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Journal articles on the topic 'Stratford Shakespeare Festival (Stratford, Ontario)'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Liston, William T. "Review: Play: Shakespeare at the Stratford Festival, Ontario, 1997." Cahiers Élisabéthains: A Journal of English Renaissance Studies 52, no. 1 (October 1997): 122–25. http://dx.doi.org/10.1177/018476789705200124.

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2

Bogdańska, Olga, Verónica D’Auria, Coen Heijes, and Xenia Georgopoulou. "Theatre Reviews." Multicultural Shakespeare: Translation, Appropriation and Performance 10, no. 25 (December 31, 2013): 133–52. http://dx.doi.org/10.2478/mstap-2013-0010.

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The Tempest. Dir. Silviu Purcarete. The National Theatre “Marin Sorescu” of Craiova, Romania. 16th Shakespeare Festival, Gdansk, Poland Richard III. Dir. Gabriel Villela. Blanes Museum Garden, Montevideo, Uruguay Henry V. Dir. Des McAnuff. Stratford Shakespeare Festival, Ontario, Canada Julius Caesar. Dir. Gregory Doran. Royal Shakespeare Company A Midsummer Night’s Dream. Adapted and dir. Georgina Kakoudaki. Theatre groups _2 and 4Frontal, Theatro tou Neou Kosmou, Greece Julius Caesar: Scripta Femina. Dir. Roubini Moschochoriti. Theatre group Anima Kinitiras Studio, Greece

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3

Keeney, Patricia, and Don Rubin. "Canada's Stratford Festival: Adventures Onstage and Off." New Theatre Quarterly 25, no. 2 (May 2009): 187–94. http://dx.doi.org/10.1017/s0266464x09000281.

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The festival season in Stratford, Ontario, was fraught with an offstage drama which seemed to reprise that of thirty years ago, when an experiment with a triumviral directorate ended in dissension and near disaster. However, once the dust had settled, an interestingly balanced season emerged, mixing Shakespeare and Shaw, ancient Greek and modern tragedy, Beckett and balletic Moby Dick. Here Patricia Keeney and Don Rubin offer their assessment of a wide-ranging repertoire. Patricia Keeney is a poet, novelist and long-time theatre critic for the monthly journal Canadian Forum. She is a Professor of English and Creative Writing at Toronto's York University. Don Rubin is the founding editor of the quarterly Canadian Theatre Review, General Editor of Routledge's six-volume World Encyclopedia of Contemporary Theatre, and Director of the Graduate Program in Theatre Studies at Toronto's York University.

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4

Knowles, Richard Paul. "Shakespeare, 1993, and the Discourses of the Stratford Festival, Ontario." Shakespeare Quarterly 45, no. 2 (1994): 211. http://dx.doi.org/10.2307/2871218.

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5

Liston, William T. "Review: Play: Shakespeare at the Stratford Festival, Ontario, 1994, Othello." Cahiers Élisabéthains: A Journal of English Renaissance Studies 47, no. 1 (April 1995): 93–95. http://dx.doi.org/10.1177/018476789504700112.

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6

Liston, William T. "Review: Play: Shakespeare at the Stratford Festival, Ontario, 1995, Macbeth." Cahiers Élisabéthains: A Journal of English Renaissance Studies 48, no. 1 (October 1995): 108–10. http://dx.doi.org/10.1177/018476789504800122.

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7

Liston, William T. "Review: Play: Shakespeare at the Stratford Festival, Ontario, Canada 1993, Antony and Cleopatra." Cahiers Élisabéthains: A Journal of English Renaissance Studies 45, no. 1 (April 1994): 103–4. http://dx.doi.org/10.1177/018476789404500119.

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8

Liston, William T. "Review: Play: Shakespeare at the Stratford Festival, Ontario, 1996, the Merchant of Venice." Cahiers Élisabéthains: A Journal of English Renaissance Studies 50, no. 1 (October 1996): 87–88. http://dx.doi.org/10.1177/018476789605000123.

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9

Ue, Tom. "Review of Shakespeare’s The Tempest (directed by Antoni Cimolino for the Stratford Festival) at the Festival Theatre, Stratford, Ontario, 13 July 2018." Shakespeare 15, no. 1 (September 13, 2018): 83–85. http://dx.doi.org/10.1080/17450918.2018.1516695.

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10

Ue, Tom. "Review of Shakespeare's Romeo and Juliet (directed by Scott Wentworth for the Stratford Festival) at the Festival Theatre, Stratford, Ontario, 9 June 2017." Shakespeare 14, no. 3 (November 30, 2017): 256–58. http://dx.doi.org/10.1080/17450918.2017.1402811.

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11

Aune, M. G. "Review of Ben Jonson'sBartholomew Fair(directed by Antoni Cimolino for the Stratford Shakespeare Festival) at the Tom Patterson Theatre, Stratford, Ontario, May–October 2009." Shakespeare 5, no. 4 (December 2009): 451–54. http://dx.doi.org/10.1080/17450910903370517.

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12

Hamlin, Hannibal. "Review of Shakespeare'sAll's Well That Ends Well(directed by Marti Maraden) andHamlet(directed by Adrian Noble) for the Stratford Shakespeare Festival at the Festival Theater, Stratford, Ontario, August 2008." Shakespeare 5, no. 1 (April 2009): 90–97. http://dx.doi.org/10.1080/17450910902764355.

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13

McKague, Cathleen. "Play review: The 2018 Stratford, Ontario, Festival Shakespeare Plays: The Tempest, Coriolanus, The Comedy of Errors, Julius Caesar." Cahiers Élisabéthains: A Journal of English Renaissance Studies 98, no. 1 (March 22, 2019): 92–95. http://dx.doi.org/10.1177/0184767819826011a.

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14

Aune, M. G. "The Stratford Shakespeare Festival 2011." Shakespeare 8, no. 3 (September 2012): 328–37. http://dx.doi.org/10.1080/17450918.2012.696274.

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15

Aune, M. G. "The Stratford Shakespeare Festival 2012." Shakespeare 12, no. 4 (June 14, 2013): 421–28. http://dx.doi.org/10.1080/17450918.2013.805804.

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16

Hornby, Richard. "The Stratford Festival, Ontario, Canada." Hudson Review 43, no. 4 (1991): 629. http://dx.doi.org/10.2307/3852195.

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17

Aune, M. G. "Destination Shakespeare: The Stratford Shakespeare Festival 2010." Shakespeare 8, no. 2 (June 2012): 264–74. http://dx.doi.org/10.1080/17450918.2012.679295.

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18

Knowles, Richard Paul, and J. Alan B. Somerset. "The Stratford Festival Story: A Catalogue-Index to the Stratford, Ontario Festival, 1953-1990." Theatre Journal 45, no. 1 (March 1993): 133. http://dx.doi.org/10.2307/3208604.

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19

Watermeier, Daniel J. "Shakespeare in Canada: The 1987 Stratford Festival." Shakespeare Quarterly 39, no. 2 (1988): 226. http://dx.doi.org/10.2307/2870634.

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20

Gaby, Rose. "‘An Australian Stratford?’ Shakespeare and the festival." Journal of Australian Studies 31, no. 90 (January 2007): 167–76. http://dx.doi.org/10.1080/14443050709388118.

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21

Brady, Owen Edward. "The 1999 Stratford Festival, Stratford, Ontario, Canada, 20-22 July 1999 (review)." Theatre Journal 52, no. 2 (2000): 269–72. http://dx.doi.org/10.1353/tj.2000.0036.

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22

Volz, Jim. "Canada's Shakespeare in Love Proves Touching and Wonderfully Waggish." Scene: Reviews of Early Modern Drama, no. 1 (October 13, 2018): 73. http://dx.doi.org/10.18357/scene01201718449.

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23

RENIHAN, COLLEEN. "Pitching Opera: Innovating New Music Theater at Banff and Stratford, 1970–1990." Journal of the Society for American Music 14, no. 1 (January 15, 2020): 33–50. http://dx.doi.org/10.1017/s1752196319000531.

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AbstractThe Banff Summer Festival of the Arts and the Stratford Summer Music Festival have been unrecognized sites of operatic innovation in Canada. Indeed, the flourishing of what might be termed “new music theater” in Canada is imbricated with the history of these two festivals. Archival research reveals that the inventive, often revolutionary, approaches to music theater honed at Stratford and Banff from 1970–1990 ultimately defined the course of Canadian new music theatre in the decades that followed. Founded in 1953 as a Shakespeare festival, the Stratford Festival eventually became renowned for its (nearly exclusive) focus on musical theater. At Banff, discussions about generic innovation occurred regularly, producing what I suggest was one of the foremost centers in the world for innovation in music theater. Charting the development of opera in Canada through conversations that took part at the Banff and Stratford festivals during the period 1970–1990 reveals the unique possibilities that the peripheral positioning of these festivals—aesthetically, critically, and geographically—offered to the development, dissemination, and innovation of so-called new music theater in Canada.

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24

Lane, Harry. "J. Alan B. Somerset. The Stratford Festival Story: A Catalogue-Index to the Stratford, Ontario, Festival 1953-1990." Theatre Research in Canada 14, no. 2 (January 1993): 204–6. http://dx.doi.org/10.3138/tric.14.2.204.

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25

Stuart, Ross. "The Stratford Festival Story: A Catalogue-Index of the Stratford, Ontario, Festival 1953–1990 by J. Alan B. Somerset." ESC: English Studies in Canada 19, no. 3 (1993): 378–79. http://dx.doi.org/10.1353/esc.1993.0021.

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26

Dougherty, Sarah. "Touring Shakespeare: The Stratford Festival, Cultural Funding, and Cultural Diplomacy." Journal of the Canadian Historical Association 29, no. 1 (2018): 73. http://dx.doi.org/10.7202/1065714ar.

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27

Solga, Kim. "Realism and the Ethics of Risk at the Stratford Shakespeare Festival." Shakespeare Bulletin 28, no. 4 (2010): 417–42. http://dx.doi.org/10.1353/shb.2010.0024.

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28

Knowles, Richard Paul. "Stratford's First Young Company." Theatre Research in Canada 11, no. 1 (January 1990): 3–28. http://dx.doi.org/10.3138/tric.11.1.3.

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The first so-called 'Young Company' at the Stratford Festival was founded in 1975 by the incoming Artistic Director, Robin Phillips. This essay describes the brief history of that loosely-defined company and analyses their productions of The Two Gentlemen of Verona and The Comedy of Errors in 1975 and of Hamletand The Tempest in 1976, the Festival's first productions of Shakespeare at the Avon Theatre.

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29

Parolin, Peter. ""What revels are in hand?": A Change of Direction at the Stratford Shakespeare Festival of Canada." Shakespeare Quarterly 60, no. 2 (2009): 197–224. http://dx.doi.org/10.1353/shq.0.0078.

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30

LeCompte, Elizabeth, Kate Valk, and Maria Shevtsova. "A Conversation on The Wooster Group's Troilus and Cressida with the RSC." New Theatre Quarterly 29, no. 3 (July 31, 2013): 233–46. http://dx.doi.org/10.1017/s0266464x13000432.

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Elizabeth LeCompte and Kate Valk here discuss with Maria Shevtsova The Wooster Group's work with the Royal Shakespeare Company on Troilus and Cressida and the challenges posed for them by this joint venture. The project was initially proposed by Rupert Goold, but was brought to fruition by playwright Mark Ravenhill, his first directing experience. Troilus and Cressida was part of the World Shakespeare Festival, during which all Shakespeare's plays were performed by different companies from countries across the globe. The Festival, four years in the making and spanning eight months, was part of the cultural programme of the Olympic Games held in London in 2012. Troilus and Cressida was first performed at the Swan Theatre in Stratford-upon-Avon from 3 to 18 August 2012, and then at the Riverside Studios in London from 24 August to 8 September. This conversation took place at the Riverside Studios on 30 August 2012, and pairs with the discussion of The Wooster Group's Hamlet, the company's first Shakespeare production, published in NTQ 114 (May 2013). Maria Shevtsova holds the Chair in Drama and Theatre Arts at Goldsmiths, University of London and is co-editor of New Theatre Quarterly. Her most recent book is the co-authored Cambridge Introduction to Theatre Directing (2013).

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31

Jackson, Adrian. "Augusto Boal – a Theatre in Life." New Theatre Quarterly 25, no. 4 (November 2009): 306–9. http://dx.doi.org/10.1017/s0266464x09000591.

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Augusto Boal died on 2 May 2009 at the age of seventy-eight. The following tribute is by Adrian Jackson, who knew Boal not only as translator into English of five of his books and collaborator on many of his workshops, but as a leading practitioner deploying Boal's techniques, notably as founder in 1991 and Artistic Director of Cardboard Citizens, the UK's only homeless people's professional theatre company, for whom he has directed more than twenty productions, including two in association with the Royal Shakespeare Company – Pericles, played in a disused warehouse off the Old Kent Road, and Timon of Athens, which toured Stratford and the Belfast Festival. The company's most recent production was Mincemeat, a Second World War epic based on the story of the Man Who Never Was.

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32

Marentette, Shannon, and Janine Pearson. "Essay A Coach Prepares: A Conversation between graduate student Shannon Marentette and Janine Pearson of the Stratford Shakespeare Festival." Voice and Speech Review 6, no. 1 (January 2009): 204–8. http://dx.doi.org/10.1080/23268263.2009.10761522.

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33

Topham, Sara, and Marlis Schweitzer. "“The first time I put on a Maggie Smith ...”: The Role of Costuming in the Artistic Process of Actresses at the Stratford Shakespeare Festival." Canadian Theatre Review 152 (October 2012): 32–37. http://dx.doi.org/10.3138/ctr.152.32.

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34

Topham, Sara, and Marlis Schweitzer. ""The first time I put on a Maggie Smith ...": The Role of Costuming in the Artistic Process of Actresses at the Stratford Shakespeare Festival." Canadian Theatre Review 152, no. 1 (2012): 32–37. http://dx.doi.org/10.1353/ctr.2012.0066.

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35

"The Stratford Festival story: a catalogue-index to the Stratford, Ontario, Festival 1953-1990." Choice Reviews Online 29, no. 10 (June 1, 1992): 29–5467. http://dx.doi.org/10.5860/choice.29-5467.

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36

Cerezo, Marta. "An Early History of the Shakespeare Sermon (1769–1830): From Garrick’s Jubilee to the Reverend Arthur Savage Wade’s Stratford Festival Shakespeare Sermons." Shakespeare, September 2, 2021, 1–23. http://dx.doi.org/10.1080/17450918.2021.1968022.

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