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Journal articles on the topic 'Stereoscopy'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Price, C. Aaron, Hee-Sun Lee, Julia D. Plummer, Mark SubbaRao, and Ryan Wyatt. "Position Paper On Use Of Stereoscopy To Support Science Learning: Ten Years Of Research." Journal of Astronomy & Earth Sciences Education (JAESE) 2, no. 1 (2015): 17. http://dx.doi.org/10.19030/jaese.v2i1.9278.

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Stereoscopys potential as a tool for science education has been largely eclipsed by its popularity as an entertainment platform and marketing gimmick. Dozens of empirical papers have been published in the last decade about the impact of stereoscopy on learning. As a result, a corpus of research now points to a coherent message about how, when, and where stereoscopy can be most effective in supporting science education. This position paper synthesizes that research with examples from three studies recently completed and published by the authors of this paper. Results of the synthesis point towa

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2

Santos, Daniel Souza dos, and Fábio Ferreira Dias. "Uso de Anaglifos como Alternativa para Práticas de Estereoscopia em Sensoriamento Remoto." Anuário do Instituto de Geociências 34, no. 2 (2011): 105–11. http://dx.doi.org/10.11137/2011_2_105-111.

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Aerial Photogrammetry is one of the most used implements on remote sensing. One of the most common resorts for analysis in this area is the stereoscopy, which consists of visualization on 3 dimensions of the aerophoto through the use of a stereoscopic pair. There are three main stereoscopic visualization methods: trough anaglyphs, polarization and with a stereoscope. Despite the stereoscope still the most used method, the anaglyph may be an alternative for studies using stereoscopic techniques, with the advantage of using cheaper materials and having the possibility of application on Geographi

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3

Adams, Gavin. "Duchamp's Erotic Stereoscopic Exercises." Anais do Museu Paulista: História e Cultura Material 23, no. 2 (2015): 165–85. http://dx.doi.org/10.1590/1982-02672015v23n0206.

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ABSTRACT: This article explores certain links between medicine and art, with regard to their use of stereoscopy. I highlight a work by the artist Marcel Duchamp (the ready-made Stéréoscopie a la Main) and stereoscopic cards used in ophthalmic medicine. Both instances involve the drawing of graphic marks over previously existing stereoscopic cards. This similarity between Stéréoscopie a la Main and stereoscopic cards is echoed in the form of "stereoscopic exercises." Stereoscopic exercises were prescribed by doctors to be performed with the stereoscope as early as 1864. Stereoscopic cards were

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4

Ling, Yun, Willem-Paul Brinkman, Harold T. Nefs, Chao Qu, and Ingrid Heynderickx. "Effects of Stereoscopic Viewing on Presence, Anxiety, and Cybersickness in a Virtual Reality Environment for Public Speaking." Presence: Teleoperators and Virtual Environments 21, no. 3 (2012): 254–67. http://dx.doi.org/10.1162/pres_a_00111.

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In this study, we addressed the effect of stereoscopy on presence, anxiety, and cybersickness in a virtual public speaking world, and investigated the relationships between these three variables. Our results question the practical relevance of applying stereoscopy in head-mounted displays (HMDs) for virtual reality exposure therapy (VRET) in a virtual public speaking world. In VRET, feelings of presence improve the efficacy (B. K. Wiederhold & M. D. Wiederhold, 2005). There are reports of a relatively large group of dropouts during VRET at low levels of presence in the virtual environment

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5

Biegon, Glenn. "Stereoscopic Synergy: Twin-Relief Sculpture and Painting." Leonardo 38, no. 2 (2005): 93–100. http://dx.doi.org/10.1162/0024094053722354.

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Two accelerated-relief sculp-tures depicting the same scene from slightly different viewpoints can serve as sculpted stereo-scopic half-images—or “twin-reliefs.” Unlike traditional relief sculpture, which compresses sculptural space, twin-reliefs expand it, creating lifelike illusionistic depths. Viewed binocularly in a large Wheat-stone stereoscope, the twin-relief's virtual world appears colorful, atmospheric and life-size— even infinitely deep. Furthermore, unlike flat-picture stereoscopy, which allows just one undistorted, perspectively robust view, twin-reliefs provide infinitely many suc

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6

Wade, Nicholas J. "On Stereoscopic Art." i-Perception 12, no. 3 (2021): 204166952110071. http://dx.doi.org/10.1177/20416695211007146.

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Pictorial art is typically viewed with two eyes, but it is not binocular in the sense that it requires two eyes to appreciate the art. Two-dimensional representational art works allude to depth that they do not contain, and a variety of stratagems is enlisted to convey the impression that surfaces on the picture plane are at different distances from the viewer. With the invention of the stereoscope by Wheatstone in the 1830s, it was possible to produce two pictures with defined horizontal disparities between them to create a novel impression of depth. Stereoscopy and photography were made publ

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7

Lee, ChaBum, and Xiangyu Guo. "Spatially resolved stereoscopic surface profiling by using a feature-selective segmentation and merging technique." Surface Topography: Metrology and Properties 10, no. 1 (2022): 014002. http://dx.doi.org/10.1088/2051-672x/ac5998.

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Abstract We present a feature-selective segmentation and merging technique to achieve spatially resolved surface profiles of the parts by 3D stereoscopy and strobo-stereoscopy. A pair of vision cameras capture images of the parts at different angles, and 3D stereoscopic images can be reconstructed. Conventional filtering processes of the 3D images involve data loss and lower the spatial resolution of the image. In this study, the 3D reconstructed image was spatially resolved by automatically recognizing and segmenting the features on the raw images, locally and adaptively applying super-resolu

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8

Peng, Hsin-Yuan. "Intervals in Relief." Representations 159, no. 1 (2022): 90–121. http://dx.doi.org/10.1525/rep.2022.159.4.90.

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From the late 1920s to the early 1940s, meteorologist Abe Masanao (1891–1966) used time-lapse and stereoscopy to study clouds near Mount Fuji. Abe’s research connects cinema, clouds, and the stereoscope in a circuit of mediation, both literal and metaphorical. Analyzing Abe’s image-making practices alongside his discussion of tricks and magic, this case study proposes that meteorological visualization is an art of forgery.

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9

Vos, J. J. "Color Stereoscopy." Optometry and Vision Science 64, no. 6 (1987): 467. http://dx.doi.org/10.1097/00006324-198706000-00012.

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10

Wiegelmann, T., and B. Inhester. "Magnetic Stereoscopy." Solar Physics 236, no. 1 (2006): 25–40. http://dx.doi.org/10.1007/s11207-006-0153-y.

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11

Markiewicz-Patkowska, Julita I., Sławomir Pytel, Piotr Oleśniewicz, and Krzysztof Widawski. "THREE-DIMENSIONAL PHOTOGRAPHY AS A NEW TECHNIQUE TO MAKE DIDACTIC PRESENTATIONS MORE ATTRACTIVE." Information Technologies and Learning Tools 69, no. 1 (2019): 1. http://dx.doi.org/10.33407/itlt.v69i1.2720.

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In the 21st century, the form of presenting information plays an incredibly important role in arousing interest in research problems. Stereoscopy is among the imaging techniques that have evoked much interest in the recent years. Its numerous applications that can be observed in various fields (such as medicine, space science, law, marketing, or entertainment industry) suggest that we should also use this technology for didactic purposes. The aim of the article is to discuss the process of creating three-dimensional photography and the opportunities offered by stereoscopy, which makes it possi

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12

John, Nigel W., Nicholas I. Phillips, Llyr ap Cenydd, et al. "The Use of Stereoscopy in a Neurosurgery Training Virtual Environment." Presence: Teleoperators and Virtual Environments 25, no. 4 (2016): 289–98. http://dx.doi.org/10.1162/pres_a_00270.

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We have previously investigated the effectiveness of a custom-built virtual environment in assisting training of a ventriculostomy procedure, which is a commonly performed procedure by a neurosurgeon and a core task for trainee surgeons. The training tool (called VCath) was initially developed as a low-fidelity app for a tablet platform to provide easy access and availability to trainees. Subsequently, we have developed a high-fidelity version of VCath that uses a stereoscopic display to immerse the trainee in the virtual environment. This article reports on two studies that have been carried

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13

Ferdig, Richard, James Blank, Annette Kratcoski, and Robert Clements. "Using stereoscopy to teach complex biological concepts." Advances in Physiology Education 39, no. 3 (2015): 205–8. http://dx.doi.org/10.1152/advan.00034.2014.

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Used effectively, stereoscopic three-dimensional (3D) technologies can engage students with complex disciplinary content as they are presented with informative representations of abstract concepts. In addition, preliminary evidence suggests that stereoscopy may enhance learning and retention in some educational settings. Biological concepts particularly benefit from this type of presentation since complex spatially oriented structures frequently define function within these systems. Viewing biological phenomena in 3D as they are in real life allows the user to relate these spatial relationship

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14

Feldmann, Rodney M. "Preparation of stereoscopic photographs." Paleontological Society Special Publications 4 (1989): 347–50. http://dx.doi.org/10.1017/s2475262200005335.

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Because many fossils are preserved in relatively high relief, that is they are not preserved on flat surfaces, it is often desirable to prepare a stereoscopic photographs which permit viewing the specimen as a three dimensional object. This could be easily accomplished by considering that stereoscopy is achieved simply by superimposing two images of an object upon one another, the images having been viewed from slightly different perspectives.

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15

Gašo, Martin, Martin Krajčovič, Ľuboslav Dulina, Patrik Grznár, and Juraj Vaculík. "Methodology of Creating and Sustainable Applying of Stereoscopic Recording in the Industrial Engineering Sector." Sustainability 11, no. 8 (2019): 2194. http://dx.doi.org/10.3390/su11082194.

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This article introduces an innovative view on the issue of Stereoscopy’s application as a tool of advanced industrial engineering. Basic starting points of research have been the results of stereoscopy applications in other science areas and entertainment industries, e.g., movies. These bases provide information about basic principles of stereoscopic record creation. However, these bases’ pieces of information were to be adapted and applied in the field of industrial engineering. The core of the article describes the methodology for creating a stereoscopic recording in industrial engineering.

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16

Kataoka, R., Y. Fukuda, H. A. Uchida, et al. "High-speed stereoscopy of aurora." Annales Geophysicae 34, no. 1 (2016): 41–44. http://dx.doi.org/10.5194/angeo-34-41-2016.

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Abstract. We performed 100 fps stereoscopic imaging of aurora for the first time. Two identical sCMOS cameras equipped with narrow field-of-view lenses (15° by 15°) were directed at magnetic zenith with the north–south base distance of 8.1 km. Here we show the best example that a rapidly pulsating diffuse patch and a streaming discrete arc were observed at the same time with different parallaxes, and the emission altitudes were estimated as 85–95 km and > 100 km, respectively. The estimated emission altitudes are consistent with those estimated in previous studies, and it is suggested that

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17

Palmer, D. A. "STEREOSCOPY AND PHOTOGRAMMETRY." Photogrammetric Record 4, no. 23 (2006): 391–94. http://dx.doi.org/10.1111/j.1477-9730.1964.tb00370.x.

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18

McMahon, Mark Thomas, and Michael Garrett. "Applications of Binocular Parallax Stereoscopic Displays for Tasks Involving Spatial Cognition in 3D Virtual Environments." International Journal of Gaming and Computer-Mediated Simulations 6, no. 4 (2014): 17–33. http://dx.doi.org/10.4018/ijgcms.2014100102.

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Stereoscopic display technologies have seen wide spread application in entertainment and gaming contexts through their ability to intensify the perception of depth. However, their potential for enhancing the development and application of spatial knowledge within a 3D space is not as certain. Existing research suggests that stereoscopic displays can contribute both positively and negatively to the process of spatial cognition within 3D virtual environments. In order to explore this issue, a study comparing experience with binocular parallax stereoscopic displays to standard monoscopic displays

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19

Klahr, Douglas M. "Stereoscopic Architectural Photography and Merleau-Ponty’s Phenomenology." ZARCH, no. 9 (December 4, 2017): 84–105. http://dx.doi.org/10.26754/ojs_zarch/zarch.201792269.

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Stereoscopic photography utilizes dual camera lenses that are placed at approximately the interocular distance of human beings in order to replicate the slight difference between what each eye sees and therefore the effect of parallax. The pair of images that results is then viewed through a stereoscope. By adjusting the device, the user eventually sees the two photographs merge into a single one that has receding planes of depth, often producing a vivid illusion of intense depth. Stereoscopy was used by photographers throughout the second half of the Nineteenth Century to document every build

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20

Wiegelmann, T., B. Inhester, and L. Feng. "Solar stereoscopy – where are we and what developments do we require to progress?" Annales Geophysicae 27, no. 7 (2009): 2925–36. http://dx.doi.org/10.5194/angeo-27-2925-2009.

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Abstract. Observations from the two STEREO-spacecraft give us for the first time the possibility to use stereoscopic methods to reconstruct the 3-D solar corona. Classical stereoscopy works best for solid objects with clear edges. Consequently an application of classical stereoscopic methods to the faint structures visible in the optically thin coronal plasma is by no means straight forward and several problems have to be treated adequately: 1) First there is the problem of identifying one-dimensional structures – e.g. active region coronal loops or polar plumes- from the two individual EUV-im

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21

Hamacher, Alaric. "Stereoscopy in Virtual Reality." International Journal of Engineering Trends and Technology 69, no. 6 (2021): 126–30. http://dx.doi.org/10.14445/22315381/ijett-v69i6p219.

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22

Crone, Robert A. "The history of stereoscopy." Documenta Ophthalmologica 81, no. 1 (1992): 1–16. http://dx.doi.org/10.1007/bf00155009.

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23

Kanemitsu, Yoko. "Stereoscopy and Pre-Raphaelitism." Convergence: The International Journal of Research into New Media Technologies 6, no. 1 (2000): 106–20. http://dx.doi.org/10.1177/135485650000600110.

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24

Ankamuthu, Sathish, Ram Balachandar, and Hugh Wood. "Computational stereoscopy for three-dimensional scour depth measurement in channels." Canadian Journal of Civil Engineering 26, no. 6 (1999): 698–712. http://dx.doi.org/10.1139/l99-032.

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Local channel scour is a problem of substantial importance in hydraulic engineering practice. Scour occurring around hydraulic structures has serious consequences in terms of damage to the structure and to human safety. The mechanisms of scour are complex and dynamic. This has resulted in most of the studies dealing with local scour to be experimental in nature. The amount of erosion has generally been quantified by noting the depth of scour at various locations in the bed. When the flow is unsteady or quasi-steady, determining the instantaneous depth is not a trivial task and involves a three

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25

Lipton, Lenny. "The Evolution of Electronic Stereoscopy." SMPTE Journal 100, no. 5 (1991): 332–36. http://dx.doi.org/10.5594/j00626.

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26

Trotter, David. "Stereoscopy: modernism and the 'haptic'." Critical Quarterly 46, no. 4 (2004): 38–58. http://dx.doi.org/10.1111/j.0011-1562.2004.00596.x.

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27

Bui, Thanh Nhan, Pascal Entremont, Jean-Pierre Gauthier, and Francesco Mazzero. "Stereoscopy in Asteriated Gemstones Revisited." Journal of Gemmology 37, no. 3 (2020): 298–305. http://dx.doi.org/10.15506/jog.2020.37.3.298.

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28

Aschwanden, Markus J., Jeremy Lim, Dale E. Gary, and James A. Klimchuk. "Solar Rotation Stereoscopy in Microwaves." Astrophysical Journal 454 (November 1995): 512. http://dx.doi.org/10.1086/176502.

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29

King, R. Duane. "A brief history of stereoscopy." Wiley Interdisciplinary Reviews: Computational Statistics 5, no. 4 (2013): 334–40. http://dx.doi.org/10.1002/wics.1264.

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30

Abramson, Zachary R., Dylan Thompson, Chris Goode, Jia Liang, Yimei Li, and Andrew M. Davidoff. "The importance of stereoscopic vision in virtual surgical planning." International Journal of Radiology & Radiation Therapy 12, no. 1 (2025): 12–15. https://doi.org/10.15406/ijrrt.2025.12.00411.

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Rendering software provides opportunities to display 3D images on a 2D display for the purposes of pre-operative planning, though with inherent size and depth ambiguity. The addition of stereoscopy as provided by modern virtual reality (VR) devices to traditional rendering principles may provide a more accurate conveyance of 3D patient anatomy. However, the added benefit of stereoscopic vision to pre-operative virtual planning has not been rigorously studied. A small pilot study was conducted to evaluate the following question: among a cohort of pediatric oncologic surgeons, how does stereosco

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31

Icasio-Hernández, O., Y. I. Curiel-Razo, C. C. Almaraz-Cabral, S. R. Rojas-Ramirez, and J. J. González-Barbosa. "MEASUREMENT ERROR WITH DIFFERENT COMPUTER VISION TECHNIQUES." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W7 (September 12, 2017): 227–35. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w7-227-2017.

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The goal of this work is to offer a comparative of measurement error for different computer vision techniques for 3D reconstruction and allow a metrological discrimination based on our evaluation results. The present work implements four 3D reconstruction techniques: passive stereoscopy, active stereoscopy, shape from contour and fringe profilometry to find the measurement error and its uncertainty using different gauges. We measured several dimensional and geometric known standards. We compared the results for the techniques, average errors, standard deviations, and uncertainties obtaining a

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32

De Almeida, Jane, and Cicero Inacio Da Silva. "STEREOPSIS EXPERIMENTAL EM TEMPOS DIGITAIS." Arteriais - Revista do Programa de Pós-Gradução em Artes 10, no. 17 (2024): 146. http://dx.doi.org/10.18542/arteriais.v10i17.17261.

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ResumoO presente artigo apresenta um relato reflexivo sobre a produção de três experimentos audiovisuais estereoscópicos: Futebol 4K3D, EstereoEnsaios Rio de Janeiro e EstereoEnsaios São Paulo, realizados pelos autores entre os anos 2010 e 2020. O artigo relata a pesquisa realizada sobre os primeiros cinemas, além de escritos sobre a estereoscopia de autores como Walter Benjamin e Franz Kafka que inspiraram as produções. Ao apresentar uma reflexão crítica sobre o processo de desenvolvimento da imagem fílmica estereoscópica, o artigo apresenta novas análises sobre o cinema 3D que o conectam com

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33

Koenderink, Jan J., Andrea J. van Doorn, and Astrid M. L. Kappers. "On So-Called Paradoxical Monocular Stereoscopy." Perception 23, no. 5 (1994): 583–94. http://dx.doi.org/10.1068/p230583.

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Human observers are apparently well able to judge properties of ‘three-dimensional objects’ on the basis of flat pictures such as photographs of physical objects. They obtain this ‘pictorial relief’ without much conscious effort and with little interference from the (flat) picture surface. Methods for ‘magnifying’ pictorial relief from single pictures include viewing instructions as well as a variety of monocular and binocular ‘viewboxes’. Such devices are reputed to yield highly increased pictorial depth, though no methodologies for the objective verification of such claims exist. A binocular

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34

Timby, Kim. "Colour photography and stereoscopy: Parallel histories." History of Photography 29, no. 2 (2005): 183–96. http://dx.doi.org/10.1080/03087298.2005.10441370.

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35

Zappa, Emanuele, Paolo Mazzoleni, and Yumei Hai. "Stereoscopy based 3D face recognition system." Procedia Computer Science 1, no. 1 (2010): 2521–28. http://dx.doi.org/10.1016/j.procs.2010.04.285.

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36

Stockert, JC. "Stereoscopy of computer-drawn molecular structures." Biochemical Education 22, no. 1 (1994): 23–25. http://dx.doi.org/10.1016/0307-4412(94)90160-0.

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37

Bernard, Florian, Paul Richard, Alexis Kahn, and Henri-Dominique Fournier. "Does 3D stereoscopy support anatomical education?" Surgical and Radiologic Anatomy 42, no. 7 (2020): 843–52. http://dx.doi.org/10.1007/s00276-020-02465-z.

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38

Zeng, Qiong, Wenzheng Chen, Huan Wang, et al. "Hallucinating Stereoscopy from a Single Image." Computer Graphics Forum 34, no. 2 (2015): 1–12. http://dx.doi.org/10.1111/cgf.12536.

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39

Murakami, Shumei, Rinus G. Verdonschot, Sven Kreiborg, Naoya Kakimoto, and Asuka Kawaguchi. "Stereoscopy in Dental Education: An Investigation." Journal of Dental Education 81, no. 4 (2017): 450–57. http://dx.doi.org/10.21815/jde.016.002.

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40

Banks, Martin S., Jenny C. A. Read, Robert S. Allison, and Simon J. Watt. "Stereoscopy and the Human Visual System." SMPTE Motion Imaging Journal 121, no. 4 (2012): 24–43. http://dx.doi.org/10.5594/j18173.

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41

Chifu, Iulia, Thomas Wiegelmann, and Bernd Inhester. "Nonlinear Force-free Coronal Magnetic Stereoscopy." Astrophysical Journal 837, no. 1 (2017): 10. http://dx.doi.org/10.3847/1538-4357/aa5b9a.

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42

Kim, Changil, Alexander Hornung, Simon Heinzle, Wojciech Matusik, and Markus Gross. "Multi-perspective stereoscopy from light fields." ACM Transactions on Graphics 30, no. 6 (2011): 1–10. http://dx.doi.org/10.1145/2070781.2024224.

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43

Yanai, A., H. Segawa, S. Nagata, and H. Asato. "Stereoscopy without instruments: a training device." Radiology 155, no. 3 (1985): 826. http://dx.doi.org/10.1148/radiology.155.3.4001387.

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Hamacher, Alaric. "Evaluation of Stereoscopy in Digital Holography." International Journal of Engineering Trends and Technology 70, no. 12 (2022): 345–50. http://dx.doi.org/10.14445/22315381/ijett-v70i12p233.

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45

Kitrosser, Samuel. "Photography in the Service of Stereoscopy." Journal of Imaging Science and Technology 42, no. 4 (1998): 295–300. http://dx.doi.org/10.2352/j.imagingsci.technol.1998.42.4.art00002.

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46

Häsler, Leonie. "Stereo Imaging In Fashion Photography." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 11, no. 1 (2018): 38–55. http://dx.doi.org/10.31165/nk.2018.111.528.

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Fashion photographs are generally two-dimensional images showing one side of a three-dimensional model. This paper, however, deals with far less well-known stereoscopic fashion photographs. Stereoscopy is a technique that creates the illusion of a 3-D image. Based on the image collection of Swiss textile and clothes company HANRO, the article analyzes the composition of 3-D pictures by putting them in a broader media-historical context. The archived stereoscopic photographs date back to the 1950s and show a series of women’s fashion. In the same period, Hollywood experienced a 3-D-boom that ma

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47

Scalabrin, Manlio, Laura Anna Ripamonti, Dario Maggiorini, and Davide Gadia. "Stereoscopy-based procedural generation of virtual environments." Electronic Imaging 2016, no. 5 (2016): 1–7. http://dx.doi.org/10.2352/issn.2470-1173.2016.5.sda-042.

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48

Chifu, I., B. Inhester, and T. Wiegelmann. "Coronal magnetic field modeling using stereoscopy constraints." Astronomy & Astrophysics 577 (May 2015): A123. http://dx.doi.org/10.1051/0004-6361/201322548.

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49

KAWASUE, Kikuhito, Toshinobu KIRA, and Yuichiro MURAOKA. "D11 Circular dynamic stereoscopy for fluid measurement." Proceedings of Conference of Kyushu Branch 2006.59 (2006): 91–92. http://dx.doi.org/10.1299/jsmekyushu.2006.59.91.

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50

Collender, Robert B. "Moving auto-stereoscopy using all static components." IEEE Transactions on Consumer Electronics CE-33, no. 2 (1987): 65–70. http://dx.doi.org/10.1109/tce.1987.6446491.

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