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Journal articles on the topic 'Story editor'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Balogh, Lajos P. "The Story of Precision Nanomedicine." Precision Nanomedicine 1, no. 1 (2018): 1–4. http://dx.doi.org/10.29016/180328.1.

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The story of the journal "Precision Nanomedicine" started back in December 2015 when the contract of the Editor-in-chief of "Nanomedicine: Nanotechnology, Biology, and Medicine" was not renewed by Elsevier without any justification. While it was fully within the legal rights of the publisher to make that decision, they failed to consult with the NNBM editorial board. Elsevier also rejected a collective letter signed by 74 board members and editors requesting the reversal of the decision and served up the usual excuses. This was not the first instance of a publisher acting without the input of an editorial board or completely disregarding sicentists' opinion [1] [2], [3], and the reaction was also similar. In 2015, almost all associate editors and more than 60 editorial board members of the journal Lingua resigned in protest [3]. Similar to the mutiny by Lingua's editors, we also set out to launch our own open-access journal[2] to promote all progressive and rational aspects of nanomedicine including theory and practice while exercising good publishing practices (for a deeper analysis of the present state of scholarly publishing see the opinion paper in this issue).

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2

Askin, Debbie Fraser. "What’s Happening in the Bigger World of Publishing: A “Heads-Up”." Neonatal Network 25, no. 4 (2006): 227–28. http://dx.doi.org/10.1891/0730-0832.25.4.227.

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THE BUSINESS OF PUTTING TOGETHER A JOURNAL THAT is relevant, interesting, and scholarly has become increasingly more challenging and complex. Pressure from funding agencies to make government-sponsored research results freely accessible, the increasing movement towards online access to articles, and a general need to attend to the bottom line in a shrinking market for print journals, has resulted in two troubling events that I would like to share with you. The details of the first, the severing of ties between the American Journal of Nursing (AJN) and the American Nurses Association (ANA), are outlined in the accompanying letter that was sent to ANA by members of the International Association of Nurse Editors. In the second case, the editor-in-chief and the senior deputy editor of the Canadian Medical Association Journal (CMAJ), the journal of the Canadian Medical Association (CMA) were fired in February of this year. The reason for the firing—editorial freedom. The editors of the CMAJ commissioned a story on women’s experiences in obtaining the morning-after pill from pharmacies in Canada. When the Canadian Pharmacists Association heard about the story, they complained to the publisher of CMAJ who asked the editors to withhold the story.1 The editors chose to publish a negotiated revision but were fired for irreconcilable differences.2

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3

Laster, Shari. "Let’s Tell a Story!" DttP: Documents to the People 45, no. 3 (2017): 3. http://dx.doi.org/10.5860/dttp.v45i3.6485.

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4

Hoover, Dennis R. "From the Editor: A DEVELOPING STORY." Review of Faith & International Affairs 8, no. 4 (2010): 1–2. http://dx.doi.org/10.1080/15570274.2010.528962.

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5

Henscheid, Jean M. "From the editor: One student, one story." About Campus 17, no. 1 (2012): 1. http://dx.doi.org/10.1002/abc.21066.

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6

Rees, Jeremy. "REVIEW: The sacking of an editor." Pacific Journalism Review : Te Koakoa 26, no. 1 (2020): 294–301. http://dx.doi.org/10.24135/pjr.v26i1.1100.

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Commentary: On 25 July 1972, the Board of the New Zealand Broadcasting Corporation decided to terminate the editorship of Alexander MacLeod with three months' pay, effective immediately. The Listener had only had three editors since its launch as a broadcasting guide in 1939. Its founder Oliver Duff and successor Monty Holcroft, the revered editor of 18 years, built it up as a magazine of culture, arts and current events on top of its monopoly of listings of radio and television programmes. Both men managed to establish a sturdy independence for the magazine which was still the official journal of the New Zealand Broadcasting Service, later to become the New Zealand Broadcasting Corporation. So, the dismissal of the editor was a sizable event. The National government of the day in New Zealand ordered a Commission of Inquiry into whether the sacking was above board and whether it was politically influenced. This article is the story of the commission's findings.

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7

Chang, Heewon. "A Journal Editor’s Identity Journey: An Autoethnography of Becoming, Being, and Beyond." International Journal of Multicultural Education 20, no. 3 (2018): 1. http://dx.doi.org/10.18251/ijme.v20i3.1846.

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This autoethnography essay describes the identity journey of the founding editor-in-chief of the International Journal of Multicultural Education (IJME). In this essay the author shares her story of founding and becoming the editor of this international journal, the sociocultural meaning of being a journal editor to her, and her decision to leave this journal editor position. She frames the multicultural identity discourse in an autoethnographic narrative style and links her journal editor identity with the journal’s identity focusing on justice, open-access, and peer-review.

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8

Hardin, Marie. "Interview With Julie Ward, Former Deputy Managing Editor, Sports, for USA Today." International Journal of Sport Communication 1, no. 3 (2008): 301–6. http://dx.doi.org/10.1123/ijsc.1.3.301.

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Julie Ward was deputy managing editor at USA Today for nearly 2 decades, from 1989 to 2007. She joined USA Today as a general-assignment reporter in 1984 and also was an assignment editor for the NBA, golf, tennis, motor sports, boxing, colleges, and high schools. USA Today is the top-circulation daily newspaper in the United States. Ward led the USA Today team that won the 2002 Associated Press Sports Editors award for a story that revealed the 302 members of Augusta National Golf Club, which had been embroiled in controversy because of its policy to exclude women from membership. In 2007, Ward also won the Mary Garber Pioneer Award from the Association for Women in Sports Media. In December, she accepted a severance offer (buyout) and retired from working at the paper. Before joining USA Today, she was a reporter for the St. Louis Globe-Democrat and the Belleville (IL) News-Democrat, where she covered women’s sports and was a columnist.

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9

Haaland, Kathleen Y. "Changing of the Guard." Journal of the International Neuropsychological Society 10, no. 7 (2004): 929–30. http://dx.doi.org/10.1017/s1355617704107029.

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I am very honored to be the new Editor-in-Chief of the Journal of the International Neuropsychological Society, JINS, beginning in January 2005. It is a daunting task to follow in Dr. Grant's footsteps. He has done a stellar job of developing this journal from its conception to its current status, and the statistics that he presents tell only part of the story. He appropriately recognizes all of the help he has received, but JINS' success is largely due to his vision, organization, innovation, and leadership. In order to concretely recognize that vision and its continuing influence on JINS, Dr. Grant's name will be listed on the cover of JINS as its Founding Editor. He had the vision to develop a journal that “fits” the INS from the standpoint of its breadth, multidisciplinary contributions, and scientific rigor. He selected and has led an impressive group of senior editors with expertise in a variety of areas, and these editors have provided a level of editorial expertise that would not be possible with a single Editor-in-Chief. Dr. Grant has also brought electronic submission and review to JINS. Web-based submission began August 1. Even though electronic submission and review should facilitate logistics, the quality of JINS will still be most dependent on high quality peer review provided by the Editorial Board and a large group of dedicated reviewers.

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10

Darma, Nyoman Trisna Adi, I. Ketut Resika Arthana, and I. Made Putrama. "PENGEMBANGAN APLIKASI GAME KISAH PANJI SAKTI BERBASIS MOBILE." Jurnal Nasional Pendidikan Teknik Informatika (JANAPATI) 6, no. 3 (2018): 283. http://dx.doi.org/10.23887/janapati.v6i3.12018.

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Tujuan dari penelitian ini adalah: (1) mendesain dan mengimplementasikan Panji Sakti Story Game Based Mobile. (2) Untuk mengetahui tanggapan pengguna terhadap Panji Sakti Story Game Based Mobile. Metode yang digunakan dalam penelitian ini adalah penelitian dan pengembangan. Panji Sakti Story Game Based Mobile ini dikembangkan dengan menggunakan Model ADDIE. Subyek penelitian ini adalah generasi muda dengan rentang usia 16 sampai 30 dengan menggunakan kuesioner. Data yang diperoleh dianalisis secara deskriptif. Hasil penelitian ini adalah aplikasi yang diimplementasikan dengan menggunakan bahasa pemrograman C# dengan Unity Editor. Semua fitur yang ada dalam Panji Sakti Story Game Based Mobile berjalan dengan baik. Tanggapan pengguna terhadap Panji Sakti Story Game Based Mobile termasuk dalam rentang yang sangat baik.

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11

Fogliano, Vincenzo. "The long story of the Maillard reaction: the beginning of the second century." Food & Function 7, no. 6 (2016): 2496–97. http://dx.doi.org/10.1039/c6fo90022d.

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12

Bonniord, Julie, Christopher De Marco, and Christine Evain. "Heritage Tourism as a Means for International Student Cultural Integration: The Baludik and aPlace4u User Experience." Studies in English Language Teaching 7, no. 4 (2019): p432. http://dx.doi.org/10.22158/selt.v7n4p432.

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Intercultural education is taking on momentum in the education field. As part of a language project, a group of international Master’s level students at the Ecole Centrale de Nantes was asked to use two tools: “Baludik” (a gamified circuit editor) and “aPlace4u/eZoomBook” (an enriched book editor). Our goal was to suggest possible pedagogical uses of these tools as a means for gaining an understanding of a foreign environment, its history and heritage, all of which contribute to cultural integration. Our article reports on the methodology used to offer students creative activities based on the Baludik and aPlace4u/eZoomBook editors, and analyses the results and student feedback. The study concludes that the use of multimodal devices fostered student creativity and helped them better interpret their new environment. The tools required the students to elaborate hybrid productions in their story-telling integrating elements of both the host and the home culture. In this sense, the combination of the two tools served as a catalyst to connect the widely divergent aspects of home and host cultures.

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13

Yasmeen, BH Nazma. "From the desk of Editor-a success story a milestone." Northern International Medical College Journal 6, no. 1 (2015): 3. http://dx.doi.org/10.3329/nimcj.v6i1.23148.

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14

Judge, James. "Letter to the Editor: Vitamin D Story Was One-Sided." Caring for the Ages 13, no. 2 (2012): 12. http://dx.doi.org/10.1016/j.carage.2012.01.032.

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15

Rodgers, Michael. "The story of The Selfish Gene." Logos 28, no. 2 (2017): 44–55. http://dx.doi.org/10.1163/1878-4712-11112129.

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The Selfish Gene by Richard Dawkins, published in 1976, famously became a bestseller and is still selling more than 40 years later. This behind-the-scenes account of its publication recounts the story as seen through the eyes of the book’s commissioning editor, from the initial experience of reading early draft chapters to publication eight months later. Elements of the story include the different views and lively debates on the right title for the book; choosing the Desmond Morris painting for the jacket; deciding whether or not to include illustrations; and the role television played when the book was launched. An American dimension places the book in the context of the fiercely fought sociobiology controversy at that time. The characteristics of the best popular science writing and publishing are discussed. Finally, The Selfish Gene is seen in relation to the books Dawkins went on to publish over the following 30 years.

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16

Goss, David A. "From the Editor." Hindsight: Journal of Optometry History 49, no. 4 (2018): 75–76. http://dx.doi.org/10.14434/hindsight.v49i4.25907.

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Historical narratives reflect the biases of their creators. In order to promote his own interests, sporting goods magnate A.G. Spalding created a "creation myth" that baseball was a uniquely American sport which evolved from the English game "rounders." While historians later debunked this assertion and established an earlier and more complicated origin story for baseball, Spalding's historical narrative persists in popular culture. Optometry has a similar "creation myth" which holds that the profession began at the turn-of-the 20th century in the United States with the founding members of the American Optometric Association (AOA) and the move to make optometry a legislated profession. However, optometry's origins are much older, beginning in the late 13th century and, therefore, can be divided into periods. The period beginning in 1890 and which saw the founding of the AOA should be viewed as the beginning of "modern optometry." Optometry historians should recognize the importance of all periods of optometry history.

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17

Tompkins, Jelena. "Surviving early-onset colorectal cancer: a patient’s perspective." Colorectal Cancer 9, no. 3 (2020): CRC27. http://dx.doi.org/10.2217/crc-2020-0022.

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In conversation with Editor Lauren Woolfe, J Tompkins shares her experience with early-onset colorectal cancer. From diagnosis and treatment, to adjusting to life as a survivor and being an ambassador for Fight Colorectal Cancer, this is J Tompkins’ story.

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18

Liu, Chaojie. "The battle against SARS: a Chinese story." Australian Health Review 26, no. 3 (2003): 3. http://dx.doi.org/10.1071/ah030003.

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SARS is the first major new infectious disease in the 21st century (Rodier, 2003) and is described as a "serious disaster"in mainland China where it caused unprecedented panic and social and economic consequences. A total of 5,327SARS cases were reported, with 348 deaths (Ministry of Health, 2003a). Although the Chinese government wascriticised by the international community for underreporting at the early stages of the SARS epidemic (Editor CMAJ,2003a), China eventually achieved remarkable success in combating SARS.This paper documents some aspects of the Chinese experience in fighting against SARS, based on interviews with myChinese colleagues, analysed with reference to government policy documents and published articles. My intervieweesincluded health officials at the central, provincial and municipal levels and hospital managers who had been workingin the frontline of the battle against SARS.

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19

Saunders, Richard. "Editor’s Note." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 20, no. 1 (2019): 9. http://dx.doi.org/10.5860/rbm.20.1.9.

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As editor, I must tell you that this issue of RBM might be more notable for what it fails to contain than for what it presents, worthy readers. You will notice that this issue runs a bit short. That is because—well, there is a story here.

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20

Richardson, Joan. "The Editor’s Note." Phi Delta Kappan 98, no. 8 (2017): 4. http://dx.doi.org/10.1177/0031721717708299.

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Kappan’s editor tells the story of one young woman’s journey from working with autistic peers while in high school, to spending a decade in special education classrooms as a paraprofessional, to finishing her college degree with the hope of becoming a certified teacher of elementary and special education.

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21

Davidson, Joseph, Clara Chong, and Iain Yardley. "Letter to the editor: NICU costs are not the whole story." Journal of Pediatric Surgery 55, no. 10 (2020): 2246. http://dx.doi.org/10.1016/j.jpedsurg.2020.05.050.

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22

Tien, Nhat, and Xuan Phong. "The khaki coat: A short story from Vietnam." Index on Censorship 17, no. 6 (1988): 15–16. http://dx.doi.org/10.1080/03064228808534470.

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Nhat Tien, now in his early fifties and one of the best-known Vietnamese writers, lived in South Vietnam until a few years after the Communist take-over in 1975. He has published 16 books (14 novels and two collections of short stories) and received the Vietnamese National Literary Award in 1961 for his novel Them Hoang (‘The abandoned veranda’) in 1961. He was vice-president of the Vietnamese PEN club, director of the Huyen Tran Publishing Co, and editor of the weekly Thieu Nhi In the late 1970s he left Vietnam as a ‘boat person’ and he is now living in the United States. The following short story is reprinted from the collection Tieng Ken (‘ Sound of a clarinet’), published in 1983 by Van Hoc, San Diego, California.

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23

Solomon, Alisa. "Who Gets to Be Human on the Evening News?" PMLA/Publications of the Modern Language Association of America 121, no. 5 (2006): 1585–91. http://dx.doi.org/10.1632/s0030812900099892.

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In August 2005, America's three major TV news networks—ABC, NBC, and CBS — refused to air a thirty-second advertisement that called them out for shirking their journalistic duty. Prepared by an activist group trying to bring attention to the violence in the Darfur region of Sudan, the ad uses clips from offending newscasts and admonishes the networks for devoting far more time to covering the so-called runaway bride, the Michael Jackson trial, and Tom Cruise's love life than the bloodshed in Sudan. A scolding, stentorian voice-over declares, “You can't stop a genocide if you don't know about it.” And it urges, “Genocide is news. Tell the media to be a witness” (BeAWitness.org). The networks didn't offer any excuses when they rejected the shaming ad, but a month earlier, in the industry magazine Editor and Publisher, newspaper top brass around the country defended their own neglect of the story: John Yearwood, the world editor of the Miami Herald, explained, “If we don't cover the Michael Jacksons, that will be our demise. That is what the public wants. But we ought to make the commitment to also give Darfur or Rwanda attention if we can.” Knight Ridder's foreign editor, Steve Butler, offered an only slightly more dignified justification. “We have been keeping our Iraq coverage going and that is a more important story,” he told Editor and Publisher. “It has US soldiers there, people are very interested in it, and it lends itself better to breaking news” (qtd. in Strupp).

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24

Robie, David. "EDITORIAL: Mercenaries and the media." Pacific Journalism Review : Te Koakoa 4, no. 1 (1997): 5–8. http://dx.doi.org/10.24135/pjr.v4i1.606.

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News breaks—or develops—on the Net these days with remarkable ease. News organisations are without the Internet at their peril. At the Commonwealth Journalists Association conference in Hong Kong during January, the Pacific delegation heard a Ugandan editor, Kevin Ogen, describe in details how his newspaper, The Monitor broke a major corruption story using the Net.

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25

Wack, Kevin. "Senate Subcommittee Probes Causes of Financial Crisis." PS: Political Science & Politics 43, no. 01 (2010): 181–83. http://dx.doi.org/10.1017/s1049096510990999.

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The assignment before me was far more ambitious than any story I'd ever pitched to an editor. I wouldn't have dared to try, for fear of being laughed out of the newsroom. But I was now away from journalism, spending eight months as an APSA Congressional Fellow on Capitol Hill. I was told to think big.

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26

Cinpoeş, Nicoleta. "Handling Ophelia: a Story in Four Unscripted Scenes." New Theatre Quarterly 32, no. 4 (2016): 307–17. http://dx.doi.org/10.1017/s0266464x16000397.

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Referring to several European productions of Hamlet between 2001 and 2014, Nicoleta Cinpoeş in this article examines the stage struggle to ‘recuperate’ an Ophelia that both discursive criticism and visual objectification bury prematurely, albeit by different means and for different aims, when they claim, in Laertes's words: ‘The woman will be out.’ She takes Laertes's words to mean both taking the woman out and putting the woman on view, and offers a preliminary survey of the customary textual cuts and their effect on Ophelia's part, exploring ‘the four unscripted scenes’ of three directors – Vlad Mugur, Radu Alexandru Nica, and Jan Klata – and their impact on Ophelia's role as found in Shakespeare's play. Nicoleta Cinpoeş is Principal Lecturer at the University of Worcester and author of Shakespeare's Hamlet in Romania 1778–2008 (Mellen, 2010) as well as editor of, and contributor to, Doing Kyd (Manchester University Press, 2016). She has published articles in Shakespeare Bulletin, SEDERI, Testi e linguaggi, Arrêts sur scène, Theatrical Blends, and Studia Dramatica.

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27

Danese, Silvio. "Editorial [Hot Topic: Ulcerative Colitis: A Cinderella Story (Guest Editor: Silvio Danese)]." Current Drug Targets 12, no. 10 (2011): 1372. http://dx.doi.org/10.2174/138945011796818207.

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28

Blumenthal, Mark. "American Botanical Council Corrects Inaccurate Media Stories: Herbal Supplements Do Not Contain Animal Tissue." Complementary health practice review 6, no. 1 (2000): 57–58. http://dx.doi.org/10.1177/153321010000600108.

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A July 30 Reuters News Service story wrongly implies that herbal supplements contain animal tissue. A letter to the editor, published in the July 27th issue of the New England Journal of Medicine, and the resulting media coverage incorrectly refer to dietary supplements that contain animal tissue as "herbal," according to the independent herb science group American Botanical Council (ABC). 1

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29

Uralsky, M. "‘COULD YOU SEND ME THE PROOFS AS SOON AS POSSIBLE?’ IVAN BUNIN’S CORRESPONDENCE WITH VADIM RUDNEV IN 1933–1934." Voprosy literatury, no. 2 (September 30, 2018): 333–47. http://dx.doi.org/10.31425/0042-8795-2018-2-333-347.

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The paper tells the story of Ivan Bunin’s correspondence with Vadim Rudnev (dating from 1933-1934), managing editor of the Paris-based Russian émigré journal Sovremennie zapiski. Judging by the quoted letters, Bunin did not sever ties with the journal, despite what many researchers suggest; nor did he plan to snub the editors by refusing to send in new works. If we accept Bunin’s own words about his very fastidious approach to proofreading, it becomes clear why he barely published any new works in the period from 1934 to 1936. It was in those years that the Berlin-headquartered publishing company Petropolis printed his collected works in 11 volumes. It was to become Bunin’s last fundamental publication, comprising works entirely proofread by the writer himself. It is only natural that such a humungous effort had affected the ageing writer’s productivity, and Bunin simply could not generate new material for the journal.

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30

Dolan, Erin L. "CBE—Life Sciences Education: the story of a “great journal scientists might be caught reading”." Molecular Biology of the Cell 29, no. 22 (2018): 2611–13. http://dx.doi.org/10.1091/mbc.e18-06-0410.

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How did a moderately sized scientific society create what many consider to be the leading journal in biology education? As Editor-in-Chief of the education journal of the American Society for Cell Biology (ASCB), CBE—Life Sciences Education ( LSE) and recipient of the 2018 Bruce Alberts Award for Excellence in Science Education, I tell the story of the establishment, growth, and impact of ASCB’s “other journal.”

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31

Mehring, Reinhard. "Arthur Liebert im Exil." Kant-Studien 109, no. 3 (2018): 447–72. http://dx.doi.org/10.1515/kant-2018-3001.

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Abstract Arthur Liebert was the managing director of the Kant Society and co-editor of Kant-Studien for over 20 years, until 1933. Despite his lifetime of achievement and the challenges he faced as an emigrant, his story remains all but forgotten today. Using archival sources, this essay reconstructs the biographical details of his emigration, focusing on his final years from 1933 to 1946.

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32

Cutting, James E., and Karen Pearlman. "Shaping Edits, Creating Fractals." Projections 13, no. 1 (2019): 1–22. http://dx.doi.org/10.3167/proj.2019.130102.

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We investigated physical changes over three versions in the production of the short historical drama, Woman with an Editing Bench (2016, The Physical TV Company). Pearlman, the film’s director and editor, had also written about the work that editors do to create rhythms in film (Pearlman 2016), and, through the use of computational techniques employed previously (Cutting et al. 2018), we found that those descriptions of the editing process had parallels in the physical changes of the film as it progressed from its first assembled form, through a fine cut, to the released film. Basically, the rhythms of the released film are not unlike the rhythms of heartbeats, breathing, and footfalls—they share the property of “fractality.” That is, as Pearlman shaped a story and its emotional dynamics over successive revisions, she also (without consciously intending to do so) fashioned several dimensions of the film— shot duration, motion, luminance, chroma, and clutter—so as to make them more fractal.

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33

Frick, Morgan. "The Sydney Jewish Museum and the Religious Studies Project with Breann Fallon." Bulletin for the Study of Religion 49, no. 3-4 (2021): 10–13. http://dx.doi.org/10.1558/bsor.18874.

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Pursuing a degree in religious studies sometimes seems to lead only to an academic position. Ph.D. candidate Breann Fallon suggests otherwise. Drawing upon her work as a Co-Editor of the Religious Studies Project and the Sydney Jewish Museum’s Educational Team, Fallon shows that there are possibilities and opportunities. Fallon candidly tells her story and how she marshaled her academic training to pursue passion projects in the broader educational economy.

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34

Fraser, Patti. "The Story of Summer Visions: The Creation of a New Public in a Community-Engaged Youth Media Program." LEARNing Landscapes 10, no. 1 (2016): 95–103. http://dx.doi.org/10.36510/learnland.v10i1.721.

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Over the course of the last two decades, youth media programs have become increasingly popular as models for community-engaged digital storytelling projects. This narrative re ection is based on the author’s experience as the creative mentor and story editor within a nationally recognized youth-run media production program. Drawing on Arendt’s (1954) thinking on the educative project and on Poyntz’s (2009) argument that holds "agonistic struggle" over creative expression within a community of youth engagement is critical to developing a shared sense of the world. This narrative re ects on the collective work of story creation within a community-engaged media art practice as a vehicle for developing capacity to hold pluralistic points of view, perspective, and voice essential for the sustainment of democratic movements.

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35

Eckersley, Richard. "Letter to the editor: Are indicators telling us the real story about progress?" Social Indicators Research 141, no. 2 (2018): 919–29. http://dx.doi.org/10.1007/s11205-018-1843-1.

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36

Heller, Rafael. "The Editor’s Note: It ain’t easy to change the narrative." Phi Delta Kappan 101, no. 4 (2019): 4. http://dx.doi.org/10.1177/0031721719892966.

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Suspicion about rhetoric has in recent years given way to greater interest in deliberately shaping narratives to suit advocates’ particular purposes. However, Kappan editor Rafael Heller notes that changing hearts and minds requires more than finding the right metaphor, telling the right story, or using the right communicative platform. Persuasion takes time and effort, and it’s especially challenging in the current environment when there is no clear rhetorical leader in the education world.

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37

Moore, P. G. "Eric Fitch Daglish (1892–1966): naturalist, illustrator, author and editor." Archives of Natural History 38, no. 2 (2011): 229–41. http://dx.doi.org/10.3366/anh.2011.0031.

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Eric Fitch Daglish (1892–1966) was a naturalist by inclination, a free-lance author and editor in business and, by practice, a wood-engraver of high repute. Taught wood-engraving skills by Paul Nash, he was a close friend also of other famous engravers (John Nash, Eric Gill) within the Society of Wood Engravers. He applied these skills to illustrating his own books for popular audiences on topics ranging from flowers to birds, beasts and the English countryside. Fluent in German, he translated books from that language to supplement his income in the years succeeding the First World War. He is perhaps best known for his bird books: Woodcuts of British birds, The life story of birds and Birds of the British Isles, but was also a prolific writer about dogs. His oeuvre is examined, and his contribution compared with other contemporary bird artists who embraced wood-engraving techniques. A bibliography of his natural history works as author and as editor is included.

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Fisher, Rudolph, and Molly Anne Rothenberg. "Rudolph Fisher's Missing Story “The Shadow of White”: A Study in the Transformation of Race Consciousness." PMLA/Publications of the Modern Language Association of America 127, no. 3 (2012): 617–25. http://dx.doi.org/10.1632/pmla.2012.127.3.617.

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During the nine years of his writing career, rudolph fisher published two novels as well as fifteen short stories and won Crisis magazine's Amy Spingarn Prize for fiction. He also published two scientific articles and a much anthologized essay, while writing two plays, a revue (with Langston Hughes), and eight other stories unpublished in his time. Seven of the unpublished stories were collected after his death, but one simply disappeared. In May 1925 Fisher submitted his only copy of “The Shadow of White” to Survey Graphic at the invitation of its editor, Paul Kellogg, whom he had met at that year's Opportunity dinner. Thirteen months after the submission, Kellogg offered eighty dollars for the story and said he hoped to publish it in 1926–27. Yet the story never appeared.

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shao, x. z. "practising my english in china." English Today 21, no. 4 (2005): 48–54. http://dx.doi.org/10.1017/s0266078405004116.

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a very personal story. [this ‘language biography’ is written by a younger academic who teaches in a well-known mainland chinese university, who grew up in a time of great difficulty and change, in which he often felt caught between ideologies, cultures, languages, and literatures, in the course of which however english became a deeply personal possession. in order to retain the authentic voice of the text, editorial ‘smoothing out’ has been kept to a minimum. – editor.]

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Glaubitz, Nicola. "Mean Streets: Tracking the Dispositives of Address(es) with China Miéville’s “Reports of Certain Events in London”." Zeitschrift für Anglistik und Amerikanistik 69, no. 2 (2020): 159–71. http://dx.doi.org/10.1515/zaa-2021-2037.

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Abstract Miéville’s short story stands out for its perhaps experimental, perhaps old-fashioned form: the story’s first-person narrator adopts, in nineteenth-century fashion, the persona of an editor and presents both his own view on the ‘events’ in question and a number of mock documents he has allegedly been sent. Readers are encouraged to piece together the story elements – events and characters – from postcards, minutes of a meeting, memos, personal letters, and tables. Typographically distinct and juxtaposed rather than narratively linked, these text fragments suggest internal conflicts in a group of people who track rogue streets – streets that change their location spontaneously and wreak havoc on the geographical and the political order of cities. It is no coincidence that a mix-up of names and addresses is the starting point of the story; the story’s ending hints at the consequences of having or not having a fixed address. My contribution examines Miéville’s use of the short story form in the context of fantastic literature. Following suggestions of Miéville’s “The Conspiracy of Architecture” (1998), the foregrounding of formal and quasi-material aspects of organising and mediating knowledge is read as an engagement with the power/knowledge dispositives made up of discursive ordering principles as well as city planning and city geography.

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Fonseca, Catherine. "Amplify Your Impact: The Insta-Story: A New Frontier for Marking and Engagement at the Sonoma State University Library." Reference & User Services Quarterly 58, no. 4 (2019): 219. http://dx.doi.org/10.5860/rusq.58.4.7148.

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This month’s author, Catherine Fonseca from Sonoma State University Library, shares some innovative and fun ideas on how libraries can use the Instagram Stories feature to engage with their audience in multiple ways. We guarantee you will find a tidbit you can use in your own library.—Editor

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Sari, Monica Intan, and Henrikus Joko Yulianto. "Oscar Wilde's Writing Style in "The Happy Prince" in View of Transitivity Analysis." Rainbow: Journal of Literature, Linguistics and Cultural Studies 8, no. 1 (2019): 8–19. http://dx.doi.org/10.15294/rainbow.v8i1.29756.

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This study was aimed to discover the types of processes used and how they influence the author’s writing style in Oscar Wilde’s short story entitled “The Happy Prince”. The methodology used in this study was descriptive-qualitative so the analysis was presented in the form of words, phrases, sentences, and utterances. The study focused on discourse analysis employing ideational function approach, which analyzed the short story from the point of view of linguistics especially Transitivity, a theory developed by M. A. K. Halliday. As a result, there were seven types of processes found in the story namely material, mental, behavioral, verbal, relational, existential, and meteorological. The results of the study showed that material process was the most frequently used process (37%) conducted by the author. Yet, the six others were each employed for about 1% - 25%. This indicated that the use of the type of process influenced the writing style of the author in constructing the story where the different process emphasized different portrayal. The use of material process as the most dominant process might reflect the author’s eagerness to do what he cannot do in his real life. However, it was also supported by the author’s previous career and achievement as a journalist, editor, and critic before he wrote the story. Ultimately, the researcher found that Oscar Wilde’s writing style incorporates the vivid descriptions, aesthetic appearance, conversational style, repetitive pattern, simple and clear language.  Keywords: Oscar Wilde; Writing Style; Discourse Analysis; Ideational Meaning; Transitivity

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Herlina, Yesi, Teguh Budiharso, and Maria Teodora Ping. "RHETORIC IN NEWS ARTICLES OF TVRI BROADCAST OF ‘KALTIM THIS WEEK’." IJOLTL: Indonesian Journal of Language Teaching and Linguistics 2, no. 1 (2017): 1. http://dx.doi.org/10.30957/ijoltl.v2i1.229.

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This study reported rhetorical style used in a news article to broadcast in TV RI of Kaltim This Week, specifying three kinds of styles: climax, cause, and effect. This study used content analysis, identifying 10 articles available in the broadcast services. The study revealed that three parts of rhetorical organization of news writing for broadcasting: climax part, cause part, and effect part were present in the news articles of Kaltim This Week. Climax parts appeared at the beginning of the writing. Irrelevant climax part happened as the editor put his/her subjective conclusion toward the story. The cause parts giving reasons and supporting facts were found in the middle of news articles. The absence of cause part was because the editor explained detailed information so he/she became unfocused to the reason. The effect parts were well presented in the news articles.

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Ehrman, Bart D. "Jesus and the Adulteress." New Testament Studies 34, no. 1 (1988): 24–44. http://dx.doi.org/10.1017/s0028688500022189.

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The story of Jesus and the Adulteress (John 7. 53–8. 11) is fraught with historical and literary problems, many of which have seemed insoluble. On only two points is there a scholarly consensus: the passage did not originally form part of the Fourth Gospel, and it bears a close resemblance to Synoptic, particularly Lukan, traditions about Jesus. The arguments for these judgments are overwhelming and do not need to be repeated here. In some respects these unanimous conclusions have themselves brought into sharp focus the thorny problems of the story's textual and pre-literary history: (1) Textual. Since the oldest and best textual witnesses of the Gospel of John do not contain the passage, how should the allusive references to it from the second and third centuries be evaluated? Did Papias know this story? If so, did he find it in the Gospel according to the Hebrews? Or was it Eusebius, who informs us of Papias's knowledge of this or a similar story, who found it there? What form of the story was known to the author of the Didascalia and his subsequent editor, the author of the Apostolic Constitutions? Did Origen know the story? If not, when was it first accepted into the Alexandrian canon? (2) Preliterary. How should this story be classified form-critically? And in whatSitz im Lebenof the early church would it have thrived? Does the story preserve authentic tradition from the life of Jesus? Scholarship has reached an impasse on these questions because the early evidence is so sparse. Martin Dibelius's famous pronouncement from a different context applies here as well: ‘Enlightenment is to be expected not from new hypotheses but only from new discoveries.’

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Arnautovic, Kenan. "Letter to the Editor of IJBH: COVID-19: a Neurosurgeon's Personal Story of 2020." International Journal on Biomedicine and Healthcare 8, no. 2 (2020): 133. http://dx.doi.org/10.5455/ijbh.2020.8.133-135.

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Kmietowicz, Z. "Daily Mail story on care of sick babies was "highly misleading," says BMJ editor." BMJ 345, dec04 1 (2012): e8240-e8240. http://dx.doi.org/10.1136/bmj.e8240.

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Schmitz, Cathryne L. "Expanding the Story of Single Parents: Bringing the Vision to Completion through Writing and Editing." Families in Society: The Journal of Contemporary Social Services 79, no. 5 (1998): 551–53. http://dx.doi.org/10.1606/1044-3894.721.

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This issue of Families in Society marks the inauguration of “Writers at Work,” a section of the journal created to allow readers to “meet” authors and learn about the personal inspirations and influences that compel them to write for publication. In this issue, writer Cathryne Schmitt tells us about what it was like for her to bring into existence her forthcoming book Diversity in Single-Parent Families: Working from Strength. We hope hers will be the first of many such personal essays and invite you to share your literary experiences with our readers. — Howard Goldstein, Editor

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Khundam, Chaowanan. "Storytelling Platform for Interactive Digital Content in Virtual Museum." ECTI Transactions on Computer and Information Technology (ECTI-CIT) 15, no. 1 (2020): 34–49. http://dx.doi.org/10.37936/ecti-cit.2021151.239948.

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Virtual Reality (VR) generates realistic visualization and sensation applied to various practises. Virtual Museum (VM) is a use case where VR may be applied to convince museum visitors to participate with a story told through digital content. Recently, immersive VR technologies are intensively developed providing a lot of devices which support interactive VM application. In a development of interactive VM, interaction is always depending on the selected device. Then content is tuned to fit specific device capacity; major development must be addressed again whenever the virtual environment is adapted to a new device. This paper proposed a storytelling platform to assist interactive content design which is device independent. Our framework provides high-level abstraction of story and interaction which is then translated to any low-level device. Storytelling model and interaction model are introduced to create a common language for story making. It works with a viewer, an asset manager, an event editor and a timeline to achieve virtual environments organization and interaction assignment. An example of interactive content design on our platform is presented to demonstrate the development process which can be applied to collaborative interactive content designing in the future work.

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Piotrowska, Agnieszka. "Who is the author of Neria (1992) – and is it a Zimbabwean masterpiece or a neo-colonial enterprise?" Journal of Screenwriting 11, no. 3 (2020): 287–302. http://dx.doi.org/10.1386/josc_00034_1.

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This article focuses on the Zimbabwean film Neria (1992), arguably one of the most important films in the history of sub-Saharan Africa. Directed by the Black Zimbabwean Godwin Mawuru, it was the first feminist film in Zimbabwe and in the region, highlighting the plight of women who become the property of their brothers-in-law after their husbands die. The article addresses the issues of the origins of the story and the authorship of the screenplay. On the final reel of the film, the story credit names the accomplished Zimbabwean female novelist, Tsitsi Dangarembga; while the screenplay credit names Louise Riber. Riber served as the film’s White American editor and co-producer who, with her husband John Riber, managed the Media for Development Fund in Zimbabwe. The key question of this article is simple: who wrote the screenplay for Neria? Through the physical and metaphorical journey of this research, we discover that the story is based on the personal experiences of Anna Mawuru, the director’s mother. This is the first time that this fact has surfaced. As such, this article also offers some reflections on issues of adaption/translation, particularly in the context of postcolonial collaborations.

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Coon, Lynda L. "Historical Fact and Exegetical Fiction in the Carolingian Vita S. Sualonis." Church History 72, no. 1 (2003): 1–24. http://dx.doi.org/10.1017/s0009640700096943.

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The nineteenth-century editor of Ermenrich of Ellwangen's (ca. 814–74) Vita Sualonis, Oswald Holder-Egger, dismissed the Carolingian hagiographer's sermon on the Anglo-Saxon hermit Sualo as historically unimportant because of its heavy reliance on oral traditions, its turgid prose style, and its clumsy Latin grammar. Holder-Egger found fault with the “ahistoricism” of Ermenrich's Vita—a scholarly stance no doubt influenced by the historicism of his day that privileged “the basic story as the primary object or goal of research.” For the late-nineteenth century, the recovery and reconstruction of an original source (an archetype or Urtext) from which all other derivative and secondary versions sprang was the ultimate task of historical inquiry. Such an Urtext, once unearthed, would then present the true, uncontaminated story of what had happened in the past, and the historian who successfully excavated an Urtype would assume the role of truth teller.

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