Relevant bibliographies by topics / Sternhold and Hopkins Psalter

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Academic literature on the topic 'Sternhold and Hopkins Psalter'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Sternhold and Hopkins Psalter"

1

Rush, Rebecca M. "Authority and Attribution in the Sternhold and Hopkins Psalter." Renaissance and Reformation 38, no. 1 (2015): 57–82. http://dx.doi.org/10.33137/rr.v38i1.22782.

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This essay addresses the vexed question of the genre of the Sternhold and Hopkins psalter by considering the framing of the psalms in the early editions printed in England and on the continent. It is undeniable that all of the producers of the Sternhold and Hopkins psalter were committed to the dissemination of Scripture in the vernacular and that many were concerned with approximating the hebraica veritas. But comparing the title pages, prefaces, and marginal notes included in the sixteenth-century versions of the psalter with those of contemporary prose translations reveals that the editors
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2

Osorio Whewell, Esther. "For the Sake of the Arguments: Reading the Headnotes to The Faerie Queene." Review of English Studies 71, no. 300 (2019): 460–85. http://dx.doi.org/10.1093/res/hgz078.

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Abstract This essay proposes taking a serious poetic and literary-historical interest in the ballad-stanza ‘Arguments’ which precede and summarize every Canto in Spenser’s Faerie Queene. Short, simple, and economical, the four-line Arguments seem at first a very different poetical space from the Spenserian stanza—but on closer reading, they demand an investment in the dimensions of printed language and the spaces and syntax of its storytelling which fits persuasively with the wider poetics of The Faerie Queene and with its narrative structures. The first section establishes the Arguments in a
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3

Huttar, Charles A. "Book Review: The Reformation in Rhyme: Sternhold, Hopkins and the English Metrical Psalter, 1547–1603." Christianity & Literature 61, no. 1 (2011): 142–45. http://dx.doi.org/10.1177/014833311106100111.

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Serjeantson, Deirdre. ":The Reformation in Rhyme: Sternhold, Hopkins and the English Metrical Psalter, 1547-1603." Sixteenth Century Journal 42, no. 3 (2011): 800–802. http://dx.doi.org/10.1086/scj23076508.

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Shuger, Debora. "Beth Quitslund, The Reformation in Rhyme: Sternhold, Hopkins and the English Metrical Psalter, 1547–1603The Reformation in Rhyme: Sternhold, Hopkins and the English Metrical Psalter, 1547–1603. Beth Quitslund. Aldershot: Ashgate, 2008. Pp. x+322." Modern Philology 109, no. 4 (2012): E231—E235. http://dx.doi.org/10.1086/664517.

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Zim, R. "The Reformation in Rhyme: Sternhold, Hopkins and the English Metrical Psalter, 1547-1603. By BETH QUITSLUND." Library 10, no. 3 (2009): 317–19. http://dx.doi.org/10.1093/library/10.3.317.

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Malieckal, Bindu. "The Reformation in Rhyme: Sternhold, Hopkins and the English Metrical Psalter, 1547-1603 - By Beth Quitslund." Religious Studies Review 36, no. 3 (2010): 236. http://dx.doi.org/10.1111/j.1748-0922.2010.01449_10.x.

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WILLIS, JONATHAN. "The Reformation in Rhyme: Sternhold, Hopkins and the English Metrical Psalter, 1547–1603 – By Beth Quitslund." History 95, no. 317 (2010): 120–21. http://dx.doi.org/10.1111/j.1468-229x.2009.00476_28.x.

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Poxon, Andrew. "The Institutionalization of the Congregational Singing of Metrical Psalms in the Elizabethan Reformation." Studies in Church History 57 (May 21, 2021): 120–41. http://dx.doi.org/10.1017/stc.2021.7.

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Previous scholarship has often employed the categories of ‘voluntary’ and ‘established’ religion when studying lay involvement in parish religion; yet these categories do not provide adequate space for the vitality of lay religious initiatives during the English Reformation. Through a study of the singing of metrical psalms, this article argues that the categories of ‘inspiration’ and ‘institution’ provide a more nuanced understanding of lay religious initiatives during the English Reformation. It outlines the ways in which the singing of metrical psalms, taken from the Sternhold and Hopkins W
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10

Thompsett, Fredrica Harris. "The Reformation in Rhyme: Sternhold, Hopkins and the English Metrical Psalter, 1547–1603. By Beth Quisland. St. Andrews Studies in Reformation History. Aldershot: Ashgate, 2008. x + 329 pp. $114.95 cloth." Church History 79, no. 4 (2010): 924–26. http://dx.doi.org/10.1017/s0009640710001253.

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Dissertations / Theses on the topic "Sternhold and Hopkins Psalter"

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Duguid, Timothy Charles. "Sing a new song : English and Scottish metrical psalmody from 1549-1640." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5966.

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The Book of Psalms has occupied a privileged place in Christianity from its earliest years, but it was not until the sixteenth century that metrical versifications of the Psalms became popular. Because of the notable influence of Martin Luther and John Calvin, the musical phenomenon of metrical psalm singing spread throughout Protestant circles on the European mainland and in Britain. These versifications knew no boundaries among Protestants: reformers and parishioners, kings and laypeople, men and women, young and old memorised and sang the metrical psalms. In England and Scotland, the versif
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Books on the topic "Sternhold and Hopkins Psalter"

1

Ranson, Susan. John Hopkins: Metrical psalmist and rector of Great Waldingfield : co-author with Thomas Sternhold of the first national English hymn book, 1562. Border Editions, 2004.

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2

Quitslund, Beth. Reformation in Rhyme: Sternhold, Hopkins and the English Metrical Psalter, 1547-1603. Taylor & Francis Group, 2016.

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Quitslund, Beth. Reformation in Rhyme: Sternhold, Hopkins and the English Metrical Psalter, 1547-1603. Taylor & Francis Group, 2016.

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4

The Reformation in rhyme: Sternhold, Hopkins and the English metrical psalter, 1547-1603. Ashgate, 2009.

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5

Clarke, Elizabeth, and Simon Jackson. Lyric Poetry. Edited by Andrew Hiscock and Helen Wilcox. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199672806.013.41.

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Legitimized by the poetry of the Bible, devotional lyric verse—crossing denominational lines, often combining Reformation spirituality with Renaissance rhetoric—flourished in early modern England. Poets like Mary and Philip Sidney and George Herbert modelled their work on the Book of Psalms, at times imitating the prosodic simplicity of the Sternhold and Hopkins metrical psalms, elsewhere adapting the sophisticated stanzaic variety of the Marot/Beze Psalter. Women like Aemilia Lanyer and Anne Southwell used the Song of Songs to express their devotion to Christ. The ‘mystical marriage’ was ofte
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The Geneva Bible: A facsimile of the 1599 edition with undated Sternhold & Hopkins Psalms. Geneva Pub. Co., 1990.

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7

The Geneva Bible: A facsimile of the 1599 edition with undated Sternhold & Hopkins Psalms. 3rd ed. L.L. Brown Pub., 1993.

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8

Observations upon the Metrical Versions of the Psalms, Made by Sternhold, Hopkins and Others. Creative Media Partners, LLC, 2023.

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9

Contributors, Multiple. Whole Book of Psalms: Collected into English Metre, by Thomas Sternhold, John Hopkins, and Others. Creative Media Partners, LLC, 2018.

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Whole Book of Psalms : Collected into English Metre: By Thomas Sternhold, John Hopkins, and Others. Creative Media Partners, LLC, 2022.

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Book chapters on the topic "Sternhold and Hopkins Psalter"

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"The ‘Sternhold & Hopkins’ Metrical Psalter." In The Politics of Prayer in Early Modem Britain. I.B.Tauris, 2007. http://dx.doi.org/10.5040/9780755623495.ch-008.

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Hannay, Margaret P. "“This Moses and this Miriam”." In Philip’s Phoenix. Oxford University PressNew York, NY, 1990. http://dx.doi.org/10.1093/oso/9780195057799.003.0005.

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Abstract When Simon van de Passe portrayed the Countess of Pembroke holding a volume clearly labeled “Davids Psalmes,” the iconography reflected the value placed on this unpublished work by her contemporaries.1 Her brother had ranked “the holy David’s Psalms” as “a heavenly poesy, wherein almost he showeth himself a passionate lover of that unspeakable and everlasting beauty to be seen by the eyes of the mind, only cleared by faith”: the greatest poems were “they that did imitate the unconceivable excellencies ofGod.”2 With such a valuation of the Psalms themselves, it is not surprising that S
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Prakas, Tessie. "Introduction “Power beside the office of a pulpit”." In Poetic Priesthood in the Seventeenth Century. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192857125.003.0001.

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Abstract Poetic Priesthood begins with an Introduction on the development and broader poetic legacy of post-Reformation English psalmody. The formally regular Sternhold and Hopkins Psalter, used widely for liturgical psalm-singing by the late 1500s, presents a striking contrast to other popular psalm translations whose intricacy often rendered them unsuitable for liturgical use. Through a reading of the Sidney Psalter, however, the Introduction suggests that Mary Sidney presents herself as performing a ministerial function in and though formal complexity. Constrained by her sex from entering i
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"The Psalms that Bind: ‘Sternhold and Hopkins’, the ‘Old Hundredth’ and the Ballad." In The Politics of Songs in Eighteenth-Century Britain, 1723–1795. Routledge, 2015. http://dx.doi.org/10.4324/9781315654089-3.

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Norton, Thomas. "The Whole Book of Psalms, Collected into English Metre by T. Sternhold, J. Hopkins, and Others (1562)." In The Psalms in English 1530-1633. Modern Humanities Research Association, 2024. http://dx.doi.org/10.2307/jj.19341356.47.

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Whittingham, William. "The Whole Book of Psalms, Collected into English Metre by T. Sternhold, J. Hopkins, and Others (1562)." In The Psalms in English 1530-1633. Modern Humanities Research Association, 2024. http://dx.doi.org/10.2307/jj.19341356.45.

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Hopkins, John. "The Whole Book of Psalms, Collected into English Metre by T. Sternhold, J. Hopkins, and Others (1562)." In The Psalms in English 1530-1633. Modern Humanities Research Association, 2024. http://dx.doi.org/10.2307/jj.19341356.46.

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Sternhold, Thomas. "Certain Psalms Chosen out of the Psalter of David and Drawn into English Metre by Thomas Sternhold, Groom of the King’s Majesty’s Robes (1547?)." In The Psalms in English 1530-1633. Modern Humanities Research Association, 2024. http://dx.doi.org/10.2307/jj.19341356.26.

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