Relevant bibliographies by topics / STORMFIELD

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'STORMFIELD'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "STORMFIELD"

1

Clasquin, Michel. "From Captain Stormfield to Captain Kirk: Two twentieth-century representations of heaven." Myth & Symbol 4, no. 2 (November 2007): 57–66. http://dx.doi.org/10.1080/10223820802503210.

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Artamonova, Tat'yana Gennad'evna. "GENRE AND STYLISTIC PECULIARITIES OF MARK TWAIN’S PHILOSOPHICAL PROSE (BY THE MATERIAL OF THE SHORT STORY “CAPTAIN STORMFIELD’S VISIT TO HEAVEN”, THE NARRATIVE “NO. 44, THE MYSTERIOUS STRANGER”, THE ESSAY COLLECTION “LETTERS FROM THE EARTH”)." Philological Sciences. Issues of Theory and Practice, no. 10-2 (October 2018): 242–46. http://dx.doi.org/10.30853/filnauki.2018-10-2.4.

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Dissertations / Theses on the topic "STORMFIELD"

1

"REVEREND STORMFIELD GOES TO HEAVEN: AN OPERETTA FOR SEVEN VOCALISTS AND INSTRUMENTAL ENSEMBLE." Doctoral diss., 2019. http://hdl.handle.net/2286/R.I.53693.

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Abstract:
abstract: Reverend Stormfield Goes to Heaven is an operetta in six scenes for seven vocalists and flute, clarinet, horn, percussion, piano, violin, cello, and double bass. The work’s approximate length is 40 minutes. The libretto is written by the composer and based on the short story by Mark Twain titled “Captain Stormfield Goes to Heaven.” The short story features the typical biting sarcasm of Mark Twain. The libretto combines part of the original text with alterations to satirize modern day Christianity and religious values in general. The story follows Reverend Stormfield as she arrives in Heaven and quickly learns that the locations and people she expected to see and meet are shockingly different. The journey takes her through comical scenarios and deeper philosophical dilemmas, and in the end she is left to confront her own disturbing past. The musical elements of the operetta include traditional and octatonic scales, twelve- tone rows and set theory based on the overriding intervallic relationship of the perfect fourth. The sets implemented as motivic ideas: 0-1-4-5, 0-1-6-7, and 0-2-5-7 are based on the perfect fourth and serve as the framework for many of the melodic ideas. The instruments provide an accompanimental role often incorporating melodic fragmentation and contrapuntal textures and techniques. Instrumental solos are featured prominently in arias and the instrumental interludes between scenes.
Dissertation/Thesis
Reverend Stormfield Recording: Scenes 1,3,4,6
Doctoral Dissertation Music 2019
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Books on the topic "STORMFIELD"

1

Twain, Mark. Extract from Captain Stormfield's visit to heaven. New York: Oxford University Press, 1996.

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Twain, Mark. Extract from captain Stormfield's visit to heaven. New York: Oxford University Press, 1996.

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3

Twain, Mark. Extract from Captain Stormfield's visit to heaven. Amherst, N.Y: Prometheus Books, 2002.

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4

Skipworth, G. F. Stormfield - Tales From The Hereafter. Rosslare Press, 2010.

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5

Twain, Mark. The Man That Corrupted Hadleyburg / Captain Stormfield / A Horse's Tale. Blue Unicorn Editions, 1998.

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6

Captain Stormfield's Visit to Heaven. Reprint Services Corporation, 1989.

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7

Captain Stormfield's visit to heaven. LibriVox, 2008.

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8

Extract from Captain Stormfield’s Visit to Heaven. New York: Barnes & Noble World Digital Library, 2002.

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9

Twain, Mark. Extract from Captain Stormfield's Visit to Heaven. CreateSpace Independent Publishing Platform, 2018.

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10

Extract from Captain Stormfield's Visit to Heaven. Ottawa: eBooksLib, 2005.

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Book chapters on the topic "STORMFIELD"

1

"10. Stormfield." In Dangerous Intimacy, 134–45. University of California Press, 2019. http://dx.doi.org/10.1525/9780520940376-013.

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2

"Dictated at Stormfield, January 5, 1909– Dictated October 21, 1909." In Autobiography of Mark Twain, Volume 3, 297–320. University of California Press, 2019. http://dx.doi.org/10.1525/9780520961869-005.

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