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Journal articles on the topic 'Streamings'

Author: Grafiati

Published: 7 June 2025

Last updated: 16 July 2025

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1

Holt, Lynda. "Effectiveness of streamings." Emergency Nurse 9, no. 10 (2002): 7. http://dx.doi.org/10.7748/en.9.10.7.s11.

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Farinango Tayo, Christian, and Freddy Vallejos Caizachana. "Estudio sobre prevalencia de Streamings educativos en tiempos de pandemia en los docentes municipales del DMQ." Ciencia Latina Revista Científica Multidisciplinar 6, no. 6 (2023): 11582–607. http://dx.doi.org/10.37811/cl_rcm.v6i6.4217.

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La transmisión de contenido multimedia por internet o Streamings ha existido desde que se popularizó en plataformas dedicadas a compartir videos, a nivel mundial universidades de prestigio lo utilizan como instrumento académico para impartir conocimientos a los estudiantes por sus múltiples ventajas, en Ecuador pese a que la herramienta es conocida no es muy utilizada en el medio docentes debido a su desconocimiento, en otros casos utilizan videos ajenos a su autoría y usan metodologías tradicionales en sus producciones audiovisuales; con la llegada de la pandemia COVID-19 se evidenció una pre

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Moraes, Fernando Pedro de, and Heloísa de Araújo Duarte Valente. "MINHA VIDA VIROU UMA LIVE: UMA ANÁLISE INFOCOMUNICACIONAL DAS INTERAÇÕES MIDIÁTICAS DA PLATAFORMA DE STREAMING ZOOM NA EDUCAÇÃO SUPERIOR." South American Development Society Journal 08, no. 24 (2022): 235–46. https://doi.org/10.24325/issn.2446-5763.v8i24p235-256.

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É crescente a atenção científica da comunicação para a interação e a performance das estruturas tecnológicas dos streamings. Este artigo aborda uma modalidade de streaming promovido pela plataforma Zoom, direcionada a prática acadêmica, utilizando a perspectiva da Teoria Ator-Rede. O Zoom é uma plataforma que teve seu crescimento estimado, motivado pela crise criada pelo COVID-19 (Coronavirus Disease – COVID-19), de cerca de 458% em número de usuários em cerca de 17.000 instituiç&

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Decheva, Violeta. "Theatre in the Digital World. The Experiment of Theater Treffen 2020." Sledva : Journal for University Culture, no. 41 (August 19, 2020): 8–17. http://dx.doi.org/10.33919/sledva.20.41.2.

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An overview and analysis of Berliner Theater Treffen 2020. Existing already for 56 years, this major European theatre festival and the most representative one for the Germanspeaking world ventured on its first online edition. COVID-19 situation has not only activated the ongoing discussions on the influence of digital technologies on theatre, but has made it a most urgent topic. It has become central because of the isolation, the sudden flood of streamings of concerts, performances, films, etc. Two topics seem especially important in the festival context. First, how to make theatre in a digita

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Oliveira, Arthur Freitas, Priscilla Mendonça Pinheiro, and Júlio Afonso Alves Dutra. "SERVIÇOS DE STREAMING: HISTÓRICO, CONSUMO E PERSPECTIVAS." RECIMA21 - Revista Científica Multidisciplinar - ISSN 2675-6218 4, no. 11 (2023): e4114314. http://dx.doi.org/10.47820/recima21.v4i11.4314.

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Os serviços de streaming modificaram a maneira como as pessoas passaram a consumir filmes, séries e conteúdo audiovisual, gerando um grande impacto na indústria, originalmente dominada pelo cinema e pela televisão. É apresentado o histórico dos serviços de streaming e como este tipo de serviço vem crescendo na atualidade, impulsionado pelo período da Pandemia Covid-19, onde as pessoas tiveram de se isolar em seus domicílios, utilizando estes serviços como acesso ao conteúdo audiovisual dadas as imposições de isolamento. Apresentam-se os fatores que levam ao consumo deste tipo de serviço e os d

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Janion, Agnieszka. "How to Become a Microcelebrity? Verbal and Non-Verbal Means Used by Streamers of Videogames in Creating Their Image." Verbum 16 (January 17, 2025): 1–11. https://doi.org/10.15388/verb.16.01.

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The article, that aligns with pragmatic and multimodal studies, presents the results of observations regarding measures used by French streamers of videogames in order to be appreciated by the spectators. It seems that the construction of the image (ethos) is an essential element of videogame streamers’ speaking. Indeed, the streamers want to impress their public and even be recognized as microcelebrities, basing not only on their gaming skills. As streaming represents a type of verbal interaction, this image (ethos) depends also on building and maintaining the relationship between the streame

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Scheibe, Katrin, Franziska Zimmer, and Kaja J. Fietkiewicz. "Das Informationsverhalten von Streamern und Zuschauern bei Social Live-Streaming Diensten am Fallbeispiel YouNow." Information - Wissenschaft & Praxis 68, no. 5-6 (2017): 352–64. http://dx.doi.org/10.1515/iwp-2017-0065.

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ZusammenfassungIn den letzten Jahren hat eine neue Art von Social Media an Popularität gewonnen, nämlich die Social Live-Streaming Services (SLSSs). Ein besonders bei Jugendlichen und jungen Erwachsenen beliebter SLSS ist YouNow, der auch im Fokus unserer Fallstudie steht. SLSSs ermöglichen dem Nutzer in Echtzeit zu streamen, mit den Zuschauern zu interagieren und von diesen auf verschiedene Weisen belohnt zu werden. In dieser Studie wurde das Informationsverhalten der Nutzer von SLSSs unter Anwendung sowohl der Lasswell Formel als auch des Nutzen- und Belohnungsansatzes (Uses and Gratificatio

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Fonseca, Allef Jardim Vieira, João Victor Costa Carmona, Gleison de Oliveira Medeiros, and Warley Muricy Valente Junior. "Análise da psnr e mos sobre transmissões de vídeos uhd em cenário de redes com mobilidade." Brazilian Journal of Development 9, no. 3 (2023): 12251–61. http://dx.doi.org/10.34117/bjdv9n3-216.

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Nos últimos anos, o tráfego multimídia vem crescendo vertiginosamente por conta da enorme busca por algumas aplicações, especialmente por vídeos e streamings em altas resoluções, trafegados predominantemente sobre redes wireless. Uma das justificativas é o aumento de dispositivos móveis, e a proliferação das redes de acesso à sociedade. Com este cenário surgem necessidades de analisar a qualidade desses tipos de tráfego, e verificar o impacto de perdas na qualidade percebida pelo usuário, podendo gerar insatisfação do cliente diante do serviço prestado. Com a evolução da comunicação para as re

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Cotta, Diego. "Tribalismos digitais afrocentrados: Streamings, documentários e protagonismos de bichas pretas." Revista Brasileira de Estudos da Homocultura 5, no. 16 (2022): 123–70. http://dx.doi.org/10.31560/2595-3206.2022.16.13607.

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Qiao, Bing-Qiang, Qing Luo, Qiang Yuan, and Yi-Qing Guo. "Understanding the Phase Reversals of Galactic Cosmic-Ray Anisotropies." Astrophysical Journal 942, no. 1 (2022): 13. http://dx.doi.org/10.3847/1538-4357/aca7fc.

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Abstract Energy spectra and anisotropies are very important probes of the origin of cosmic rays. Recent measurements show that complicated but very interesting structures exist at similar energies in both the spectra and energy-dependent anisotropies, indicating a common origin of these structures. A particularly interesting phenomenon is that there is a reversal of the phase of the dipole anisotropies, which challenges theoretical modeling. In this work, for the first time, we identify that there might be an additional phase reversal at ∼100 GeV energies of the dipole anisotropies as indicate

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Lehtonen, Juhani, and Ulla-Maija Suoranta. "Localization of myocin in Micrasterias cells by immunoelectron microscopy." Proceedings, annual meeting, Electron Microscopy Society of America 48, no. 3 (1990): 961. http://dx.doi.org/10.1017/s0424820100162387.

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The unicellular green alga Micrasterias has a very differentiated form and is an excellent object for morphogenetic studies. The complicated cytoplasmic streaming system during development is an essential part of the morphogenetic process. The streamings are supported by the acto-myosin system. The presence of actin has been verified by fluorescence microscopy and both the act in-inhibitor cytochalasin B and the myosin inhibitor N-ethylmaleimide clearly inhibit the streamings.This work deals with the localization of myosin in the cell. The methods used were immunoelectronmicroscopy, polyclonal

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Aquino, Eduardo Filipe Morais de AQUINO. "A primeira vista: um estudo de caso sobre os elementos presentes nas páginas iniciais de seis streamings de conteúdo esportivo." Temática 20, no. 12 (2024): 152–65. https://doi.org/10.22478/ufpb.1807-8931.2024v12n1.72492.

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O objetivo deste artigo é realizar um estudo de caso e analisar os elementos contidos nas páginas iniciais de seis streamings: Disney +, DAZN, Paramount +, MAX, Premiere e Prime Video. A partir disso, será realizada a análise e a comparação entre os serviços, além da visualização dos componentes de suas respectivas páginas iniciais que estão presentes neste trabalho. Com base na metodologia qualitativa, as tipologias metodológicas abordadas para a confecção deste trabalho são a descritiva e o estudo de caso. Conclui-se que o Disney + e o Prime Video foram as plataformas que contemplaram mais e

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Hsiao, Shih-Chun, and Philip L. F. Liu. "The Porous Effect on the Bottom Instability Under Partially Standing Waves." Journal of Mechanics 18, no. 2 (2002): 53–66. http://dx.doi.org/10.1017/s1727719100002021.

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AbstractIn this paper, we extended Blondeaux [1], Liu, et al. [2] and Mei and Yu's [3] theories to study the porous effect on instability of rippled bed under the partially standing surface waves. Comparisons are made with both Blondeaux and Mei & Yu's theoretical predictions and experimental data performed by many other authors. We found that based on the linear instability analysis and the parameter regimes we explored the percolation effect can change the threshold conditions by 10 ∼ 20 percent and the seepage force is negligible up to O(∈). Furthermore, the steady streamings with or wi

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PETHKE, Stefan, and Dominique CAUBET. ""Dima Punk" – A Conversation about Music Documentary, Subcultures and Street Language in Morocco." Regards, no. 30 (October 31, 2023): 135–53. https://doi.org/10.70898/regards.v0i30.875.

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In 2020, due to the COVID 19 pandemic, Germany’s oldest music film festival, the Hamburg-based UNERHÖRT! had to organize its fourteenth edition via online streamings. If there was any positive aspect about the pandemic, it consisted in granting more time to discussing the films through virtual Q&As. This article is an edited transcript of an interview in which the filmmaker, renowned sociolinguist and expert of North African Arab dialects Dominique Caubet, talked to UNERHÖRT! programme coordinator Stefan Pethke about her film Dima Punk (2019), featuring Stof, a young punk from Casablanca,

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Gun, Sok Cheng. "A Prática de Lazer na Web a Partir do Consumo de K-Dramas." LICERE - Revista do Programa de Pós-graduação Interdisciplinar em Estudos do Lazer 23, no. 1 (2020): 360–93. http://dx.doi.org/10.35699/1981-3171.2020.19770.

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O presente artigo tem por objetivo identificar o modo pelas quais são consumidos os dramas de origem sul-coreana no âmbito do lazer. Foram realizadas pesquisas bibliográficas acerca da evolução de tais produções quanto a Onda Coreana e, assim, identificar o papel da internet no acesso a esses produtos audiovisuais. Com os questionários, procurou-se descrever o perfil desses consumidores com relação às tais práticas. Os resultados mostraram que grande parte dos que assistem a esses programas, consomem outras produções asiáticas apesar de nem sempre estarem ligadas a Coreia do Sul. As plataforma

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Azevedo, Amanda, and Eveline Stella De Araujo. "Cinema e Acessibilidade online." Culturas Midiáticas 15 (December 27, 2021): 30. http://dx.doi.org/10.22478/ufpb.2763-9398.2021v15n.60322.

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A indústria audiovisual no Brasil está se adaptando frente às transformações tecnológicas possibilitadas pela convergência midiática. A acessibilidade cultural digital é um aspecto indispensável no consumo para Pessoas com Deficiências (PcDs). Nesse contexto, a Agência Nacional de Cinema (ANCINE) atua para ampliar o processo de acessibilidade cultural e implementá-la como política pública. O objetivo desse artigo é discutir sobre a problemática da inclusão de recursos de acessibilidade cultural nos streamings comerciais, analisando a inserção de conteúdo acessível na Netflix, na Globoplay e no

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Neves, Maria Clara Almeida, and Pedro Araújo Pietrafesa. "ECONOMIA CRIATIVA DE AUDIOVISUAL DO BRASIL: A INOVAÇÃO NOS STREAMINGS E A TRANSFORMAÇÃO DO MERCADO BRASILEIRO." RDE – Revista de Desenvolvimento Econômico 54 (2023): 284–304. https://doi.org/10.36810/rde.v1i54.8671.

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Chen, P. F., L. K. Harra, and C. Fang. "IMAGING AND SPECTROSCOPIC OBSERVATIONS OF A FILAMENT CHANNEL AND THE IMPLICATIONS FOR THE NATURE OF COUNTER-STREAMINGS." Astrophysical Journal 784, no. 1 (2014): 50. http://dx.doi.org/10.1088/0004-637x/784/1/50.

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Vieira, Guilherme Sallet, and Ciro EduardoI Gusatti. "Stranger ads: análise sobre as estratégias de product placement em Stranger Things." Temática 18, no. 10 (2022): 167–82. http://dx.doi.org/10.22478/ufpb.1807-8931.2022v18n10.64440.

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As empresas de streamings de vídeo sob demanda surgem na medida em que o modo de assistir à televisão vem mudando. A forma de anunciar e desenvolver estratégias de marketing necessitam de estudos para acompanhar essas mudanças, como o uso de product placement. Com isso, o estudo tem como objetivo reconhecer como a estratégia de product placement é utilizada por marcas na 3ª temporada da série Stranger Things. Um estudo descritivo com abordagem quali-quantitativa e com análise de conteúdo é utilizado como método de pesquisa, sendo precedido de uma revisão de literatura para maior entendimento d

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Yang, Yihua. "The Research on the Role of Abstract Culture in the Composition of Chinese Virtual Streamer Fans Culture --Taking A-SOUL as an Example." Communications in Humanities Research 8, no. 1 (2023): 243–48. http://dx.doi.org/10.54254/2753-7064/8/20231026.

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The rapid development of the virtual streamer industry in China in recent years has caused extensive discussions in Chinese Mainstream media. As a corporate virtual streamer group jointly launched by two entertainment giants called ByteDance and YH ENTERTAINMENT, A-SOUL has received widespread concern from many fields in Chinese society. This paper starts from the perspective of Social Identity theory and analyzes the frequent words on the bullet-screen sent by A-SOUL fans in live-streamings as well as the popular comments of A-SOUL related videos, which in order to explore the role of the eme

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Medeiros Costa, Adriano, Elizângela Justino de Oliveira, and Tiago Tavares e Silva. "Por uma alfabetização audiovisual." Revista Inter-Legere 7, no. 39 (2024): c34583. http://dx.doi.org/10.21680/1982-1662.2024v7n39id34583.

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O cinema se constitui em uma fonte de recursos inesgotáveis de aprendizagens, nos mais diversos campos da educação. No entanto, ainda é necessário dar visibilidade às estéticas que estão “à margem” do cinema comercial dos grandes streamings norte-americanos. O presente artigo tem o objetivo de propor uma metodologia de projeto interdisciplinar (envolvendo as disciplinas de História, Geografia, Língua Portuguesa e Artes) aplicada ao Ensino Médio, almejando-se a Alfabetização Audiovisual a partir da análise do filme cubano Habanastation (2011). A partir da compreensão do cinema enquanto um ato e

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Kechris, Christodoulos, Jonathan Dan, Jose Miranda, and David Atienza. "Don’t Think It Twice: Exploit Shift Invariance for Efficient Online Streaming Inference of CNNs." Proceedings of the AAAI Conference on Artificial Intelligence 39, no. 17 (2025): 17805–13. https://doi.org/10.1609/aaai.v39i17.33958.

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Deep learning time-series processing often relies on convolutional neural networks with overlapping windows. This overlap allows the network to produce an output faster than the window length. However, it introduces additional computations. This work explores the potential to optimize computational efficiency during inference by exploiting convolution's shift-invariance properties to skip the calculation of layer activations between successive overlapping windows. Although convolutions are shift-invariant, zero-padding and pooling operations, widely used in such networks, are not and complicat

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Blakeley, Ryan. "“The Part of the Music Industry That God Forgot”." Journal of Popular Music Studies 36, no. 2 (2024): 28–51. http://dx.doi.org/10.1525/jpms.2024.36.2.28.

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In October 2020, the B2B (business-to-business) background music company Soundtrack Your Brand—formerly Spotify Business—launched the world’s first full-catalog on-demand streaming service for background music. Although background music providers have licensed, curated, and distributed music to businesses for nearly a century, they have only recently started embracing the new possibilities of streaming. Now, streaming is rapidly influencing the background music industry’s features, music selection practices, and economics. While scholars in music and media studies have extensively studied B2C

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Yang, Lyu Shu, and Li Xuan. "Enhancing Oral Communication through Live Streaming: Exploring Opportunities and Challenges." International Journal of Scientific and Management Research 06, no. 07 (2023): 107–23. http://dx.doi.org/10.37502/ijsmr.2023.6707.

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This study evaluates live streaming's effects on spoken conversations. After discussing voice communication's relevance in numerous situations, live streaming is studied. Study live broadcasting's impact on spoken communication. This research evaluates live-streamed spoken communication. Surveys, interviews, and relevant literature accomplished this. Livestream viewers and participants were assessed about spoken communication interest and usage. The research indicated live streaming enhances speech. Engagement, responsiveness, and dispersion increased. Global citizens can speak. Technology, pr

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Kobolt, Katja. "One-dimensional artist/intellectual in the heteronomy of labour." Maska 35, no. 200s3 (2020): 86–96. http://dx.doi.org/10.1386/maska_00046_1.

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Abstract It will take us a long time to address (and hopefully overcome?!) all the saturations of the surveillance capitalist condition that the COVID-19 pandemic has succeeded to accelerate. The ban or limitations regarding meetings, gatherings and other regulations aimed at limiting the spread of this airborne disease have altered the production and (re)presentation modalities. It is to be expected that some of the newly introduced or intensified modalities are here to stay in post-pandemic times. Since the pandemic, in art organisations, project teams and the media, discussions on possible

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Isla, Cecilia, Uriel Fernández, Aline Miklos, and Jenny Hurtado Giraldo. "FESTIVAR." ECOS - Revista Científica de Musicoterapia y Disciplinas Afines 6, no. 3 (2021): 016. http://dx.doi.org/10.24215/27186199e016.

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La presente reseña describe lo acontecido durante abril y mayo de 2021 en la primera edición de FESTIVAR, un festival de proyectos culturales con impacto social. El festival propuso un recorrido por diferentes lenguajes artísticos como la música, la danza, el teatro, el cine, la literatura, la performance y las artes visuales; invitando a participar a referentes territoriales, organizaciones comunitarias, colectivos culturales, asociaciones civiles, investigadorxs, estudiantes, artistas y trabajadorxs de la cultura, cuya labor estuviere atravesada por temáticas sociales. Las actividades estuvi

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Nejaim, Vinicius Marques, and Antônio Martins de Oliveira Júnior. "PRODUÇÃO CIENTÍFICA NOS ÚLTIMOS DEZ ANOS SOBRE A RELAÇÃO ENTRE DIREITOS AUTORAIS NO BRASIL E PLATAFORMAS DIGITAIS DE MÚSICA: UMA REVISÃO SISTEMÁTICA DA LITERATURA DE ESTUDOS BRASILEIROS." Revista Contemporânea 4, no. 8 (2024): e5524. http://dx.doi.org/10.56083/rcv4n8-150.

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O Direito Autoral tem origem na Idade Moderna, como resultado do avanço dos meios de comunicação e da indústria musical que evoluiu ao longo de décadas – nos fins do século XIX, com a criação do fonógrafo, passando, sequencialmente, ao gramofone, rádio, disco de vinil, fita cassete, walkman, compact disk, nova geração de walkman, MP3 player, rádio on-line, chegando às plataformas digitais de música. Os Direitos Autorais se relacionam a esse desenvolvimento tecnológico. Na legislação brasileira, os Direitos Autorais passaram por mudanças desde a Lei Imperial alcançando relevantes avanços com a

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Walker, Austin. "Watching Us Play: Postures and Platforms of Live Streaming." Surveillance & Society 12, no. 3 (2014): 437–42. http://dx.doi.org/10.24908/ss.v12i3.5303.

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In this article, Austin Walker discusses streaming, the practice of broadcasting the gameplay footage. Providing a brief analysis of the range of streaming practices, Walker argues that streaming represents a sea change in how players share and collaborate, adding new sorts of social interactivity to an experience that was, for so long, solitary. Live streaming’s novelty grants it special status as a practice still in formation, making it especially useful in analyzing how late capitalism identifies and appropriates fresh cultural activity--doing so in this case through the development of an i

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Jin, Delong. "Live-Streaming Adoption Strategies in Downstream-Dominant Supply Chain." Mathematics 13, no. 2 (2025): 230. https://doi.org/10.3390/math13020230.

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In recent years, live streaming has become popular among merchants as it helps them obtain direct access to and attract customers. This study examines how weak upstream providers and strong downstream sellers adopt live streaming in a supply chain framework. It uses a theoretical game model with one provider and one seller. The seller sets the procurement price, and then the provider decides the supply level. Both can use live streaming alongside traditional channels. The results show that (1) live streaming raises both procurement and retail prices in traditional channels; (2) retail prices m

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Lewis, Ryan Hardesty, and Alex Conway. "Streaming the Future of Sustainability." ACM SIGEnergy Energy Informatics Review 4, no. 5 (2024): 166–71. https://doi.org/10.1145/3727200.3727225.

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The rapid growth of digital video traffic presents both challenges and opportunities for sustainable content delivery. We argue that the shift towards on-demand streaming, exemplified by services like Netflix, provides a path to significantly reduce the carbon footprint and e-waste associated with traditional computing paradigms. By eliminating the need for local operating systems, enabling more efficient edge devices, and leveraging renewable-powered cloud infrastructure, streaming on-demand hardware and content can drive down energy use and embodied emissions. We analyze the key factors behi

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Kang, Jeongho, and Kwangsue Chung. "HTTP Adaptive Streaming Framework with Online Reinforcement Learning." Applied Sciences 12, no. 15 (2022): 7423. http://dx.doi.org/10.3390/app12157423.

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Dynamic adaptive streaming over HTTP (DASH) is an effective method for improving video streaming’s quality of experience (QoE). However, the majority of existing schemes rely on heuristic algorithms, and the learning-based schemes that have recently emerged also have a problem in that their performance deteriorates in a specific environment. In this study, we propose an adaptive streaming scheme that applies online reinforcement learning. When QoE degradation is confirmed, the proposed scheme adapts to changes in the client’s environment by upgrading the ABR model while performing video stream

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Way, Samuel F., Jean Garcia-Gathright, and Henriette Cramer. "Local Trends in Global Music Streaming." Proceedings of the International AAAI Conference on Web and Social Media 14 (May 26, 2020): 705–14. http://dx.doi.org/10.1609/icwsm.v14i1.7336.

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Audio streaming services have made it easier for countries around the world to listen to each other's music. This expansion in listeners' access to global content, however, has raised questions about streaming's impact on the import and export flows of music between countries and their preferences for local or global content. Here, we analyze five and a half years of all streaming data from Spotify, a global music streaming service, and find that preferences for local content have increased from 2014 through 2019, reversing previously noted trends. Perhaps correspondingly, both common official

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Ożóg, Maciej. "Zjedz, ile możesz, nawet jeśli nie chcesz. Streaming jako praktyka kapitalizmu inwigilacji." Kwartalnik Filmowy, no. 124 (December 28, 2023): 50–68. http://dx.doi.org/10.36744/kf.1886.

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W powszechnym mniemaniu streaming to najbardziej efektywna, przystępna, ukierunkowana na wygodę użytkownika technologia udostępniania tekstów audiowizualnych. Jego znaczenie dynamicznie wzrasta, szczególnie od czasu pandemii. Odbijający się w przychodach i liczbie użytkowników status mediów streamingowych jako coraz istotniejszych graczy na rynku audiowizualnym każe krytycznie przyjrzeć się ich wpływowi na współczesną kulturę. Autor proponuje potraktowanie mediów streamingowych jako jednego z elementów szerokiego układu ekonomiczno-polityczno-kulturowego, opisywanego przez Shoshanę Zuboff jako

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Zhang, Hong, Zhenchao Xu, Yunxiang Wang, and Yupeng Shen. "An innovative parameter optimization of Spark Streaming based on D3QN with Gaussian process regression." Mathematical Biosciences and Engineering 20, no. 8 (2023): 14464–86. http://dx.doi.org/10.3934/mbe.2023647.

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<abstract><p>Nowadays, Spark Streaming, a computing framework based on Spark, is widely used to process streaming data such as social media data, IoT sensor data or web logs. Due to the extensive utilization of streaming media data analysis, performance optimization for Spark Streaming has gradually developed into a popular research topic. Several methods for enhancing Spark Streaming's performance include task scheduling, resource allocation and data skew optimization, which primarily focus on how to manually tune the parameter configuration. However, it is indeed very challenging

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Leung, Dara K. Y., Frankie H. C. Wong, Gloria H. Y. Wong, and Terry Y. S. Lum. "Resolving Dilemmas in ICT-Enhanced Interventions: A Cross-Platform-Mediated Strategy." Innovation in Aging 5, Supplement_1 (2021): 189–90. http://dx.doi.org/10.1093/geroni/igab046.723.

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Abstract Face-to-face interventions in social care settings are severely disrupted under COVID-19. Previous studies support Information and communication technology (ICT) enhanced intervention as an effective alternative. While difficulties older adults experienced in using ICT were examined extensively, there are fewer discussions on how innate medium characteristics of the delivery mode influence therapeutic interactions. This study explored these embedded challenges in ICT-enhanced psychosocial interventions and possible solutions. We conducted on-site observations and focus groups with 12

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Grodź, Iwona. "Streaming versus edukacja. O jakości i uważności w edukacji oraz streamingu." Pedagogika Społeczna Nova 4, no. 8 (2024): 83–98. https://doi.org/10.14746/psn.2024.4.8.6.

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Education and streaming – this is a combination of technology and pedagogy that is transforming the way we learn and teach others. Streaming – the live transmission or sharing of video content over the Internet – offers new opportunities for education, both formal and informal. The purpose of the essay is to point out several key aspects of this connection that allow us to reveal both the advantages of education via streaming and its disadvantages. Research question: Is streaming really an effective educational method? By enabling free contact with any amount of content, does it create orders

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Narendra Reddy Sanikommu. "Real-time stream processing engines: Architectural analysis and implementation considerations." World Journal of Advanced Research and Reviews 26, no. 2 (2025): 3006–16. https://doi.org/10.30574/wjarr.2025.26.2.1916.

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This article provides an in-depth architectural analysis of three leading stream processing engines: Apache Spark Streaming, Apache Flink, and Kafka Streams. As organizations increasingly rely on real-time data processing capabilities to drive decision-making, understanding the fundamental architectural differences between these technologies has become crucial for successful implementation. The analysis explores how Spark Streaming's micro-batch approach prioritizes throughput and integration with the Spark ecosystem, while Flink's true streaming design enables minimal latency and sophisticate

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DROTT, ERIC A. "Music as a Technology of Surveillance." Journal of the Society for American Music 12, no. 3 (2018): 233–67. http://dx.doi.org/10.1017/s1752196318000196.

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AbstractThis article explores surveillance in cloud-based music streaming. Key catalysts in the transition from ownership- to access-based models of music distribution, services like Spotify, Pandora, or Deezer have positioned themselves as a means of reintegrating listeners into “digital enclosures” over which rights holders exercise greater control. Yet streaming's promise of remonetizing musical commodities demonetized by filesharing has been called into doubt by difficulties in converting users of advertising-based “freemium” services into paying subscribers. In need of alternative means o

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Marín Pérez, Benjamín. "Streaming: ventajas, desafíos y oportunidades de las radiotelevisiones para captar audiencias." Revista de Ciencias de la Comunicación e Información 26 (May 5, 2021): 1–21. http://dx.doi.org/10.35742/rcci.2021.26.e85.

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La investigación muestra el crecimiento del consumo de streaming en los últimos años y refleja su incremento exponencial a raíz de la pandemia por la Covid 19 en 2020. La base científica cita a los autores más relevantes en esta temática y está avalada por los estudios e informes de organismos oficiales y privados de relevancia internacional. Se estudia el origen del streaming, su evolución y futuro con la ayuda de las nuevas herramientas tecnológicas, como las appsque permiten a los periodistas y al público poder entrar en directo en un informativo. Ello suponenuevas oportunidades de negocio

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DROTT, ERIC. "Why the Next Song Matters: Streaming, Recommendation, Scarcity." Twentieth-Century Music 15, no. 3 (2018): 325–57. http://dx.doi.org/10.1017/s1478572218000245.

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AbstractThis article explores how human curation and algorithmic recommendation are figured in cloud-based streaming platforms. In promoting their services as alternatives to illicit file-sharing, platforms such as Spotify, Deezer, and Apple Music have long touted the access they provide to a massive database of music. Yet the effectiveness of appeals to musical plenitude have been thrown into doubt, as high rates of user turnover threaten streaming's economic viability. Curation and recommendation have thus been posited as solutions to this problem, as means of producing and reproducing consu

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Xu, Xiaorui. "Research on the Factors Influencing the Purchase Intention of Young People in E-commerce Live Streaming Rooms: A Case Study of Beauty Live Streaming Rooms." Journal of Education, Humanities and Social Sciences 51 (May 8, 2025): 41–47. https://doi.org/10.54097/e6nts222.

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As 5G technology and the Internet have advanced, live streaming has emerged as a new kind of commerce. In this context, brands have also begun to open up a new sales model - live streaming. This article conducts an empirical study on this using beauty products as an example. This article briefly reviews the E-commerce live streaming's present state and uses quantitative methods to investigate the determinants of consumers' perceived value and intention to buy. This article demonstrates how product discounts significantly improve consumers' perceptions of value and intention to buy, as well as

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Rizki, Rahmad, Rizal Munadi, and Syahrial Syahrial. "Analisis Performansi Video Streaming Dengan Menggunakan Protokol RTSP Pada Jaringan IEEE 802.11n." Jurnal Nasional Komputasi dan Teknologi Informasi (JNKTI) 2, no. 1 (2019): 9. http://dx.doi.org/10.32672/jnkti.v2i1.1050.

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Dalam mewujudkan komunikasi yang handal pada layanan streaming dengan tingkat realibility dan availability yang terjaga maka dibutuhkan performansi jaringan yang baik. Artinya sebuah jaringan harus mampu menjaga tingkat utilitasnya dalam keadaan optimal dalam kondisi apapun. Apabila kualitas sudah sangat baik maka penggunaan video streaming akan semakin digunakan oleh penggunanya. Dengan teknologi streaming, banyak sekali manfaat yang bisa didapatkan. Murah, karena hanya memerlukan satu server yang bisa digunakan untuk banyak user. Untuk menjalankan streaming tersebut bisa dihubungkan beberapa

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Holcer, D., Yu Horban, D. D. Mašina, and O. Skachenko. "LIBRARY ONLINE SERVICES DURING COVID-19: THE EXPERIENCE OF LIBRARIES IN CROATIA AND UKRAINE." Library Mercury, no. 1(25) (June 22, 2021): 81–97. http://dx.doi.org/10.18524/2707-3335.2021.1(25).231472.

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The purpose of the article is to identify activities in providing online services during forced quarantine on the example of public libraries’ activities in Croatia and university libraries in Ukraine. The study aimed to identify, analyse, and characterise online services offered by libraries to establish remote customer service during the forced quarantine. The results of the study are presented in three sections. The first analyses the work of Croatian public libraries; the second, presents the experience of Ukrainian libraries; in the third, there is the case of the Scientific Library of Ky

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SCHWENGBER, DANIELLE, and LORECI GOTTSCHALK NOLASCO. "HERANÇA DIGITAL." REVISTA JURÍDICA DIREITO, SOCIEDADE E JUSTIÇA 10, no. 16 (2023): 78–101. http://dx.doi.org/10.61389/rjdsj.v10i16.7690.

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Em vista da digitalização da sociedade, observa-se o surgimento de um novo tipo de bens chamados de “bens digitais” ou “patrimônio digital”, que podem ter caráter patrimonial, existencial ou misto, constituído por moedas virtuais, biblioteca on-line, mensagens eletrônicas, blogs, bilhetes eletrônicos, aplicativos, jogos, lista de contatos, milhas aéreas, mídias em geral, como vídeos, músicas, livros, documentos, palestras, seminários e outros. O tema é relevante para o Direito, pois de um lado, busca-se a permissibilidade legal de acesso aos bens digitais deixados pelo falecido em seus arquivo

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Rich, B. Ruby. "Streaming Hope, Streaming Despair, Still Streaming." Film Quarterly 74, no. 3 (2021): 5–8. http://dx.doi.org/10.1525/fq.2021.74.3.5.

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Efendi, Bintang Gemilang, and Nurrahmi Hayani. "Live Streaming, Cash on Delivery, dan E-Trust Serta Pengaruhnya terhadap Keputusan Pembelian Impulsif Pengguna Shopee di Kota Pekanbaru." JAAMTER : Jurnal Audit Akuntansi Manajemen Terintegrasi 2, no. 2 (2024): 427–33. https://doi.org/10.5281/zenodo.12175845.

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This study aims to determine the effect of live streaming, cash on delivery, and e-trust on the impulse purchase decisions of fashion products by shopee users in the Pekanbaru city . This type of research is quantitative research using multiple linear regression methods. The number of samples in this study were 101 respondents who were selected using a purposive sampling method. Data collection was carried out by distributing questionnaires to respondents. Research data were analyzed using the SPSS V.25 program. The results of this study show that partially live streaming, cash on delivery, an

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Srivastava, Shilpi. "Non Equilibrium Thermodynamic Studies on Membrane Phenomena "Streaming Potential and Streaming Current"." International Journal of Science and Research (IJSR) 11, no. 8 (2022): 230–34. http://dx.doi.org/10.21275/sr22801103619.

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Ingerson, Lynley, Michael L. Naraine, Nola Agha, and Daniel J. Pedroza. "California Streamin’: Developing an Integrated Social Media Strategy to Attract Fans to a New Streaming App." Case Studies in Sport Management 9, S1 (2020): S13—S19. http://dx.doi.org/10.1123/cssm.2019-0031.

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Laurie Spinks is the Director of Social Engagement at NBC Sports Bay Area. She has been instrumental in developing strategies for social media platforms across a number of different sports, and must now develop a social media strategy which drives fans towards a new app. NBC Sports created the My Teams app to counter cord-cutting and allow sport fans to stream live games of their favorite local teams on their mobile devices. Prior to the launch of the app in the Bay Area, Spinks will meet with her team to formulate a social media strategy which supports the new app. This case explores some of

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Suriya, Aslam Y., and Dr S. B. Kishor Dr. S. B. Kishor. "Analytical Study of Streaming Videos." Indian Journal of Applied Research 3, no. 8 (2011): 356–57. http://dx.doi.org/10.15373/2249555x/aug2013/112.

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Paucara España, Cristian. "Desigualdades digitales en plataformas de streaming." Revista UMBRALES 40, no. 40 (2023): 191–217. http://dx.doi.org/10.53287/mmcw3837po24x.

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El presente trabajo reúne dos ámbitos de estudio, las desigualdades digitales y la economía de plataformas. En ese sentido, el objetivo planteado es analizar las desigualdades que existen en las plataformas digitales de transmisiones en directo o plataformas de streaming. Para lograr este objetivo, primero se analizan las desigualdades digitales entre países, las desigualdades digitales entre sujetos, la economía de plataformas y las plataformas de streaming. Luego se procede a analizar información estadística, hechos y relatos que permiten comprender las formas de expresión y reproducción de

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