Relevant bibliographies by topics / Sterne, Laurence

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Academic literature on the topic 'Sterne, Laurence'

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Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Sterne, Laurence"

1

Price, J. V. "Laurence Sterne." Notes and Queries 51, no. 3 (September 1, 2004): 328–30. http://dx.doi.org/10.1093/nq/51.3.328-a.

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Price, John Valdimir. "Laurence Sterne." Notes and Queries 51, no. 3 (September 1, 2004): 328–30. http://dx.doi.org/10.1093/nq/510328a.

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Oakley, Warren, and Lana Asfour. "Laurence Sterne in France." Modern Language Review 103, no. 4 (October 1, 2008): 1092. http://dx.doi.org/10.2307/20468038.

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Holtz, William, Wolfgang Iser, and David Henry Wilson. "Laurence Sterne: Tristram Shandy." Eighteenth-Century Studies 23, no. 1 (1989): 93. http://dx.doi.org/10.2307/2738628.

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Jones Nakanishi, Wendy. "Laurence Sterne in France." English Studies 90, no. 3 (June 2009): 371–73. http://dx.doi.org/10.1080/00138380902743641.

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Cossy, V. "Laurence Sterne in France." French Studies 64, no. 1 (December 17, 2009): 88–89. http://dx.doi.org/10.1093/fs/knp235.

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Watt, Ian, and Arthur H. Cash. "Laurence Sterne: The Later Years." Eighteenth-Century Studies 21, no. 2 (1987): 231. http://dx.doi.org/10.2307/2739107.

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de Voogd, Peter, and Melvyn New. "Critical Essays on Laurence Sterne." Yearbook of English Studies 30 (2000): 311. http://dx.doi.org/10.2307/3509293.

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Flynn, Carol Houlihan, Valerie Grosvenor Myer, and John Atkins. "Laurence Sterne: Riddles and Mysteries." Modern Language Review 82, no. 4 (October 1987): 920. http://dx.doi.org/10.2307/3729068.

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New, Melvyn. "Laurence Sterne by Manfred Pfister." Scriblerian and the Kit-Cats 36, no. 1 (2003): 67–68. http://dx.doi.org/10.1353/scb.2003.0000.

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Dissertations / Theses on the topic "Sterne, Laurence"

1

Lasne, Sandra. "Modèles et sujet : Laurence Sterne, 1713-1768, lecture épistémocritique /." Montpellier : Presses universitaires de la Méditerranée, 2008. http://catalogue.bnf.fr/ark:/12148/cb41340885c.

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Texte remanié de: Thèse de doctorat--Études anglo-américaines--Montpellier 3, 2000. Titre de soutenance : Modèles du sujet dans l'oeuvre romanesque de Laurence Sterne : illustrations et perversions.
Bibliogr. p. 307-356. Index.
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Stewart, Neil. ""Glimmerings of wit" : Laurence Sterne und die russische Literatur von 1790 bis 1840." Heidelberg Winter, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2643518&prov=M&dokv̲ar=1&doke̲xt=htm.

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Montandon, Alain. "La Réception de Laurence Sterne en Allemagne /." Clermont-Ferrand : Association des publications de la Faculté des lettres et sciences humaines, 1986. http://catalogue.bnf.fr/ark:/12148/cb34843471g.

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Kim, Chunghee. "Laurence Sterne and an ethics of pleasure." Thesis, Birkbeck (University of London), 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267532.

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This thesis proposes that an ethics of pleasure informs the destabilising elements of Sterne's texts, delineated through the peculiar energies and vitality in his jesting narrative voice. I demonstrate the Sternean synthesis of two problematic principles, ethics and pleasure, incompatible for the modem mind but complementary for Eighteenth century moralists. Sterne's configuration of ethical pleasure can be differentiated from those of major moral discourses of the seventeenth and eighteenth century: 1) by his distinctive ethical position which enfranchises laughter, gaiety, and mirth which his contemporaries underplay; 2) through a Rabelaisian humour which Bakhtin sees as exemplifying signs of Renaissance folk and peasant culture, so creating a distance from the progressivistic zeal of the Enlightenment; 3) in his conjunction of Fideistic scepticism with Rabelaisian grotesque, which absorbs and transfigures a sense of the plenitude and the inexplicability of nature. The first chapter examines Sterne's incorporation of a "heteroclite" perspective into orthodox latitudinarian theism in his sermons, in the specific forms of his selectiveness in adaptations or borrowings from various divine homilies. The second chapter compares his ethics of pleasure with major contemporaneous moral discourses, focusing on the production of different moral frameworks through differing perceptions of man's place in nature. The third chapter locates Sterne's formulation of text and narrative in a material presence of communion and fellow-feeling among disparate sUbjectivities. The fourth chapter investigates the ethical significance of Sterne's particular use of laughter, in which he tries to re-enact the laughing spirit of Rabelaisian grotesque with partial success, thus suggesting his comic spirit be identified as Romantic grotesque. A fmal chapter concludes with Sterne's attempt to test his ethics through interlocution and engagement with strangers in A Sentimental Journey, charting the pragmatic obstacles to a praxis of love for the concretised being.
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Gama, Vítor Castelões. "Laurence Sterne e Luiz Ruffato : convergências/divergências." reponame:Repositório Institucional da UnB, 2017. http://repositorio.unb.br/handle/10482/31387.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2017.
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Considerando o apreço que Luiz Ruffato demonstrou por Laurence Sterne, objetiva-se entender as convergências entre as obras dos autores. Para tanto, procede-se à análise bibliográfica dos romances “A vida e as opiniões do cavalheiro Tristram Shandy” e “Eles eram muitos cavalos” em relação ao gênero da sátira menipeia e às outras artes como o cinema, a poesia, a música e o teatro. Observa-se o percurso da menipeia nas obras dos autores com o aporte de teóricos como Mikhail Bakhtin, Northrop Frye, José Guilherme Merquior e Enylton José de Sá Rego para apontar as similaridades e dessemelhanças em suas construções. É necessário ressaltar que este gênero agrega um questionamento social aos autores por discutir também a relação entre literatura e realidade. Questão aprofundada pelos autores também pelo amplo uso de técnicas provenientes de outras artes, por esse motivo as obras são consideradas como híbridas. Para trabalhar esse conceito seguimos com base no antropólogo Néstor Garcia Canclíni. É de importância na análise o conceito de performance, pois na tessitura das obras há um trabalho de mediação com os leitores realizado pela materialidade do livro e por um estilo tipográfico. Este conceito é balizado pelo entendimento de Paul Zumthor, e outros pensadores como Renato Cohen e Regina Melim. Por fim, conclui-se que apesar do distanciamento de séculos entre os autores há um intenso diálogo entre as obras que se iluminam mutuamente e demonstram a utilidade da tradição na vanguarda da literatura contemporânea brasileira.
Considering the appreciation Luiz Ruffato showed for Laurence Sterne. We intend to understand the similitaries between the authors works. Therefore, we proceed to a bibliographical analysis of the novels “The life and opinions of Tristram Shandy, gentleman” and “They were many horses” in comparison to the menippean satire and the cinema, poetry, music and drama. With the theoretical groundwork of Mikhail Bakhtin, Northrop Frye, José Guilherme Merquior and Enylton José de Sá Rego we take notice of the mennipean satire influence in the analysed novels to discover correlations and dissimilarities between them. It is necessary to point out that this literary gender brings a taste for social criticism by discussing also the relation between literature and reality. Which is further questioned by the intense use of techniques derived from other arts. Because of this usage “Tristram Shandy” and “They were many horse” are considered hybrid novels. To work with hybridization we approach the thought of Néstor Garcia Canclini. It is also important the concept of performance, because in the making of the novels there are a personalized form of mediation with the reader and a typographical style. This concept is based in Paul Zumthor’s theory and other authors like Renato Cohen and Regina Melim. In the end, we conclude that in spite of the centuries apart there is an intense dialogue between the authors and their works that demonstrate the usefulness of tradition in contemporary brazilian literature vanguard.
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Hopmann, Erika Sophie. "Die Organisation der Sinne : Wahrnehmungstheorie und Ästhetik in Laurence Sternes Tristram Shandy /." Würzburg : Königshausen und Neumann, 2008. http://catalogue.bnf.fr/ark:/12148/cb412762848.

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Okuroglu, Sule. "An Analysis Of Metafictional Self-reflexivity In Laurence Sterne." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/3/12606560/index.pdf.

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This thesis evaluates metafictional self-reflexivity, and presents it within the scope of certain structuralist and post-structuralist approaches especially by referring to William Gass&rsquo
definition of metafiction and Raymond Federman&rsquo
s theories on the devices of metafiction. Then aspects of the works of William Gass&rsquo
Willie Master&rsquo
s Lonesome Wife and Laurence Sterne&rsquo
s The Life and Opinions of Tristram Shandy are discussed within this framework.
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Newbould, Mary-Céline. "Parody in eighteenth-century literature, in particular Laurence Sterne." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.613260.

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Freitas, Luana Ferreira de. "Tradução comentada de a Sentimental Journey de Laurence Sterne." Florianópolis, SC, 2007. http://repositorio.ufsc.br/xmlui/handle/123456789/90444.

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Tese (doutorado) - Universidade Federal Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura.
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Este trabalho parte da tradução de A Sentimental Journey, de Laurence Sterne, para fazer um exame de questões ligadas à narrativa quando confrontadas com a necessidade da tradução. Para tal, serão consideradas a oscilação entre o sentimental e o humor e a fronteira sutil que os separa ao longo do romance, a ironia, a paródia, bem como as estratégias adotadas na tradução proposta e em outras já publicadas no Brasil This study will look at the translation of Laurence Sterne's A Sentimental Journey and examine certain translational issues arising from the narrative. These include the oscillation between sentimental and humorous elements and the fine line that separates them throughout the novel, use of irony, parody, and also translational strategies adopted by the author, and by others in previous translations of the work in Brazil.
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FREITAS, Luana Ferreira de. "Tradução comentada de A sentimental Journey de Laurence Sterne." Universidade Federal de Santa Catarina, 2007. http://www.repositorio.ufc.br/handle/riufc/17993.

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FREITAS, Luana Ferreira de.Tradução comentada de A sentimental Journey, de Laurence Sterne, 2007. 141f. – Tese (Doutorado) – Universidade Federal de Santa Catarina, Curso de Pós-Graduação em Literatura, Florianópolis (SC), 2007.
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This study will look at the translation of Laurence Sterne’s A Sentimental Journey and examine certain translational issues arising from the narrative. These include the oscillation between sentimental and humorous elements and the fine line that separates them throughout the novel, use of irony, parody, and also translational strategies adopted by the author, and by others in previous translations of the work in Brazil.
Este trabalho parte da tradução de A Sentimental Journey, de Laurence Sterne, para fazer um exame de questões ligadas à narrativa quando confrontadas com a necessidade da tradução. Para tal, serão consideradas a oscilação entre o sentimental e o humor e a fronteira sutil que os separa ao longo do romance, a ironia, a paródia, bem como as estratégias adotadas na tradução proposta e em outras já publicadas no Brasil.
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Books on the topic "Sterne, Laurence"

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Council, British, ed. Laurence Sterne. Devon: Northcote House in Association with the British Council, 2001.

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Kraft, Elizabeth. Laurence Sterne revisited. New York: Twayne Publishers, 1996.

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Laurence Sterne: A life. Oxford: Oxford University Press, 2001.

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Iser, Wolfgang. Laurence Sterne: Tristram Shandy. Cambridge: Cambridge University Press, 1988.

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Asfour, Lana. Laurence Sterne in France. London: Continuum, 2008.

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Laurence Sterne, the later years. London: Methuen, 1986.

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Laurence, Sterne. The sermons of Laurence Sterne. Gainesville: University Press of Florida, 1996.

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Laurence, Sterne. The sermons of Laurence Sterne. Gainesville: University Press of Florida, 1996.

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Hartvig, Gabriella. Laurence Sterne Magyarországon, 1790-1860. Budapest: Argumentum Kiadó, 2000.

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Laurence Sterne, the later years. London: Routledge, 1992.

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Book chapters on the topic "Sterne, Laurence"

1

McGowan, Ian. "Laurence Sterne." In The Restoration and Eighteenth Century, 370–83. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20143-3_22.

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Stratmann, Gerd. "Sterne, Laurence." In Englischsprachige Autoren, 261–65. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_96.

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Frank, Michael C. "Sterne, Laurence." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17158-1.

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Freiburg, Rudolf. "Laurence Sterne." In Kindler Kompakt: Reiseliteratur, 89–91. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04508-9_15.

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McGowan, Ian. "Laurence Sterne 1713–68." In The Restoration and Eighteenth Century, 370–83. New York: Palgrave Macmillan US, 1989. http://dx.doi.org/10.1007/978-1-349-60485-2_22.

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Fuß, Hans-Ulrich. "IX. Ein Laurence Sterne der Musik." In Zyklus und Prozess, 197–236. Wien: Böhlau Verlag, 2011. http://dx.doi.org/10.7767/boehlau.9783205791775.197.

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Haschemi Yekani, Elahe. "Digressions: Sancho and Sterne." In Familial Feeling, 123–70. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58641-6_3.

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AbstractArtifice and authenticity are conflictingly related in the extroverted and stylised displays of feeling in the texts of Laurence Sterne and Ignatius Sancho. Whereas Sterne employs aesthetic playfulness to set himself apart from literary predecessors, Sancho uses it to claim a part in the culture of taste and sensibility. This chapter reads Sancho and Sterne’s literary adoption of a digressive tonality distinctly not as imitative but as entangled. The scenes dealing with slavery in Tristram Shandy and A Sentimental Journey are tied into more bawdy episodes. While not necessarily only sentimental, they still elude ideas of political solidarity. Sancho’s interjections of emotional concern in his published letters in turn not only highlight his capacity to feel (as well as his attachment to his family); in adopting the Sternian digressive dash, he does not adhere to the usual linear form of redemptive abolitionist writing and displays a uniquely Black aesthetic voice, albeit one that also reproduces deprecating sentimental tropes. This needs to be read as more than simply epigonic. Sancho’s digressive tone, it will be argued, intervenes more fundamentally into the sentimentalist romance with the cultured, feeling subject of modernity, while Sterne remains more elusive in his aestheticised divagations.
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Maioli, Roger. "Laurence Sterne and the Experience of Reading Fiction." In Empiricism and the Early Theory of the Novel, 137–61. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39859-4_6.

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Aldridge, A. Owen. "Ludic prose from Laurence Sterne to Carlos Fuentes." In Comparative History of Literatures in European Languages, 655–63. Amsterdam: John Benjamins Publishing Company, 2008. http://dx.doi.org/10.1075/chlel.xxiii.42ald.

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Freiburg, Rudolf. "Sterne, Laurence: A Sentimental Journey Through France and Italy." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17160-1.

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