Relevant bibliographies by topics / Stereoscopic photography / Dissertations / Theses
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Dissertations / Theses on the topic 'Stereoscopic photography'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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1

Selmanovic, Elmedin. "Stereoscopic high dynamic range imaging." Thesis, University of Warwick, 2013. http://wrap.warwick.ac.uk/58125/.

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Two modern technologies show promise to dramatically increase immersion in virtual environments. Stereoscopic imaging captures two images representing the views of both eyes and allows for better depth perception. High dynamic range (HDR) imaging accurately represents real world lighting as opposed to traditional low dynamic range (LDR) imaging. HDR provides a better contrast and more natural looking scenes. The combination of the two technologies in order to gain advantages of both has been, until now, mostly unexplored due to the current limitations in the imaging pipeline. This thesis revie
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2

Prentice, Helen Jane. "Development of stereoscopic speckle photography techniques for studies of dynamic plate deformation." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614341.

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3

Nadella, Suman. "Multi camera stereo and tracking patient motion for SPECT scanning systems." Link to electronic thesis, 2005. http://www.wpi.edu/Pubs/ETD/Available/etd-082905-161037/.

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Thesis (M.S.)--Worcester Polytechnic Institute.<br>Keywords: Feature matching in multiple cameras; Multi camera stereo computation; Patient Motion Tracking; SPECT Imaging Includes bibliographical references. (p.84-88)
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4

Ivanov, Georgi. "Freedom of Interpretation." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2808.

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The photographic series Ideal Cities that I started in 2011 is inspired by the conflict between my idea of the “west” and my evolving experience in the United States. What struck me was the popularity of what I see as model experience – a spatial experience controlled by the Spectacle. In the terms of the Situationist International and its most prominent figure Guy Debord, the Spectacle is the collapse of reality into the streams of images, products and activities sanctioned by centralized monopolist business or state bureaucracy. Thus, personal experience is replaced with preconceived notions
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5

Schemali, Leila. "Interaction, édition et visualisation stéréoscopiques." Electronic Thesis or Diss., Paris, ENST, 2015. http://www.theses.fr/2015ENST0007.

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La stéréoscopie s’est développée depuis plus de 150 ans à travers la photographie,les films, la réalité virtuelle et la visualisation scientifique. L’affichage de données stéréoscopiques estaujourd’hui de bien meilleure qualité et le contenu ainsi que les écrans stéréoscopiques sont accessiblesà un large public. De plus, la stéréoscopie est un élément essentiel dans la compréhension d’un modèle3D, notamment dans le cadre de l’enseignement ou de la visualisation de modèles médicaux. Elle permetégalement d’appuyer le message véhiculé par une image. Utilisée à des fins artistiques, la stéréoscopi
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6

Ebel, Sarah C. "Selling and stereoscopy reading "A Visit to Sears, Roebuck & Co." /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 88 p, 2007. http://proquest.umi.com/pqdweb?did=1338865461&sid=1&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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7

Fernandes, Sandro Roberto. "Ferramenta de visão computacional para processos fotogramétricos." Universidade do Estado do Rio de Janeiro, 2008. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=718.

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Nesta dissertação é apresentado o desenvolvimento de uma ferramenta computacional para o processamento de pares de imagens estereoscópicas obtidos por câmeras aéreas métricas e não métricas. O programa foi desenvolvido na linguagem C++ e foi utilizado a biblioteca OpenGL. O resultado obtido é uma imagem tridimensional de onde pode ser extraídas cotas de altura e formas de terreno. Estas imagens poderão ser usadas no estudo de áreas de risco em encostas.<br>In this dissertation is presented the development of a computational tool for the processing of pairs of images estereoscópicas obtained by
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8

Bughin, Eric. "Towards automated, precise and validated vectorisation of disparity maps in urban satellites stereoscopy." Phd thesis, École normale supérieure de Cachan - ENS Cachan, 2011. http://tel.archives-ouvertes.fr/tel-00653875.

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Cette thèse se porte sur la segmentation affine par régions des cartes de profondeurs obtenues par stéréoscopie en milieu urbain.Cette détection est constituée de 3 étapes.Tout d'abord, un modèle statistique a contrario est introduit afin de déterminer de manière automatique la valeur de certains paramètres courants dans ce genre de problèmes: seuil de validation d'un groupe comme plan, seuil de rejet des points aberrants. Ce modèle permet de plus la comparaison de plusieurs solutions.Dans un second temps, un algorithme glouton est proposé pour obtenir la segmentation plane par morceaux y comp
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9

Hennlich, Andrew Joseph. "(un)Fixing the Eye : William Kentridge and the optics of witness." Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/unfixing-the-eye-william-kentridge-and-the-optics-of-witness(9d9a31ed-43b8-4f5a-9121-8b98cc7e7fde).html.

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South African artist William Kentridge's (b. 1955) work frequently employs optical tools, such as the stereoscope, to highlight the contingency and instability of witness. These visual tools become metaphors for the process of historicization in post-apartheid South Africa. Kentridge is best known for his animations that are filmed by drawing with charcoal, photographing, erasing, redrawing and photographing again, leaving a palimpsest of previous traces on the paper's surface. Kentridge's prints, drawings, puppetry, theatrical projects and performances are also addressed in (un)Fixing the Eye
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10

Heinz, Marcel. "Kalibrierverfahren und optimierte Bildverarbeitung für Multiprojektorsysteme." Doctoral thesis, Universitätsbibliothek Chemnitz, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-129508.

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Gegenstand der vorliegenden Dissertation ist die Entwicklung von Kalibrierverfahren und Algorithmen zur Bildverarbeitung im Kontext von Multiprojektorsystemen mit dem Ziel, die Einsatzmöglichkeiten von derartigen Anlagen zu erweitern und die Nutzerakzeptanz solcher Systeme zu steigern. Die Arbeit konzentriert sich dabei insbesondere auf (annähernd) planare Mehrsegment-Projektionsanlagen, die aus preisgünstigen, nicht speziell für den Visualisierungbereich konzipierten Consumer- und Office-Projektoren aufgebaut werden. Im ersten Teil der Arbeit werden bestehende Verfahren zur geometrischen Kali
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11

Taipina, Daniel Rocha. "Re-imagining stereoscopic photography in the age of Virtual Reality." Master's thesis, 2021. http://hdl.handle.net/10316/96037.

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Dissertação de Mestrado em Design e Multimédia apresentada à Faculdade de Ciências e Tecnologia<br>A fotografia estereoscópica foi uma das principais formas de comunicação visual na segunda metade do século XIX, deixando ainda hoje um importante impacto na nossa cultura visual (Christie, 2018). Esta tecnologia, que ainda hoje existe através de pequenos grupos de entusiastas e coleccionadores, adaptou-se ao longo do tempo e partilha o seu espaço no universo tridimensional com a mais recente realidade virtual. Praticamente ao mesmo tempo que o aparecimento e a propagação da fotografia estereoscó
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12

Tai-pao, Chuang. "Use of Stereoscopic Photography to Distinguish Object Depth in Outdoor Scene." 2005. http://www.cetd.com.tw/ec/thesisdetail.aspx?etdun=U0021-2004200716265208.

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13

Chuang, Tai-pao, and 莊臺寶. "Use of Stereoscopic Photography to Distinguish Object Depth in Outdoor Scene." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/80388658829038097161.

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碩士<br>國立臺灣師範大學<br>資訊教育學系<br>94<br>Stereoscopic scene of the mankind is naturally caused by synthesizing two images produced by the parallax of the two eyes of human. Such being the case, mankind can distinguish the relative position of the objects. In the study of related stereovision, some persons aim at the framework of taking simulated images with two eyes using one or two cameras from front and back or simultaneously at the same time to obtain a pair of parallax mages; someone pay more attention to the theoretical analysis of the relative positions of the parallax images, and some others d
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14

Peng, Vici Yuchi, and 彭裕棋. "Study on Studio Photography and Auto-stereoscopic Reproduction by Camera Array." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/37bau3.

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碩士<br>國立臺灣科技大學<br>色彩與照明科技研究所<br>107<br>The thesis focuses on Auto-stereoscopic 3D display and Lenticular printing, using camera array to capture images for new applications in Auto-stereoscopic technology for portrait photography and commercial photography. The proposed prototype used 17 cameras to build camera array, and was equipped with four-view auto-stereoscopic 3D display. This photography system can generate multi-view images promptly. Also, through the preview fuction of the Auto-stereoscopic images on the system, the 3D effect of the images can be presented for selection for Lenticula
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15

Fiveash, Tina Dale Media Arts College of Fine Arts UNSW. "The enigma of appearances: photography of the third dimension." 2007. http://handle.unsw.edu.au/1959.4/44259.

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The Enigma of Appearances is an examination into the medium of three-dimensional photography, with particular focus on the technique of stereoscopy. Invented in the mid-Victorian era, stereoscopy was an attempt to simulate natural three-dimensional perception via a combination of optics, neurology, and a pair of dissimilar images. Whilst successful in producing a powerful illusion of spatial depth and tangibility, the illusion produced by stereoscopy is anything but ??natural??, when compared to three-dimensional perception observed with the naked eye. Rather, stereoscopic photography creates
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16

Ryan, Sarah Louise. "A visual investigation of theatrical ambiguity and lenticular imaging techniques." Thesis, 2002. https://eprints.utas.edu.au/21466/1/whole_RyanSarahLouise2003_thesis.pdf.

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17

Kannapurakkaran, Shyam. "Interactive Stereoscopic Installation: A Photographic Collage." 2010. http://hdl.handle.net/1969.1/ETD-TAMU-2010-08-8510.

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The research involves the creation of an interactive installation showcasing the dynamic nature of human visual observation of a still photograph. Using an eye tracker as an input device, the data collected is used to create a photographic collage in stereoscopic 3D. The installation is artistically inspired by selected photographic works of artists David Hockney, Maurizio Galimberti, Joyce Neimanas and Cubist painters especially Picasso. One of the key factors in their work that is adapted in this research, is the representation of the way eyes search points of interest demonstrated in what t
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18

Hsu, Lung-kai, and 徐瓏愷. "The Research and Creation of 3D Stereoscopic Animation Applying Stereoscopic Display －"The Photographer"." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/06049405591227833971.

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碩士<br>國立雲林科技大學<br>設計運算研究所碩士班<br>100<br>Since 2010, the display technology has become the mainstream technology and meanwhile many other stereoscopic effect technologies have come along with this trend. However, one problem has emerged, that is the output of the digital content is way slower than the development of the new hardware. As a result, this 3D computer animation work is trying to apply the Stereoscopic Display by using the Shutter Glasses System as the basic hardware in order to further create and present this 3D effect animation short film – The Photographer. I use this film to analy
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19

Seccombe, Erica. "Grow: Experiencing Nature in the Fifth Dimension." Phd thesis, 2016. http://hdl.handle.net/1885/118282.

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Grow: Experiencing Nature in the Fifth Dimension, is an interdisciplinary practice-led research project traversing the realms of art, science and technology through the exploration of germinating seeds. Through my investigation of the aesthetic possibilities of the computational extension of vision with time-resolved (4D) micro-X-ray Computed Tomography, I have tested the potential for visualising virtual germinating seeds in an immersive stereoscopic installation. Using this technology I have set out to create a work of art where an audience can ex
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20

Taylor, C. J. "Collapsible Time: Contesting Reality, Narrative And History In South Australian Liminal Hinterlands." Phd thesis, 2017. http://hdl.handle.net/1885/131791.

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My practice-led project explores the indexical lamination of memory, history, narrative and reality afforded by photography imbued with the illusion of spatial dimensionality. This thesis investigates the notion that far from freezing a ‘slice of time’ photography reanimates perception through sensation rendering duration flexible and elastic. Using the liminal landscape of South Australia as time’s stage, I contend that time is ‘collapsible’, constantly unfolding and repeating. In embracing this temporal flow, I submit that photomedia becomes our most compelling connection to time itself, as
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