Relevant bibliographies by topics / Straparola

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Straparola'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Straparola"

1

Tratnik, Polona. "Pravljica: družbena resničnost in mirabilis – s posebnim ozirom na renesančne različice pravljice o Pepelki." Studia Historica Slovenica 20 (2020), no. 3 (December 20, 2020): 957–84. http://dx.doi.org/10.32874/shs.2020-27.

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The article focuses on the Renaissance literary tale, specifically from the work Facetious Nights by Gian Francesco Straparola. The collection features a variant of Cinderella's tale, which is a case particularly studied in the article. The author analyses the resemblance techniques used by Straparola to encapsulate the social reality of the time, and studies how the Renaissance episteme, grounded in the principles of resemblance, expresses in his work. The mirroring of nature, best illustrated through the metaphor of a mirror, accentuates the importance of the visual and comprises mirabilis, which is etymologically rooted in mirroring. The author explores the social function of tales in Venetian society and the ways, in which the marvellous was used to achieve this objective. The article shows interrelations between Straparola's works and Slovenian folktales, as well as with older variants of the studied cases.
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Mazzoni, Cristina. "Changing the Sex of Cats: Considerations on Tale Type ATU 545, “The Cat as Helper, or, Puss in Boots” between Italy and France." Quaderni d'italianistica 40, no. 2 (October 4, 2020): 7–24. http://dx.doi.org/10.33137/q.i..v40i2.34876.

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When Charles Perrault adapted his French “Puss in Boots” from earlier Italian versions by Giovan Francesco Straparola and Giambattista Basile, he made his feline protagonist a male. The cat, however, was grammatically gendered as feminine in the Italian versions, and several critics have speculated on the reasons for the French author’s change—regarded as purely ideological. This essay examines the cat’s gender in these three tales, and Perrault’s change, from a philological as well as a feminist perspective, with an emphasis on the gender of the dying parent at the beginning of the story: a father in Basile and Perrault, but a mother with a cat-like name in Straparola.
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Dan Ben-Amos. "Straparola: The Revolution That Was Not." Journal of American Folklore 123, no. 490 (2010): 426. http://dx.doi.org/10.5406/jamerfolk.123.490.0426.

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Dan Ben-Amos. "Straparola: The Revolution That Was Not." Journal of American Folklore 123, no. 490 (2010): 426–46. http://dx.doi.org/10.1353/jaf.2010.0000.

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Baras Escolá, Alfredo. "Cuento y refrán en la «Novela del capitán cautivo» de Cervantes: el Honesto y agradable entretenimiento de Francisco Truchado y los Refranes de Hernán Núñez." Anales Cervantinos 50 (December 10, 2018): 137. http://dx.doi.org/10.3989/anacervantinos.2018.005.

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Hasta la fecha han sido mencionados con frecuencia los orígenes folclóricos de la «Novela del capitán cautivo» interpolada en el Quijote de 1605, pero nunca se ha propuesto ningún modelo unitario y completo del cuento en el que Cervantes pudo haberse basado para ensamblar todos los componentes de esta historia con estructura tripartita. Sin embargo, cierto relato latino de Morlini, vertido al italiano por Straparola y, muy especialmente, la libre traducción de este al castellano por Francisco Truchado, nos ofrecen una secuela del cuento popular de «Los tres hermanos hábiles» coincidente en múltiples detalles precisos con el texto cervantino. Debe destacarse que en 1591 el autor visitó Baeza, patria y lugar de trabajo y de residencia de Truchado, donde había sido publicada la versión de Straparola bajo el título de Segunda parte del Honesto y agradable entretenimiento de damas y galanes (Juan Bautista de Montoya, 1581, 1582, 1583).
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Pirovano, Donato. "The Literary Fairy Tale of Giovan Francesco Straparola." Romanic Review 99, no. 3-4 (May 1, 2008): 281–96. http://dx.doi.org/10.1215/26885220-99.3-4.281.

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Magnanini, Suzanne, and Ruth B. Bottigheimer. "Fairy Godfather: Straparola, Venice and the Fairy Tale Tradition." Sixteenth Century Journal 35, no. 2 (July 1, 2004): 627. http://dx.doi.org/10.2307/20477028.

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Adams, Gillian. "A Father of the Literary Fairy Tale: Giovanfrancesco Straparola." Children's Literature 32, no. 1 (2004): 209–15. http://dx.doi.org/10.1353/chl.2004.0002.

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Picquet, Théa. "La parade des animaux. Giovan Francesco Straparola, Le piacevoli notti." Italies, no. 12 (December 1, 2008): 45–58. http://dx.doi.org/10.4000/italies.1931.

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McGlathery, James M. "Fairy Godfather: Straparola, Venice, and the Fairy Tale Tradition (review)." Lion and the Unicorn 28, no. 1 (2004): 157–59. http://dx.doi.org/10.1353/uni.2004.0007.

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Dissertations / Theses on the topic "Straparola"

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Iounes-Vona, Rosaria. "La femme et le merveilleux entre Carnaval et Carême dans Le piacevoli notti de Giovanfrancesco Straparola." Nancy 2, 2006. http://www.theses.fr/2006NAN21027.

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Fondée sur une analyse conjointe des contes et énigmes des Piacevoli notti, cette étude met en lumière la nature de la relation instaurée entre les femmes et le merveilleux au cours de la période Carnaval - Carême. Les objets magiques, les animaux parlants, les métamorphoses, mais aussi le merveilleux religieux revu et corrigé par le biais de la parodie, entendue selon la pensée bakhtinienne, constituent autant de vecteurs synonymes de quête, d'épreuve, mais aussi d'aide et de récompense. La représentation des femmes est tantôt classique, lorsque la beauté se conjugue avec la bonté, tantôt subversive, lorsqu'une femme vieille et laide incarne la suprématie de la Vie sur la Mort, et tantôt dénigrante, lorsque l'allégorie aboutit à la vision d'un corps féminin violenté. Elle concourt à expliquer qu'après avoir été le plagiaire d'une partie des Novelle e favole de Girolamo Morlini, Giovanfrancesco Straparola ait été à son tour plagié par des conteurs italiens et français de renom
Based on a joint analysis of the two elements of this work, tales and riddles, this study has for aim to enlighten the nature of relationship established between women and the fantastic element, during the Carnival-Lent's period, revised by parody, according to the bakhtinian idea. Magical objects, speaking animals, metamorphoses and the religious fantastic element are vectors synonyms of quest, ordeals as well as help and reward. Giovanfrancesco Straparola's representation of women, as it is determined by the fantastic element, is sometimes classical when the beauty is linked to goodness, sometimes subversive when an ugly, old woman embodies the supremacy of Live over Death, and sometimes denigrating when the allegory results in the vision of the body as an assaulted woman. This partly explains why, after having been the plagiarist of some the Girolamo Morlini's Novelle e favole, Giovanfrancesco Straparola has himself been plagiarized by famous Italian and French storywriters
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Books on the topic "Straparola"

1

Fairy godfather: Straparola, Venice, and the fairy tale tradition. Philadelphia: University of Pennsylvania Press, 2002.

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2

Fairy-tale science: Monstrous generation in the tales of Straparola and Basile. Toronto: University of Toronto Press, 2008.

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3

David, Zipes Jack, ed. The Great fairy tale tradition: From Straparola and Basile to the Brothers Grimm : texts, criticism. New York: W.W. Norton, 2001.

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4

Il dir novellando: Modello e deviazioni. Roma: Salerno, 1994.

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5

Faouzia, Demnati. Le merveilleux et le réalisme et leurs implications sociales et culturelles dans les "Piacevoli notti" de Giovan Fra[n]cesco Straparola. [Tunis]: Université Tunis I, Faculté des lettres de Manouba, 1989.

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6

Così straparlò Berlusconi. Santa Croce sull'Arno [Pisa]: Il grandevetro, 2004.

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7

Francesco, Straparola Giovanni. The Merry Nights of Straparola. Fredonia Books (NL), 2003.

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8

Waters, W. G. The Facetious Nights Of Straparola V3. Kessinger Publishing, LLC, 2007.

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9

Waters, W. G. The Facetious Nights Of Straparola V3. Kessinger Publishing, LLC, 2007.

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10

Zipes, Jack David. The Great Fairy Tale Tradition: From Straparola and Basile to the Brothers Grimm (Norton Critical Editions). W. W. Norton, 2000.

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Book chapters on the topic "Straparola"

1

Klotz, Volker. "Giovan Francesco Straparola." In Das europäische Kunstmärchen, 31–40. Stuttgart: J.B. Metzler, 1985. http://dx.doi.org/10.1007/978-3-476-03204-1_3.

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2

Bottigheimer, Ruth B. "The Evolution of Fairy Tale Magic from Straparola to Basile and Perrault." In Magic Tales and Fairy Tale Magic, 168–82. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137380883_8.

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3

Wild, Gerhard. "Straparòla, Giovanni Francesco." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18037-1.

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4

Riesz, János. "Giovanni Francesco Straparòla." In Kindler Kompakt: Märchen, 51–53. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04359-7_4.

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Riesz, János. "Straparòla, Giovanni Francesco: Le piacevoli notti." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18038-1.

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6

Bottigheimer, Ruth B. "The Problematics of Magic on the Threshold of Fairy Tale Magic: Straparola’s Early Modern Pleasant Nights." In Magic Tales and Fairy Tale Magic, 148–67. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137380883_7.

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7

"4. Straparola at His Desk." In Fairy Godfather, 82–119. University of Pennsylvania Press, 2002. http://dx.doi.org/10.9783/9780812201390.82.

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8

"The Greetings of Giovan Francesco Straparola of Caravaggio." In The Pleasant Nights - Volume 2, edited by Don Beecher. Toronto: University of Toronto Press, 2012. http://dx.doi.org/10.3138/9781442699533-002.

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9

"3. A Possible Biography for Zoan Francesco Straparola da Caravaggio." In Fairy Godfather, 45–81. University of Pennsylvania Press, 2002. http://dx.doi.org/10.9783/9780812201390.45.

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10

"The Origins of the Fairy Tale in Italy: Straparola and Basile." In Fairy Tales and the Art of Subversion, 20–35. Routledge, 2007. http://dx.doi.org/10.4324/9780203959824-7.

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