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Journal articles on the topic 'Stil'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Kozlica, Amra. "RELIGIJSKI STIL (ANALIZA FUNKCIONALNOG STILA)." Zbornik radova Islamskog pedagoškog fakulteta u Bihaću 3, no. 3 (June 15, 2010): 319–55. http://dx.doi.org/10.52535/27441695.2010.3.319-355.

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Ciljevi i zadaci ovog rada manifestiraju se u težnji da se na osnovu analiziranih tekstova, hutbi/vazova i homilija doprinese tvrdnji da je religijski stil, zaseban funkcionalni stil, sa svojim specifičnim osobinama i funkcijama. Od svih religijskih žanrova i vrsta, odabrane su baš religijske retoričke vrste, hutbe/vazovi i homilije, zato što oni najviše ''iskaču'' iz unaprijed zadanih šablona religijskog stila i dozvoljavaju hatibu/homiletu najviše slobode pri izražavanju individualnog stila. Upravo, uzimajući ''najslobodniju'' vrstu unutar religijskog funkcionalnog stila, nastojalo se ukazati, da bez obzira na utjecaj individualnog stila i gubljenja nekih karakterističnih osobina religijskog stila, hutbe/vazovi i homilije ipak zadržavaju i pokazuju najkarakterističnije osobine religijskog stila, što dokazuje opravdanost izdvajanja ovog stila, kao samostalnog funkcionalnog stila.

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2

Opel, Angela M. "„Stil“ ist nicht gleich „Stil“." International Yearbook for Tillich Research 9, no. 1 (August 20, 2014): 193–208. http://dx.doi.org/10.1515/tillich-2014-0111.

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3

Stahl, Heinz K. "Stil." QUALITAS 22, no. 4 (December 2023): 15. http://dx.doi.org/10.1007/s43831-023-0156-5.

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4

Schwindt, Christian. "Stil der Freiheit - Stil des Glaubens." Praktische Theologie 37, no. 1 (March 1, 2002): 49–56. http://dx.doi.org/10.14315/prth-2002-0107.

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5

Sontag, Susan. "Om stil." Agora 29, no. 02-03 (October 19, 2011): 181–201. http://dx.doi.org/10.18261/issn1500-1571-2011-02-03-14.

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6

Dyukov, I. V. "UPAKOVOChNYJ STIL." EurasianUnionScientists 8, no. 68 (2019): 4–5. http://dx.doi.org/10.31618/esu.2413-9335.2019.8.68.467.

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7

Emans, Reinmar. "Vermischter Stil." Schütz-Jahrbuch 34 (June 20, 2017): 49–63. http://dx.doi.org/10.13141/sjb.v2012536.

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Ausgehend von zeitgenössischen Aussagen zur Entstehung des vermischten Stils aus italienischem und französischen Idiom und Beobachtungen zur Einbindung Agostino Steffanis in die Netzwerke der Welfenhöfe um Gottfried Wilhelm Leibniz wird die These aufgestellt, dass bislang die Bedeutung des Italieners Steffani für die Entwicklung des neuen musikalischen Stils unterschätzt wurde. Gleichzeitig folgt daraus, dass die weitere Anreicherung desselben mit Elementen des schwieriger zu fassenden deutschen Stils im Umfeld des Welfenhofs in der Konsequenz nicht zu überraschen vermag.

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8

Jamros,, Rev Daniel P. "Wechsel-Stil." Owl of Minerva 42, no. 1 (2011): 219–23. http://dx.doi.org/10.5840/owl2010/2011421/29.

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9

van Gemert, Liesbeth, Rikie Scholtens, and Sara Beishuizen. "Stil delier." Nursing 22, no. 5 (May 2016): 55–60. http://dx.doi.org/10.1007/s41193-016-0100-8.

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10

. "Stil geluid." Tijdschrift voor praktijkondersteuning 2, no. 5 (October 2007): 178. http://dx.doi.org/10.1007/bf03075007.

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11

van der Vecht-Kroeze, Gerda. "Stil staan." Critical care 7, no. 3 (June 2010): 2. http://dx.doi.org/10.1007/bf03088792.

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12

Carpo, Mario. "Digitaler Stil." Zeitschrift für Medien- und Kulturforschung 3, no. 1 (January 1, 2012): 102–15. http://dx.doi.org/10.28937/zmk-3-1_10.

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13

MAMMADALIYEVA, Mehriban. "THE CONCEPT OF STYLE IN PIANO PERFORMANCE." Adıyaman Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, no. 41 (August 30, 2022): 521–35. http://dx.doi.org/10.14520/adyusbd.1063379.

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Makalede piyano eğitimi ve icrasında stil kavramı ayrıntılı bir şekilde araştırılmış olup, sanatçılar, eğitimciler, müzikologlar vb. tarafından yapılan yorumlar incelenmiştir. Bu kavramın farklı dönemlerdeki tarihsel gelişimi ayrıntılı şekilde açıklanmıştır. Stil kavramının tanınmış piyano eğitimcilerinin yöntemleri ve pedagojik tutumları değerlendirilerek incelenmesi sonrasında, kişisel ve araştırdığımız eğitimcilerin deneyimlerine de dayanarak piyano icrasında stilin anlaşılması adına çalışma sürecinde gerekli olan bazı kurallar ve öneriler makale sonunda sunulmuştur. Piyano icra yeteneğini geliştirmek isteyenlerin iç dünyasını açmak, kişiliğini geliştirmek, müzikte kimliğini kazandırmak ve müzik düşüncelerini zenginleştirmek adına yapılan bu çalışma özellikle eğitim alanında faydalı olması düşüncesi ile gerçekleştirilmiştir.

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14

Munch, Anders V. "At tænke stil." Agora 22, no. 01-02 (March 18, 2004): 92–102. http://dx.doi.org/10.18261/issn1500-1571-2004-01-02-06.

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15

Severskaâ, Ol'ga I. "Novyj publicističeskij stil'." Stylistyka 24 (January 10, 2020): 141–61. http://dx.doi.org/10.25167/stylistyka.24.2015.10.

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16

Langthaler, Ernst. "Wirtschaften mit Stil." Historische Anthropologie 20, no. 3 (December 2012): 276–96. http://dx.doi.org/10.7788/ha.2012.20.3.276.

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17

Pedersen, Birgitte Stougaard. "Go stil dér!" Rhetorica Scandinavica, no. 52 (2009): 24–43. http://dx.doi.org/10.52610/fclt1444.

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Through a rhetorical and arthistorian angle the article presents the concept of style in a historical setting. This concept of style in a rethought version is applied with renewed vitality on a contemporary phenomenon, namely the culture of hiphop. The aim of the article is to show that this reinvention with advantage can be made by understanding style as an interplay between aesthetic effects, rhetorical argumentation and lifestyle on a sociological basis. Keywords style, hiphop, rhetoric, aesthetic effects, sociology, lifestyle

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18

Neumayer, Gabi. "Der Stil-TÜV." working@office 9, no. 11 (November 2008): 16–17. http://dx.doi.org/10.1007/bf03249880.

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19

Nitzsche, Isabel. "Abschied mit Stil." working@office 12, no. 8 (July 30, 2011): 58–60. http://dx.doi.org/10.1365/s35131-011-0296-5.

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20

Weel, André. "Sta even stil." Tijdschrift voor bedrijfs- en verzekeringsgeneeskunde 20, no. 9 (November 2012): 399. http://dx.doi.org/10.1007/s12498-012-0187-z.

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21

Gestmann, Michael. "Vertragsabschluss mit Stil." Sales Business 16, no. 4 (April 2007): 52–54. http://dx.doi.org/10.1007/bf03226020.

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22

Oulasvirta, Antti, Tino Weinkauf, Myroslav Bachynskyi, and Gregorio Palmas. "Gestikulieren mit Stil." Informatik-Spektrum 37, no. 5 (June 18, 2014): 449–53. http://dx.doi.org/10.1007/s00287-014-0816-2.

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23

Janning, Martina. "Abgang mit Stil." kma - Klinik Management aktuell 14, no. 05 (May 2009): 72–74. http://dx.doi.org/10.1055/s-0036-1575171.

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Wer ein Unternehmen verlässt, durchlebt meist emotional schwierige Restwochen – besonders wenn er eine Kündigung erhalten hat. Dennoch sollte niemand die Kliniktür zuschlagen, durch die er vielleicht noch einmal gehen möchte. Auch für den inneren Frieden ist ein Abschied im Guten wichtiger, als manche wahrhaben wollen.

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24

Winterhagen, Johannes. "STIL UND FUNKTION." ATZextra 15, no. 7 (July 2010): 1. http://dx.doi.org/10.1365/s35778-010-0431-z.

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25

Hvattum, Mari. "Stil und Abgeschiedenheit." Deutsche Zeitschrift für Philosophie 66, no. 6 (January 21, 2019): 831–44. http://dx.doi.org/10.1515/dzph-2018-0059.

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Abstract In his famous essay “Der moderne Denkmalkultus. Sein Wesen und seine Entstehung” from 1903, the Austrian historian and art theorist Alois Riegl pondered why it is that the modern observer is able to appreciate the monuments of the past. It seems an odd question. The nineteenth century was obsessed with history; its artists and architects were often accused of appreciating nothing but the past. Yet, Riegl’s question is prescient. If, as the historicists had long professed, there are no absolute or eternal standards in art – if the value of art and architecture is relative, changing with time and circumstance – then logically, the past should be inaccessible to us. How come it is not? Riegl’s seemingly naïve question sums up historicism’s most pressing dilemmas and reveals the epochal determinism lurking in nineteenth-century Zeitgeist-thinking. This essay investigates Riegl’s attempted answers and their intellectual presuppositions.

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26

Benz, Maximilian. "Über den ›Stil‹." Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 89, no. 4 (December 2015): 666–74. http://dx.doi.org/10.1007/bf03396505.

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27

Baus, Guido. "Mailen mit Stil." Sales Business 11, no. 6 (June 2002): 66–67. http://dx.doi.org/10.1007/bf03242359.

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28

Schneider, Susanne. "Portfoliomanagement mit Stil." Bankmagazin 56, no. 1 (January 2007): 26–28. http://dx.doi.org/10.1007/bf03242612.

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29

Niemann, Susanne. "Stil und Individualität." Bankmagazin 57, no. 7 (July 2008): 54–55. http://dx.doi.org/10.1007/bf03230976.

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30

Hahn, Marcus. "„Rasse mit Stil“." Recherches germaniques HS 19 (2024): 89–107. http://dx.doi.org/10.4000/11uzu.

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L’homme est « la race avec du style », peut-on lire dans l’essai Dorische Welt (1934) de Gottfried Benn, un texte de transition entre son engagement politique pour les nationaux-socialistes et son ‘émigration intérieure’. Ainsi, il contient d’une part quelques-unes des déclarations les plus problématiques de Benn – de la célébration d’un décisionnisme politique machiavélique à l’affirmation de l’eugénisme, en passant par la dérivation causale de l’art occidental à partir d’États esclavagistes soldatesques – tandis que, d’autre part, il s’empresse de revenir à l’esthétique bourgeoise de l’autonomie. Le dénominateur commun est une naturalisation contradictoire des arts : ils sont une émanation du corps social et en même temps une « loi propre », ils sont nature et se transforment en anti-nature, en « style » – une figure argumentative familière de l’esthétique idéaliste, mais aussi des réflexions de l’anthropologie philosophique allemande. L’article examine cette variante de la naturalisation des arts à la lumière d’un transfert culturel franco-allemand ; en effet l’une des sources principales du texte élaboré par Benn est la Philosophie de l’art en Grèce (1869) d’Hippolyte Taine.

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31

Stormhøj, Christel. "Stil som social identitetsmarkør - en flerperspektivistisk tilgang til unges stil." Dansk Sociologi 13, no. 1 (May 5, 2006): 41–55. http://dx.doi.org/10.22439/dansoc.v13i1.514.

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Christel Stormhøj: Style as a marker of social identity – a multi-perspective approach to young people’s style. This article analyses the relations between social identities and style among youth in contemporary Danish society. It deals with the social sources and functions of style. It is based on a study of young men and women from two social classes: working class youths and youth from academic families (middle and upper-middle class). While social class and gender are basic positional factors in the taste patterns of the young people to a certain extent, there are other significant factors. Among the important generative forces are individual choice, age, and identification with school culture and with different kinds of sub- and micro-cultures. Young people employ style in different ways: as a status marker, as a instrument of resistance, as a way of expressing autonomy, in positioning themselves in relation to others and in developing social groups. Because of this plurality of sources to style and taste, it is necessary to employ a “multi-perspective“ in this kind of research.

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32

Esmer, Elif. "Stil Sınıflamaları ve Zihinsel Stil Kavramının Neliği Üzerine Bir Değerlendirme." İlköğretim Online 16, no. 2 (April 1, 2017): 717. http://dx.doi.org/10.17051/ilkonline.2017.304729.

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33

Stecklein, Shane R., Rachel Yoder, Joshua M. Staley, Zachary Schmitt, Anne O'Dea, Lauren Elizabeth Nye, Manana Elia, et al. "Differential impact of proliferation signature on efficacy of neoadjuvant chemoimmunotherapy in sTIL-high and sTIL-low triple-negative breast cancer (TNBC): Biomarker analysis of the NeoPACT trial." Journal of Clinical Oncology 41, no. 16_suppl (June 1, 2023): 507. http://dx.doi.org/10.1200/jco.2023.41.16_suppl.507.

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507 Background: TNBCs with enrichment of stromal tumor-infiltrating lymphocytes (sTILs) and/or immune gene expression are more sensitive to neoadjuvant systemic therapy (NAST) and exhibit higher rates of pathologic complete response (pCR). Other biomarkers, including proliferation, are also prognostic in TNBC patients treated with NAST. We aim to investigate the impact of proliferation gene expression on efficacy of NAST in sTIL-high and sTIL-low TNBC. Methods: 110 TNBC patients treated with neoadjuvant chemoimmunotherapy (Carboplatin+Docetaxel+Pembrolizumab) on the phase II NeoPACT trial (NCT03639948) with available whole exome RNA sequencing were included. sTILs were scored in 5% increments by H&E. Tumors were defined as sTIL-high (≥ 20% sTILs) or sTIL-low ( < 20% sTILs). The ImSig Proliferation Signature score (ProlifSig) was computed from RNA sequencing data and samples were classified as ProlifSig-high (≥ median) or ProlifSig-low ( < median). ProlifSig was tested for prediction of pCR in sTIL-high and sTIL-low groups. Logistic regression was used to examine the independent prognostic utility of sTILs and ProlifSig on pCR. Results: 63/110 (57%) patients achieved a pCR. 56/110 (51%) patients were classified as sTIL-high, and 54/110 (49%) classified as sTIL-low. sTILs and ProlifSig as continuous variables were each predictive of pCR (OR = 1.022, 95%CI = 1.009-1.035, P= 0.001 for sTILs; OR = 2.682, 95%CI = 1.23-5.85, P= 0.01 for ProlifSig). In the sTIL-high group, ProlifSig was not associated with pCR either as a continuous score (AUC = 0.56) or when assessed as high/low categories (pCR 78% vs. 67% in ProlifSig-high and ProlifSig-low groups, respectively; OR = 1.79, 95%CI = 0.54-5.89, P= 0.34). In contrast, in the sTIL-low group, ProlifSig was significantly associated with pCR both as continuous score (AUC = 0.74) and when assessed as high/low categories (pCR 57% vs. 29% in ProlifSig-high and ProlifSig-low groups, respectively; OR = 3.18, 95%CI = 1.03-9.86, P= 0.045). On multivariate analysis, sTILs and ProlifSig were independent predictors of pCR (OR = 1.02, 95%CI = 1.01-1.03, P= 0.004 for sTILs; OR = 3.13, 95%CI = 1.44-6.83, P= 0.004 for ProlifSig). Conclusions: In TNBC patients treated with chemoimmunotherapy sTILs and ProlifSig provide complimentary information for prediction of pCR. ProlifSig is positively associated with pCR in sTIL-low tumors but not in sTIL-high tumors. We hypothesize that the therapeutic response in sTIL-high tumors is dominated by lymphocyte-dependent cytotoxic mechanisms, while in sTIL-low tumors, the response may be dominated by proliferation-dependent responses. ProlifSig could identify a subgroup of immune low TNBCs that can achieve substantial rates of pCR with neoadjuvant chemoimmunotherapy.

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34

Heinämaa, Sara. "Kvinna - natur, produkt, stil?" Tidskrift för genusvetenskap 19, no. 1 (June 17, 2022): 33–48. http://dx.doi.org/10.55870/tgv.v19i1.4561.

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35

Højbjerg, Lennard. "Den nye tv-stil." MedieKultur: Journal of media and communication research 15, no. 30 (September 4, 1999): 11. http://dx.doi.org/10.7146/mediekultur.v15i30.1149.

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Med udgangspunkt i en række danske og udenlandske programmer undersøger artiklen fremkomsten af en ny tv-stil. som bl.a. viser sig i form af markerede og ekspressive audiovisuelle stiltræk. Fænomenet ses i sammenhæng med den voksende konkurrence på tv-markedet, men diskuteres samtidig i et receptionsperspektiv.

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36

Sauer, Jutta. "Mit Stil und Gefühl." working@office 9, no. 11 (November 2008): 14–15. http://dx.doi.org/10.1007/bf03249878.

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37

Sauer, Jutta. "Aber bitte mit Stil!" working@office 9, no. 3 (March 2008): 14–15. http://dx.doi.org/10.1007/bf03249725.

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38

Kettl-Römer, Barbara. "Beste Wünsche mit Stil." working@office 11, no. 3 (March 2010): 16–17. http://dx.doi.org/10.1007/bf03250215.

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39

Augst, Robert. "Wechsel im großen Stil." Bankmagazin 60, no. 2 (January 31, 2011): 48–51. http://dx.doi.org/10.1365/s35127-011-0046-8.

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40

Bagić, Krešimir. "Polemički stil A.G. Matoša." Poznańskie Studia Slawistyczne, no. 7 (January 1, 2014): 21. http://dx.doi.org/10.14746/pss.2014.7.2.

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41

Gelzer, Florian. "NACHAHMUNG, PLAGIAT UND STIL." Daphnis 34, no. 1-2 (May 1, 2005): 255–86. http://dx.doi.org/10.1163/18796583-90000947.

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Der Romancier und Rhetorikprofessor August Bohse (16614742), bekannt unter seinem Pseudonym “Talander”, gehört zu den einflussreichsten deutschen Autoren an der Wende vom 17. zum 18. Jahrhundert. So sehr er mit seinem eleganten, geschmeidigen Stil Bewunderung hervorrief, so heftig wurde er für die erotische Thematik seiner Romane kritisiert. Im folgenden Beitrag wird zunächst ein Roman von 1733, Die Printzeßin Hermoine, als ein Plagiat von Bohses Erstling Die Amazoninnen aus dem Kloster (1685/96) entlarvt. Am Beispiel dieser beiden Versionen, die ungefähr Anfang und Ende der galanten Epoche in Deutschland markieren, wird dann die charakteristische Mischform des deutschen galanten Romans zwischen Barock und Aufklärung herausgearbeitet. Bohses Neuerungen etwa in der Darstellung der Liebe sowie seine stilistischen Innovationen, so die These, konnten sich durch das Verharren in bewährten romanesken Traditionen nicht richtig entfalten.

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42

Schmitt-Maaß, Christoph. "Milieu, Stil und Medien." KulturPoetik 18, no. 2 (September 17, 2018): 225–45. http://dx.doi.org/10.13109/kult.2018.18.2.225.

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43

Wijdeveld, Mechtild. "Het is zo stil." Pallium 22, no. 3 (June 2020): 13. http://dx.doi.org/10.1007/s12479-020-0279-x.

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44

Boros, János. "Inkunabel—Stil und Philosophie." Neohelicon 21, no. 1 (March 1994): 117–41. http://dx.doi.org/10.1007/bf02093044.

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45

Vigato, Ivica. "Stil silbenskih dopreporodnih spomenika." Croatica et Slavica Iadertina, no. 5 (January 18, 2017): 137. http://dx.doi.org/10.15291/csi.643.

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U ovom radu autor proučava stilske osobitosti tekstova nastalih na otoku Silbi u razdoblju od 1613. do 1808. godine. Svi tekstovi pripadaju administrativnom funkcinalnom stilu, osim knjižice teološkoga sadržaja (Libar) koji je zasićen govorničkim stilskim izražajnim sredstavima. Autor zaključuje da je stil silbenskihdopreporodnih spomenika uvjetovan svrhom pisanja iz koje proizlaze i stilske osobitosti pojedinoga teksta, a uočeno miješanje različitih stilova unutar istoga zapisa objašnjava time što se podatci u spomenicima nisu bilježili u unaprijed zadane obrasce te su pisari nesvjesno unosili i neka subjektivna zapažanja upravo koja čine ove tekstove osobitim.

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46

Malavolti, Patricia. "Steinoptik im britischen Stil." JOT Journal für Oberflächentechnik 60, no. 7-8 (July 2020): 50–51. http://dx.doi.org/10.1007/s35144-020-0586-3.

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47

Geier, Manfred. "Wittgensteins Stil des Denkens." Zeitschrift für Literaturwissenschaft und Linguistik 29, no. 3 (September 1999): 14–36. http://dx.doi.org/10.1007/bf03379186.

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48

van Steen, Peter. "Lekkage legt ziekenhuis stil." Skipr 8, no. 6 (June 2015): 45. http://dx.doi.org/10.1007/s12654-015-0105-y.

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49

Mader, Nikolai, and Friedrich Thießen. "Immobilienwert-Beeinflussung durch Stil." Standort 35, no. 2 (May 24, 2011): 36–42. http://dx.doi.org/10.1007/s00548-011-0163-3.

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50

Krutz, Hannah. "Abwasserbehandlung im großen Stil." CITplus 23, no. 4 (April 2020): 45. http://dx.doi.org/10.1002/citp.202000423.

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