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Books on the topic 'Streaming audio'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 February 2023

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1

The technology of video and audio streaming. 2nd ed. Burlington, MA: Focal Press, 2004.

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2

Amazon Echo: The ultimate guide to learn Amazon Echo in no time (Amazon Prime, Alexa Skills Kit, smart devices, digital services, digital media). United States]: [CreateSpace Independent Publishing Platform], 2016.

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3

Corporation, Microsoft, ed. Inside Windows Media: Learn to combine video, audio, and still images to create streaming media. Indianapolis, Ind: Que, 1999.

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4

Spotify for dummies. Chichester: Wiley, 2012.

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5

Amazon Echo: Master your Amazon Echo; user guide and manual. 4th ed. Place of publication not identified]: [publisher not identified], 2015.

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6

Amazon Alexa ultimate user guide 2017: For Amazon Echo, Echo Dot & Amazon Tap. United States?]: [publisher not identified], 2016.

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7

Vidéo d'entreprise et communication: Promouvoir son image, vendre ses produits, recruter et former : Internet, streaming, Rich Media, TV d'entreprise et web TV, DVD ... : définir une stratégie, suivre un projet, piloter un prestataire, optimiser son investissement. Paris: Vuibert, 2008.

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8

Shumilina, Vera, Galina Krohicheva, Nataliya Izvarina, Vladimir Lesnyak, Kristina Kurshubadze, Anastasia Aistova, Elizaveta Rudenko, et al. Application of accounting, analysis and audit in enterprise management. au: AUS PUBLISHERS, 2021. http://dx.doi.org/10.26526/monography_618ba6f2989171.05397055.

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It is impractical to plan the further work of the company without taking into account analytical data for previous production periods. Analytical accounting data allows managers to build a company's strategy or make changes to an existing development plan. The importance of accounting for the enterprise plays a large role at the planning stage of the further business strategy. A competent manager studies accounting data before making the next decision regarding the company's finances. The easiest way to streamline accounting documents and eliminate errors in it is to conduct an internal audit. Such an audit will protect the company from possible fines and problems with tax audits. It will help optimize accounting and document flow, and simplify relations with banks and counterparties. Economic analysis aims to turn economic and non-economic information into useful information for decision making. Logical processing, study, generalization of facts, their systematization, conclusions, proposals, search for reserves - all these tasks are solved within the framework of economic analysis, which is designed to ensure the validity of management decisions and increase its effectiveness. This monograph is a collective work of teachers and students of the Department of Economic Security, Accounting and Law of the Don State Technical University. It is devoted to the consideration of certain issues of accounting, audit and economic analysis at the enterprise in modern conditions.

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9

United States. Congress. Senate. Committee on Governmental Affairs. Single Audit Act Amendments of 1996: Report of the Committee on Governmental Affairs, United States Senate, to accompany S. 1579, to streamline and improve the effectiveness of chapter 75 of Title 31, United States Code (commonly referred to as the "Single Audit Act"). Washington: U.S. G.P.O., 1996.

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10

Streaming Audio: The FezGuys' Guide. New Riders Press, 2002.

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11

ALLIANCE, electrical training, and Helen Heneveld. Audio,Video, and Streaming Media Technology. electrical training ALLIANCE, 2020.

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12

Austerberry, David. Technology of Video and Audio Streaming. Taylor & Francis Group, 2013.

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13

Campbell, Roy. Streaming: Audio, Video, and Data Tran. Wiley & Sons, Incorporated, John, 1997.

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14

Austerberry, David. Technology of Video and Audio Streaming. Taylor & Francis Group, 2013.

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15

Austerberry, David. Technology of Video and Audio Streaming. Taylor & Francis Group, 2013.

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16

Austerberry, David. Technology of Video and Audio Streaming. Taylor & Francis Group, 2013.

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17

Technology of Video and Audio Streaming. Taylor & Francis Group, 2002.

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18

ALLIANCE, electrical training, and Helen Heneveld. Audio,Video, and Streaming Media Technology. NJATC, 2020.

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19

Austerberry, David. Technology of Video and Audio Streaming. Taylor & Francis Group, 2015.

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20

Austerberry, David. The Technology of Video and Audio Streaming. Routledge, 2013. http://dx.doi.org/10.4324/9780080481319.

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21

Contemporary Class Piano Streaming Audio Access Code Card. Oxford University Press, Incorporated, 2015.

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22

Streaming Music: Practices, Media, Cultures. Taylor & Francis Group, 2017.

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23

Werner, Ann, Sofia Johansson, Patrik Åker, and Greg Goldenzwaig. Streaming Music: Practices, Media, Cultures. Taylor & Francis Group, 2017.

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24

Werner, Ann, Sofia Johansson, Patrik Åker, and Greg Goldenzwaig. Streaming Music: Practices, Media, Cultures. Taylor & Francis Group, 2019.

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25

Echo, Amazon, and Alexa Echo. Amazon Echo: The Ultimate User Guide to Learn Amazon Echo Fast. CreateSpace Independent Publishing Platform, 2016.

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26

Amazon Echo: The Ultimate Beginner's Guide to Amazon Echo. CreateSpace Independent Publishing Platform, 2016.

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27

Get Streaming!: Quick Steps to Delivering Audio and Video Online. Focal Press, 2004.

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28

Gilmour, Kim. Spotify for Dummies. Wiley & Sons, Incorporated, John, 2011.

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29

Gilmour, Kim. Spotify for Dummies. Wiley & Sons, Incorporated, John, 2011.

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30

Jr, Putt Barry M. Stories Told Through Sound: The Craft of Writing Audio Dramas for Podcasts, Streaming, and Radio. Leonard Corporation, Hal, 2023.

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31

Gilmour, Kim. Spotify for Dummies. Wiley & Sons, Incorporated, John, 2011.

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32

Future of Audio and Video Markets As Presented to Congress. Nova Science Pub Inc, 2012.

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33

Die Urheberrechtliche Bewertung des Nicht-Linearen Audio-Video Streamings Im Internet: Die Verschiedenen Technischen Verfahren Im System und Auf Dem Prufstand Urheberrechtlicher Verwertungs- und Leistungsschutzrechte. Nomos Verlagsgesellschaft, 2012.

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34

Kris Jamsa's Starting with MP3 : Streaming Audio, Video, Multimedia, and Other Cutting-Edge Software (Kris Jamsa's Starting with). Muska & Lipman Publishing, 2001.

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35

Incorporated, Learn2succeed com. Streaming Video and Audio for Business: New Ways to Communicate with Your Customers, Employees and Shareholders over the Internet. Productive Publications, 2008.

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36

Wallace, Donna, and Robb Wallace. Smartphone Smart Marketing: A layman’s guide to content marketing, social media strategy, photography, video production, audio and live streaming. Robb Wallace Media, 2020.

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37

Sesigür, Onur. Playlisting: Collecting Music, Remediated. Taylor & Francis Group, 2021.

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38

Sesigür, Onur. Playlisting. Taylor & Francis Group, 2021.

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39

Sesigür, Onur. Playlisting: Collecting Music, Remediated. Taylor & Francis Group, 2021.

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40

Playlisting: Collecting Music, Remediated. Taylor & Francis Group, 2021.

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41

Sesigür, Onur. Playlisting: Collecting Music, Remediated. Routledge, 2021.

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42

Mazierska, Ewa, Les Gillon, and Tony Rigg. Popular Music in the Post-Digital Age: Politics, Economy, Culture and Technology. Bloomsbury Publishing Plc, 2020.

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43

Popular Music in the Post-Digital Age: Economical, Cultural, and Technological Contexts. Bloomsbury Publishing Plc, 2018.

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44

VanCour, Shawn. Making Radio Time. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190497118.003.0002.

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This chapter analyzes strategies of program arrangement developed to manage sonic flows and listener attention, the industrial exigencies shaping them, and means by which they became taken-for-granted aspects of modern experience. Regulatory mandates for live programming positioned radio as a new studio art that would supply its own content, a system of private competition favored continuous streaming of regularly scheduled programming to attract and hold listener attention, and conflicting mandates for varied but unified programming were resolved by dividing the broadcast day into a series of larger programming blocks. Consolidated on the production side through internal record-keeping mechanisms such as the program log, these scheduling strategies were communicated to listeners through on-air announcements and newspaper listings that helped to naturalize their emerging structures of broadcast flow and facilitate a larger commodification of sound central to the success of modern audio media.

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45

Richardson, John, Claudia Gorbman, and Carol Vernallis, eds. The Oxford Handbook of New Audiovisual Aesthetics. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.001.0001.

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This volume offers new ways to read the audiovisual. In the media landscapes of today, conglomerates jockey for primacy and the Internet increasingly places media in the hands of individuals-producing the range of phenomena from movie blockbuster to YouTube aesthetics. Media forms and genres are proliferating and interpenetrating, from movies, music, and other entertainments streaming on computers and iPods to video games and wireless phones. The audiovisual environment of everyday life, too-from street to stadium to classroom-would at times be hardly recognizable to the mid-twentieth-century subject. The Oxford Handbook of New Audiovisual Aesthetics provides powerful ways to understand these changes. Earlier approaches tended to consider sound and music as secondary to image and narrative. These remained popular even as practices from theater, cinema, and television migrated across media. However, the traversal, or “remediation,” from one medium to another has also provided practitioners and audiences the chance to rewrite the rules of the audiovisual contract. Whether viewed from the vantage of televised mainstream culture, the Hollywood film industry, the cinematic avant-garde, or the participatory discourses of “cyberspace,” audiovisual expression has changed dramatically. The book provides a definitive cross-section of current ways of thinking about sound and image. Its authors-leading scholars and promising younger ones, audiovisual practitioners and nonacademic writers (both mainstream and independent)-open the discussion on audiovisual aesthetics in new directions. Our contributors come from fields including film, visual arts, new media, cultural theory, and sound and music studies, and they draw variously from economic, political, institutional, psychoanalytic, genre-based, auteurist, internationalist, reception-focused, technological, and cultural approaches to questions concerning today’s sound and image. All consider the aural dimension, and what Michel Chion calls “audio-vision:” the sensory and semiotic result of sound placed with vision, an encounter greater than their sum.

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46

The Pilates Body Kit: An Interactive Fitness Program to Strengthen, Streamline, and Tone (includes 2 audio cds, flash cards & workbook). St. Martin's Griffin, 2003.

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