Relevant bibliographies by topics / Street writings

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Street writings'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Street writings"

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Martinelli, Patrizio M. "House, Street, City: Le Corbusier’s Research Towards a New Urban Interior." Interiority 2, no. 2 (July 30, 2019): 129–53. http://dx.doi.org/10.7454/in.v2i2.57.

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Le Corbusier’s investigations, conducted between the 1910s and the 1930s, were focused on a new relationship between street and building. This research started from texts about the city, in particular, the writings of Eugène Hénard’s. These essays, dating back to 1903-1909, dealt with the necessity of a renewed strategy for the urban street, breaking down the monotony and the problems related to the sequence of buildings and creating a series of places as squares, gardens, and open courtyards: actual urban rooms between streets an buildings. Learning from those texts, Le Corbusier worked on a series of polemical writings about the rue corridor, collected in particular in The City of Tomorrow, Precisions and The Radiant City. A series of projects explored to the extreme consequences the topic: the Dom-ino building principle used for collective housing evolved to the redent, detached from the infrastructure, and the immeuble villa, with its inhabited façades. Finally, the curved redent for the Plan Obus in Algiers transformed the street itself into a "building as city" flowing in the landscape. The essay follows how Le Corbusier transforms the street and its traditional urban components in interior elements inside the buildings.
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Dungcik, Masyhur. "JAWI'S WRITING AS A MALAY ISLAMIC INTELLECTUAL TRADITION." Journal of Malay Islamic Studies 1, no. 2 (December 30, 2017): 113–20. http://dx.doi.org/10.19109/jmis.v1i2.3840.

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Jawi writings began to show their role in the Malay Land since the entry of Islam into the archipelago. However, at this time Jawi writings seem to have been marginalized by Rumi or Latin writings. This condition is inversely proportional to what happens when Malay (Jawi writing) reaches a high level in its time. At that time Christian priests had to translate the Bible into Malay so they could spread their religion in Malay lands. Whereas at present, Muslims must transliterate the Qur'an into Latin letters so that Muslims can read it in Malay lands. This fact shows that the Malays have experienced a setback in the intellectual tradition that was once possessed in the form of Jawi writing. This research aims to find out the role of Jawi writings in the past and what must be done to safeguard one of the valuable intellectual traditions of Malay Islam. The results show that currently Jawi writing has become a rare commodity in the Indonesian Malay world. While neighboring countries such as Malaysia and Brunei still retain Jawi writing through their use on street names, buildings and other public facilities. The Indonesian Malay world community is more familiar with Latin writing than Jawi writing. Therefore, systematic efforts are needed to reintroduce and maintain the treasury of Jawi writing to the younger generation in the Indonesian Malay world.
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Adelman, Thomas Edward, Norma Bowles, and Ernie Lasky. "Street Dish. The Stories, Writings and Lives of Homeless Youth." Theatre Journal 45, no. 2 (May 1993): 260. http://dx.doi.org/10.2307/3208938.

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BYWATER, MICHAEL. "Performing Spaces: Street Music and Public Territory." Twentieth-Century Music 3, no. 1 (March 2007): 97–120. http://dx.doi.org/10.1017/s1478572207000345.

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AbstractThe interaction between ‘marginal’ music performance (whether socially or musically marginal, e.g. busking, ambient music, etc.) and ‘liminal’ spaces is at first sight a characteristically twentieth-century phenomenon. However, performance history as revealed not only through historical scholarship but through contemporary anecdotal or fictional writings can contextualize these current uses of music in negotiating public space, while revealing some of our assumptions about performance in general. I argue that much of liminal performance is concerned with the appropriation and retention of spaces in which to perform, and that this is no new thing but was, until relatively recently, the norm. I look at some aspects of performance history in the light of contemporary thinking about liminality, and consider how buskers, particularly in Bath (where I lived for several years) contend for temporary possession of public space as a prerequisite of their performances. I conclude by suggesting that the defining of liminal space might be usefully extended, in thinking about street performance, into the notion of ‘liminal spacetime’.
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Morris, Victor F. "The Rediscovered Benjamin Graham: Selected Writings of the Wall Street Legend (a review)." Financial Analysts Journal 55, no. 6 (November 1999): 127–29. http://dx.doi.org/10.2469/faj.v55.n6.2319.

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Schwarz, Bill. "A Star-Cross’d Nation." James Baldwin Review 5, no. 1 (September 2019): 191–96. http://dx.doi.org/10.7227/jbr.5.13.

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I reflect on the place of If Beale Street Could Talk in the corpus of Baldwin’s writings, and its relationship to Barry Jenkins’s movie released at the beginning of 2019. I consider also what the arrival of the movie can tell us about how Baldwin is located in contemporary collective memories.
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Monteys, Xavier, and Pere Fuertes. "LE CORBUSIER. STREETS, PROMENADES, SCENES AND ARTEFACTS." Journal of Architecture and Urbanism 40, no. 2 (June 16, 2016): 151–61. http://dx.doi.org/10.3846/20297955.2016.1194606.

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The relationship of Le Corbusier with the street is complex and sometimes contradictory. young Jeanneret seems to be persuaded by certain sites, which we may define as urban scenarios, during his visits to cities like Istanbul in his formative years. Unlike his hometown La Chaux-de-Fonds – identified by a regular set of streets – these places may have been a picturesque coun- terpoint activated by a significant topography. Streets meandering along a set of ‘Dom-ino’ houses in the Oeuvre complete, as the tracking rails of a long shot recording, offer a changing viewpoint that may be considered in relation with such casual arrangements. The claim to kill the ‘rue corridor’ made in Précisions, together with his later writings, deeply contrast with his own comments on an empty Paris in the summer of 1942 – as published in Les Trois Établissements Humains – praising the same streets he pretended to erase by means of operations like the ‘Ilôt Insalubre No 6′.
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El-Shewy, Mohamed. "The spatial politics of street art in post-Revolution Egypt." Journal of Urban Cultural Studies 7, no. 2-3 (September 1, 2020): 263–80. http://dx.doi.org/10.1386/jucs_00029_1.

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This article is concerned with exploring the politics of street art and graffiti in Egypt in the aftermath of the uprising against former President Hosni Mubarak in 2011. Rather than viewing street art and graffiti as mere by-products of the revolutionary period, the article centres them as important elements of political and social struggle. I put forward a reading of Egypt’s street art and graffiti as sites of politics through both aesthetic and spatial approaches. To do so I draw on Jacques Rancière’s concept of ‘dissensus’, a term referring to a political and aesthetic process that creates new modes of perception and novel forms of political subjectivity. In various writings, Rancière argues that part of the work of ‘dissensus’ is the creation of spaces where political activity can take place. As spatially bound practices, street art and graffiti can allow a visible ‘dissensus’ to take place. Through a semiotic analysis of several street art and graffiti works, the article makes a further contribution to scholarship on Egypt’s revolutionary street art and graffiti scene. Instead of focusing on the figure of the ‘rebel artist’, I centre the works in relation to the history of Egyptian nationalism, and argue that we need to complicate our understanding of street art and graffiti’s potential as modes of resistance.
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Passos, Mateus Yuri. "Glimpses of a New York Emerging from Silence: Joseph Mitchell’s Journalistic Memorial Essay." Brazilian Journalism Research 13, no. 1 (May 7, 2017): 90. http://dx.doi.org/10.25200/bjr.v13n1.2017.949.

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This paper discusses ‘Street Life’, ‘Days in the Branch’ and ‘A Place of Pasts’, excerpts fragments from The New Yorker reporter Joseph Mitchell’s unfinished memoir book he started writing during his famous period of silence from 1964 to 1994. Within the scope of Mitchell’s writings, this group of texts may be considered as part of his fourth period of writing, one that was gradually established between the mid-1940s and early 1960s. They also constitute a unique genre of journalism which is referred to here as his memorial essay. Este artigo discute “Street Life”, “Days in the Branch’ e “A Place of Pasts”, fragmentos do livro de memórias inacabado que Joseph Mitchell, repórter da revista The New Yorker, começou a produzir durante seu famoso período de silêncio entre 1964 e 1996. Dentro do contexto maior da obra de Mitchell, os textos podem ser compreendidos como uma quarta fase de sua produção, formada gradualmente entre a segunda metade dos anos 1940 e o início dos anos 1960, e constituem um gênero jornalístico singular, aqui denominado ensaio-memorial.Este artículo discute ‘Street Life’, ‘Days in the Branch’ y ‘A Place of Pasts’, fragmentos del libro memorialístico inconcluso que Joseph Mitchell, reportero de la revista The New Yorker, empezó a escribir durante su famoso periodo de silencio entre 1964 y 1996. En el contexto más amplio de la obra de Mitchell, los textos pueden ser comprendidos como una cuarta fase de su producción, gradualmente formada entre lasegunda mitad de los 1940 y el inicio de los 1960, constituyendo un género periodístico singular, aquí llamado ensayo memorial.
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roth, alisa. "Simit: Turkey's National Bread." Gastronomica 12, no. 4 (2012): 31–36. http://dx.doi.org/10.1525/gfc.2012.12.4.31.

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The simit, a sesame-covered bread resembling an oversized bagel, is Turkey's unofficial national food. Traditionally sold and eaten on the street, it has been around since at least the Ottoman times. It has been documented in writings and illustrations for centuries; more recently, politicians have used simits as a measure of basic subsistence. Turkey has been cracking down on street food vendors though. And the simit has been facing competition from international snacks like pizza. And companies including Starbucks and the home-grown bakery chain Simit Sarayi have also been making it harder for more traditional simit-bakers and simit-sellers to survive.
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Dissertations / Theses on the topic "Street writings"

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Silva, Eloenes Lima da. "A gente chega e se apropria do espaço! Graffiti e pichações demarcando espaços urbanos em Porto Alegre." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/27057.

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Este estudo problematiza práticas culturais de tribos de jovens grafiteiros e pichadores em espaços urbanos de Porto Alegre – RS, entre os anos de 2008 e 2009. Tem como referencial teórico o campo dos Estudos Culturais, da Cultura Visual e busca ferramentas metodológicas da etnografia pós-moderna. O corpus da pesquisa foi construído a partir de fotografias, filmagens, diários de campo, entrevistas e conversas que possibilitaram a construção dos eixos analíticos. O primeiro eixo – Assinaturas rascunhadas num blackbook: esboçando modos de (vi)ver – destacou o uso de cadernos escolares, blocos de desenho e agendas para a realização de esboços iniciais, os quais atuam tanto como espaços para ‗treinamento‘ de letras utilizadas no graffiti como elemento de socialização para a participação em grupos afins. O segundo eixo – Linhas, curvas, cores, poesias e 'kaos': demarcando formas (dis)formes – priorizou as interações dos graffiti e das pichações nos espaços urbanos, atribuindo a tais práticas culturais a localização dos múltiplos interstícios presentes na metrópole. Ao demarcarem territórios, os grafiteiros e pichadores promovem outros mapeamentos urbanos em que o corpo orgânico dos jovens sujeitos e o corpo de concreto da cidade se fundem numa espécie de ‗pele urbana‘. O último movimento analítico – Na fluidez da contemporaneidade: a produção de outras pedagogias – inferiu que, se por um lado, os graffiti e as pichações produzem outras pedagogias que rompem com conceitos formais de educação, por outro, observa-se que suas presenças e usos em espaços institucionais (como escolas, museus e galerias de arte) apontam para uma ‗pedagogização‘ dessas práticas culturais. À guisa de conclusão, compreende-se que, a partir dessas práticas constituídas em meio a uma urbanidade contemporânea, grafiteiros e pichadores atuam em redes sociais móveis, plurais e abertas, reforçando suas condições de ser e estar jovem em contextos contemporâneos. A característica transgressora e ilegal de tais práticas culturais também permitiu uma aproximação às formas plurais de resistências que são manifestadas nos cotidianos juvenis urbanos.
This study discusses cultural practices of youth tribes of grafitters and street writers in urban areas of Porto Alegre – RS through the years of 2008 and 2009. The theoretical support of this thesis is found in the field of Cultural Studies and Visual Cultures. Methodologicaly it uses the theoretical contributions of Postmodern Ethnographic Studies.The empirical corpus of the research was built from photographs, films, field notes, interviews and conversations that enabled the construction of analytical categories related. The first main pivot – Subscriptions drafted at a blackbook: outlining ways of live/view – highlights the use of school notebooks, sketch pads and agendas for the completion of initial sketches, which can be taken both as spaces for 'training' letters used in graffiti and as element of socialization for participation in that kind of youth groups. The second main pivot - Lines, curves, colors, poetry and 'kaos': delimiting forms distorted – prioritizes the interactions of graffiti and street writings in urban spaces, assigning to such cultural practices the location of the multiple interstices present in the metropolis. To demarcate territories, graffiti artists and taggers promote other urban maps through which the organic body of the young subjects and the body of concrete of the city merge into a kind of 'urban skin'. The final analytic pivot – In the fluidity of contemporaneity: the production of other pedagogies – inferred that if, on one hand, the graffiti and the street writings produce other pedagogies that break with formal concepts of education, on the other hand, it is observed that their presences and practices in institutional spaces (such as schools, museums and art galleries) show a 'pedagogization' of these cultural practices. By way of conclusion it is understood that from such practices constituted in the midst of a contemporary urbanity, grafitters and street writers operate in mobile social networks, pluralist and open, strengthening their positions to be young in contemporary contexts. The illegal and transgressive characteristics of such cultural practices also allowed to approach to the plural forms of resistance that are expressed in the urban youth quotidian.
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Lian, Erwin. "DESIGN INVASION FROM THE STREETS: A STUDY OF STREET ART’S APPLICATION IN DESIGN." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1250138042.

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Yanowski, Amanda Lee. ""Off Main Street": Stories." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984172/.

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Shin, Hisup. "Experiencing the unlikely city : the figuration of Dickens' street writing." Thesis, University of Essex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327120.

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Godfrey, Jeremy. "Between Tactics of Hope and Tactics of Power: Liminality, (Re)Invention, and The Atlanta Overlook." Digital Archive @ GSU, 2013. http://digitalarchive.gsu.edu/english_diss/112.

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This dissertation focuses on the potential empowerment writing has among a homeless community in Atlanta, Georgia. Through the participation in a newly created writing workshop and a street newspaper in that community, the narrative and communication among writing participants demonstrate negotiations of self-identification as public and private writers and the situational influence writing has on their lives. The study adds to the “public turn” of writing instruction with the intention of helping to bridge the gap between traditional composition pedagogy in academia and such education in outside community. That participatory instruction reinforces the notion that writing and rhetorical performances can effect positive change in individual lives beyond that institutional space.
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Jacobson, Malcolm. "Getting paid writing graffiti : How graffiti artists produce value within marketing." Thesis, Stockholms universitet, Sociologiska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-114878.

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In settings such as hotels, bars and boutiques, things like cars, sodas, clothes, and cities, are fueled with the symbolic capital of graffiti. The purpose of this ethnographic study is to understand how graffiti writers, through marketing, increase the value of their work, as well as that of other products, and how this commercialization affects the meaning of graffiti.  Utilizing a perspective of social constructionism, the analysis shows how actors and social fields that are constructed as incongruous (e.g., art galleries and graffiti culture), are at the same time being mixed together to create something new, and thus create value. This study shows how practices that are considered marginal, or deviant, at the same time generate value within the general economy. Deploying an abductive approach, and building on ample empirical material, this study shows that the narrative of graffiti as something illegal is one of the main traits that enables graffiti writers to exchange subcultural capital for economic. The results show that previous research, investigating graffiti from a dichotomous perspective of either art or vandalism, do not give a satisfactory understanding of this diverse subculture.   The empirical material consists of 30 participant observations in public events, in Sweden during the autumn of 2014, where graffiti is turned into a commodity embodied with subcultural capital. Moreover, four in-depth interviews were executed with graffiti writers who have sold their competence and art for purposes of marketing, and one group interview with three of their customers. Further, several documents were collected and analyzed.
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Twinn, Frances Elizabeth. "Half-finished streets, illimitable horizons and enclosed intimacy : the landscapes of Elizabeth Gaskell's writing." Thesis, Durham University, 2000. http://etheses.dur.ac.uk/1161/.

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Krepschi, Amaranta Gasperotto. "Percursos entre ruas, escritas e modos de subjetivação." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/15314.

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Made available in DSpace on 2016-04-28T20:38:48Z (GMT). No. of bitstreams: 1 Amaranta Gasperotto Krepschi.pdf: 2021332 bytes, checksum: 70651f1e39eb80cae5b11cbf6d9074eb (MD5) Previous issue date: 2013-11-19
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This research is enlivened by the possibility of creating through writing, by the act of noticing and noting the affections of the living body in its relationship with writing. It speaks of experimentations with and departing from writing. It is also an invitation for the reader to follow this route which begins with the streets of Lisbon in 2008 and 2009 (while I was in artistic residency at c.e.m.); continues by crossing the Atlantic Ocean, and flows into the city of São Paulo through the winding streets of Vila Anglo-Brasileira. This research accompanies the mode "how" hegemonic politics of subjectivization affects the dancing, writing, loving and paralyzing body that transits throughout different cities. It follows the moments when and the agencies with which it was possible to create different modes of being with (the city, the street, fear, writing, flows, desire). For this research, writing plays a singular and important role, as it has been the most outstanding company for such passages. Sometimes becoming the passage itself
Esta pesquisa se instiga pela possibilidade de criar com a escrita, o notar e anotar as afecções do corpo vivo na relação com o escrever. Diz de experimentações a partir e com a escrita. É também um convite para um percurso iniciado na cidade e pelas ruas de Lisboa em 2008 e 2009 (onde vivi uma residência artística no c.e.m), que continua pela travessia do Oceano Atlântico e desemboca na cidade de São Paulo pelas ruas sinuosas da Vila-Anglo Brasileira. Acompanha o como as políticas de subjetivação hegemônicas afetam este corpo que dança, que escreve, que ama, que paralisa e que transita pelas cidades e em quais momentos e agenciamentos se fez possível criar outros modos de estar com (a cidade, o medo, a escrita, a rua, os fluxos, o desejo). No caso desta pesquisa, a escrita tem um lugar singular e importante, por ser a acompanhante mais marcante em tais passagens, sendo às vezes ela própria, a passagem
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Whitson, Donna Marie. "Report on a MTSC Internship at the Warren County Engineer's Office." Miami University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=miami1387252453.

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Goldberg, James Arthur. "Drink Me, or: How I Learned to Stop Worrying and Love the Blog." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2161.

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Language itself is a technology, and the advent of each major technology of language transmission (from the alphabet to the printing press to the Internet) has changed the range of speaker-audience dynamics which are the starting point for all creative writing. In this thesis, a writer, armed only with his blog archives and a smattering of John Tenniel illustrations, guides the curious reader through various issues raised by creative writing in the blog form. Topics discussed include self-presentation, the juxtaposed brevity and expansiveness of online texts, nonlinear reading, alternative models for revision, the literary possibilities of the hyperlink, speaker-audience-time relationships in online settings, the future of ephemerality, the possibility of digital street theatre, and croquet with live balls and sticks. Also discussed are: the end of the world, the Partition of India, the political ramifications of labels replacing folders, my great-aunt's death, Wynton Marsalis, Jewish Vikings, democracy in Kahanistan, Saparmurat Niyazov, Elvis Costello, Sheikh Hasina, and the virtues of walking to church. This thesis also contains several introductions, an acknowledgements page, and more chapters than I care to count. A five-dollar bill may or may not be hidden between the digital pages of this thesis.
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Books on the topic "Street writings"

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Almack, Shirley. Street mother. Guelph, Ont: Garlic Press, 1992.

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Uth ink: Word from the street. Toronto: Playwrights Canada Press, 2008.

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Howe, Eric Graham. The druid of Harley Street: Selected writings of E. Graham Howe. Berkeley, Calif: North Atlantic Books, 2009.

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Benjamin, Graham. The rediscovered Benjamin Graham: Selected writings of the Wall Street legend. New York: Wiley, 1999.

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The druid of Harley Street: Selected writings of E. Graham Howe. Berkeley, Calif: North Atlantic Books, 2009.

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1926-, Friedman B. H., ed. Give my regards to Eighth Street: Collected writings of Morton Feldman. Cambridge, MA: Exact Change, 2000.

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L'Engle, Madeleine. Miracle on 10th Street & Other Christmas Writings: Austin Family Chronicles #5.4. Wheaton, Ill: Harold Shaw Publishers, 1998.

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Helene, Cooper, ed. At home in the world: Collected writings from the Wall Street Journal. New York: Simon & Schuster, 2002.

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Michael, Perry. Off Main Street. New York: HarperCollins, 2007.

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Off Main Street: Barnstormers, prophets, and gatemouth's gator : essays. New York: Perennial, 2005.

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Book chapters on the topic "Street writings"

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Wilcox, Alison, and Adam Bushnell. "Modern street." In Descriptosaurus Story Writing, 28–31. Subjects: LCSH: Creative writing (Elementary education) | Description (Rhetoric)–Study and teaching (Elementary) | Vocabulary–Study and teaching (Elementary): Routledge, 2020. http://dx.doi.org/10.4324/9781003095675-9.

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Careri, Elisabetta. "Home, Streets, Nature: Esperanza’s Itineraries in Sandra Cisneros’ The House on Mango Street." In Landscapes of Writing in Chicano Literature, 13–22. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137353450_2.

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Michaela, Morgan. "Dinner on Elm Street." In How to Teach Poetry Writing: Workshops for Ages 8–13, 77. Third Edition. | New York: Routledge, 2020. | Series: Writer’s workshop series | “Second edition published by Routledge: Routledge, 2019. http://dx.doi.org/10.4324/9781315103693-39.

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Deveney, Paul J. "In Opposition: Book Writing and Europe." In Callaghan’s Journey to Downing Street, 156–90. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230298002_7.

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Peterson, Linda H. "Vigo Street Sapphos: The Bodley Head Press and Women’s Poetry of the 1890s." In The History of British Women's Writing, 1880-1920, 225–42. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-39380-7_18.

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Clark, Sandra. "Early Modern News and Crime Writing: Its Literary and Ideological Context." In Women and Crime in the Street Literature of Early Modern England, 1–32. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230000629_1.

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Lee, Anthony W. "“Saint Samuel of Fleet Street”." In Samuel Johnson Among the Modernists, 41–68. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781942954668.003.0003.

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Both Samuel Johnson and Virginia Woolf excelled in several genres—fiction, essay-writing, journals and diaries, biography, and criticism—and both held common attitudes toward a number of important topics. Furthermore, Woolf’s writings betray an admiration for and attraction to Johnson, as is suggested in the title of the chapter, “‘Saint Samuel of Fleet Street’: Johnson and Woolf,” which contrasts and compares a number of topics linking the two. The chapter then looks more closely at two particular genres, literary criticism and biography, and concludes with a meditation upon Johnson and Woolf’s intertextual engagements.
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Melville, Herman. "Bartleby, the Scrivener: A Story of Wall-Street." In The Writings of Herman Melville: The Northwestern-Newberry Edition, Vol. 9: The Piazza Tales: and Other Prose Pieces, 1839–1860, edited by Harrison Hayford, Alma A. MacDougall, and G. Thomas Tanselle, 13–579. Northwestern University Press, 1987. http://dx.doi.org/10.1093/oseo/instance.00209193.

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Hammersley, Rachel. "Life After 1660." In James Harrington, 260–65. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198809852.003.0015.

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Harrington’s political writings appear to have ceased with the Restoration of Charles II, but his alleged involvement with the Bow Street commonwealth club led him to be arrested in November 1661, interrogated and imprisoned. While he was eventually released, the experience affected his health, and there is no evidence of his engaging in writing or politics after this time. At some point during the 1660s he married Anne Darrell, who is described by Aubrey as his ‘old sweet-heart’. He lived out the last years of his life in Little Ambry, Westminster, dying on 11 September 1677 and being buried in St Margaret’s Church, Westminster. His ideas remained alive in the minds and writings of his friends, and were given new life by the publication in 1700 of Toland’s edition.
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"On Modern Graffiti and Street Murals Metareferential Aspects of Writings and Paintings on Walls." In The Metareferential Turn in Contemporary Arts and Media, 279–303. Brill | Rodopi, 2011. http://dx.doi.org/10.1163/9789401200691_012.

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Conference papers on the topic "Street writings"

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Wang, Wei, Yong Huang, and Yafu Lin. "Modeling of Thermoelastic Stress Wave in Laser-Assisted Cell Direct Writing." In ASME 2009 International Manufacturing Science and Engineering Conference. ASMEDC, 2009. http://dx.doi.org/10.1115/msec2009-84373.

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Laser-assisted cell direct-write technique has been a promising biomaterial direct-write method. For safe and reproducible cell direct writing, the cell damage due to process-induced external stress must be understood in addition to biological property research. The objective of this study is to model the thermoelastic stress wave propagation inside the coating in laser-assisted cell direct writing when the vaporization or optical breakdown of coating materials is not available. It is found that a bipolar pressure pair has been developed within a finite thin coating medium, locations near the laser focal spot experience higher stresses, and shorter duration laser pulses lead to higher thermoelastic stresses. This study will help understand the photomechanical stress and its relevance with biomaterial damage in laser-assisted cell direct writing.
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Yana, Buntueng, and Takao Onoye. "Real-time air-writing recognition in motion stream." In International Workshop on Advanced Image Technology, edited by Phooi Yee Lau, Kazuya Hayase, Qian Kemao, Wen-Nung Lie, Yung-Lyul Lee, Sanun Srisuk, and Lu Yu. SPIE, 2019. http://dx.doi.org/10.1117/12.2521598.

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Silverman, S., R. Aucoin, J. Mallatt, and D. Ehrlich. "Laser Microchemical Technology: New Tools for Flip-Chip Debug and Failure Analysis." In ISTFA 1997. ASM International, 1997. http://dx.doi.org/10.31399/asm.cp.istfa1997p0211.

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Abstract Laser microchemical (LMC) technology has become an important element of the FIA and debug tool set by supplying key steps not well addressed by previous tools. In this paper we report the optimization of the LMC technology to solve key issues for flip chip FIA. Specific processes have been developed for localized thinning of flip chips, in order to enable access of conventional FIA tools. Additional applications include dramatic enhancement of focused ion beam (FIB) rework and 3-D micromachining for prototyping, in-situ trimming, and mastering of microelectromechanical systems (MEMS). Laser etching of silicon is with a high pressure chlorine assist and is l000X the rate of the fastest focused ion beam methods. In contrast to grinding methods, the process introduces no process stress or contamination and retains an average surface roughness of several hundred angstroms. Micronthickness metal lines are laid down in a one-step vapor phase deposition at 200 μm/s writing speed. Rapid deposition combined with the superior quality of the laser interconnect, translates into writing with a conductance per unit writing time of 1000 to 10,000 times the rate of a focused ion beam.
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Apriliyani, Ita, and Madyo Maryoto. "The Relationship Between Coping Mechanisms and Stress Levels in Thesis Writing Among Undergraduate Nursing Students." In 1st International Conference on Community Health (ICCH 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/ahsr.k.200204.015.

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Xu, Pengfei, Lei Wang, Ziyu Guan, Xia Zheng, Xiaojiang Chen, Zhanyong Tang, Dingyi Fang, Xiaoqing Gong, and Zheng Wang. "Evaluating Brush Movements for Chinese Calligraphy: A Computer Vision Based Approach." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/146.

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Chinese calligraphy is a popular, highly esteemed art form in the Chinese cultural sphere and worldwide. Ink brushes are the traditional writing tool for Chinese calligraphy and the subtle nuances of brush movements have a great impact on the aesthetics of the written characters. However, mastering the brush movement is a challenging task for many calligraphy learners as it requires many years’ practice and expert supervision. This paper presents a novel approach to help Chinese calligraphy learners to quantify the quality of brush movements without expert involvement. Our approach extracts the brush trajectories from a video stream; it then compares them with example templates of reputed calligraphers to produce a score for the writing quality. We achieve this by first developing a novel neural network to extract the spatial and temporal movement features from the video stream. We then employ methods developed in the computer vision and signal processing domains to track the brush movement trajectory and calculate the score. We conducted extensive experiments and user studies to evaluate our approach. Experimental results show that our approach is highly accurate in identifying brush movements, yielding an average accuracy of 90%, and the generated score is within 3% of errors when compared to the one given by human experts.
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Rakshit, Sukanta, and Harsha Bojja. "Analysis of Flow in a Concentric Cylindrical Vessel Using Stream and Vorticity Function." In ASME 2009 International Mechanical Engineering Congress and Exposition. ASMEDC, 2009. http://dx.doi.org/10.1115/imece2009-13020.

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This paper reports the numerical results of flow in a concentric cylindrical vessel. Velocity plots are shown to illustrate the swirling cylinder flow inside the cylinder having free surface on top and constant rotating bottom wall. The analysis is carried out axisymmetric using Stream function and Vorticity method by writing Navier-Stokes equation and continuity equation in cylindrical coordinates in form of stream functions and azimuthal vorticity components eliminating the pressure component. Using Finite Difference Schemes, modified Navier-Stokes equation and continuity equations are solved by explicit methods. No-slip boundary condition is assumed at wall to minimize the discontinuity. Vortex formation is shown using contour plots and variation in Reynolds number and dimensions are considered as variable for the system. As the Reynolds number is increased the system undergoes vortex breakdown. Result clearly indicates the formation of another vortex near the free surface illustrating the phenomena of vortex breakdown. Effect of aspect ratio in the nature flow is also shown in the paper. Comparison of numerically achieved results and experimental results are done for validation.
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Gross, Katja, Matthias Eifler, Julian Hering, Georg von Freymann, and Jörg Seewig. "Metrological characteristics of material measures depending on manufacturing parameters in direct laser writing and external stress factors." In Optical Measurement Systems for Industrial Inspection XII, edited by Peter Lehmann, Wolfgang Osten, and Armando Albertazzi Gonçalves. SPIE, 2021. http://dx.doi.org/10.1117/12.2591655.

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Ashrafi, Nariman, and Sepideh Samghani. "Oscillating Viscoelastic Flow." In ASME 2012 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/imece2012-85635.

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The flow of nonlinear viscoelastic fluids between oscillating parallel plates is investigated. The investigation features time-dependent analysis of a complicated viscoelastic material modeled based on the Johnson-Segalman constitutive relation. Given the rheological parameters of certain material known from experiments, the coefficients of Johnson-Segalman constitutive equation model for the material are evaluated by fitting the data. The problem is first formulated by writing the governing equations for the flow between two independently oscillating parallel plates, i.e. oscillating Couette flow. The velocity and stress are represented by symmetric and antisymmetric Chandrasekhar functions in space. Both inertia and normal stress effects are included. A numerical scheme is applied to solve the governing equations in time domain projected by Galerkin method. For given Reynolds number and viscosity ratio, one critical Weissenberg numbers is found at which an exchange of stability occurs between the Couette and other steady flows. The model is capable of predicting the nonlinear amplitude-dependent behavior of viscoelastic flows under single and multiple-frequency excitations.
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Klokov, Aleksey, Evgenii Slobodyuk, and Michael Charnine. "Predicting the citation and impact factor of terms for scientific publications using machine learning algorithms." In International Conference "Computing for Physics and Technology - CPT2020". ANO «Scientific and Research Center for Information in Physics and Technique», 2020. http://dx.doi.org/10.30987/conferencearticle_5fd755c0ea6458.82600196.

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The object of the research when writing the work was the body of text data collected together with the scientific advisor and the algorithms for processing the natural language of analysis. The stream of hypotheses has been tested against computer science scientific publications through a series of simulation experiments described in this dissertation. The subject of the research is algorithms and the results of the algorithms, aimed at predicting promising topics and terms that appear in the course of time in the scientific environment. The result of this work is a set of machine learning models, with the help of which experiments were carried out to identify promising terms and semantic relationships in the text corpus. The resulting models can be used for semantic processing and analysis of other subject areas.
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Ashrafi, Nariman, and Mohamad Reza Eskafi. "Application of Viscoelastic Fluids in Industrial Dampers." In ASME 2011 International Mechanical Engineering Congress and Exposition. ASMEDC, 2011. http://dx.doi.org/10.1115/imece2011-63049.

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A nonlinear viscoelastic damper is designed for several industrial applications. The damper is structurally similar to typical commercial dampers and the design is based on the choice of the viscoelastic material used as damping agent in the damper. Given the rheological parameters of certain material known from experiments, the coefficients of Johnson-Segalman constitutive equation model for the material are evaluated by fitting the data. The problem is first formulated by writing the governing equations for the flow between two parallel flat plates, i.e. Couette flow. The velocity and stress are represented by symmetric and antisymmetric Chandrasekhar functions in space. Both inertia and normal stress effects are included. A numerical scheme is applied to solve the governing equations in time domain projected by Galerkin method. For given Reynolds number and viscosity ratio, two critical Weissenberg numbers are found at which an exchange of stability occurs between the Couette and other steady flows. The model is capable of predicting the nonlinear amplitude-dependent behavior of viscoelastic dampers under single and multiple-frequency excitations.
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Reports on the topic "Street writings"

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Le Maux, Laurent. Bagehot for Central Bankers. Institute for New Economic Thinking Working Paper Series, February 2021. http://dx.doi.org/10.36687/inetwp147.

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Walter Bagehot (1873) published his famous book, Lombard Street, almost 150 years ago. The adage “lending freely against good collateral at a penalty rate” is associated with his name and his book has always been set on a pedestal and is still considered as the leading reference on the role of lender of last resort. Nonetheless, without a clear understanding of the theoretical grounds and the institutional features of the British banking system, any interpretation of Bagehot’s writings remains vague if not misleading—which is worrisome if they are supposed to provide a guideline for policy makers. The purpose of the present paper is to determine whether Bagehot’s recommendation remains relevant for modern central bankers or whether it was indigenous to the monetary and banking architecture of Victorian times.
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Walsh, Alex. The Contentious Politics of Tunisia’s Natural Resource Management and the Prospects of the Renewable Energy Transition. Institute of Development Studies (IDS), February 2021. http://dx.doi.org/10.19088/k4d.2021.048.

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For many decades in Tunisia, there has been a robust link between natural resource management and contentious national and local politics. These disputes manifest in the form of protests, sit-ins, the disruption of production and distribution and legal suits on the one hand, and corporate and government response using coercive and concessionary measures on the other. Residents of resource-rich areas and their allies protest the inequitable distribution of their local natural wealth and the degradation of their health, land, water, soil and air. They contest a dynamic that tends to bring greater benefit to Tunisia’s coastal metropolitan areas. Natural resource exploitation is also a source of livelihoods and the contentious politics around them have, at times, led to somewhat more equitable relationships. The most important actors in these contentious politics include citizens, activists, local NGOs, local and national government, international commercial interests, international NGOs and multilateral organisations. These politics fit into wider and very longstanding patterns of wealth distribution in Tunisia and were part of the popular alienation that drove the uprising of 2011. In many ways, the dynamic of the contentious politics is fundamentally unchanged since prior to the uprising and protests have taken place within the same month of writing of this paper. Looking onto this scene, commentators use the frame of margins versus centre (‘marginalization’), and also apply the lens of labour versus capital. If this latter lens is applied, not only is there continuity from prior to 2011, there is continuity with the colonial era when natural resource extraction was first industrialised and internationalised. In these ways, the management of Tunisia’s natural wealth is a significant part of the country’s serious political and economic challenges, making it a major factor in the street politics unfolding at the time of writing.
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Buene, Eivind. Intimate Relations. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.481274.

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Blue Mountain is a 35-minute work for two actors and orchestra. It was commissioned by the Ultima Festival, and premiered in 2014 by the Danish National Chamber Orchestra. The Ultima festival challenged me – being both a composer and writer – to make something where I wrote both text and music. Interestingly, I hadn’t really thought of that before, writing text to my own music – or music to my own text. This is a very common thing in popular music, the songwriter. But in the lied, the orchestral piece or indeed in opera, there is a strict division of labour between composer and writer. There are exceptions, most famously Wagner, who did libretto, music and staging for his operas. And 20th century composers like Olivier Messiaen, who wrote his own poems for his music – or Luciano Berio, who made a collage of such detail that it the text arguably became his own in Sinfonia. But this relationship is often a convoluted one, not often discussed in the tradition of musical analysis where text tend to be taken as a given, not subjected to the same rigorous scrutiny that is often the case with music. This exposition is an attempt to unfold this process of composing with both words and music. A key challenge has been to make the text an intrinsic part of the performance situation, and the music something more than mere accompaniment to narration. To render the words meaningless without the music and vice versa. So the question that emerged was how music and words can be not only equal partners, but also yield a new species of music/text? A second questions follows en suite, and that is what challenges the conflation of different roles – the writer and the composer – presents? I will try to address these questions through a discussion of the methods applied in Blue Mountain, the results they have yielded, and the challenges this work has posed.
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