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Journal articles on the topic 'Streaming'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Kechris, Christodoulos, Jonathan Dan, Jose Miranda, and David Atienza. "Don’t Think It Twice: Exploit Shift Invariance for Efficient Online Streaming Inference of CNNs." Proceedings of the AAAI Conference on Artificial Intelligence 39, no. 17 (2025): 17805–13. https://doi.org/10.1609/aaai.v39i17.33958.

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Deep learning time-series processing often relies on convolutional neural networks with overlapping windows. This overlap allows the network to produce an output faster than the window length. However, it introduces additional computations. This work explores the potential to optimize computational efficiency during inference by exploiting convolution's shift-invariance properties to skip the calculation of layer activations between successive overlapping windows. Although convolutions are shift-invariant, zero-padding and pooling operations, widely used in such networks, are not and complicat

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2

Blakeley, Ryan. "“The Part of the Music Industry That God Forgot”." Journal of Popular Music Studies 36, no. 2 (2024): 28–51. http://dx.doi.org/10.1525/jpms.2024.36.2.28.

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In October 2020, the B2B (business-to-business) background music company Soundtrack Your Brand—formerly Spotify Business—launched the world’s first full-catalog on-demand streaming service for background music. Although background music providers have licensed, curated, and distributed music to businesses for nearly a century, they have only recently started embracing the new possibilities of streaming. Now, streaming is rapidly influencing the background music industry’s features, music selection practices, and economics. While scholars in music and media studies have extensively studied B2C

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Rich, B. Ruby. "Streaming Hope, Streaming Despair, Still Streaming." Film Quarterly 74, no. 3 (2021): 5–8. http://dx.doi.org/10.1525/fq.2021.74.3.5.

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4

Walker, Austin. "Watching Us Play: Postures and Platforms of Live Streaming." Surveillance & Society 12, no. 3 (2014): 437–42. http://dx.doi.org/10.24908/ss.v12i3.5303.

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In this article, Austin Walker discusses streaming, the practice of broadcasting the gameplay footage. Providing a brief analysis of the range of streaming practices, Walker argues that streaming represents a sea change in how players share and collaborate, adding new sorts of social interactivity to an experience that was, for so long, solitary. Live streaming’s novelty grants it special status as a practice still in formation, making it especially useful in analyzing how late capitalism identifies and appropriates fresh cultural activity--doing so in this case through the development of an i

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Jin, Delong. "Live-Streaming Adoption Strategies in Downstream-Dominant Supply Chain." Mathematics 13, no. 2 (2025): 230. https://doi.org/10.3390/math13020230.

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In recent years, live streaming has become popular among merchants as it helps them obtain direct access to and attract customers. This study examines how weak upstream providers and strong downstream sellers adopt live streaming in a supply chain framework. It uses a theoretical game model with one provider and one seller. The seller sets the procurement price, and then the provider decides the supply level. Both can use live streaming alongside traditional channels. The results show that (1) live streaming raises both procurement and retail prices in traditional channels; (2) retail prices m

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Yang, Lyu Shu, and Li Xuan. "Enhancing Oral Communication through Live Streaming: Exploring Opportunities and Challenges." International Journal of Scientific and Management Research 06, no. 07 (2023): 107–23. http://dx.doi.org/10.37502/ijsmr.2023.6707.

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This study evaluates live streaming's effects on spoken conversations. After discussing voice communication's relevance in numerous situations, live streaming is studied. Study live broadcasting's impact on spoken communication. This research evaluates live-streamed spoken communication. Surveys, interviews, and relevant literature accomplished this. Livestream viewers and participants were assessed about spoken communication interest and usage. The research indicated live streaming enhances speech. Engagement, responsiveness, and dispersion increased. Global citizens can speak. Technology, pr

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7

Lewis, Ryan Hardesty, and Alex Conway. "Streaming the Future of Sustainability." ACM SIGEnergy Energy Informatics Review 4, no. 5 (2024): 166–71. https://doi.org/10.1145/3727200.3727225.

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The rapid growth of digital video traffic presents both challenges and opportunities for sustainable content delivery. We argue that the shift towards on-demand streaming, exemplified by services like Netflix, provides a path to significantly reduce the carbon footprint and e-waste associated with traditional computing paradigms. By eliminating the need for local operating systems, enabling more efficient edge devices, and leveraging renewable-powered cloud infrastructure, streaming on-demand hardware and content can drive down energy use and embodied emissions. We analyze the key factors behi

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8

Grodź, Iwona. "Streaming versus edukacja. O jakości i uważności w edukacji oraz streamingu." Pedagogika Społeczna Nova 4, no. 8 (2024): 83–98. https://doi.org/10.14746/psn.2024.4.8.6.

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Education and streaming – this is a combination of technology and pedagogy that is transforming the way we learn and teach others. Streaming – the live transmission or sharing of video content over the Internet – offers new opportunities for education, both formal and informal. The purpose of the essay is to point out several key aspects of this connection that allow us to reveal both the advantages of education via streaming and its disadvantages. Research question: Is streaming really an effective educational method? By enabling free contact with any amount of content, does it create orders

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9

Zhang, Hong, Zhenchao Xu, Yunxiang Wang, and Yupeng Shen. "An innovative parameter optimization of Spark Streaming based on D3QN with Gaussian process regression." Mathematical Biosciences and Engineering 20, no. 8 (2023): 14464–86. http://dx.doi.org/10.3934/mbe.2023647.

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<abstract><p>Nowadays, Spark Streaming, a computing framework based on Spark, is widely used to process streaming data such as social media data, IoT sensor data or web logs. Due to the extensive utilization of streaming media data analysis, performance optimization for Spark Streaming has gradually developed into a popular research topic. Several methods for enhancing Spark Streaming's performance include task scheduling, resource allocation and data skew optimization, which primarily focus on how to manually tune the parameter configuration. However, it is indeed very challenging

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10

Kang, Jeongho, and Kwangsue Chung. "HTTP Adaptive Streaming Framework with Online Reinforcement Learning." Applied Sciences 12, no. 15 (2022): 7423. http://dx.doi.org/10.3390/app12157423.

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Dynamic adaptive streaming over HTTP (DASH) is an effective method for improving video streaming’s quality of experience (QoE). However, the majority of existing schemes rely on heuristic algorithms, and the learning-based schemes that have recently emerged also have a problem in that their performance deteriorates in a specific environment. In this study, we propose an adaptive streaming scheme that applies online reinforcement learning. When QoE degradation is confirmed, the proposed scheme adapts to changes in the client’s environment by upgrading the ABR model while performing video stream

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11

Way, Samuel F., Jean Garcia-Gathright, and Henriette Cramer. "Local Trends in Global Music Streaming." Proceedings of the International AAAI Conference on Web and Social Media 14 (May 26, 2020): 705–14. http://dx.doi.org/10.1609/icwsm.v14i1.7336.

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Audio streaming services have made it easier for countries around the world to listen to each other's music. This expansion in listeners' access to global content, however, has raised questions about streaming's impact on the import and export flows of music between countries and their preferences for local or global content. Here, we analyze five and a half years of all streaming data from Spotify, a global music streaming service, and find that preferences for local content have increased from 2014 through 2019, reversing previously noted trends. Perhaps correspondingly, both common official

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12

Rizki, Rahmad, Rizal Munadi, and Syahrial Syahrial. "Analisis Performansi Video Streaming Dengan Menggunakan Protokol RTSP Pada Jaringan IEEE 802.11n." Jurnal Nasional Komputasi dan Teknologi Informasi (JNKTI) 2, no. 1 (2019): 9. http://dx.doi.org/10.32672/jnkti.v2i1.1050.

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Dalam mewujudkan komunikasi yang handal pada layanan streaming dengan tingkat realibility dan availability yang terjaga maka dibutuhkan performansi jaringan yang baik. Artinya sebuah jaringan harus mampu menjaga tingkat utilitasnya dalam keadaan optimal dalam kondisi apapun. Apabila kualitas sudah sangat baik maka penggunaan video streaming akan semakin digunakan oleh penggunanya. Dengan teknologi streaming, banyak sekali manfaat yang bisa didapatkan. Murah, karena hanya memerlukan satu server yang bisa digunakan untuk banyak user. Untuk menjalankan streaming tersebut bisa dihubungkan beberapa

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13

Coke, Allison Adelle Hedge. "Streaming." World Literature Today 91, no. 3 (2017): 36–41. http://dx.doi.org/10.1353/wlt.2017.0175.

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Allison Adelle Hedge Coke. "Streaming." World Literature Today 91, no. 3-4 (2017): 36. http://dx.doi.org/10.7588/worllitetoda.91.3-4.0036.

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15

Thibault, Ghislain. "Streaming." Archaeologies of Tele-Visions and -Realities 4, no. 7 (2015): 110. http://dx.doi.org/10.18146/2213-0969.2015.jethc085.

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This paper focuses on the continuities, rather than the ruptures, between digital television and past media forms. It situates the metaphor of “streaming” in contrast to and connection with previous fluid metaphors that have been used to describe different models of media transmission. From the early use of aqueous vocabulary that shaped popular and scientific understandings of electricity transmission to the seminal studies of mass communication concerning the flows of information, images of fluidity have long shaped cultural understandings of the inner logics of media infrastructures. Buildi

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16

Connolly, Marie. "Drott, Eric. Streaming Music, Streaming Capital." Journal of Economic Literature 63, no. 1 (2025): 315–16. https://doi.org/10.1257/jel.63.1.306.r5.

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Marie Connolly of Universite du Quebec a Montreal reviews “Streaming Music, Streaming Capital” by Eric Drott. The Econlit abstract of this book begins: “Explores how the change in recorded music's commercial circulation from digital downloads to cloud-based streaming has transformed the conventions, practices, and discourses that shape both music and streaming, detailing how the ascendancy of digital platforms represents a response to the crises that have afflicted the capitalist world system since the 1970s and have intensified since the financial crisis of 2008.”

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17

Oliveira, Arthur Freitas, Priscilla Mendonça Pinheiro, and Júlio Afonso Alves Dutra. "SERVIÇOS DE STREAMING: HISTÓRICO, CONSUMO E PERSPECTIVAS." RECIMA21 - Revista Científica Multidisciplinar - ISSN 2675-6218 4, no. 11 (2023): e4114314. http://dx.doi.org/10.47820/recima21.v4i11.4314.

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Os serviços de streaming modificaram a maneira como as pessoas passaram a consumir filmes, séries e conteúdo audiovisual, gerando um grande impacto na indústria, originalmente dominada pelo cinema e pela televisão. É apresentado o histórico dos serviços de streaming e como este tipo de serviço vem crescendo na atualidade, impulsionado pelo período da Pandemia Covid-19, onde as pessoas tiveram de se isolar em seus domicílios, utilizando estes serviços como acesso ao conteúdo audiovisual dadas as imposições de isolamento. Apresentam-se os fatores que levam ao consumo deste tipo de serviço e os d

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18

Agarwalla, Bikash, Nova Ahmed, David Hilley, and Umakishore Ramachandran. "Streamline: scheduling streaming applications in a wide area environment." Multimedia Systems 13, no. 1 (2007): 69–85. http://dx.doi.org/10.1007/s00530-007-0082-0.

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19

Srivastava, Shilpi. "Non Equilibrium Thermodynamic Studies on Membrane Phenomena "Streaming Potential and Streaming Current"." International Journal of Science and Research (IJSR) 11, no. 8 (2022): 230–34. http://dx.doi.org/10.21275/sr22801103619.

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20

Scheibe, Katrin, Franziska Zimmer, and Kaja J. Fietkiewicz. "Das Informationsverhalten von Streamern und Zuschauern bei Social Live-Streaming Diensten am Fallbeispiel YouNow." Information - Wissenschaft & Praxis 68, no. 5-6 (2017): 352–64. http://dx.doi.org/10.1515/iwp-2017-0065.

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ZusammenfassungIn den letzten Jahren hat eine neue Art von Social Media an Popularität gewonnen, nämlich die Social Live-Streaming Services (SLSSs). Ein besonders bei Jugendlichen und jungen Erwachsenen beliebter SLSS ist YouNow, der auch im Fokus unserer Fallstudie steht. SLSSs ermöglichen dem Nutzer in Echtzeit zu streamen, mit den Zuschauern zu interagieren und von diesen auf verschiedene Weisen belohnt zu werden. In dieser Studie wurde das Informationsverhalten der Nutzer von SLSSs unter Anwendung sowohl der Lasswell Formel als auch des Nutzen- und Belohnungsansatzes (Uses and Gratificatio

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21

Jia, Shanshan. "The evolutionary game analysis of the decision-making behavior of live streaming stakeholders under the value co-creation." PLOS ONE 18, no. 9 (2023): e0291453. http://dx.doi.org/10.1371/journal.pone.0291453.

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Integrity-linked issues have become increasingly serious and attracted considerable attention regarding the sustainability of live streaming; therefore, live streaming anchors and suppliers have become increasingly concerned about their ongoing marketing. Moreover, streaming platforms are also beginning to focus on sustainable development. Determining how live streaming anchor behavior, supplier behavior, and streaming platform strategic decision affect live streaming is essential for achieving the healthy and sustainable development of live streaming ecosystems. However, the game among live s

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22

DROTT, ERIC A. "Music as a Technology of Surveillance." Journal of the Society for American Music 12, no. 3 (2018): 233–67. http://dx.doi.org/10.1017/s1752196318000196.

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AbstractThis article explores surveillance in cloud-based music streaming. Key catalysts in the transition from ownership- to access-based models of music distribution, services like Spotify, Pandora, or Deezer have positioned themselves as a means of reintegrating listeners into “digital enclosures” over which rights holders exercise greater control. Yet streaming's promise of remonetizing musical commodities demonetized by filesharing has been called into doubt by difficulties in converting users of advertising-based “freemium” services into paying subscribers. In need of alternative means o

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23

Bai, Shizhen, Xiujin Gu, Na Xu, et al. "Live streaming mode selection strategy under the background of virtual anchor supplementation." PLOS ONE 20, no. 4 (2025): e0321557. https://doi.org/10.1371/journal.pone.0321557.

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In the context of virtual anchors as a supplement to human anchors in live streaming e-commerce. In this paper, for the first time, virtual anchors are included in the live streaming mode selection strategy, combined with the characteristics of the live streaming anchor and the cost of live streaming, constructed a model of the four live streaming modes, and used the Stackelberg game method to study. The results show that: (1) live streaming prices are positively correlated with cross price elasticity coefficient, market share of live streaming channels and consumer sensitivity to live streami

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24

Flatley, Robert. "Kanopy Streaming." Charleston Advisor 16, no. 4 (2015): 42–45. http://dx.doi.org/10.5260/chara.16.4.42.

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25

Andersen, Mads Møller Tommerup, and Marika Lüders. "Streaming media." MedieKultur: Journal of media and communication research 37, no. 70 (2021): 001–11. http://dx.doi.org/10.7146/mediekultur.v37i70.126152.

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26

Sagués, Francesc. "Live streaming." Nature Physics 14, no. 7 (2018): 638–39. http://dx.doi.org/10.1038/s41567-018-0127-7.

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27

Combes, Richard, Habib Sidi, and Salah Elayoubi. "Multipath Streaming." ACM SIGMETRICS Performance Evaluation Review 44, no. 1 (2016): 391–92. http://dx.doi.org/10.1145/2964791.2901485.

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28

Graydon, Oliver. "Laser streaming." Nature Photonics 11, no. 11 (2017): 684. http://dx.doi.org/10.1038/s41566-017-0041-z.

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29

Zajicek, G., and N. Arber. "Streaming kidney." Cell Proliferation 24, no. 4 (1991): 375–82. http://dx.doi.org/10.1111/j.1365-2184.1991.tb01166.x.

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30

Noble, Richard M., Eric R. Dixon, and Phil C. Gerhart. "Streaming Solutions." Civil Engineering Magazine Archive 76, no. 1 (2006): 60–80. http://dx.doi.org/10.1061/ciegag.0000050.

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31

Moore, John W. "Streaming Chemistry." Journal of Chemical Education 85, no. 2 (2008): 171. http://dx.doi.org/10.1021/ed085p171.

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32

Riley, N. "Acoustic Streaming." Theoretical and Computational Fluid Dynamics 10, no. 1-4 (1998): 349–56. http://dx.doi.org/10.1007/s001620050068.

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33

Riley, N. "STEADY STREAMING." Annual Review of Fluid Mechanics 33, no. 1 (2001): 43–65. http://dx.doi.org/10.1146/annurev.fluid.33.1.43.

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34

Dyck, Dianne, and Marilyn Walker. "Career Streaming." AAOHN Journal 44, no. 4 (1996): 177–82. http://dx.doi.org/10.1177/216507999604400404.

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35

McAllister, Robbie. "Streaming steam." Science Fiction Film & Television 15, no. 3 (2022): 295–313. http://dx.doi.org/10.3828/sfftv.2022.23.

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Building its present identity from the reimagined recollections of a past age of industry, the steampunk movement’s array of antiquated yet spectacular machines have become hallmarks of our fascination with technology’s history. In this article, I will trace the movement’s retrofuturistic sensibilities through a wave of short films and web series that set themselves within worlds that are constructed from anachronistic devices that belong to neither the past nor the present. Instead, these are texts that, whether constructed by amateur filmmakers, professionals - and a range of practices in-be

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36

Zajicek, G. "Streaming organism." Medical Hypotheses 45, no. 4 (1995): 403–7. http://dx.doi.org/10.1016/0306-9877(95)90105-1.

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Pe'er, J., G. Zajicek, H. Greifner, and M. Kogan. "Streaming conjunctiva." Anatomical Record 245, no. 1 (1996): 36–40. http://dx.doi.org/10.1002/(sici)1097-0185(199605)245:1<36::aid-ar6>3.0.co;2-d.

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38

Simanga, Michael. "Introduction: Streaming." Black Scholar 54, no. 1 (2024): 1–5. http://dx.doi.org/10.1080/00064246.2024.2294828.

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39

Szewczyk, William. "Streaming data." Wiley Interdisciplinary Reviews: Computational Statistics 3, no. 1 (2010): 22–29. http://dx.doi.org/10.1002/wics.130.

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Bader, A. Al-Mubarak, A. Almullhim Abdulaziz, A. Alawadh Adnan, and Aramco Saudi. "Cloud Streaming." International Journal of Innovative Science and Research Technology 7, no. 9 (2022): 1479–80. https://doi.org/10.5281/zenodo.7204286.

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The thrill of watching Movies or playing video games has always been one of the better ways people enjoy doing and sharing its best moments with their loved once. From the beginning of early access to old TV’s to today’s 4K experiences in newer movies and gaming. Now it has reached a higher level of allowing people to enjoy movies and videos with ease and much wider content through cloud servers, as previously, video content crated from localized company infrastructures that required much support. In Today’s generation, cloud video platforms and consoles will help brands and

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41

Friend, James. "Acoustic streaming." Journal of the Acoustical Society of America 156, no. 4_Supplement (2024): A43. https://doi.org/10.1121/10.0035040.

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In recent years, the need for accurate analysis of acoustic streaming has become urgent, as classical methods fail to quantify flows generated by acoustic waves beyond a few hundred kHz. This problem, identified since Lighthill’s seminal 1978 namesake publication, remains unresolved. Researchers, including myself, have relied on computational analysis and approximations to address some of these challenges. Few have examined the dynamic behavior of acoustic streaming—such as delayed onset, response to inharmonic excitation, and flows sustained after the acoustic wave stops—despite their importa

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42

Arber, N., and G. Zajicek. "Streaming liver VI: streaming intra-hepatic bile ducts." Liver 10, no. 4 (2008): 205–8. http://dx.doi.org/10.1111/j.1600-0676.1990.tb00460.x.

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Donath, E., and A. Voigt. "Streaming current and streaming potential on structured surfaces." Journal of Colloid and Interface Science 109, no. 1 (1986): 122–39. http://dx.doi.org/10.1016/0021-9797(86)90288-2.

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Liu, Jinrong, Qi Xu, and Zhongmiao Sun. "Joint Optimization Decision of Online Retailers’ Pricing and Live-Streaming Effort in the Postepidemic Era." Complexity 2022 (January 10, 2022): 1–11. http://dx.doi.org/10.1155/2022/8762922.

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The isolation requirements of the coronavirus epidemic and the intuitive display advantages of live-streaming have led to an increasing number of retailers shifting to social live-streaming platforms and e-commerce live-streaming platforms to promote and sell their products in real time. However, the provision of live-streaming services will also incur high live-streaming effort costs. In this paper, we develop two decision models for retailers to sell goods through a single online shop and both online shop and live-streaming room; we also present the optimal decisions of pricing and live-stre

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Narendra Reddy Sanikommu. "Real-time stream processing engines: Architectural analysis and implementation considerations." World Journal of Advanced Research and Reviews 26, no. 2 (2025): 3006–16. https://doi.org/10.30574/wjarr.2025.26.2.1916.

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This article provides an in-depth architectural analysis of three leading stream processing engines: Apache Spark Streaming, Apache Flink, and Kafka Streams. As organizations increasingly rely on real-time data processing capabilities to drive decision-making, understanding the fundamental architectural differences between these technologies has become crucial for successful implementation. The analysis explores how Spark Streaming's micro-batch approach prioritizes throughput and integration with the Spark ecosystem, while Flink's true streaming design enables minimal latency and sophisticate

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Ożóg, Maciej. "Zjedz, ile możesz, nawet jeśli nie chcesz. Streaming jako praktyka kapitalizmu inwigilacji." Kwartalnik Filmowy, no. 124 (December 28, 2023): 50–68. http://dx.doi.org/10.36744/kf.1886.

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W powszechnym mniemaniu streaming to najbardziej efektywna, przystępna, ukierunkowana na wygodę użytkownika technologia udostępniania tekstów audiowizualnych. Jego znaczenie dynamicznie wzrasta, szczególnie od czasu pandemii. Odbijający się w przychodach i liczbie użytkowników status mediów streamingowych jako coraz istotniejszych graczy na rynku audiowizualnym każe krytycznie przyjrzeć się ich wpływowi na współczesną kulturę. Autor proponuje potraktowanie mediów streamingowych jako jednego z elementów szerokiego układu ekonomiczno-polityczno-kulturowego, opisywanego przez Shoshanę Zuboff jako

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Spilker, Hendrik Storstein, and Terje Colbjørnsen. "The dimensions of streaming: toward a typology of an evolving concept." Media, Culture & Society 42, no. 7-8 (2020): 1210–25. http://dx.doi.org/10.1177/0163443720904587.

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Based on research on the development of streaming solutions across media forms and industries, this article traces the dynamics and dimensions of the notion of streaming. It theorizes streaming as an evolving concept, and argues against strict, set and limited definitions such as those suggested by Lotz and Herbert et al. A short substantive and industrial history of streaming is provided, recognizing its many manifestations and variations. Five key dimensions are identified, and trends and traits within each of them discussed: (1) professional versus user-generated streaming, (2) legal versus

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Ding, Xuehui, and Rosidah Musa. "Research on the Impact of Social Media Live-Streaming on Consumer Purchasing Behavior and Its Coping Strategies." Proceedings of Business and Economic Studies 7, no. 3 (2024): 188–93. http://dx.doi.org/10.26689/pbes.v7i3.7492.

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Due to the rapid development of network technology and the popularity of live-streaming, more and more businesses and individuals are using live-streaming to promote their products, giving rise to a new marketing model of social media live-streaming. Based on the social media live-streaming market, businesses or enterprises focus on tapping into new consumer demand, and social media live-streaming marketing has gradually expanded into various fields. Based on the SOR theory, this paper discusses how to improve the coping strategies of consumer purchasing behavior through social media live-stre

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Maghfuroh, Wahibatul. "AKAD NIKAH ONLINE DENGAN MENGGUNAKAN VIA LIVE STREAMING PERSPEKTIF HUKUM ISLAM." Jurnal Ilmiah Ahwal Syakhshiyyah (JAS) 3, no. 1 (2021): 94–100. http://dx.doi.org/10.33474/jas.v3i1.11034.

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ABSTRAKAkad Nikah melalui live streaming merupakan akad nikah yang dilangsungkan menggunakan sosial media live streaming (seperti live instagram, whatsApp). Metode penelitian yang digunakan adalah menggunakan pendekatan teologi normative (syarâ€™i), yaitu pendekatan dengan menggunakan nash, KHI. Sehingga menimbulkan pertanyaan bagaimana Hukum akad nikah dengan menggunakan Live Streaming perspektif hukum Islam. Berdasarkan analisis data yang diperoleh kesimpulan bahwa Hukum Akad nikah melalui Live Streaming adalah sah. Kata Kunci: akad nikah, live streaming, hukum islam.Â ABSTRACTÂ Akad Nikah t

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Widyantara, I. Made Oka, Muhammad Audy Bazly, and Ngurah Indra ER. "ADAPTIVE STREAMING OVER HTTP (DASH) UNTUK APLIKASI VIDEO STREAMING." Majalah Ilmiah Teknologi Elektro 14, no. 2 (2015): 18. http://dx.doi.org/10.24843/mite.2015.v14i02p04.

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Abstract:

This paper aims to analyze Internet-based streaming video service in the communication media with variable bit rates. The proposed scheme on Dynamic Adaptive Streaming over HTTP (DASH) using the internet network that adapts to the protocol Hyper Text Transfer Protocol (HTTP). DASH technology allows a video in the video segmentation into several packages that will distreamingkan. DASH initial stage is to compress the video source to lower the bit rate video codec uses H.26. Video compressed further in the segmentation using MP4Box generates streaming packets with the specified duration. These p

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