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Journal articles on the topic 'Strasbourg (Cathedral)'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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1

Lassak, Marshall. "Mathematical Lens: Cathédrale Notre-Dame de Strasbourg, Strasbourg, France." Mathematics Teacher 101, no. 2 (September 2007): 99–101. http://dx.doi.org/10.5951/mt.101.2.0099.

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2

Stanford, Charlotte A. "Architectural Rivalry as Civic Mirror: The Dominican Church and the Cathedral in Foutheenth-Century Strasbourg." Journal of the Society of Architectural Historians 64, no. 2 (June 1, 2005): 186–203. http://dx.doi.org/10.2307/25068144.

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Between 1307 and ca. 1331, the Friars Preachers of Strasbourg undertook a building expansion to make their church the largest in the city after the cathedral. The rebuilding program followed a clash of authority between the Dominicans and the regular clergy and city council of Strasbourg, during which the order was driven from the city from 1287 to 1290. The Dominicans' fourteenth-century building campaign reaffirmed the order's popularity with the faithful and its need for a large double nave in which to preach. Moreover, the new choir was a specific challenge to the clergy and citizens whose interest was invested in the local cathedral; the Dominican church was one of the few city structures to attempt to compete visually with the cathedral. This effort, coupled with the difficulties engendered by the Dominicans' financial success, provides an instructive example of medieval architectural exchange.

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3

Godart, Bruno. "Influence of Foundation Settlement on the Behaviour of Strasbourg Cathedral, France." Structural Engineering International 11, no. 4 (November 2001): 223–27. http://dx.doi.org/10.2749/101686601780346698.

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4

Gould, Karen. "Jean Pucelle and Northern Gothic Art: New Evidence from Strasbourg Cathedral." Art Bulletin 74, no. 1 (March 1992): 51. http://dx.doi.org/10.2307/3045850.

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5

Hillenbrand, Rainer. "KONTROVERSTHEOLOGISCHE BILDINTERPRETATIONEN VON FISCHART UND NAS." Daphnis 42, no. 1 (May 1, 2013): 93–139. http://dx.doi.org/10.1163/18796583-90001128.

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The images of a church service with animal figures — in Strasbourg cathedral —, later destroyed, are characteristically interpreted by the Protestant Fischart and the Catholic Nas in favour of their own denomination, although they agree in their misunderstanding of the actual meaning of the images. The view of Nas that heretical dissenters are criticized through the animals, is more convincing than the attempt by Fischart to see the medieval sculptors as critics of the church and thus as precursors of Protestantism.

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6

Bork, Robert. "Plan B and the Geometry of Façade Design at Strasbourg Cathedral, 1250-1350." Journal of the Society of Architectural Historians 64, no. 4 (December 1, 2005): 442–73. http://dx.doi.org/10.2307/25068200.

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A remarkable series of medieval drawings in Strasbourg documents the emergence of the local cathedral workshop as a major center of Gothic design around 1300. The so-called Plans A and B, in particular, figure prominently in the literature on Gothic architecture, but the formalistic methods usually brought to bear on the drawings leave many questions unresolved. This article uses geometrical analysis to show how the proportions of both drawings resulted from the compass-based Gothic design process. This discussion reveals a striking difference between the essentially planar Plan A and the more three-dimensionally conceived Plan B, in which the octagonal plan of the intended spire played a crucial generating role. Geometrical analysis of the complete façade block, meanwhile, shows that Plans A and B continued to influence the façade builders in the fourteenth century, despite the introduction of a new ground plan shortly before the beginning of construction in 1277.

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7

Landes, T., G. Kuhnle, and R. Bruna. "3D modeling of the Strasbourg’s Cathedral basements for interdisciplinary research and virtual visits." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5/W7 (August 12, 2015): 263–70. http://dx.doi.org/10.5194/isprsarchives-xl-5-w7-263-2015.

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On the occasion of the millennium celebration of Strasbourg Cathedral, a transdisciplinary research group composed of archaeologists, surveyors, architects, art historians and a stonemason revised the 1966-1972 excavations under the St. Lawrence’s Chapel of the Cathedral having remains of Roman and medieval masonry. The 3D modeling of the Chapel has been realized based on the combination of conventional surveying techniques for the network creation, laser scanning for the model creation and photogrammetric techniques for the texturing of a few parts. According to the requirements and the end-user of the model, the level of detail and level of accuracy have been adapted and assessed for every floor. The basement has been acquired and modeled with more details and a higher accuracy than the other parts. Thanks to this modeling work, archaeologists can confront their assumptions to those of other disciplines by simulating constructions of other worship edifices on the massive stones composing the basement. The virtual reconstructions provided evidence in support of these assumptions and served for communication via virtual visits.

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8

Simon, Eckehard. "The First German Mary Assumption Play (c. 1300) and the Mary Portal of Strasbourg Cathedral." European Medieval Drama 9 (January 2005): 1–24. http://dx.doi.org/10.1484/j.emd.2.300026.

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9

Minsky, Amir. "The Men Who Stare at Cathedrals: Aesthetic Education, Moral Sentiment, and the German Critique of French Revolutionary Violence, 1793–1794." Central European History 53, no. 1 (March 2020): 23–47. http://dx.doi.org/10.1017/s0008938919000918.

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AbstractThe despoliation of the Strasbourg Cathedral during the Jacobin Terror of 1793–94 has long been considered a high point of revolutionary iconoclasm, which manifested for some the anti-enlightened nature of the Terror regime and the violence inherent in the French Revolution itself. The hybrid space—linguistic, cultural, and political—in which these vandalizing acts took place, however, brings to the fore the problem of Franco-German cultural transfer and its politics of emotion as a significant, yet previously untapped, interpretative layer. This article explores the emotional vocabularies used by both French and German commentators, which substantiated their divergent stances regarding historical consciousness, aesthetic sensibility, and national identity in the debate on the legitimacy of revolutionary violence. It argues that while it contributed to the denouement of intercultural transfer in the German-speaking sphere, the vandalism debate also had long-term consequences for German communal identity formation in a sentimental key.

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10

Wendland, David. "Architekturzeichnung und ihre Rolle beim Entwurf komplexer Werksteinkonstruktionen in Spätmittelalter und Früher Neuzeit." Architectura 47, no. 1-2 (July 24, 2019): 1–23. http://dx.doi.org/10.1515/atc-2017-0001.

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AbstractAlthough the affinity of medieval architectural drawings to the graphic procedures of setting-out has been extensively discussed, the role of scale drawings in the design practice of the late Middle-Ages and the Early Modern period is still subject of debate. This regards also the drawings of complex late Gothic rib vaults. An opportunity for better understanding their precise use and function within the design and planning of complex stone structures is given by a case study on the vault in St. Catherine’s chapel in Strasbourg Cathedral, where an original drawing of the plan can be compared with the existing structure as it was actually built. The vault with looping ribs was completed in 1547. The comparative study of the drawing and the building is based on the previous research on the procedures of stone-planning in late Gothic vaults, and comprises also building archaeology, surveys, and geometric analyses of the vault.

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11

Truitt, E. R. "The Astronomical Clock of Strasbourg Cathedral: Function and Significance. Günther Oestmann. Scientific Instruments and Collections 8. Leiden: Brill, 2020. xvi + 328 pp. €149." Renaissance Quarterly 74, no. 3 (2021): 963–64. http://dx.doi.org/10.1017/rqx.2021.129.

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12

Stanford, Charlotte. "From Bishop's Grave to Holy Grave: The Construction of Strasbourg Cathedral's St. Catherine Chapel." Gesta 46, no. 1 (January 2007): 59–80. http://dx.doi.org/10.2307/25067149.

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13

Laipple, Gabriele, Victor Beyer, Christiane Wild-Block, and Fridtjof Zschokke. "Les vitraux de la cathedrale Notre-Dame de Strasbourg. Avec la collaboration de Claudine Lautier. Corpus Vitrearum France, Volume IX-1." Zeitschrift für Kunstgeschichte 51, no. 3 (1988): 450. http://dx.doi.org/10.2307/1482413.

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14

Mossman, S. "Commemorating the Dead in Late Medieval Strasbourg: The Cathedral's Book of Donors and its Use (1320-1521), by Charlotte A. Stanford." English Historical Review 128, no. 533 (July 26, 2013): 937–39. http://dx.doi.org/10.1093/ehr/cet110.

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15

Baum, Jacob. "Mixed metaphors. The danse macabre in medieval and early modern Europe. Edited by Sophie Oosterwijk and Stefanie Knöll. Pp. xxiii+449 incl. 116 ills + 16 colour plates. Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2011. £59.99. 978 1 44438 2900 7 - Commemorating the dead in late medieval Strasbourg. The cathedral book of donors and its use (1320–1521). By Charlotte A. Stanford. (Church, Faith and Culture in the Medieval West.) Pp. xx+327 incl. 37 figs and 40 tables. Farnham–Burlington, Vt: Ashgate, 2011. £70. 978 1 4094 0136 0." Journal of Ecclesiastical History 64, no. 3 (June 6, 2013): 610–12. http://dx.doi.org/10.1017/s0022046912002321.

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16

Taylor, Larissa Juliet. "Commemorating the Dead in Late Medieval Strasbourg: The Cathedral's Book of Donors and Its Uses (1320–1521). By Charlotte A. Stanford. Surrey, U.K.: Ashgate, 2011. xx + 328 pp. $124.95 cloth." Church History 82, no. 1 (February 21, 2013): 178–79. http://dx.doi.org/10.1017/s0009640712002612.

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17

Löffler, Anette. "Charlotte A. Stanford, Commemorating the Dead in Late Medieval Strasbourg. The Cathedral’s Book of Donors and Its Use (1320–1521). Ashgate, Farnham/Burlington 2011, xx + 327 pp. ISBN 978-14-09-40136-0. £70." Church History and Religious Culture 93, no. 3 (January 1, 2013): 431–34. http://dx.doi.org/10.1163/18712428-13930311.

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18

Taylor, Carole. "Günther Oestmann, The Astronomical Clock of Strasbourg Cathedral: Function and Significance. Trans. Bruce W. Irwin." Journal of Skyscape Archaeology 7, no. 1 (September 21, 2021). http://dx.doi.org/10.1558/jsa.19440.

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Günther Oestmann, The Astronomical Clock of Strasbourg Cathedral: Function and Significance. Trans. Bruce W. Irwin Leiden and Boston: Brill, 2020. Hardback xvi, 348 pp. ISBN: 978-90-04-42346-6. $179.00.

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