Relevant bibliographies by topics / Stilistics

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Academic literature on the topic 'Stilistics'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 January 2023

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Journal articles on the topic "Stilistics"

1

Aji, Fajar. "CONTENT STILISTICS ON INDONESIAN YOUTUBER VLOG." Capture : Jurnal Seni Media Rekam 13, no. 2 (April 25, 2022): 132–47. http://dx.doi.org/10.33153/capture.v13i2.4088.

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As a video-sharing site, YouTube has evolved into a new platform for audio-visual content creation. This condition enables not only celebrities and corporations (television media) to create content and become YouTubers but also the general public to do so. This article seeks to describe how YouTubers' vlog contents are stylized in Indonesia. As the defining elements, form, and style are transformed into data to identify the resulting stylistics. This descriptive qualitative research uses a subjective approach. The interpretation analysis was conducted based on the results to verbally illustrate the form and style elements of the vlog contents of the ten most subscribed Indonesian Youtuber channels in 2020. The findings indicate that the forms and styles of Indonesian YouTubers' vlog contents result in authentic, dynamic, spontaneous, and distinctive stylistics. These stylistics can finally create a sense of intimacy and engage the audience in the delivered content.
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Nanda Saputra. "The Struggle of Belitung Malay Women and Pragmatic Stilistics in Novel Titled Dwilogy Moon Light (Dwilogi Padang Bulan)" By Andrea Hirata." LingLit Journal Scientific Journal for Linguistics and Literature 2, no. 4 (December 30, 2021): 173–85. http://dx.doi.org/10.33258/linglit.v2i4.555.

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The aim of this study is to describe the reality of fiction, the author's social and global ideas, the shape of the fight of Malay Belitung women, and to examine the novel Dwilogy Moon Light (Dwilogi Padang Bulan) by Hirata's use of pragmatic stylistics. Genetic structuralist theory, liberal feminism, and pragmatic stilistics were all utilised in this work. The genetic structuralism hypothesis is used to assess the truth of fiction, its social context, and the author's point of view. Liberal feminist theory is used to evaluate the forms and elements that contribute to the struggle for Malay Belitung women, while pragmatic stilistics is used to analyze innovative diction, language style, and speech acts. The descriptive qualitative method of analysis is used in this study, along with a heuristic and hermeneutic reading approach. The technique is then applied, with the goal of carefully and thoroughly listening to the contents of the story and then recording complete data in accordance with the formulation of research problems. The findings of this study reveal that (1) fiction is true in terms of themes, characters, and occurrences, grooves, backgrounds, and point of view. Social reality is manifested in the following ways: social processes, social change, social issues, and social structures. The author's world view takes the shape of a relationship between the novel's social setting and the social context of real life, as well as the author's cultural social background and literary work. (2) The Malay Belitung women's struggle takes the shape of a conflict in the fields of honor, economy, and education, and this is the driving force behind the struggle of Malay Belitung women. In novel, gender injustice manifests as marginalization, subjugation, stereotyping, violence, and workload, whereas gender equality manifests as access, participation, and control. (3) Pragmatic Stilistics takes the form of the use of concrete language styles such as special, greeting, connotative, and foreign. Based on the structure of the sentence, including climax, anticlimax, antithesis, and recurrence. Based on the simplest kind of meaning: Litotes, Policyendon, Hiperbola, Metaphor, Allegory, Personification, and Irony. Employing illocutorial speech acts such as aggressive, commanding, expressive, commissioning, and declaring.
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Al Farisi, Tsalits Abdul Aziz. "Eksistensi Bunyi pada Puisi-Puisi Raja Ali Haji." Stilistika: Jurnal Pendidikan Bahasa dan Sastra 13, no. 1 (January 29, 2020): 86. http://dx.doi.org/10.30651/st.v13i1.3659.

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ABSTRAKPenelitian ini bertujuan untuk mendeskripsikan pola persajakan pada beberapa puisi Raja Ali Haji dari perspektif bunyi, pola rima, dan simile yang kemudian mejadi ciri khas pola kalimat yang utuh pada jajaran ritme pemaknaan. Subjek penelitian adalah Gurindam Dua Belas karya Raja Ali Haji. Data dikumpulkan melalui kajian pustaka dan stilistika. Metode yang digunakan dalam penelitian ini adalah deskriptif analisis. Hal tersebut dilakukan dengan cara mendeskprisikan fakta-fakta yang kemudian disusul dengan analisis. Peneliti mendeskripsikan fakta-fakta berupa diksi yang mengandung simile sekaligus pola bunyi yang kemudian disusul dengan analisis puisi Raja Ali Haji. Hasil temuan dalam penelitian meliputi unsur-unsur persajakkan dalam puisi Raja Ali Haji yang bertujuan untuk menemukan ciri khas kepenulisan gurindam pada pertengahan abad ke 18.Kata kunci: Simile, bunyi, rima puisiABSTRACT This research aims to describe the pattern of poetry in some poems of Raja Ali Haji based on a sound perspective, rhyming patterns, and simile which then characterizes the whole sentence patterns in the rhythm of meaning. The subject of research is Gurindam of Twelve works written by Raja Ali haji. Data collected through literature and stilistics study. This research method used description analysis. They are done by describing facts followed by analysis. On Ali haji Poetry, researches describe the facts of diction containing similes and sound patterns that are then followed by analysis. The findings in the study include elements of poetry in Raja Ali Haji's poem which aims to find the characteristics of the authorship of gurindam in the mid-18th century.Keywords: simile, sound, rima, poetry
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Satinem, Satinem, and Juwati Juwati. "The Diction and Language Style in Sutardji Calzoum Bachri’s Contemporary Poetry (A Study on Stilistics)." AKSIS: Jurnal Pendidikan Bahasa dan Sastra Indonesia 3, no. 1 (September 10, 2019): 154–67. http://dx.doi.org/10.21009/aksis.030115.

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The purpose of this study was to examine contemporary poetry by Sutardji Calzoum Bachri using the stylistic approach. The research method used is based on content analysis. The object of this research is contemporary poems entitled Husspuss, O, Mantera, Sepisaupi, and Tapi. The method used in this study is a qualitative method. The results and discussion in this study in the poems of Husspuss, O, Mantera, Sepisaupi, and Tapi shows that there are many elements of rhyme, rhythm, sound play, and sound repetition that are incorporated in the characteristics of sound and meaning of poetry while the style of language contained in these contemporary poems received less attention from the poet. The poet uses only a few styles of language such as hyperbole and repetition.
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Vilela, Lúcia Helena De Azevedo. "Voice and choice: a study of polyphony and its relation to the problem of free will in William Goldin’s Free fall." Estudos Germânicos 8, no. 1 (December 31, 1987): 53. http://dx.doi.org/10.17851/0101-837x.8.1.53a.

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In this study of William Golding’s Free fall, the polyphonic structure of the novel is analyzed through the stylistic marks that separate different and opposing voices incorporated in the narrator's discourse: Since the narrator is also the protagonist, those voices are a reflection of the central character's perspective of events at different phases of his life, the philosophical questioning of the problem of free will is what moves the central character's retrospective examination of his life. So the present work also includes an analysis of the philosophical frame that underlies his transition from a naive to a mature viewpoint. The stilistics analysis of the mix of discourses in the central character's narrative is based on Mikhail Bakhtin's dynamic view of the polyphonic novel. Bakhtin's polyphonic structure is here associated with Sartre's existential philosophy, the central character of Free fall is analyzed as a consciousness in the process of defining itself through moral choices associated with the events narrated; it has been possible to link Bakhtin's and Sartre's ideas since both theoreticians see man in a process of becoming.
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., Samudji. "The Hallidayan Stylistics and Creative Writing:Theoretical and Critical Study at the Level of Concepts." International Journal of Social Sciences and Humanities Invention 5, no. 12 (December 14, 2018): 5140–46. http://dx.doi.org/10.18535/ijsshi/v5i12.09.

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This article tries to argue that systemic functional linguistic (SFL) stylistics or Hallidayan‘s stilistics can be integrated directly with the creative writing process or vice versa, and can provide a broad insight into determining meaning choices. The determination of this choice of meaning can be done by considering the sources of meaning available in three levels, namely: (1) the level of context of culture and context of situation with its three components, i.e., field, mode, tenor; (2) the level of discourse semantics with its three components, namely ideational (logical & experiential), textual, and interpersonal; and (3) the level of lexicogrammar with its four components, i.e., transitivity & clause complexing, theme/rheme, and mood/residue.These three levels will be integrated with the first four stages in creative writing, namely: (1) conflict; (2) description; (3) characters; and (4) dialogue. This integration thus forms a combined configuration between functional stylistic aspects and the first four stages of creative writing. I’m confident that this configuration is important to know well for creative writing teachers, or students who pursue creative writing, or anyone who wants to improve his or her creative writing competence.
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Al-Ma’ruf, Ali Imron. "KAJIAN STILISTIKA ASPEK BAHASA FIGURATIF NOVEL RONGGENG DUKUH PARUK KARYA AHMAD TOHARI." Kajian Linguistik dan Sastra 21, no. 1 (June 1, 2009): 67–80. http://dx.doi.org/10.23917/kls.v21i1.4393.

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Tujuan penelitian ini untuk memaparkan bahasa kiasan dan bentuk stilistik dalamnovel Dukuh Paruk (RDP) dan meneliti fungsi dan tujuan penggunaan bahasa kiasandan bentuk stilistik tersebut sebagai ungkapan penulis dalam menuangkan ide-idenya.Penelitian ini menggunakan metode deskriptif. Data dianalisis secara induktif denganmenerapkan metode membaca semiotik yang bersifat heuristik dan hermeneutik.Hasil penelitian ini menunjukkan bahasa kiasan RDP memiliki keunikan dan keaslian,yang membuktikan kompetensi Tohari dalam menggunakan bahasa. Keaslian bahasakiasan yang mendominasi RDP dapat dilihat dari gaya majas dan idiom yang indahdan beranekaragam, penuh ekspresif, asosiatif dan memiliki daya estetika. Hal inimenunjukkan bahwa Tohari adalah seorang penulis yang memiliki intelektualitastinggi. Melalui penelitian stilistik, ditarik simpulan bahwa bahasa kiasan RDPmempunyai ekspresif yang kuat sebagai media penuangan ide penulis yang tidakjauh dari latar belakang sosial historis.Kata Kunci: stilistika, bahasa figuratif, ronggeng, majas, idiom, estetik.
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Fransori, Arinah. "Analisis Stilistika pada Puisi Kepada Peminta-Minta Karya Chairil Anwar." DEIKSIS 9, no. 01 (February 17, 2017): 1. http://dx.doi.org/10.30998/deiksis.v9i01.884.

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<p>Karya sastra sebagai kajian dari stilistik yang menggunakan gaya bahasa sastra sebagai media untuk menemukan nilai estetisnya. Stilistika adalah ilmu pemanfaatan bahasa dalam karya sastra. Penggunaan gaya bahasa secara khusus dalam karya sastra yang diciptakan sendiri oleh pengarang. Oleh sebab itu, tujuan analisis puisi ini adalah mendeskripsikan bahasa dan pembentukan kata dengan aplikasi kajian stilistika pada puisi Kepada Peminta-Minta karya Chairil Anwar. Berdasarkan pendekatan stilistika yang dikemukakan sebagai dasar untuk kajian teori yang digunakan dalam analisis. Pendekatan ini mempegaruhi daya cipta dalam sebuah puisi, sebagai contoh puisi Kepada Peminta-Minta karya Chairil Anwar yang dikaji dari struktur pembentukan kata (fisik) dan unsur jiwa pembangunnya, yaitu struktur batin. Dalam kajian puisi tersebut, menonjolkan berbagai aspek pembentukan kata yang kuat dan tak terduga. Sikap Chairil Anwar yang kritis dalam menampilkan gambaran yang sesungguhnya tentang kehidupan rakyat miskin atau kaum melarat. Hal ini mampu menyampaikan pesan secara tidak langsung kepada pembaca, bagaimana sikap dan perilaku yang seharusnya dilakukan. Berdasarkan hasil analisis terhadap puisi Kepada Peminta-Minta karya Chairil Anwar yang menonjolkan berbagai aspek pembentukan kata yang kuat dan tak terduga. Kemudian dari aspek batin, bagaimana Chairil Anwar yang memiliki sikap ekspresionisme memberikan sajian puisi yang ekspresif. Puisi ini juga menunjukkan sikap sosial dan kenyataan yang terjadi pada masyarakat. <br />Kata-kata kunci: analisis stilistika, puisi.</p>
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Semėnaitė, Viktorija, and Nijolė Maskaliūnienė. "DIALEKTO VERTIMAS GROŽINĖJE LITERATŪROJE. ATVEJO ANALIZĖ." Vertimo studijos 10, no. 10 (January 19, 2018): 192. http://dx.doi.org/10.15388/vertstud.2017.10.11308.

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Straipsnyje nagrinėjama dialekto vertimo problematika. Atvejo analizei pasirinktas pasaulio vaikų literatūros aukso fondui priskiriamos Frances Hodgson Burnett knygos „Paslaptingas sodas“ vertimas į lietuvių kalbą. Aiškinamasi, ar vertėjas perteikė originalo tekste vartojamą tarmišką šneką (dialektą) ir kokias jos vertimo strategijas rinkosi. Taip pat ieškoma atsakymo į klausimą, ar jam pavyko perteikti šiame kūrinyje dialekto atliekamas stilistines ir pragmatines funkcijas. Analizė grindžiama dialekto žymiklių (fonetinių, leksinių, morfologinių, sintaksinių) perteikimo strategijomis (pagal Leszek Berezowski, 1997). Nustatyta, kad vertėjas panaudojo mažiau dialekto žymiklių, negu jų yra knygos originale, nes dažniausiai vartojama dialekto vertimo strategija buvo jo neutralizacija. Verčiant vaikų literatūrą tokia strategija pasiteisina, nes vaikams aktualus pats pasakojimas, jo istorija, o ne kalbos ar kultūrinės realijos, kurių jie dažnai nesupranta. Vis dėlto tais atvejais, kai dialekto vartojimas aktualus pasakojimo raidai, atlieka tam tikras stilistines ar pragmatines funkcijas, vertėjas rinkosi leksikalizacijos ir vertimo šnekamąja kalba strategijas. Tokiu būdu jam pavyko perteikti kūrinio stilistiką, išlaikyti jo rišlumą ir išsaugoti tarmiškai kalbai priskirtas funkcijas tekste.
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Iaţeşen, Loredana Viorica. "11. Traditional and Innovative Methods in Approaching Music Styles. Pedagogical Implications." Review of Artistic Education 11, no. 1 (March 1, 2016): 88–98. http://dx.doi.org/10.1515/rae-2016-0011.

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Abstract The approach to music styles entails an in-depth musicological analysis aimed at synthesizing numerous bibliographical sources belonging to different fields and directions of research. A chronological overview of studies (Jean Molino, Fait musical et sémiologie de la musique, 1975; Jean Jaques Nattiez, Quelques reflexions du style, 1993; R. J. Pascall, Style, in The New Grove Dictionary of Music and Musicians, 1994; Jean Jaques Nattiez, La musique de l’avenir, in Musique. Une Encyclopédie pour le XXI siècle, 2003; Mario Baroni, Stil şi mutaţii stilistice în tradiţia muzicală europeană, in Musique Une encyclopédie pour le XXI siècle, 2006) and of universal (Leonard Meyer, Explaining Music, 1973; Charles Rosen, Le style classique: Haydn. Mozart, Beethoven, 1978; Leonard B. Meyer, Style and Music. Theory, History and Ideology, 1989; and Romanian specialised literature (Cornel Ţăranu, Elemente de stilistică muzicală (sec. XX), 1981; Edgar Papu, Despre stiluri, 1986; Valentina Sandu-Dediu, Alegeri Atitudini Afecte, 2010; Vasile Iliuţ, O carte a stilurilor muzicale, 2011; Valentin Timaru, Stilistică muzicală, 2014) from the late 20th century and the beginning of the 21st century, reveal the different and, more often than not, contrasting views of historians, analysts, aestheticians, philosophers, scholars and educators, starting from the meaning of the very idea of style, to the reception of this phenomenon in contemporaneity. On these grounds, this study proposes a systematization of the most relevant landmarks in documentation to date, for the purpose of applying them from a didactic perspective.
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Dissertations / Theses on the topic "Stilistics"

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Jucienė, Indra. "Lietuvių kalbos frazeologizmų su komponentu „akis“ atitikmenys anglų ir rusų kalbose." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2006. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20060623_103359-68995.

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The subject of Master`s work – Lithuanian Phraseological Units With Component „eye“ Equivalents In English And Russian Languages. 518 examples of phraseological units with component „eye“, are picked out from Lithuanian, English and Russian Dictionaries of Phraseology. These tasks are set in Master`s work: • To consider an academic material, which deals with the subject. • To pick out phraseological units with component „eye“ from Lithuanian, English and Russian Dictionaries of Phraseology. • To group phraseological units into thematic groups according to their meanings. • To do contrastive analysis of fraseological units according to their stucture and stylistic. • To group phraseological thematic groups according to their equivalence in Lithuanian, English and Russian languages. In the preface of Master`s work, the tasks of the subject are stated, academic material is analysed. In the main part of Master`s work, Lithuanian, English and Russian phraseological units with component „eye“, are contrasted and analysed according to these positions: meaning, structure, stylistic, equivalence. All phraseological units with component „eye“ in Lithuanian, English and Russian languages are grouped in 4 thematic groups according to their meaning: motion, visual, physical, psychoemotional. Lithuanian, English and Russian phraseological units are classified from the point of view of their structure and stilistic. According to their equivalents in Lithuanian, English and Russian... [to full text]
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Damiani, Anna. "La natura cognitiva della cifra stilistica in musica." Paris 10, 2004. http://www.theses.fr/2004PA100092.

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Jakimavičiūtė, Dovilė. "Newspaper style: the headline." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130608_143427-37015.

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The paper focuses on the analyses of stylistic peculiarities in newspaper headlines. It provides an overview of stylistics, functional styles (newspaper style in more detail), and features of headlines. Also stylistic devices are reviewed and classified. In the empirical part 150 headlines are analyzed while 56 of them are provided as illustrative examples and analyzed in greater detail. Stylistic devices found in the newspaper headlines are allocated to the group they belong to and where it is possible classification of a stylistic devices is provided.
Darbo paskirtis - stilistinių ypatybių analizė laikrščių antraštėse. Yra pateikiama teorinė medžiaga apie stilistiką, funkcinius stilius (laikraštinis stilius aptariamas smulkiau) ir antraščių savybės. Taip pat apžvelgtos stilistinės priemonės ir pateikta jų klasifikacija. Empirinėje dalyje yra išanalizuota 150 antraščių ir 56 pateiktos kaip pavyzdžiai ir išanalizuoti detaliau. Stilistinės priemonės rastos laikraščių antraštėse priskirtos grupei kuriai jos priklauso ir kur yra įmanoma, pateikiama stilistinės priemonės klasifikacija.
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Rücker, Andreas. "Beethovens Klaviersatz - Technik und Stilistik /." Frankfurt am Main ; Bern ; Bruxelles : P. Lang, 2002. http://catalogue.bnf.fr/ark:/12148/cb388866687.

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Butkutė, Laura. "Okazionaliųjų frazeologizmų stilistinės išgalės publicistiniame stiliuje." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100401_102725-01234.

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Disertacijos tyrimo objektas – okazionalieji, t.y. individualios vartosenos, frazeologiniai junginiai, patarlės ir priežodžiai. Disertacijos tikslas – išnagrinėti frazeologinį vaizdą ir jo kūrimo būdus, okazionaliųjų frazeologizmų, patarlių ir priežodžių stilistinius atspalvius remiantis pasirinktais šaltiniais. Bendrosioms frazeologizmų funkcijoms, semantikai, struktūrai kalbininkai skiria daug dėmesio, o stilistinėms jų ypatybėms – gerokai mažiau. Iki šiol lietuvių kalbotyroje nebuvo nė vienos disertacijos, skirtos okazionaliajai frazeologijai. Iš tikrųjų šių frazeologinių junginių stilistinių ypatumų aptarimas yra ne ką mažiau svarbus negu frazeologizmų kilmės, semantikos ar struktūros tyrinėjimai: kalba nuolat kinta, o okazionalieji frazeologizmai, patarlės ir priežodžiai kaip tik ir atspindi šį procesą, tai rodo komponentų keitimas, sudėties plėtimas, reikšmės kitimas, frazeologinių junginių plėtojimas į platesnį kontekstą ir pan. Modifikacijos būdai parodo junginių pritaikymo šiandieninio gyvenimo situacijoms, reiškiniams galimybes, aktualumą komunikacijos procese. Kalbos ir stiliaus kitimas aiškiai matomas publicistikoje, kurioje fiksuojami svarbiausi žmonių gyvenimo, valstybės, kultūros pokyčiai. Taigi okazionaliai vartojamų frazeologizmų tyrinėjimas publicistikoje yra naujas ir aktualus. Šia disertacija norima atkreipti dėmesį į okazionaliųjų frazeologinių junginių, taip pat patarlių, priežodžių vartosenos ypatumus dabartinės lietuvių kalbos publicistiniame stiliuje... [toliau žr. visą tekstą]
Object of the research this Dissertation – occasional phraseological units, common proverbs and sayings, i.e., units of individual usage. The latter are discussed not only when they are used in Lithuanian but also when found in texts in their original language. Purpose of the Dissertation – based on the selected references, to examine the phraseological image and image formation methods as well as stylistic shades of occasional phraseological units, common proverbs and sayings. General functions of phraseological units, semantics and structure are given vast attention by linguists whereas their stylistic characteristics receive rather less consideration. Dissertations regarding occasional phraseology are absent from Lithuanian linguistics thus far. In fact, consideration of stylistic patterns of these phraseological word combinations is none the less important than research of their origin, semantics and structure: language is continuously changing, and occasional phraseological units, common proverbs and sayings are the ones that reflect this process; it is evidenced by the change and replacement of components, expansion of composition, change of meaning, development of phraseological units into the broader context, etc. Types of modification show adaptability potential of word combinations and their communicative flexibility. Process of speech and style changing is obvious in the publicistic writings where fundamental changes in human life, state and culture are captured.
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Kaminskaitė, Neringa. "Lietuviškos socialinės reklamos pragmatika ir stilistika." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20121120_152640-99043.

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Socialinė reklama – tai nemokama arba iš dalies apmokama, sukrečianti arba humoristinio pobūdžio komunikacijos forma, kuria stengiamasi pakeisti visuomenės požiūrį ar elgesį pozityvesne linkme, tiesiogiai nesiekiant pelno. Atlikta apklausa Socialinės reklamos poveikis visuomenei parodė, kad dauguma apklaustųjų žino, kas yra socialinė reklama. Ši reklamos rūšis padeda spręsti socialines problemas, o paveikiausia ji rodoma per televiziją. Lietuvoje vis dar trūksta kokybiškai sukurtų socialinių reklamų. Dažniausiai socialinės reklamos kuriamos direktyvais, kiek rečiau reprezentatyvais. Komisyvų rasta tik „Sveikatos apsaugos“ grupėje. Esama ir mišraus tipo reklamų. Socialinėse reklamose dažniausiai raginama liepiamosios nuosakos antruoju asmeniu. Taip pat nevengiama retorinių klausimų. Išskirtas gąsdinimo mikroaktas. Šis aktas pasireiškia ne tik žodinėje, bet ir vaizdinėje informacijoje. Šiurpūs vaizdai tampa išskirtiniu socialinės reklamos elementu. Socialinė reklama kuriama pagal tris kompozicijos modelius: klasikinį / uždarąjį; nepilną klasikinį / atvirąjį ir vieno dėmens. Būdingas atvirasis kompozicijos tipas. Vyrauja publicistinis funkcinis stilius, bet esama reklamų, kai susipina keli stiliai, daugiausiai publicistinis ir šnekamasis. Siekiant įtaigumo, naudojami įvairūs kalbos aktualizacijos būdai. Dažnesnė sintaksės aktualizacija. Daugiausiai retorinių sušukimų, elipsės, retorinių klausimų. Aktualizuojant leksiką, naudojamasi epitetais, nevengiama ironijos. Ypatingas... [toliau žr. visą tekstą]
Social advertising – is a form of communication, which is of shocking or comic nature. It tries to change the attitude or behaviour of society towards a more positive direction, not using direct account. It may be free, paid or partially paid. Questioning Social advertising effect of community revealed that most respondents know social advertising and it helps to solve social problems. This advertisement has the biggest influence on TV. In Lithuania social advertising still are not high quality. Social advertising mostly created by directives. Not so many advertisements created by constatives. Commissives used only in Health service group. Generally, social advertising used second person imperatives. Also used rhetoric questions. Commination act was taken a part. This speech act used not only in the text also in visual information. Horrific views become exceptional element of social advertising. Social advertising is created according to three composition models: classical / closed; not fully classical / open and having one element. Open composition type is characteristic. Publicist functional style is prevailing, though the most of advertisements are created using some styles – publicistic and spoken for the most part. In order to avoid conventionality, seeking for suggestibility, more effect, different ways of actualization are used. Syntax actualization is more frequent. There are rhetoric exclamations, ellipsis, rhetoric questions. Actualizing lexis, epithets are used... [to full text]
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7

Draux, Roland. "Beatrijs' biecht: stilistisch en semiotisch onderzoek." Doctoral thesis, Universite Libre de Bruxelles, 2006. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210887.

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L’objectif de la thèse est de rassembler des arguments permettant de déterminer si la seconde partie de la légende mariale moyen-néerlandaise Beatrijs (vv. 865-1038) est originale ou plutôt l’œuvre d’un continuateur. Dans la séquence narrative dont il est question, l’auteur développe le thème de la confession, préalable spirituel à la rémission des péchés.

En premier lieu, l’analyse stylistique objective (c.-à-d. basée sur des paramètres quantitatifs) de l’ensemble du corpus-texte nous a permis de ne déceler aucune différence notable entre les deux parties de la légende.

Ensuite, par l’étude de la structure diégétique, nous avons tenté d’expliquer le rôle du processus pénitentiel dans l’œuvre moyen-néerlandaise. Grâce aux principes d’analyse sémiotique de Propp, Greimas, Courtès et Dundes, nous avons pu remarquer que la légende présente une double articulation narrative reposant sur une double quête :le rejet du péché par le retour à l’espace hétérotopique initial (dans la première partie) et la quête de la pureté originale par la confession des péchés (dans la seconde partie). Cette dernière quête semble donc très logiquement faire partie intégrante de l’œuvre médiévale.

The aim of this thesis is to determine whether the second part of the Middle-Dutch legend Beatrijs (vv. 865-1038) is original. In the final sequences, the author highlights the role of confession in the absolution of sins.

In the first part of our work, we carried out a stylistic analysis of the whole legend that rested on quantifiable parameters. As no significant differences could be observed between the two parts, the stylistic homogeneity seemed obvious.

In the second part of our research, the emphasis was laid on the narrative structural approach. On the basis of the theories of semioticians (Propp, Greimas, Courtès and Dundes), we could analyse the legend as a bimotifemic « complex tale » in which the success of the first quest in the first part (return to the heterotopic point of departure) must be considered the first stage in the expiation. The second quest in the second part (return to the original purity) can only be achieved through confession. This physical and spiritual movement ensures absolution and salvation :for that reason we can assert that the confession process is an integral part of the medieval legend as a whole.
Doctorat en philosophie et lettres, Orientation langue et littérature
info:eu-repo/semantics/nonPublished

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8

LOCATELLI, FEDERICA. "La perifrasi tra retorica e stilistica: l'esempio di Charles Baudelaire." Doctoral thesis, Università Cattolica del Sacro Cuore, 2012. http://hdl.handle.net/10280/1188.

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La presente tesi si pone l'obiettivo di analizzare la figura retorica della perifrasi nel tentativo di offrirne una definizione teorica esaustiva, a partire dal valore che le è conferito nella poetica di Charles Baudelaire. Dopo aver tracciato, da un punto di vista storico, la riflessione linguistica elaborata dal fondatore del Simbolismo francese, ci proponiamo di illustrare le ragioni che giustificano la ricorrenza della figura stilistica nella gamma delle esigenze espressive del movimento letterario della fin de siècle. Successivamente, interrogando la struttura linguistica e retorica di alcuni componimenti delle Fleurs du Mal, cercheremo di dimostrare come la perifrasi divenga, nello stile di Charles Baudelaire, lo strumento appropriato all'espressione dell'oggetto della Poesia, una materia invisibile e "inconnue", come la definisce il poeta, che l'artista deve plasmare al fine di conferirle una forma adeguata e intellegibile. Sulla base di tali presupposti, svilupperemo un discorso critico e ermeneutico sull'attività poetica baudelairiana, provando a delinearne la finalità ultima: la volontà di nominare ("perifrasticamente") l'Inconnu o l'Infini. Il linguaggio delle Fleurs du Mal sembrerebbe tradurre la mira artistica di rivelare l'Assoluto che si nasconde nell'apparenza transitoria della realtà e di restituirlo in una forma eterna: il testo poetico. Giungeremo pertanto a dimostrare come le strategie retoriche, le scoperte stilistiche e le scelte linguistiche esibite da Charles Baudelaire inaugurino la via intrapresa dalla poesia moderna, ossia la ricerca di una scrittura ermetica, la forma adeguata al contenuto trascendente dell'arte.
This thesis analyses the periphrastic figure and aims to provide a theoretical definition of the trope based on its usage in the poetics of Charles Baudelaire. Through a historical restitution of the linguistic reflections expounded by the founder of French symbolism, the aim is to identify reasons behind the recurrence of this stylistic figure within the particular symbolic economy of the French fin de siècle literary movement. By exploring the linguistic and rhetorical structure of certain poems within the Fleurs du mal, I will identify ways in which the trope becomes both an appropriate tool for expressing the poetic object, and an invisible and “unknown” element, as Baudelaire puts it, to which the poet must give an appropriate and intelligible form. From there, I aim to outline the objectives of Baudelairian poetry, in other words, to identify (“periphrastically”) the “unknown,” and to reveal how Baudelaire’s language conveys his artistic desire both to reveal the hidden Absolute that lies beneath reality and to render it in an eternal form: the poem. Baudelaire’s rhetorical devices, stylistic innovations, and linguistic choices seem to establish the route taken by modern poetry, that is, the search for a hermetic mode of writing, or even for the appropriate form its transcendental content might take.
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9

Lantz, Daniel. "En stilistisk analys av Scott Joplins ragtimekompositioner." Thesis, Uppsala universitet, Institutionen för musikvetenskap, 2001. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-173699.

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Abstract Daniel Lantz: En stilistisk analys av Scott Joplins ragtimekompositioner. – Uppsala: Musikvetenskap. 2001. 60 p. Detta arbete är en stilistisk studie av 33 ragtimekompositioner av Scott Joplin. Syftet är att undersöka kompositionernas stilistiska aspekter med avseende på fyra stilparametrar: form, rytmik, melodik och harmonik. Målet är att peka ut typiska drag i Scott Joplins ragtimekompositioner genom att kartlägga typiska mönster och karakteristiska samband mellan de olika stilparametrarna. De 33 kompositionernas originalnottryck har analyserats med en egen analysmetod, som bygger på att urskilja återkommande mönster. De enligt min mening mest relevanta aspekterna inom varje stilparameter presenteras via olika kategoriseringar med tillhörande notexempel. Resultaten visar att Joplins ragtimekompositioner är starkt bundna vid ett formschema innehållande fyra distinkta teman om 16 takter vardera, delvis ärvd från marschmusiken. Den kraftiga synkoperingen är karakteristisk för rytmiken och 9 olika rytmiska mönster presenteras, baserade på synkoper per takt. Melodiken kännetecknas av den alternerande förekomsten av pentatonik och kromatik. 10 olika typer av melodik presenteras genom dess tydliga fördelning mellan bas (”höger hand”) och diskant (”vänster hand”). Harmoniken kännetecknas av en tydlig dominans av durtonarter, alterneringar mellan tonika-dominant respektive tonika-subdominant, samt av införandet av mellandominanter som genomgångsackord. Kadensmönstren i Joplins rags är i högsta grad stereotypa, även om man kan peka på fyra olika typer av ’förberedande’ kadenser. En specialitet hos Joplin tycks vara att använda sig av durackord på diatoniskt sänkt 6:e steg. Det råder ett antal samband mellan samtliga stilparametrar.
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10

Galletti, Ettore. "Traduzione del testo teatrale Class con esperimento di analisi stilistica computazionale." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021.

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Questa tesi vede la traduzione dall'inglese all'italiano del testo teatrale Class di Iseult Golden e David Horan svolta per la compagnia teatrale Teatro delle Forchette di Forlì. A una prima introduzione teorica riguardante la theatre translation, viene sviluppato un discorso teorico-pratico sul testo Class. Dopodiché si riporta la traduzione a cui segue un capitolo dedicato alle principali sfide traduttive affrontate con degli esempi concreti. Infine, sul testo inglese e italiano si innesta un'analisi stilistica computazionale che mira a verificare se e quanto lo stile dei personaggi sia identificabile da una macchina e se e quanto questa differenziazione si trasmetta dall'originale alla traduzione.
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Books on the topic "Stilistics"

1

Stilistika glagola =: Stilistik der Verben. Wuppertal, [Germany]: Lindenblatt, 1995.

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Renkema, J. Schrijfwijzer. 4th ed. Den Haag: Sdu Uitgevers, 2002.

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1963-, Schepper Annemieke de, ed. Formuleren. 3rd ed. Groningen [etc.]: Wolters-Noordhoff, 2007.

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Mihai, Rădulescu. Stilistica spectacolului: Elemente de stilistică antropologică în teatru. Iași: Junimea, 1985.

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Stilistik der russischen Wortbildung =: [Stilistika russkogo slovoobrazovanii͡a︡]. Frankfurt am Main: P. Lang, 1992.

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Het geheim van het schrijven: Tien schrijvers over hun vak. Groningen: Passage, 2007.

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Schrijfwijzer. 's-Gravenhage: SDU, 1989.

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Schrijfwijzer: Handboek voor duidelijk taalgebruik. 's-Gravenhage: Staatsuitgeverij, 1987.

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Hofmann, J. B. Stilistica latina. Bologna: Pàtron, 2002.

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Gorškov, Aleksandr Ivanovič. Russkaâ stilistika: Stilistika teksta i funkcional'naâ stilistika. Moskva: Izdatel'stvo AST, 2006.

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Book chapters on the topic "Stilistics"

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Händel, Daniel, Andrea Kresimon, and Jost Schneider. "Stilistik." In Schlüsselkompetenzen: Reden — Argumentieren — Überzeugen, 32–39. Stuttgart: J.B. Metzler, 2007. http://dx.doi.org/10.1007/978-3-476-05052-6_4.

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Wypijeski, Wolfgang. "Stilistik." In Geschäftsbriefe mit Pfiff, 157–203. Wiesbaden: Gabler Verlag, 1993. http://dx.doi.org/10.1007/978-3-322-94487-0_7.

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Wypijeski, Wolfgang. "Stilistik." In Kreativ korrespondieren, 157–203. Wiesbaden: Gabler Verlag, 1990. http://dx.doi.org/10.1007/978-3-322-89323-9_7.

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Sowinski, Bernhard. "Dimensionen des Stilbegriffs und der Stilistik." In Stilistik, 1–7. Stuttgart: J.B. Metzler, 1991. http://dx.doi.org/10.1007/978-3-476-03964-4_1.

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Sowinski, Bernhard. "Stilistik und Nachbardisziplinen." In Stilistik, 8–16. Stuttgart: J.B. Metzler, 1991. http://dx.doi.org/10.1007/978-3-476-03964-4_2.

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Sowinski, Bernhard. "Entwicklung des Stilbegriffs und der Stilistik." In Stilistik, 17–51. Stuttgart: J.B. Metzler, 1991. http://dx.doi.org/10.1007/978-3-476-03964-4_3.

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Sowinski, Bernhard. "Systematische Gruppierung der Stiltheorien." In Stilistik, 52–57. Stuttgart: J.B. Metzler, 1991. http://dx.doi.org/10.1007/978-3-476-03964-4_4.

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Sowinski, Bernhard. "Zur Situation der Stilistik in Deutschland und in anderen Ländern." In Stilistik, 58–70. Stuttgart: J.B. Metzler, 1991. http://dx.doi.org/10.1007/978-3-476-03964-4_5.

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Sowinski, Bernhard. "Stilanalyse: Voraussetzungen und Elemente." In Stilistik, 71–140. Stuttgart: J.B. Metzler, 1991. http://dx.doi.org/10.1007/978-3-476-03964-4_6.

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Sowinski, Bernhard. "Laut- und Klangstilistik/Phonostilistik." In Stilistik, 141–43. Stuttgart: J.B. Metzler, 1991. http://dx.doi.org/10.1007/978-3-476-03964-4_7.

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Conference papers on the topic "Stilistics"

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Serrac, Halil. "Metafora și reprezentarea ei în lingvistica modernă." In Conferinta stiintifica nationala cu participare internationala „Lecturi in memoriam acad. Silviu Berejan”. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/lecturi.2021.05.20.

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În lingvistica modernă, printre disciplinele tradiționale, interesul pentru metaforă este manifestat în primul rând de stilistică, lexicologie și lexicografie, care o consideră principalul mijloc, alături de metonimie, de nominalizare secundară. Cu toate acestea, dacă pentru stilistică metafora este principalul mijloc de creare a imaginilor, atunci lexicologia și lexicografia consideră metafora ca una dintre modalitățile de dezvoltare a sensului unui cuvânt, care servește ca mijloc de completare a vocabularului limbii. Lexicologia și stilistica, fiecare din punctul său de vedere, iau în considerare probleme similare de definire a unei metafore, stabilirea locului acesteia în sistemul altor mijloace lingvistice înrudite și au criterii comune de clasificare a metaforelor, ale căror tipuri diferite fac obiectul de studiu al acestor discipline.
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Popovschi, Liliana. "Posibilităţi de abordare a textelor dialectale din perspectiva teoriei coşeriene a variaţiei limbii." In Filologia modernă: realizări şi perspective în context european. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/filomod.2021.15.35.

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Textele dialectale reprezintă surse valoroase pentru diverse cercetări privind limba română. Ele sunt deosebit de utile pentru studierea fenomenului variaţiei limbii, fiind ilustrative pentru cele trei mari tipuri de varietate care există în sincronie, conform teoriei coşeriene: varietatea diatopică, varietatea diastratică, varietatea diafazică. Deşi au fost utilizate, mai cu seamă, pentru relevarea diferenţelor teritoriale ale limbii, ele furnizează date importante şi pentru cercetările de sociolingvistică şi de stilistică a limbii. În realizarea concretă a limbii, surprinsă de textele dialectale, sincronia interferează cu diacronia, care este un alt tip de varietate glotică.
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Sevcenco, Diana. "Personajul din romanele interbelice – modalități de caracterizare psihologică." In Conferinta stiintifica nationala cu participare internationala „Lecturi in memoriam acad. Silviu Berejan”. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/lecturi.2021.05.25.

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În romanul interbelic modalitățile de caracterizare psihologică a personajului au dobândit funcții noi care ajută cititorul să cunoască natura adâncă, originară a ființei stratificate a personajului și a devenirii personalităţii lui. Analiza introspectivă, tehnica punctului de vedere, jurnalul intim, visul sau reveria, confesiunea, monologul interior, fluxul conştiinţei şi memoria involuntară sunt tehnici narativ-artistice folosite pentru instituirea unui alt fel de personaj, în continuă interacţiune cu sine sau cu alte personaje. Acestea contribuie la reliefarea adâncurilor conştiinţei, pentru a-i oferi cititorului imagini artistice mai complexe ale omului complet și viu, realizate prin structuri verbale speciale şi compoziţii stilistice adecvate funcţiei lor caracterologice.
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Sorocean, Inga. "Jurnalele lui Vladimir Beșleagă – o ars combinatoria sui-generis." In Conferinta stiintifica nationala cu participare internationala „Lecturi in memoriam acad. Silviu Berejan”. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/lecturi.2021.05.23.

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În ultimele decenii, poetica jurnalului intim este supusă unui proces de reconfigurare a propriei esențe. Clauzele acestui tip de scriitură sunt din ce în ce mai des sublimate, textul confesiv integrează genuri liminare, căpătând forme hibride. Astfel, autorii de jurnal preferă să experimenteze nu doar cu personajul marcat de o identitate proteică, dar și cu tehnicile diaristice care devin o ars combinatoria, o orchestrație personalizată deseori prin recursul la artele vizuale (fotografie, grafică). Jurnalele publicate de Vladimir Beșleagă în ultima perioadă (2020-2021) se înscriu perfect în acest model diaristic. Scriitorul își asumă rolul unui „alt fel” de diarist, care reușește să mixeze observații zilnice, reflecții asupra datului ontologic, anecdote, exerciții de versificație, crochiuri și imagini simbolice, prin care asigură o coerență tematică și stilistică inconfundabilă.
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