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Relevant bibliographies by topics / Street photography / Dissertations / Theses

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Dissertations / Theses on the topic 'Street photography'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Vendramini, Sara <1989&gt. "La Street Photography: storia, tecniche e autori." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10430.

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Tema principale della tesi è la Street Photography. Dopo aver delineato il concetto di questo genere fotografico, ne viene tracciata la storia: si considerano vari autori che a partire dalle origini della fotografia stessa hanno contribuito al suo sviluppo e alla sua affermazione fino ad arrivare ai giorni nostri. Negli ultimi vent’anni il genere ha avuto una grande diffusione soprattutto grazie a Internet e alla nascita degli smartphone, alla creazione di collettivi di fotografi che si sono uniti con l’obbiettivo comune di promuovere il genere e a Festival internazionali e nazionali dedicati

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Howe, Melissa Shih-Lin. "The Still and Moving Street: Anonymous Portraiture Derived Through a Practice of Concept-Driven Street Photography." Thesis, The University of Sydney, 2020. https://hdl.handle.net/2123/24371.

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Street photography is often considered as a genre underpinned by Henri Cartier-Bresson’s conception of the ‘decisive moment.’ Such traditional forms of practice are characterised by speed and spontaneity, involving the photographer moving through the city streets in search of moments of significance existing within the everyday. There are, however, alternative strategies employed by practitioners that entail a more sedate and systematic, process-led approach. The discussion of such practices, which deviate from the dominant discourse, has been absent from much of the existing scholarship on th

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3

Hui, Wai-hung Lawrence. "Photographic forum at Stanley Street." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25953849.

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4

Farrell, Evann Anne. "Killer Style: An Investigation of Rodney Alcala’s Street Style Photography." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou159792067991252.

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Worden, Roderick. "In Hiding…" ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1349.

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The conceptual foundation for my work lies in the idea of "interaction." I work towards exposing this idea in its more basic and routine form, as well as the broad scope of it. Ranging beyond the common associations made with human to human interaction, my work enters a number of realms including environmental, architectural, and intra-personal interactions, working amongst the subtleties of each. I seek to create an image of relate-able experience, thus I feel the medium of photography is necessitated, as it is rooted in the idea of documentary and realism, in effect, cataloguing ima

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Vestberg, Nina Elisabeth Lager. "Souvenirs of the street : the representation of Paris in French humanist photography c. 1947-1962." Thesis, Birkbeck (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.436375.

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Hughes, Sabrina Lynn. "Empty Streets in the Capital of Modernity: Formation of Lieux de Mémoire in Parisian Street Photography From Daguerre to Atget." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1662.

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This study proposes the existence of lieux de mémoire in the photographs of Eugene Atget (1857-1927). My framework is based on historian Pierre Nora's definition: a lieu de mémoire is an object or idea which has become a symbolic stand-in for a community's memorial heritage. I suggest that Atget's photographs of the streets of old Paris, in concert with an empty-street aesthetic function as lieux de mémoire for their primary audience, antiquarians and professional archivists who specialized in old Paris. According to Nora's structure, identification of a lieu de mémoire requires first the esta

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Ivory, Andrew John. "Street photography in the Google age : written component presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand." Massey University, 2010. http://hdl.handle.net/10179/1309.

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The role and position of the documentary street photographer is examined in the context of other forms of contemporary visual survey, including Google Street View. The Street View methodology is critically examined and related to the methodologies of other visual artists, including street photographers Peter Black and Robert Frank. Comparisons are drawn between the methodological restrictions imposed by Street View and those imposed by the photographers in the course of their practice. The issue of authorship is discussed and the lack of specific authorship of Street View is related to its in

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Twaites, Peter. "The 'professors of Fleet Street' : Modernism and the history of news photography in Britain, 1840-1910." Thesis, Cardiff University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400310.

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Granström, Therese. "Vad är äkta mode på gatorna? : En semiotisk bildanalys av maktstrukturer inom street style fashion photography." Thesis, Södertörns högskola, Medie- och kommunikationsvetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-37398.

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Idén om fotografigenren street style fashion photography är att den visar upp den vanliga människan, i vanliga kläder i en vardaglig kontext. Idén bakom fotografiet i sig går i samma linje om att visa upp det äkta, och i liknande stil skapades de sociala medieplattformen Instagram – för att publicera äkta bilder ”on-the-go”. Tidigare forskning visar dock på att fotografi, Instagram och street style fashion photography inte är lika vanligt och äkta som idéerna om dem. Fotografi handlar om att sätta sig själv i relation till världen och på så sätt skapas en typ av makt. Denna uppsats syftar till

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11

Castoro, Manila. "The decisive moment and the moment in between : Kairos, Tyche and the play of street photography." Thesis, University of Kent, 2016. https://kar.kent.ac.uk/60420/.

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This dissertation provides a theoretical and historical exploration of two contrasting approaches and attitudes that took hold in street photography during the 1950s, and of their impact on the street photography of the 1960s and 1970s. The two approaches and attitudes are identified as, firstly, that of the "decisive moment," and, secondly, what is referred to as the "moment in between." The former attitude was famously introduced by Henri Cartier-Bresson and exemplified within his work, while the latter is distinctly manifested in the work of William Klein and Robert Frank. Through a compara

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12

Ryan, Holly. "Bringing the visual into focus : street art and contentious politics in Brazil, Bolivia and Argentina." Thesis, City University London, 2013. http://openaccess.city.ac.uk/2729/.

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Politically committed street art has been mobilised time and again as a crucial strategy and means of expression. Yet, social movement scholars and political analysts have displayed a persistent tendency to overlook the specificities of visual tools and aesthetic experience in contentious politics. Consequently, political action is often described and understood in ways that are reductive and distorted. This dissertation brings together a range of insights from art and aesthetics, communications and cultural studies in order to address this quandary. Fundamentally, this study makes a novel con

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Morgan, Emily Kathryn. ""True Types of the London Poor": Adolphe Smith and John Thomson's Street Life in London." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/255192.

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In February 1877, publisher Sampson Low, Marston, Searle and Rivington began release of a monthly serial called Street Life in London, by journalist Adolphe Smith and photographer John Thomson. The work aimed to reveal to readers, through novel use of photographic illustrations combined with essays, the conditions of a life of poverty in London. Appearing also as a book in late 1877, Street Life in London did not achieve commercial success in either format and was cancelled after just one year's run. This dissertation aims to demonstrate how Street Life in London was subject to and shaped b

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Silva, Daniela Maura Abdel Nour Ribeiro da. "Verdade ou mentira? Considerações sobre o flagrante, o pseudoflagrante e a composição na fotografia de German Lorca." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/27/27131/tde-13082009-153757/.

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Esta pesquisa intitulada Verdade ou mentira? Considerações sobre o flagrante, o pseudoflagrante e a composição na fotografia de German Lorca, tem como assunto a fotografia de rua que o fotógrafo paulistano German Lorca realizou entre o final da década de 1940 e início dos anos 1950, no âmbito do Foto-Cine Clube Bandeirante. O estudo demonstra a maneira como Lorca utiliza-se do flagrante e de seu falseamento (denominado livremente de pseudoflagrante na dissertação), muitas vezes enfatizando a composição da fotografia por meio do corte. A fim de atingir esse objetivo a dissertação fundamenta-se

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Grayson, Louise. "Streets apart genres of editorial photographs and patterns of photographic practice." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/50796/1/Louise_Grayson_Thesis.pdf.

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My doctoral research contributes to visual scholarship by investigating and defining representational strategies of three photographic genres – press photography, photojournalism, and documentary photography – using an ‘action genre’ approach (Lemke, 1995: 32). That is, rather than taking final photographic forms as being definitive of genre, I identify patterns of ‘activity types’ involved in the production of editorial photography to define genre (1995: 32). While much has been written on editorial photography, there is no organised body of scholarship that distinguishes between these three

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Name, José João. "Fotografia da metrópole: fotogenia e aura." Pontifícia Universidade Católica de São Paulo, 2010. http://tede2.pucsp.br/handle/handle/2190.

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Made available in DSpace on 2016-04-25T20:19:59Z (GMT). No. of bitstreams: 1 Jose Joao Name.pdf: 43545230 bytes, checksum: 93f414005c68b2c4bc1d2e5f02c05515 (MD5) Previous issue date: 2010-12-06<br>Street photography or urban photography, in terms of photographic style, historically results not only from a new instrumentalization made available by technological progress in the first half of the XIXth century, but also, and above all, from social and psychological conditions which started to reign in that period. This new way of representing the objective world brought innovative particulariti

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Hui, Wai-hung Lawrence, and 許偉雄. "Photographic forum at Stanley Street." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31983352.

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Figliulo, Roberto. "Between public and private spaces: photographic visions in contemporary China." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/398145.

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The aim of this dissertation is to present a particular point of view on the contemporary Chinese photographic production. We will analyze the photographic works that deal directly or indirectly with the representation of concrete spaces. We will give special attention to the representation of public and private spaces and to the problems related to them. We will analyze the period that coincides with the eighties until today, the time of particular development of photographic production in China. The methodology employed will be a multidisciplinary approach that allows to better understand

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Ozanam, Pierre. "Louis Faurer : "a street photographer in the City's Lively Beat /." Paris : Université de Paris X, 1992. http://catalogue.bnf.fr/ark:/12148/cb358161998.

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Turri, Hoelken Amandine. "La photographie dialogique : entre démarches artistique, politique et anthropologique." Electronic Thesis or Diss., Strasbourg, 2024. http://www.theses.fr/2024STRAG009.

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La dialogie a été développée dans les années 1920 par Mikhaïl Bakhtine, théoricien russe de la littérature. Il a développé ce concept afin d’étudier les oeuvres de Dostoïevski, avant de l’étendre plus généralement à la communication. Dans le contexte artistique, la dialogie se manifeste à travers la représentation de dialogues, favorisant une description dense et des réponses non totalisantes. Dans la photographie documentaire, l’auteur.e adopte une approche dialogique, en reconnaissant l'autre comme un sujet autonome. L'oeuvre résulte d'une interaction constante avec les interlocuteur.ice.s d

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21

Zevenbergen, Jill. "Like Alike." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1803.

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Like Alike explores notions of pleasure and beauty through an examination of mundane activity. Pleasure is simple, uncomplicated niceness. Pleasure is forgettable and related to the norm. Beauty is complicated and hardly predicted. Finding beauty in the banal provides an escape from mundane life. The banal, then becomes unforgettable. The nondescript, everyday experience becomes important and gains meaning. Like Alike's electronic format is adapted from the original format of an artist book.

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Repaka, Sunil Reddy. "Comparing spectral-object based approaches for extracting and classifying transportation features using high resolution multi-spectral satellite imagery." Master's thesis, Mississippi State : Mississippi State University, 2004. http://library.msstate.edu/etd/show.asp?etd=etd-11082004-231712.

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23

Padgett-Vasquez, Steve. "Tracking landscape changes in the Upper Cahaba River watershed and its tributaries (1974-2007) using Landsat and ASTER multipsectral image." Birmingham, Ala. : University of Alabama at Birmingham, 2010. https://www.mhsl.uab.edu/dt/2010m/padgett-vasquez.pdf.

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24

Olley, Peter, Timothy D. Gough, R. Spares, and Philip D. Coates. "An experimental and simulation comparison of a 3-D abrupt contraction flow using the Molecular Stress Function constitutive model." Maney Publishing, 2020. http://hdl.handle.net/10454/18042.

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Yes<br>The Molecular Stress Function (MSF) constitutive model with convective constraint release mechanism has been shown to accurately fit a large range of viscometric data, and also shown to give strong vortex growth in flows of LDPE through planar and axisymmetric contractions. This work compares simulation and experimental results for 3-D flows of Lupolen 1840H LDPE through a contraction slit; 3-D effects are introduced by using a slit with a low upstream aspect ratio of 5:3. Comparisons are made with vortex opening angles obtained from streak photography, and also with stress birefringe

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Csóka, Pavel. "Rozpoznávání textu pomocí konvolučních sítí." Master's thesis, Vysoké učení technické v Brně. Fakulta informačních technologií, 2016. http://www.nusl.cz/ntk/nusl-255303.

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This thesis aims at creation of new datasets for text recognition machine learning tasks and experiments with convolutional neural networks on these datasets. It describes architecture of convolutional nets, difficulties of recognizing text from photographs and contemporary works using these networks. Next, creation of annotation, using Tesseract OCR, for dataset comprised from photos of document pages, taken by mobile phones, named Mobile Page Photos. From this dataset two additional are created by cropping characters out of its photos formatted as Street View House Numbers dataset. Dataset M

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Denarnaud, Eugénie. "Le jardin « porte-paysage » : Rencontre des urbanités dans le détroit de Gibraltar (Tanger, Maroc)." Thesis, Paris, Institut agronomique, vétérinaire et forestier de France, 2020. http://www.theses.fr/2020IAVF0013.

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Cette thèse s’attache à questionner le rôle d’un jardin informel, fortement porteur de sens, dans la compréhension de la relation au paysage des Tangérois. Ce jardin interstitiel œuvrerait, non comme un espace simplement récréatif et décoratif, mais comme un talisman paysager. L’objet de la recherche est l’étude de jardins vernaculaires, nés dans un phénomène urbain massif, initié en l’an 2000. Une étude critique du paysage local, menée par l’observation ethnobotanique, géographique et paysagère d’actions jardinières potentiellement coercitives, est conduite dans le contexte actuel de planific

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Baddeley, Gwen. "Street Art Photography: Mapping the Interstices of Urban Experience." Thesis, 2011. http://spectrum.library.concordia.ca/15184/1/Baddeley_MA_F2011.pdf.

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Thomashow, JE. "The photography of street art as a representation of place." Thesis, 2013. https://eprints.utas.edu.au/15945/2/whole-thomashow-thesis-2012.pdf.

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This research project explores how the photography of street art can contribute to the understanding of place. This argument is supported through an examination of techniques and concepts utilized by a range of photographers who have practiced social documentation. The research aims to demonstrate how the photography of street art can reflect social, cultural, and natural identities that are unique to specific environments. The background to this project is located in the tradition of social documentary in the work of mid 20th century photographers such as Walker Evans, Robert Frank, and Manu

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Cheney, Clifford Sidney. "The Arab street : a photographic exploration." Thesis, 2009. http://hdl.handle.net/2152/ETD-UT-2009-12-677.

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Journalists use the term Arab Street to describe what they often imply is a volatile Arabic public opinion. This photo story travels through four Arab areas or Jordan, Qatar, Israel/Palestine and Egypt in order to show the diversity and complexity of each. The media’s tendency to lump all Arabs into one political block is detrimental to a true sense of cultural understanding that is required for peace.<br>text

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Chu-WenPeng and 彭楚文. "A Rebellious Soul — A Study on William Klein's Fashion and Street Photography." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/q43erp.

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碩士<br>國立成功大學<br>藝術研究所<br>105<br>William Klein (1928-) is a French-American photographer and film director. 2010 British photographic magazine Professional Photographer selected the most influential photographer, Klein is one of them. Klein is a versatile artist, the street photography and subversion of the mainstream aesthetic concept used in fashion photography, avant-garde style so that he became famous in the fashion photography circle. No rules, no frame, no limit is Klein's photography concept, the real outdoor street shooting is what he wants to show the theme. Klein majoring in sociolog

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Khubisa, Mandla Bheka Moses. "A documentary investigation of the Imvunge group of street photographers in Durban with specific reference to the develpment of photographic and business skills (1999-2009)." Thesis, 2012. http://hdl.handle.net/10321/739.

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Dissertation submitted in partial compliance with the requirements for the Master's Degree in Technology: Photography, Durban University of Technology, 2012.<br>The aim of this research is to document and evaluate the Imvunge group of street photographers in Durban with specific reference to the development of photographic and business skills from 1999 to 2009. This study will focus on a discussion of how members of the Imvunge group started their photographic careers as street photographers and how, through participating in projects and workshops, they developed their photographic skills

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Wei, Jen Yi, and 魏仁一. "Unveil the Inner Beauty of Street Peeking：The Art Discourse of Wei Jen Yi's Photography." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/qg5365.

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碩士<br>臺北市立大學<br>視覺藝術學系碩士在職專班<br>106<br>This study seeks the theoretical bases of the mental changes and transformation in viewing the images from the fields of psychoanalysis, psychology, and behavioral analysis and develops the works on these bases. The theoretical discussion is conducted in terms of the following perspectives: 1. The definition of the Chinese character “Kui (Peeking),” 2. Personality and psychosexual development, 3. The motive theories of behaviorism and humanism, 4. Curiosity, 5. Peeking phenomenon, and 6. Image viewing theories. Furthermore, the street snap photographic cr

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Chen, Kuan-Ju, and 陳冠汝. "An Action Research of Applying Community-based Art Education to Street Photography Teaching: Puzih Community as the Case." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/w5cg7u.

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碩士<br>國立彰化師範大學<br>美術學系藝術教育碩士班<br>104<br>Images can easily connect our emotions and life experiences. With the progress of technology, students can interpret their own life stories with a simple press of the shutter button. Community is an essential part of students’ lives, but the educational system in school today does not provide students the chance to know their environment of community and to cherish their cultural connotations. The aim of the study is to develop an art education based street photography course, providing students to observe their community in photographic perspective and

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Rubin, Caitlin Julia. "Somewhere between here and there : Sharon Hayes and Catherine Opie, picturing protest." 2013. http://hdl.handle.net/2152/21524.

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Both Sharon Hayes’s "In the Near Future" (2005-2009) and Catherine Opie’s photographs of assemblies and rallies (2007—) take protest as a topic of investigation. Hayes enacts solo protests in urban centers and documents her project’s iterations; Opie attends organized marches and demonstrations and photographs the gathered crowds. Yet while both projects perform or picture protest in the present-day, neither is wholly of this moment. In her staged actions, Hayes holds the signs and slogans of earlier social movements, and both she and Opie create and consider the images they capture in relatio

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Houšková, Aneta. "Stopy v současném umění." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-438696.

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The diploma thesis as a whole deals with the topic of tracks in contemporary art. It is divided into three parts. Theoretical, didactic and practical part. In the theoretical part, I first define what a track means to me and I apply this definition when searching for tracks in the works of contemporary artists. The theoretical part of the work includes an interview with Patrik Proška, an artist creating some of his works in public space. In the didactic art project, created for high school students, the topic of tracks is viewed somewhat more freely. The main goal of the thematic unit is to le

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Huang, Chi-Ying. "An Economic Analysis of Stream Restoration in an Urban Watershed: Austin, Texas." Thesis, 2012. http://hdl.handle.net/1969.1/ETD-TAMU-2012-05-10736.

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By 2006, the U.S. government has spent $15 billion to address the degradation of urban streams, including erosion of stream banks, disconnection of rivers from the floodplain, and disturbance of surface runoff pathways. Bank stabilization is one of the most prevalent restoration activities in urban stream restoration. Unfortunately, most stream restoration projects have been undertaken without a pre- or post-evaluation of the impact of stream restoration on real value in the area. All restoration projects beg the question: Did the money spent on the project result in greater benefits to stream

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Tsai, Rong-Jium, and 蔡榮君. "Application of Orthorectified Aerial Photographs and VRML Technique in Stream and Shore Line of the Linkou Tableland." Thesis, 1998. http://ndltd.ncl.edu.tw/handle/84345294724648019535.

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碩士<br>國立中央大學<br>地球物理研究所<br>86<br>This study performs visualization of a remote sensing images and adigital terrain model(DTM). A level 10 satellite image which is anorthoimage could be registry with DTM to perform a correct perspective view. An aerial photograph, however, must be rectified in order to calibratethe relief displacement and system errors before visualization is performed.Hence, we calcuate the six elements of exterior orientation by space resect method first, then create an or

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Mendonça, Luís Guilherme Jordão de. "Os cineastas amadores do pós-guerra: a fotografia de rua como sinopse da modernidade cinematográfica." Doctoral thesis, 2016. http://hdl.handle.net/10362/19066.

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Na transição da fotografia para o cinema, um grupo de nova-iorquinos operou uma revolução silenciosa no coração da linguagem do cinema. Entre um cinema ainda feito sob o signo da Hollywood clássica, o impacto do neo-realismo italiano, a Nouvelle Vague, o cinema directo e o New American Cinema, os outsiders Morris Engel, Ruth Orkin, Helen Levitt, James Agee, Lionel Rogosin, Weegee e Rudy Burckhardt encontraram nas ruas as coordenadas de um cinema livre que pensa em fotografias. É a partir deste “lugar sinóptico” que se propõe a modernidade cinematográfica como (est)ética fotográfica.<br>

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Mendonça, Luís Guilherme Jordão de. "As Imagens de Morris Engel e Ruth Orkin: O Berço da Modernidade no Cinema." Master's thesis, 2010. http://hdl.handle.net/10362/123981.

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Esta dissertação debruça-se sobre a obra de Morris Engel e Ruth Orkin. Com base em textos e teorias de André Bazin, Alain Bergala, Jonas Mekas, Georges Sadoul e Richard Leacock, procuramos dar sustentabilidade à ideia (apontada por estes autores) que Little Fugitive (1953) é o “elo que falta” entre a fotografia de rua, o neo-realismo italiano e o nascimento do cinema independente norte-americano tal como da Nouvelle Vague francesa; e que se deve a Morris Engel a paternidade do primeiro sistema síncrono som-imagem inteiramente móvel, posto à prova na sua última longa-metragem, Weddings and Babi

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Cabral, Catarina Isabel Crespo Ribeiro. "Lugar e memória: do caminhar na rua para as imagens contemporâneas. Uma reflexão estética." Master's thesis, 2021. http://hdl.handle.net/10362/136209.

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A reflexão sobre a memória cultural, pós-memória e lugar nas imagens contemporâneas continua hoje a ser pertinente com os autores que recentemente se têm debruçado sobre estes temas no campo da estética e dos estudos artísticos, bem como com as obras de cinema e fotografia que nos últimos anos têm explorado estas questões. Esta dissertação pretende analisar a ligação entre lugar e memória no filme Hiroshima, mon amour, de Alain Resnais (França / Japão, 1959, 90’), na instalação de fotografia e vídeo The J. Street Project, de Susan Hiller (2002-2005) e no filme-ensaio Four Parts of a Folding Sc

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