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1

Maria, Di Salvo, ed. Storia e semiotica. Bompiani, 1988.

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2

Cardona, Tommaso Russo. Le lingue dei segni: Storia e semiotica. Carocci, 2007.

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3

Calabrese, Omar. Breve storia della semiotica: Dai presocratici a Hegel. Feltrinelli, 2001.

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4

Gianfranco, Bettetini, ed. Storia della semiotica: Dai percorsi sotterranei alla disciplina formalizzata. Carocci, 2009.

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5

editor, Perullo Nicola 1970, ed. Cibo, estetica e arte: Convergenze tra filosofia, semiotica e storia. Edizioni ETS, 2014.

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6

Mirabile, Andrea. Le strutture e la storia: La critica italiana dallo strutturalismo alla semiotica. LED, 2006.

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7

Pellerey, Roberto. Comunicazione: Storia, usi, interpretazioni. Carocci, 2011.

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8

Demaria, Cristina, and Patrizia Violi. Reading Memory Sites through Signs. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463722810.

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What can space tell us about our past? Which stories do memory sites narrate? Which memories do they transmit? And, more importantly, how can we read their meanings? Semiotics can provide us with a homogeneous, shareable and theoretically sound methodology to analyse space within a comparable and common frame of reference for scholars of memory studies and traumatic heritage, as well as for historians, architects and museum curators. The book describes in clear and understandable language the main semiotic concepts that can be used to analyse space, illustrating them with carefully chosen case
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9

Viganò, Dario. I sentieri della comunicazione: Storia e teorie. Rubbettino, 2003.

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10

Violi, Patrizia. Paesaggi della memoria: Il trauma, lo spazio, la storia. Bompiani, 2014.

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11

Molinini, Domenico. Suono, segno, suono: Elementi di semiologia, semiografia e storia della teoria musicale occidentale. Florestano edizioni, 2015.

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12

Rachel, Fordyce, and Marello Carla, eds. Semiotics and linguistics in Alice's world. W. de Gruyter, 1994.

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13

Alvise, Mattozzi, Burtscher Angelika 1979-, and Lungomare Gallery, eds. Biografie di oggetti / a cura di Alvise Mattozzi e Paolo Volonté. Storie di cose. Bruno Mondadori, 2009.

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14

Ferraiuolo, Augusto. I racconti meravigliosi: Storie popolari campane di streghe, folletti, fantasmi e lupi mannari. Edizioni scientifiche italiane, 1995.

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15

Brettoni, Augusta, Ernestina Pellegrini, Sandro Piazzesi, and Diego Salvadori, eds. Per Enza Biagini. Firenze University Press, 2016. http://dx.doi.org/10.36253/978-88-6453-404-6.

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In Studi per Enza Biagini sono confluiti saggi di teoria o di comparatistica, affondi in una singola letteratura o in più letterature, traduzioni, poesie, racconti e fumetti che costruiscono un testo di piacevole e agile lettura. Si intersecano generazioni di studiosi, fuori da ogni gerarchia accademica, che hanno condiviso nei decenni la lunga storia e i tanti campi della ricerca di Enza Biagini, rivelando pure il rigore metodologico e l’apertura, quasi senza confini, che ha contraddistinto la sua scuola. Al centro del volume c’è la teoria della letteratura con i suoi concetti e utensili d’an
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16

Shahrī, Fāṭimah ʻAbd Allāh. Sīmiyāʼīyat al-tashkīl wa-al-dalālah fī al-qiṣṣah al-qaṣīrah. Dār al-Nābighah lil-Nashr wa-al-Tawzīʻ, 2021.

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17

Renaux, Sigrid. A volta do parafuso: Uma leitura semiótica do conto de Henry James. Editora UFPR, 1992.

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18

Shahrī, Wardah Muḥammad. Tawẓīf al-rasm al-tashkīlī fī al-qiṣṣah al-qaṣīrah al-Saʻūdīyah. Dār al-Nābighah lil-Nashr wa-al-Tawzīʻ, 2022.

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19

Vedovelli, Massimo. Lingua in giallo: Analfabeti, criminali di guerra, sordomuti, certificazioni di lingua straniera. Guerra, 2004.

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20

Sanjinés, José. Paseos en el horizonte: Fronteras semióticas en los relatos de Julio Cortázar. P. Lang, 1994.

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21

Tanzmeister, Robert. Sprachevaluation zwischen Fiktion und Realität: Soziosemiotische Analysen von Sprachnormen und Sprachregistern in französischen Kriminalromanen. ÖGS, 1987.

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22

Brillenburg Wurth, Kiene, and Ann Rigney. The Life of Texts. Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789463720830.

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This innovative introduction to literary studies takes 'the life of texts' as its overarching frame. It provides a conceptual and methodological toolbox for analysing novels, poems, and all sorts of other texts as they circulate in oral, print, and digital form. It shows how texts inspire each other, and how stories migrate across media. It explains why literature has been interpreted in different ways across time. Finally, it asks why some texts fascinate people so much that they are reproduced and passed on to others in the form of new editions, in adaptations to film and theatre, and, last
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23

Coletti, Theresa. Naming the rose: Eco, medieval signs, and modern theory. Cornell University Press, 1988.

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24

Belenguer, Susana Bayó. Theory, genre, and memory in the Carvalho series of Manuel Vázquez Montalbán. E. Mellen Press, 2001.

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25

Semiotica: Storia, contesti e metodi. Carocci editore, 2014.

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26

Semiotica: Storia, teoria, interpretazione : saggi intorno a Umberto Eco. Bompiani, 1992.

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27

Meli, Antonio. Alcuni Approcci Alle Parabole Di Gesù: Storia, Ermeneutica, Semiotica. Independently Published, 2018.

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28

Semiotica dell'arte preistorica: Saggi presentati da un paletnologo a convegni di storia, preistoria, semiotica e sociologia. Atelier, 2014.

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29

Tierno, Michael. Semiotics for Screenwriters. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781501390968.

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You’re trying to finish a screenplay, but there’s a voice in your ear whispering, “You should know more about how cinema story works.” Perhaps you’ve heard how many successful screenwriters deconstruct or “break down” films and study them. You’d like to try this method but ask yourself, “How do I start?” Semiotics for Screenwriters can help you with this daunting task by taking you on a unique journey through 3 classic films that shows you the hidden universal language of plot, character, and theme at work in them. This method will reveal the mechanics of cinema story, then show you how to app
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30

Forme della testualità: Teoria, modelli, storia e prospettive : atti del 28. Convegno dell'Associazione italiana di studi semiotici, AISS, Castiglioncello, 6-8 ottobre 2000. Testo & immagine, 2001.

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31

Forme della testualità: Teoria, modelli, storia e prospettive : atti del XXVIII Convegno dell'Associazione italiana di studi semiotici (A.I.S.S.), Castiglioncello, 6-8 ottobre 2000. Testo & immagine, 2001.

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32

Leigh, K. Empty of Nothing: A Cyberpunk Semiotics Love Story. THERE IS NO DESIGN, LLC, 2022.

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33

Leigh, K. Empty of Nothing: A Cyberpunk Semiotics Love Story. THERE IS NO DESIGN, LLC, 2022.

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34

Biografie di oggetti / a cura di Alvise Mattozzi e Paolo Volonté. Storie di cose. Bruno Mondadori, 2009.

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35

Anderson, James Arthur. Excavating Stephen King. The Rowman & Littlefield Publishing Group, 2020. https://doi.org/10.5040/9781666989663.

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Excavating Stephen King: A Darwinist Hermeneutic Study of the Fiction combines approaches from science and literary theory to examine the canon of Stephen King’s fiction work in a single critical study. James Arthur Anderson has devised the concept of Darwinist Hermeneutics as a critical tool to combine evolutionary psychology, neuroscience, biology, and literary Darwinism with other more conventional critical theory, including structuralism, narratology, semiotics, and linguistic analysis. Using this theory, Anderson examines King’s works in terms of archetypes and mythology, human universals
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36

Ribó, Ignasi. Prose Fiction: An Introduction to the Semiotics of Narrative. Open Book Publishers, 2019.

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37

Santangelo, Shannon. Sense of Rhythm: A Semiotic Investigation of a Fundamental Device. Emerald Publishing Limited, 2023.

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38

Santangelo, Shannon. Sense of Rhythm: A Semiotic Investigation of a Fundamental Device. Emerald Publishing Limited, 2023.

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39

Santangelo, Shannon. Sense of Rhythm: A Semiotic Investigation of a Fundamental Device. Emerald Publishing Limited, 2023.

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40

The field of drama: How the signs of drama create meaning on stage and screen. Methuen, 1987.

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41

Eco, Umberto. The Sign of Three: Dupin, Holmes, Peirce (Advances in Semiotics). Indiana University Press, 1988.

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42

Bhatia, Sunil. The Cultural Psychology of Globalization. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199964727.003.0002.

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In this chapter, an interdisciplinary lens is used to examine the contested and multiple meanings, references, and definitions of globalization that vary across the different disciplines of political science, geography, cultural studies, economics, and sociology. It is argued that the lives of Indian youth comprise an important story of our time—a story that remains largely invisible and neglected in psychology. There are huge swathes of Indian urban youth who are experiencing conflicting meanings about their gender roles, marriage, sexual practices, filial obligations, household responsibilit
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43

al-Manhaj al-sīmiyāʼī: Min al-naẓarīyah ilá al-taṭbīq. Dār al-Gharb, 2005.

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44

Spencer, Diana. Varro’s Roman Ways. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198768098.003.0003.

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During a tumultuous phase in Roman Republican politics M. Terentius Varro’s De Lingua Latina developed a complex and nuanced hermeneutic toolkit for citizen self-fashioning. Cicero once complimented Varro as the man whose work had led Romans home to a knowledge of themselves as agents within a specific and acculturated space. This chapter explores how De Lingua Latina works to deliver to successful readers a particular form of self-knowledge as Latin speakers within Roman space. Moving through the city, and being evaluated as part of that process, is central to Roman political agency; yet Varr
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45

Paseos En El Horizonte: Fronteras Semioticas En Los Relatos De Julio Cortazar (American University Studies Series Xxii, Latin American Literature). Peter Lang Publishing, 1994.

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46

Maguire, Laurie. The Rhetoric of the Page. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198862109.001.0001.

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This book explores blank space in early modern printed books; it addresses physical blank space (from missing words to vacant pages) as well as the concept of the blank. It is a book about typographical marks, readerly response, and editorial treatment. It is a story of the journey from incunabula to Google books, told through the signifiers of blank space: empty brackets, dashes, the et cetera, the asterisk. It is about the semiotics of print and about the social anthropology of reading. The book explores blank space as an extension of Elizabethan rhetoric with readers learning to interpret t
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47

El Refaie, Elisabeth. Visual Metaphor and Embodiment in Graphic Illness Narratives. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190678173.001.0001.

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This study uses the analysis of visual metaphor in 35 graphic illness narratives—book-length stories about disease in the comics medium—in order to re-examine embodiment in traditional Conceptual Metaphor Theory (CMT) and propose the more nuanced notion of “dynamic embodiment.” Building on recent strands of research within CMT, and drawing on relevant concepts and findings from other disciplines, including psychology, phenomenology, social semiotics, and media theory, the book develops the argument that the experience of one’s own body is constantly adjusting to changes in one’s individual sta
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48

Langford, Michele K. Contours of the Fantastic. Greenwood Publishing Group, Inc., 1990. http://dx.doi.org/10.5040/9798400631627.

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Addressing the world of the imaginary, the dream, the uncanny, the paranormal, and all forms of speculative fiction, Contours of the Fantastic is a collection of twenty-two essays that were originally presented at the Eighth International Conference on the Fantastic in the Arts at Houston in 1987. The volume gives valuable perspectives on the territory covered by the fantastic, showing the diversity of the field and the variety of approaches used to survey and comprehend it. Each essay brings its own method of investigation--phenomenological, theoretical, historical, sociological, psychologica
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49

Anatomy of murder: Mystery, detective, and crime fiction. Bowling Green State University Popular Press, 2001.

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50

Jute, Andre. Escribir un Thriller (Manuales De Escritura). Ediciones Paidos Iberica, 2003.

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