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Relevant bibliographies by topics / Steppenwolf (Hesse, Hermann)

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Academic literature on the topic 'Steppenwolf (Hesse, Hermann)'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Steppenwolf (Hesse, Hermann)"

1

V. Szabó, László. "„Ich war als Neurotiker erkannt…“ Krankheit, Leiden und Schmerz bei Hermann Hesse." Anafora 8, no. 2 (2021): 293–309. http://dx.doi.org/10.29162/anafora.v8i2.3.

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Der Beitrag geht dem Themenkomplex Krankheit-Leiden-Schmerz bei Hermann Hesse nach, indem er einen Überblick über einschlägige Texte des Autors bietet. Gefragt wird nach Relationen zwischen Krankheit, Genie und Kunst in Prosatexten wie Taedium vitae, Gertrud, Kurgast oder Der Steppenwolf teils in Bezug auf Hesses Biographie, teils auf zeitgenössische Diskurse über (psychische) Krankheit oder Heilung, wie sie etwa bei Nietzsche oder Freud vorgeprägt waren. Es werden auch Verbindungslinien zwischen Hesses Auffassung der Krankheit als psychogenen Phänomens und seinem Kunstverständnis verfolgt. Sc

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2

Madiyeva, Adiba. "ANALYSIS OF SPIRITUAL AND CULTURAL ISSUES IN HESSE'S WORKS (AS AN EXAMPLE BY THE NOVEL “STEPPENWOLF”)." INTERNATIONAL JOURNAL OF WORD ART 1, no. 3 (2020): 158–68. http://dx.doi.org/10.26739/2181-9297-2020-1-23.

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In the article, the author describes the life and work of Hermann Hesse, the analysis of spiritual and cultural issues in his work in artistic images. The famous German writer has a high position in world literature with his works. In The “Steppenwolf”, Hermann Hesse explores the problems of the spiritual and cultural crisis of the youth of that time through various figurative images and seeks solutions. Music and its factor played an important role in his philosophy.

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RATCU, ILEANA-MARIA. "SPRACHLICHE BESONDERHEITEN IM HERMANN HESSES ROMAN UNTERM RAD (1906) AM BEISPIEL DER RUMÄNISCHEN ÜBERSETZUNG." BUKARESTER BEITRÄGE ZUR GERMANISTIK 7, no. 7/2025 (2025): 287–98. https://doi.org/10.62229/bbzg7-25/16.

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This article aims to highlight some linguistic particularities in the novel "Unterm Rad" (1906) by Hermann Hesse, which are also reflected in the Romanian translation. These are, first and foremost, enumerations of compound adjectives. These constructions are sometimes difficult to translate, mainly because they are not typical in Romanian. Another feature is the repetition of the conjunction "und" in the descriptions. The author's intention is to investigate whether these linguistic peculiarities also occur in other novels by Hermann Hesse. Since these novels (Peter Camenzind, Demian, Der Ste

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4

Neeraj. "STUDY FOR SPIRITUAL ELEMENT IN THE WORKS OF THOMAS HERMONN KARL HESSE." International Journal of Interdisciplinary Research in Arts and Humanities (IJIRAH) 8, no. 1 (2023): 58–60. https://doi.org/10.5281/zenodo.7826163.

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Thomas Mann Hermann Karl Hesse was born on 2 July 1877 in in Wurttemberg, German territory. He is considered as one of the most creative German psychic traveller, poet, critic, painter and novelist. He is one of the most extensively read German language authors. His best-known works include Demian, Steppenwolf, Siddhartha and The Glass Bead Game. All of his books discover an individual’s search for authenticity, self-knowledge and spirituality. He travelled almost all the Continents for a conscious human evolution into higher magnitude of awareness. Much of the current appeal o

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5

Divyanshi, Sharma, and Monika Gupta Aggarwal Dr. "Digital Alienation and The Search for Self: A Study of Hermann Hesse's Steppenwolf in the Age of Social Media." International Journal of Contemporary Research in Multidisciplinary 4, S2 (2025): 35–38. https://doi.org/10.5281/zenodo.15162828.

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In an era dominated by social media, individuals increasingly struggle with fragmented identities, existential loneliness, and the pressure to conform to digital norms. Hermann Hesse’s <em>Steppenwolf</em> (1927) presents a deeply psychological exploration of alienation, self-division, and the search for authenticity—concerns that resonate profoundly in the 21<sup>st</sup> century. This paper examines the novel’s themes of duality and self-exploration in the context of modern digital culture, where people curate online personas that often differ from their real selves, leadin

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Cunningham, Neale. "Hermann Hesse and the Butterflies – A Journey from Innocence to Experience and Back." Literatur für Leser 38, no. 1 (2015): 31–27. http://dx.doi.org/10.3726/90071_31.

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In the Tractat vom Steppenwolf, the pamphlet which falls into the hands of Harry Haller after a night out drinking on the town, he reads, “Der Weg in die Unschuld, ins Unerschaffene, zu Gott führt nicht zurück, sondern vorwärts, nicht zum Wolf oder Kind, sondern immer weiter in die Schuld, immer tiefer in die Menschwerdung hinein.”1 The spiritual journey from childhood innocence, through the experience of individuation and becoming fully human, back to a redemptive innocence, is known from Hesse’s ‘Three-Step Doctrine’ in his 1932 essay Ein Stückchen Theologie.2 Here, Hesse introduces the idea

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Dr., Prabhanjan Mane. "Hermann Hesse's Philosophy about Eastern Religions as Reflected in Siddhartha." Criterion: An International Journal in English 15, no. 4 (2024): 325–32. https://doi.org/10.5281/zenodo.13684516.

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When Hermann Hesse was awarded the Nobel Prize in 1946, the English- speaking world barely knew who he was. His few translated works had not been well received. Demian (translated into English in 1923) was brushed aside as a “nightmare of abnormality, a crazed dream of a paranoiac.” Steppenwolf (translated in 1929) was disposed of as “a peculiarly unappetizing conglomeration of fantasy, philosophy, and moist eroticism.” In the 1950s, after Hesse won the Nobel Prize, publishers began scrambling for translations of his work, including Siddhartha, which was translated in 1

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8

Chonka, Tetiana, and Adalbert Bárány. "The category of play as philosophical and aesthetic factor in the works by Hermann Hesse." Philological Review, no. 1 (May 31, 2022): 146–55. http://dx.doi.org/10.31499/2415-8828.1.2022.257965.

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In the scientific work has been carried out an interpretation of Hermann Hesse’s novels «Steppenwolf» and «The Game of Beads» on the basis of the dialogue «author – hero – reader», built on the principles of intellectual play. It has been illustrated that the category of play – as an artistic, magical element of creativity, as a means of creating and functioning of cultural values, as an artistic communication – is conceptual for the artist. The purpose of this game is the reader endowed with rich imagination. The model of the ideal reader, who is able to co-create and agrees to accept all the

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Purwanto, Anim, Zuriyati Zuriyati, and Miftahulkhairah Anwar. "Analysis of the Meaning of Repetition Language Style in Hermann Hesse's Der Steppenwolf Roman." Journal International of Lingua and Technology 3, no. 1 (2023): 101–11. http://dx.doi.org/10.55849/jiltech.v3i1.556.

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Repetitive language style in romance literary works is not only used to create aesthetic effects, but also creates emotional and intellectual resonance that enriches the reading experience. This study aims to analyze the meaning of repetition language style in the romance Der Steppenwolf by Hermann Hesse. The research uses descriptive qualitative method with semantic analysis approach. The analysis revealed that anaphora is the most dominant language style used, with the amount of data reaching 40.74%, followed by epistrophe around 31.48%, and polysyndeton 27.78% of data. Meanwhile, the meanin

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Rodchyn, Zoriana, Sofiia Rodchyn, and Maciej Rudnicki. "DAS KONZEPT VON ANIMA UND ANIMUS IN DEN WERKEN „ROSSHALDE“ UND „DER STEPPENWOLF“ VON HERMANN HESSE." Polonia University Scientific Journal 40, no. 3 (2020): 77–87. http://dx.doi.org/10.23856/4010.

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Dissertations / Theses on the topic "Steppenwolf (Hesse, Hermann)"

1

Jarl, Stefan. "Die Leiden des alten Steppenwolfs : Eine Analyse seiner Probleme und der angestrebten Lösung." Thesis, Stockholm University, Department of German, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-26796.

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Mechadani, Nadine. "Hermann Hesse auf der Couch : Freuds und Jungs Psychoanalyse und ihr Einfluss auf die Romane "Demian", "Siddhartha" und "Der Steppenwolf" /." Marburg : Tectum-Verl, 2008. http://d-nb.info/990402894/04.

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Tengelin, Alexandra. "Endast för förryckta : Vansinnet som självanalys i Hermann Hesses Der Steppenwolf." Thesis, Södertörn University College, School of Gender, Culture and History, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-2022.

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Ims, Johansson Jesper. "Stäppvargens mask : En queerteoretisk undersökning av Hermann Hesses Der Steppenwolf." Thesis, Växjö University, School of Humanities, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-1141.

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<p>I uppsatsen analyseras de två karaktärerna Harry Haller och Hermine, från Hermann Hesses Der Steppenwolf, med hjälp av Judith Butlers queerteori. Karaktärernas förhållande till varandra, köns- och genusroller samt heteronormativiteten undersöks och sätts i samband med bokens maskerad- och teatermotiv. Förutom att maskerad- och teatermotivet undersöks i relation till karaktärerna, analyseras det också i sig självt med utgångspunkt i Judith Butlers teorier om det konstruerade könet och dragshowens subversiva funktion.</p>

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Bieliková, Mária. "Bipolarität der Gestalten in Hermann Hesses Prosa die Romane "Demian" und "Der Steppenwolf" vor dem Hintergrund der daoistischen Philosophie." Hamburg Kovač, 2004. http://www.verlagdrkovac.de/978-3-8300-2853-6.htm.

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Crafford, Helen Christine. ""Die Funktion Der Polaritätsfiguren In Demian, Der Steppenwolf Und Narziss Und Goldmund Von Hermann Hesse"." Diss., University of Pretoria, 2013. http://hdl.handle.net/2263/79219.

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Kapp, T. P. "Die abjekte held in Steppenwolf, Fight Club en a Whistling Woman : Kielhaal (roman)." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/3353.

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Thesis (MA (Afrikaans and Dutch))--University of Stellenbosch, 2006.<br>In fulfilment of the degree of Magister in Creative Writing: Afrikaans, a novel titled Kielhaal (Keelhaul) is presented in which the main character figures as an abject hero. It is accompanied by a formal essay titled “Die abjekte held in Steppenwolf, Fight Club en A Whistling Woman” (“The abject hero in Steppenwolf, Fight Club and A Whistling Woman”). The essay researches the application of the abject hero in literary texts.

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8

Serrano, Rosero Carlos Enrique. "El metateatro : formas y funciones en Steppenwolf y The magus." Master's thesis, 2015. http://hdl.handle.net/11086/2341.

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Los elementos teatrales dentro de la narrativa hasta ahora no han sido investigados desde un acercamiento que permita interpretar sus múltiples formas y funciones. Las teorías de los pensadores Lionel Abel (1960), y Richard Hornby (1986) son una aproximación inicial que ha facilitado el análisis de la teatralidad y la teatralización, si bien limitados al contexto de la producción dramatúrgica. Sus contribuciones teóricas, junto con las de Patricia Waugh (1984) sobre metaficción y las de Brian McHale (1987) sobre posmodernismo, se pueden articular a las nociones y funciones del metateatro y la

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9

Smrkovský, Michal. "Román zasvěcení jako žánr a jeho prvky ve vybraných dílech Hermanna Hesseho." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-411927.

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The theoretical part of this master thesis is based on the literary genre of the initiation novel, as presented by Daniela Hodrová. In an effort to gain a deeper insight into the novel's typical figures and spatial motifs, the theoretical part also contains a summary of archetypes described by C. G. Jung. In the practical part, principles of the initiation genre are demonstrated on the novels Demian and Steppenwolf written by the German author Hermann Hesse. The aim of the thesis is to provide a proof that the two novels can be assigned to the initiation novel genre and also to make use of the

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10

Wu, Chun, and 烏雋. "Persönlichkeitsmodell in Hermann Hesses „Der Steppenwolf“ (1927) und „Narziß und Goldmund“ (1930)." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/68560188980503028631.

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碩士<br>輔仁大學<br>德國語文學系<br>100<br>The following work gives details of the historical background of the origin of Steppenwolf and Narcissus and Goldmund and a profound analysis of the characters in these two fictions. Yet, this work puts a major emphasis on the analysis of Harry Haller’s and Goldmund’s development of personality – the main characters of Steppenwolf and Narcissus and Goldmund as model of Hesse’s concept of personality. The apprehension about social development in Harry Haller’s times causes him psychosis. Hermine, Pablo, and Maria bring Harry Haller back to the social life. He cal

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Books on the topic "Steppenwolf (Hesse, Hermann)"

1

Monica, Ferrell, ed. Steppenwolf, Hermann Hesse. Spark Pub., 2002.

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2

Patzer, Georg. Hermann Hesse, Der Steppenwolf. Reclam, 2007.

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Ursula, Zierlinger, and Hohe Landesschule (Hanau) Deutsch-Leistungskurs, eds. Hermann Hesse, Der Steppenwolf. Mentor, 1996.

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4

1911-1986, Böhmer Gunter, Stark Roland, and Hermann-Hesse-Höri-Museum, eds. Von Hermann Lauscher bis zum Steppenwolf: Gunter Böhmer illustriert Hermann Hesse. Hermann-Hesse-Höri-Museum, 2011.

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5

1957-, Bucher Regina, Furger Andres, Graf Felix, Schweizerisches Landesmuseum, and Museo Hermann Hesse Montagnola, eds. "Höllenreise durch mich selbst"-- Hermann Hesse: Siddhartha, Steppenwolf. Neue Zürcher Zeitung, 2002.

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1944-, Limberg Michael, ed. "Dem Chaos die Stirn bieten": Hermann Hesses Der Steppenwolf : 12. Internationales Hermann-Hesse-Kolloquium in Calw 2004. Staatsanzeiger-Verlag, 2005.

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7

Welch, Carolyn Roberts. CliffsNotes on Hesse's Steppenwolf & Siddhartha. John Wiley & Sons, Ltd., 2002.

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Landesmuseum, Hrsg :. Schweizerisches, ed. H ollenreise durch mich selbst. Hermann Hesse-Siddharta-Steppenwolf. Ausstellung im Schweizerischen Landesmuseum Z urich 22.03.2002-14.07.2002. Buchverlag Neue Z urcher Zeitung, 2002.

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9

Esselborn-Krumbiegel, Helga. Herman Hesse, der Steppenwolf: Interpretation. R. Oldenbourg, 1985.

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Franz, Wegener, ed. Interpretationen zu Hermann Hesses "Der Steppenwolf" =: Interpretations on Hermann Hesse's "Steppenwolf". KFVR, Kulturförderverein Ruhrgebiet, 2001.

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Book chapters on the topic "Steppenwolf (Hesse, Hermann)"

1

Honold, Alexander. "Der Steppenwolf (1927)." In Hermann Hesse-Handbuch. J.B. Metzler, 2025. https://doi.org/10.1007/978-3-476-06008-2_24.

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Buchholz, Sabine. "Hesse, Hermann: Der Steppenwolf." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6794-1.

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Wieland, Klaus. "IV.3 Der Aussteiger: Hermann Hesses Der Steppenwolf." In GenderScripts: Literaturwissenschaft & Geschlechterforschung. transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839472095-021.

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Kollath, Lea. "Klangbild des Göttlichen – Zu den Händel-Referenzen in Hermann Hesses Der Steppenwolf." In Göttinger Händel-Beiträge, Band 22. Vandenhoeck & Ruprecht, 2021. http://dx.doi.org/10.13109/9783666501807.71.

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"Teaching Hermann Hesse’s Der Steppenwolf: Some Reflections on Readers’ Responses." In Hermann Hesse Today / Hermann Hesse Heute. Brill | Rodopi, 2005. http://dx.doi.org/10.1163/9789401201124_006.

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"New Media, Virtual Reality, Flawed Utopia? Reflections on Thomas Mann’s Der Zauberberg and Hermann Hesse’s Der Steppenwolf." In Hermann Hesse Today / Hermann Hesse Heute. Brill | Rodopi, 2005. http://dx.doi.org/10.1163/9789401201124_005.

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Swales, Martin. "7: Der Steppenwolf." In A Companion to the Works of Hermann Hesse. Boydell and Brewer, 2009. http://dx.doi.org/10.1515/9781571137296-009.

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"Veröffentlichung eines Mitglieds aus Usbekistan: «Steppenwolf» auf Usbekisch von Mirzali Akbarov." In Hermann-Hesse-Jahrbuch 3. Walter de Gruyter, 2007. http://dx.doi.org/10.1515/9783484605480.182.

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Aydın, Dicle. "Der Steppenwolf." In Architecture in Contemporary Literature. BENTHAM SCIENCE PUBLISHERS, 2023. http://dx.doi.org/10.2174/9789815165166123010005.

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This study deals with Hermann Hesse's novel Steppenwolf, whose authorship stands out in the context of place. Hesse adopts the view that individuals should develop their self-identity, a sense of being competent and effective towards life and people in the fight against the crushing effects of the modern world, and brings this situation to the fore in his novels. In the Steppenwolf novel, the main character, Harry Haller, comes out in pieces with psychological character analyzes. The novel draws pictures in the mind of the reader about the place and character and depicts the personality traits

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"IV.3 Der Aussteiger: Hermann Hesses Der Steppenwolf." In Moderne Mannsbilder. transcript Verlag, 2024. http://dx.doi.org/10.1515/9783839472095-021.

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