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1

Hastings, Max. Editor: An inside story of newspapers. Macmillan, 2002.

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2

Cover story: Have you got what it takes to be a magazine editor? Compass Point Books, 2009.

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3

Reading for a living: How to be a professional story analyst for film and television. Blue Arrow Books, 1990.

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4

Sex, death, enlightenment: A true story. Riverhead Books, 1996.

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5

MacFarlane, Richard. Canada's newspaper legend: The story of J. Douglas MacFarlane. ECW Press, 2000.

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6

Cousins, Margaret. The story of Thomas Alva Edison. Random House, 1993.

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7

Fabrizius, Peter. One and one make three: Story of a friendship. Benmir, 1988.

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8

Eva, Orbanz, and Museum of Modern Art (New York, N.Y.), eds. Filming Robert Flaherty's Louisiana story: The Helen van Dongen diary. Museum of Modern Art in collaboration with the Stiftung Deutsche Kinemathek, 1998.

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9

Baxter, Roberta. Illuminated progress: The story of Thomas Edison. Morgan Reynolds Pub., 2008.

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10

ill, Lawrie Robin, ed. Perseverance!: The story of Thomas Alva Edison. Child's World, 1998.

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11

1974-, Sykes Tom, ed. Blow by Blow: The story of Isabella Blow. HarperCollins, 2011.

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12

John, Hogan. A spirit capable: The story of Commonwealth Edison. Mobium Press, 1986.

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13

Blow, Detmar. Blow by Blow: The story of Isabella Blow. It Books, 2010.

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14

Berry, Neil. Articles of faith: The story of British intellectual journalism. 2nd ed. Waywiser, 2008.

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15

Berry, Neil. Articles of faith: The story of British intellectual journalism. 2nd ed. Waywiser, 2008.

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16

Articles of faith: The story of British intellectual journalism. 2nd ed. Waywiser, 2008.

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17

Berry, Neil. Articles of faith: The story of British intellectual journalism. Waywiser Press, 2002.

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18

Clifford, Max. Max Clifford: My story. Virgin, 2005.

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19

Redinger, David H. The story of Big Creek. Ironwood Press, 1998.

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20

Redinger, David H. The story of Big Creek. Trans-Anglo Books, 1987.

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21

Hoffman, Amy. An army of ex-lovers: My story of gay liberation. University of Massachusetts Press, 2007.

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22

Silver, Tony. What's the big idea?: The story of Thomas Edison. Zaner-Bloser, 2005.

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23

Barbara, Mitchell. The wizard of sound: A story about Thomas Edison. Carolrhoda Books, 1991.

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24

Baxter, Roberta. Inventor of the world: The story of Thomas Edison. Morgan Reynolds Pub., 2008.

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25

Crowley, Keith. Gordon MacQuarrie: The story of an old duck hunter. Wisconsin Historical Society Press, 2003.

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26

James, Gibson. The Philadelphia Shakespeare story: Horace Howard Furness and the new variorum Shakespeare. AMS Press, 1990.

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27

Hopley, Terry. Whatever is going to become of us: The story of one's boy's struggle from poverty to success. New Holland, 2013.

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28

Gibson, James M. The Philadelphia Shakespeare story: Horace Howard Furness and the variorum Shakespeare. AMS Press, 1990.

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29

Athill, Diana. Make believe: A true story. Granta Books, 2003.

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30

Athill, Diana. Make believe: A true story. Steerforth Press, 1993.

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31

A gaudy spree: The literary life of Hollywood in the 1930s when the West was fun. F. Watts, 1987.

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32

Steve, Tesich. Karoo. Harcourt Brace & Co., 1998.

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33

Essig, Mark Regan. Edison & the electric chair: A story of light and death. Walker & Co., 2005.

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34

Ella Hepworth Dixon: The story of a modern woman. Ashgate, 2006.

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35

Cooke, T. S. Wills. The currency lad: A biography of Horatio Spencer Howe Wills, 5 October 1811 to 17 October 1861, and the story of his immediate family, 1797 to 1918 : using contemporary letters, documents, daguerreotypes, paintings, and photographs. T.S. Wills Cooke], 1997.

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36

Midgley, Leslie. How many words do you want?: An insider's story of print and television journalism. Carol Pub. Group, 1989.

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37

Eaton, Seymour. Dan Black, Editor And Proprietor: A Story (1904). Kessinger Publishing, LLC, 2008.

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38

Cadbury: The Story Behind the Iconic Business. General Editor, Debbie Foy. Wayland, 2012.

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39

Publishng, Movie &. T. V. Guru. Don't Panic! I'm a Professional Story Editor : Customized 100 Page Lined Notebook Journal Gift for a Busy Story Editor: Far Better Than a Throw Away Greeting Card. Independently Published, 2020.

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40

Clendenin, Henry W. Autobiography Of Henry W. Clendenin, Editor: The Story Of A Long And Busy Life. Kessinger Publishing, LLC, 2007.

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41

Dressed for War: The Story of Audrey Withers, Vogue Editor Extraordinaire from the Blitz to the Swinging Sixties. Simon & Schuster, Limited, 2021.

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42

Keil, Charlie. Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913 (Wisconsin Studies in Film, Kristin Thompson, Supervising Editor; David Bordwell and Vance Kepley, Jr., General Editors). University of Wisconsin Press, 2002.

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43

Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913 (Wisconsin Studies in Film, Kristin Thompson, Supervising Editor; David Bordwell and Vance Kepley, Jr., General Editors). University of Wisconsin Press, 2002.

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44

H, Kroeger James, and Catholic Church. Bishops' Conference of the Philippines., eds. Telling God's story: National Mission Congress 2000, resources and documents / Episcopal Commission on Mission, Catholic Bishops' Conference of the Philippines ; James H. Kroeger, general editor. Claretian Publications, 2001.

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45

To Print the News and Raise Hell!: A Biography of Wilbur F. Storey. University of North Carolina Press, 2012.

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46

Sex Death Enlightenment: A True Story. Riverhead Trade, 1997.

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47

Matousek, Mark. Sex Death Enlightenment: A True Story. Monkfish Book Publishing Company, 2020.

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48

Schneider, Axel, and Daniel Woolf. Editors’ Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199225996.003.0001.

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This concluding volume in The Oxford History of Historical Writing covers a very small period in comparison with some of its companions: barely two‐thirds of a century. As with the other volumes, the boundary dates are both fluid and imprecise: 1945 is a watershed date for the world in the sense that it marked the end of the Second World War and the division of Europe into a Western and an Eastern bloc. Elsewhere in the world, other dates are more meaningful: for China, 1949 is the critical year; and in much of Africa the decolonization of the 1950s and 1960s marked a significant rupture with past, colonial historiography. Unlike the earlier volumes, our period is also an unfinished one, for though some obvious sub‐periods are broken at points such as the early 1960s, the fall of European communism at the end of the 1980s, and the rapid rise of both globalization and radical Islam during the 1990s, it is difficult to predict, in early 2010 as this introduction is written, just where the story of post‐war historiography will end, or how. What ...
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49

Kivy, Peter. The Dilemma of Emma. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190689414.003.0009.

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In the Penguin Classics edition of Jane Austen’s Emma, the editor of the volume, Fiona Stafford, writes: “From its first appearance, late in December 1815, Emma has been criticized for its lack of action. . . .” These are harsh words for a novel, suggesting deficiency in story. Is Emma then a failed novel? Yet the novel is published in a series called Penguin Classics. In other words, Emma belongs to the Western literary canon. That hardly spells “failure.” It appears that Emma presents a kind of informal paradox or dilemma for the philosophy of art. Emma, although it is agreed on all hands to belong to the canon, far from telling a whopping good story, is agreed on all hands to be sadly deficient in the storytelling department. It is this dilemma or paradox that is the subject of this chapter.
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50

Middleton, Haydn. Thomas Edison (What's Their Story?). Oxford University Press, 1997.

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