Log in

Relevant bibliographies by topics / Strasbourg (Cathedral)

Contents

Journal articles
Dissertations / Theses
Books
Book chapters

Academic literature on the topic 'Strasbourg (Cathedral)'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Strasbourg (Cathedral).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Strasbourg (Cathedral)"

1

Lassak, Marshall. "Mathematical Lens: Cathédrale Notre-Dame de Strasbourg, Strasbourg, France." Mathematics Teacher 101, no. 2 (September 2007): 99–101. http://dx.doi.org/10.5951/mt.101.2.0099.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Stanford, Charlotte A. "Architectural Rivalry as Civic Mirror: The Dominican Church and the Cathedral in Foutheenth-Century Strasbourg." Journal of the Society of Architectural Historians 64, no. 2 (June 1, 2005): 186–203. http://dx.doi.org/10.2307/25068144.

Full text

Abstract:

Between 1307 and ca. 1331, the Friars Preachers of Strasbourg undertook a building expansion to make their church the largest in the city after the cathedral. The rebuilding program followed a clash of authority between the Dominicans and the regular clergy and city council of Strasbourg, during which the order was driven from the city from 1287 to 1290. The Dominicans' fourteenth-century building campaign reaffirmed the order's popularity with the faithful and its need for a large double nave in which to preach. Moreover, the new choir was a specific challenge to the clergy and citizens whose interest was invested in the local cathedral; the Dominican church was one of the few city structures to attempt to compete visually with the cathedral. This effort, coupled with the difficulties engendered by the Dominicans' financial success, provides an instructive example of medieval architectural exchange.

APA, Harvard, Vancouver, ISO, and other styles

3

Godart, Bruno. "Influence of Foundation Settlement on the Behaviour of Strasbourg Cathedral, France." Structural Engineering International 11, no. 4 (November 2001): 223–27. http://dx.doi.org/10.2749/101686601780346698.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Gould, Karen. "Jean Pucelle and Northern Gothic Art: New Evidence from Strasbourg Cathedral." Art Bulletin 74, no. 1 (March 1992): 51. http://dx.doi.org/10.2307/3045850.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Hillenbrand, Rainer. "KONTROVERSTHEOLOGISCHE BILDINTERPRETATIONEN VON FISCHART UND NAS." Daphnis 42, no. 1 (May 1, 2013): 93–139. http://dx.doi.org/10.1163/18796583-90001128.

Full text

Abstract:

The images of a church service with animal figures — in Strasbourg cathedral —, later destroyed, are characteristically interpreted by the Protestant Fischart and the Catholic Nas in favour of their own denomination, although they agree in their misunderstanding of the actual meaning of the images. The view of Nas that heretical dissenters are criticized through the animals, is more convincing than the attempt by Fischart to see the medieval sculptors as critics of the church and thus as precursors of Protestantism.

APA, Harvard, Vancouver, ISO, and other styles

6

Bork, Robert. "Plan B and the Geometry of Façade Design at Strasbourg Cathedral, 1250-1350." Journal of the Society of Architectural Historians 64, no. 4 (December 1, 2005): 442–73. http://dx.doi.org/10.2307/25068200.

Full text

Abstract:

A remarkable series of medieval drawings in Strasbourg documents the emergence of the local cathedral workshop as a major center of Gothic design around 1300. The so-called Plans A and B, in particular, figure prominently in the literature on Gothic architecture, but the formalistic methods usually brought to bear on the drawings leave many questions unresolved. This article uses geometrical analysis to show how the proportions of both drawings resulted from the compass-based Gothic design process. This discussion reveals a striking difference between the essentially planar Plan A and the more three-dimensionally conceived Plan B, in which the octagonal plan of the intended spire played a crucial generating role. Geometrical analysis of the complete façade block, meanwhile, shows that Plans A and B continued to influence the façade builders in the fourteenth century, despite the introduction of a new ground plan shortly before the beginning of construction in 1277.

APA, Harvard, Vancouver, ISO, and other styles

7

Landes, T., G. Kuhnle, and R. Bruna. "3D modeling of the Strasbourg’s Cathedral basements for interdisciplinary research and virtual visits." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5/W7 (August 12, 2015): 263–70. http://dx.doi.org/10.5194/isprsarchives-xl-5-w7-263-2015.

Full text

Abstract:

On the occasion of the millennium celebration of Strasbourg Cathedral, a transdisciplinary research group composed of archaeologists, surveyors, architects, art historians and a stonemason revised the 1966-1972 excavations under the St. Lawrence’s Chapel of the Cathedral having remains of Roman and medieval masonry. The 3D modeling of the Chapel has been realized based on the combination of conventional surveying techniques for the network creation, laser scanning for the model creation and photogrammetric techniques for the texturing of a few parts. According to the requirements and the end-user of the model, the level of detail and level of accuracy have been adapted and assessed for every floor. The basement has been acquired and modeled with more details and a higher accuracy than the other parts. Thanks to this modeling work, archaeologists can confront their assumptions to those of other disciplines by simulating constructions of other worship edifices on the massive stones composing the basement. The virtual reconstructions provided evidence in support of these assumptions and served for communication via virtual visits.

APA, Harvard, Vancouver, ISO, and other styles

8

Simon, Eckehard. "The First German Mary Assumption Play (c. 1300) and the Mary Portal of Strasbourg Cathedral." European Medieval Drama 9 (January 2005): 1–24. http://dx.doi.org/10.1484/j.emd.2.300026.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Minsky, Amir. "The Men Who Stare at Cathedrals: Aesthetic Education, Moral Sentiment, and the German Critique of French Revolutionary Violence, 1793–1794." Central European History 53, no. 1 (March 2020): 23–47. http://dx.doi.org/10.1017/s0008938919000918.

Full text

Abstract:

AbstractThe despoliation of the Strasbourg Cathedral during the Jacobin Terror of 1793–94 has long been considered a high point of revolutionary iconoclasm, which manifested for some the anti-enlightened nature of the Terror regime and the violence inherent in the French Revolution itself. The hybrid space—linguistic, cultural, and political—in which these vandalizing acts took place, however, brings to the fore the problem of Franco-German cultural transfer and its politics of emotion as a significant, yet previously untapped, interpretative layer. This article explores the emotional vocabularies used by both French and German commentators, which substantiated their divergent stances regarding historical consciousness, aesthetic sensibility, and national identity in the debate on the legitimacy of revolutionary violence. It argues that while it contributed to the denouement of intercultural transfer in the German-speaking sphere, the vandalism debate also had long-term consequences for German communal identity formation in a sentimental key.

APA, Harvard, Vancouver, ISO, and other styles

10

Wendland, David. "Architekturzeichnung und ihre Rolle beim Entwurf komplexer Werksteinkonstruktionen in Spätmittelalter und Früher Neuzeit." Architectura 47, no. 1-2 (July 24, 2019): 1–23. http://dx.doi.org/10.1515/atc-2017-0001.

Full text

Abstract:

AbstractAlthough the affinity of medieval architectural drawings to the graphic procedures of setting-out has been extensively discussed, the role of scale drawings in the design practice of the late Middle-Ages and the Early Modern period is still subject of debate. This regards also the drawings of complex late Gothic rib vaults. An opportunity for better understanding their precise use and function within the design and planning of complex stone structures is given by a case study on the vault in St. Catherine’s chapel in Strasbourg Cathedral, where an original drawing of the plan can be compared with the existing structure as it was actually built. The vault with looping ribs was completed in 1547. The comparative study of the drawing and the building is based on the previous research on the procedures of stone-planning in late Gothic vaults, and comprises also building archaeology, surveys, and geometric analyses of the vault.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Strasbourg (Cathedral)"

1

Stanford, Charlotte A. Smith Elizabeth Bradford. "Building civic pride Strasbourg cathedral from 1300 to 1349 /." 2003. http://etda.libraries.psu.edu/theses/approved/WorldWideIndex/ETD-334/index.html.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Bryant, Aleyna Michelle. "Proximity to the divine : personal devotion at the Holy Graves in Strasbourg." Thesis, 2012. http://hdl.handle.net/2152/ETD-UT-2012-05-5361.

Full text

Abstract:

In this thesis I examine the Holy Grave monument located in the St. Catherine chapel of Strasbourg cathedral, erected by Bishop Berthold von Bucheck sometime between 1346 and 1348. This sculptural sarcophagus currently exists in fragmented form in the Musée de l'Oeuvre Notre-Dame; only the four relief panels of the sleeping guardians, the gisant of Christ, and some fragments of the baldachin remain of the original monument. Scholars have been able to ascertain the placement and probable appearance of the Holy Grave based on traces of three lancet bays, wall paint, and bolt holes discovered along the west wall of the chapel during twentieth-century excavations. The numerous copies that the St. Catherine Holy Grave inspired throughout Strasbourg and the surrounding area attests to the significance of the monument within the larger Holy Grave tradition. The Strasbourg Holy Grave functioned liturgically as a prop used by the clergy to reenact the drama of the resurrection during Holy Week. I argue, however, that the monument's permanence, relative accessibility, and pathos-inspiring imagery suggest its use on a more frequent basis. Through its isolation of scenes from the biblical narrative and its visualization of complex mystical metaphors, the Holy Grave at Strasbourg cathedral--and thus also the numerous copies it inspired--reveals its use as an object for personal devotion, much like the group of Rhenish Andachtsbilder that also flourished at this time. The changing beliefs concerning Christ's Passion, the nature of the Eucharist, and the understanding of death and the afterlife are reflected in the style, iconography, and didactic message of the Holy Grave monument. The influence that the mendicant orders and Rhenish mystics had on the spiritual instruction of the laity in Strasbourg points to the understanding of this monument as a tool to aid the faithful in achieving union with God. The popularity of Holy Graves in and around Strasbourg ultimately illustrates the medieval desire for proximity to the divine. As the emphasis on Christ's suffering and death grew throughout the devotional practices of the fourteenth century, art forms like the Holy Grave monument at Strasbourg cathedral increasingly focused on engendering pathos in the medieval devout. The Strasbourg Holy Grave's liturgical, devotional, and anagogical functions coalesce to create a monument that's fundamental purpose consisted of aiding the faithful in their journey toward salvation.
text

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Strasbourg (Cathedral)"

1

Doumato, Lamia. Strasbourg Cathedral: A bibliography. Monticello, Ill: Vance Bibliographies, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Marie-José, Nohlen, Potier Stéphane, Kelhetter Clément, and Zvardoň František, eds. Bâtisseurs de cathédrales: Strasbourg, mille ans de chantiers. Paris: Place des victoires, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Stanford, Charlotte A. Commemorating the dead in late medieval Strasbourg: The cathedral's book of donors and its use (1320-1521). Farnham, Surrey, England: Ashgate Pub., 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Commemorating the dead in late medieval Strasbourg: The cathedral's book of donors and its use (1320-1521). Farnham, Surrey, England: Ashgate Pub., 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Das Strassburger Münster 1150-1230: Seine Ostteile und die Südquerhauswerkstatt. Petersberg: M. Imhof, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

The Astronomical Clock (Strasbourg Cathedral's). Editions La Goelette, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Strasbourg (Cathedral)"

1

Schurr, Marc Carel. "The West Façade of Strasbourg Cathedral and its Impact on Gothic Architecture in Central Europe." In The Year 1300 and the Creation of a new European Architecture, 79–88. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.ama-eb.3.7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

von Mücke, Dorothea E. "The Strasbourg Cathedral." In The Practices of the Enlightenment, 63–72. Columbia University Press, 2015. http://dx.doi.org/10.7312/columbia/9780231172462.003.0006.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

"The First Clock in Strasbourg Cathedral." In The Astronomical Clock of Strasbourg Cathedral, 9–23. BRILL, 2020. http://dx.doi.org/10.1163/9789004423473_003.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

"Introduction." In The Astronomical Clock of Strasbourg Cathedral, 1–6. BRILL, 2020. http://dx.doi.org/10.1163/9789004423473_002.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

"The Clock on the Tower Platform." In The Astronomical Clock of Strasbourg Cathedral, 24–27. BRILL, 2020. http://dx.doi.org/10.1163/9789004423473_004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

"Completion of the Second Clock in 1571–1574." In The Astronomical Clock of Strasbourg Cathedral, 40–54. BRILL, 2020. http://dx.doi.org/10.1163/9789004423473_006.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

"The Artistic Decoration of the Clock Housing." In The Astronomical Clock of Strasbourg Cathedral, 57–94. BRILL, 2020. http://dx.doi.org/10.1163/9789004423473_007.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

"The Portrait of Copernicus: Did Conrad Dasypodius Adhere to Heliocentrism?" In The Astronomical Clock of Strasbourg Cathedral, 95–111. BRILL, 2020. http://dx.doi.org/10.1163/9789004423473_008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

"Gear Trains and Layout." In The Astronomical Clock of Strasbourg Cathedral, 115–26. BRILL, 2020. http://dx.doi.org/10.1163/9789004423473_009.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

"The Celestial Globe." In The Astronomical Clock of Strasbourg Cathedral, 127–41. BRILL, 2020. http://dx.doi.org/10.1163/9789004423473_010.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!