv/1724-188x/2020/01/002.

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The aim of this article is to deepen the complex personality of Stéphanie Etzerodt Omboni (1839-1917), the Anglo-Belgian philanthropist and activist for women’s rights who lived in Padua in the second half of the nineteenth century by considering which readings were at the basis of her cultural, human, and spiritual formation, with a special account on the books or authors marked her philanthropic work or nourished her intellect or her curiosity, which kind of literary genres could be found in her library, in which languages, their quality, and their extent. The sources for this research are t

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Kilpatrick, Emily. "Ravel’s ‘Trois Poèmes de Stéphane Mallarmé’: A Philosophy of Composition." Music and Letters, March 14, 2020. http://dx.doi.org/10.1093/ml/gcaa001.

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Abstract In a 1927 interview Maurice Ravel declared that Stéphane Mallarmé was ‘not merely the greatest French poet, but the only French poet, since he made the French language, not designed for poetry, poetical’. Around the same period, he twice asserted that in his Trois poèmes de Stéphane Mallarmé (1913) he had sought to ‘transpose’ Mallarmé’s poetry into music. A crucial element of Mallarmé’s allusive poetry is the way it meshes content and form: his chosen forms do not merely contain the sentiment, but make it manifest. How much more complicated is the task of a composer seeking to ‘trans

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Vallotton, François. "Une chronique audiovisuelle du temps présent : la série télévisée Mémoires de votre temps." Écrire l'histoire 24 (2024). http://dx.doi.org/10.4000/12azs.

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En octobre 1966, une série documentaire est présentée à la télévision française sous le titre de « Mémoires de votre temps » : caractérisée par sa focale sur le temps présent et par le recours aux archives d’actualité comme aux interviews des protagonistes, l’émission a souvent été réduite par certains commentateurs à une forme d’hagiographie gaullienne. Au-delà de ses partis pris, la démarche permet de s’interroger sur la nature du récit mémorial télévisuel, ses spécificités formelles, historiques mais aussi médiatiques. Comme le précisent les producteurs Roger Stéphane et Roland Darbois, il

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"Errata to Stéphane Audoin-Rouzeau's "An Artifact of War Carved in 1917: The Trench Cane of Soldier/Peasant Claude Burloux"." South Central Review 35, no. 2 (2018): 84–89. http://dx.doi.org/10.1353/scr.2018.0020.

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France, Pierre. "Lebret Louis Joseph, Chronique de la construction d’un État. Journal au Liban et au Moyen-Orient (1959-1964), édition établie par Stéphane Malsagne, Paris, Geuthner, 2014." Revue des mondes musulmans et de la Méditerranée, no. 142 (December 30, 2017). http://dx.doi.org/10.4000/remmm.9385.

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Chemla, Yves. "D’une Obscure Polémique." Il Tolomeo, no. 1 (December 19, 2019). http://dx.doi.org/10.30687/tol/2499-5975/2019/01/015.

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In 1958, in the pages of the daily newspaper Port-au-Prince Le Nouvelliste one can read violent exchanges between two major writers, recognized internationally. Back from exile in the capital a few months apart, Jacques Stéphen Alexis and René Dépestre, the major actors of the Revolution of 1946, clash about the creation of the Port-au-Prince office of the African Society of Culture, whose principle had been recorded at the 1st Congress of the black writers and artists in 1956 at La Sorbonne. Famous, published, identified actors of the international communist movement, the two writers are oppo

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Ustianowski, Andrew, Myron J. Levin, Stéphane De Wit, et al. "P-1960. Safety and Pharmacokinetics of Long-acting SARS-CoV-2 Antibodies Tixagevimab/Cilgavimab (AZD7442) are Consistent after Repeat Dosing: Results from the PROVENT Substudy." Open Forum Infectious Diseases 12, Supplement_1 (2025). https://doi.org/10.1093/ofid/ofae631.2119.

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Abstract Background The SARS-CoV-2 antibody combination tixagevimab/cilgavimab (AZD7442) was efficacious in preventing COVID-19 over 6 months following a single 300 mg intramuscular (IM) dose in the PROVENT study. Participants included those that: (a) were immunocompromised and/or at increased risk for inadequate response to COVID-19 vaccination, or (b) were at increased severe COVID-19 risk. Following PROVENT, emergence of Omicron variants with reduced AZD7442 susceptibility prompted increase in the authorized dose and dosing frequency. Here, we report safety and pharmacokinetics (PK) of repe

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Thomas, Peter. "Anywhere But the Home: The Promiscuous Afterlife of Super 8." M/C Journal 12, no. 3 (2009). http://dx.doi.org/10.5204/mcj.164.

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Consumer or home use (previously ‘amateur’) moving image formats are distinguished from professional (still known as ‘professional’) ones by relative affordability, ubiquity and simplicity of use. Since Pathé Frères released its Pathé Baby camera, projector and 9.5mm film gauge in 1922, a distinct line of viewing and making equipment has been successfully marketed at nonprofessional use, especially in the home. ‘Amateur film’ is a simple term for a complex, variegated and longstanding set of activities. Conceptually it is bounded only by the negative definition of nonprofessional (usually inte

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