Academic literature on the topic 'Streetcar named Desire (Williams, Tennessee)'

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Journal articles on the topic "Streetcar named Desire (Williams, Tennessee)"

1

Matos, Xênia Amaral. "Bodies that Desire: The Melodramatic Construction of the Female Protagonists of The Glass Menagerie and A Streetcar Named Desire, by Tennessee Williams." Em Tese 21, no. 1 (2015): 130. http://dx.doi.org/10.17851/1982-0739.21.1.130-149.

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<p>O melodrama desenvolveu-se na França durante o século dezoito e é majoritariamente caracterizado por abordar relações amorosas e familiares através de uma abordagem emotiva. O melodrama influenciou diversos autores como Charles Dickens, Victor Hugo e Tennessee Williams. Tennessee Williams é um dramaturgo norte-americano famoso pela peça<em> A Streetcar Named Desire</em>. Suas peças exploram o emocionalismo, os conflitos amorosos, a decadência econômica e os problemas familiares. Este trabalho apresenta uma análise da construção melodramática das protagonistas femininas Ama
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2

Gencheva, Andrea. "Truth and illusion in Tennessee Williams' A Streetcar named desire." English Studies at NBU 2, no. 1 (2016): 31–41. http://dx.doi.org/10.33919/esnbu.16.1.3.

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The following paper discusses some of the motifs ubiquitous to Tennessee Williams’ oeuvre, namely truth and illusion as they are presented in one of his most famous plays, A Streetcar Named Desire. The author endeavors to portray these motifs through an analysis of the characters' behavior and the subsequent, tragic consequences in order to reveal the humanness of Williams' characters who are just like the playwright himself, all marred by alcoholism, depression and loneliness.
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3

HUANG, Yan. "Tennessee Williams’ Awareness of Feminist Issues in A Streetcar Named Desire —From Readers to Ideal Readers." Journal of Social Science Studies 5, no. 2 (2018): 106. http://dx.doi.org/10.5296/jsss.v5i2.13127.

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On the one side, as a male, Tennessee Williams showed a strong awareness on feminist issues because of his special personal experience, which can be proved by his many plays portraying women. On the other side, he expressed admiration to the muscular beauty of men. A Streetcar Named Desire can be seen as a play to display the conflict in Williams’ mind and to demonstrate his deep sympathy to women. By constructing the confrontation between hero and heroine, Tennessee succeeded guiding readers to the ideal readers to share what in his mind. In this thesis, the author will use the theory of Read
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4

Rahadiyanti, Iga. "Women Language Features in Tennessee Williams’ A Streetcar Named Desire." Vivid: Journal of Language and Literature 9, no. 2 (2020): 86. http://dx.doi.org/10.25077/vj.9.2.86-92.2020.

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The purpose of this study is to observe the types of women language features and the most frequent women language feature used by the main women characters in the dialogue of Tennessee Williams’ A Streetcar Named Desire play. Ten women language features proposed by Robin Lakoff is used to analyze the data. This study only observes eight out of ten women language features proposed by Robin Lakoff, namely tag question, intensifier, hypercorrect grammar, hedges or fillers, empty adjectives, precise color terms, super polite form, and avoidance of strong swear words. This study excludes emphatic s
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5

Mandani, Humairoh, and Dian Eka Sari. "HISTRIONIC PERSONALITY DISORDER IN TENNESSEE WILLIAMS’ A STREETCAR NAMED DESIRE." LINGUA LITERA : journal of english linguistics and literature 4, no. 1 (2019): 41–58. http://dx.doi.org/10.55345/stba1.v4i1.5.

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This research analyzed Histrionic Personality Disorder that portrayed in a drama entitled A Streetcar Named Desire. Histrionic Personality Disorder is a mental disruption where the sufferer has a big desire to be the center of attention. The problems which are discussed in this research are the symptoms of Histrionic Personality Disorder and the reasons Histrionic Personality Disorder become worse and severe. The aim of this research is to analyze deeply about Histrionic Personality Disorder issue which occur in the drama. In resolving the issue, the researcher used psychological theory by Bla
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6

Rahadiyanti, Iga. "Women Language Features in Tennessee Williams’ A Streetcar Named Desire." Vivid: Journal of Language and Literature 9, no. 2 (2020): 86. http://dx.doi.org/10.25077/vj.9.2.86-92.2020.

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Abstract:
The purpose of this study is to observe the types of women language features and the most frequent women language feature used by the main women characters in the dialogue of Tennessee Williams’ A Streetcar Named Desire play. Ten women language features proposed by Robin Lakoff is used to analyze the data. This study only observes eight out of ten women language features proposed by Robin Lakoff, namely tag question, intensifier, hypercorrect grammar, hedges or fillers, empty adjectives, precise color terms, super polite form, and avoidance of strong swear words. This study excludes emphatic s
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7

Griffies, W. Scott. "A streetcar named desire and tennessee Williams' object-relational conflicts." International Journal of Applied Psychoanalytic Studies 4, no. 2 (2007): 110–27. http://dx.doi.org/10.1002/aps.127.

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8

Ahmad, Mahmood. "Sexuality and Death of Desire in Tennessee Williams’ A Streetcar Named Desire." PAKISTAN LANGUAGES AND HUMANITIES REVIEW 1, no. II (2017): 24–34. http://dx.doi.org/10.47205/plhr.2017(1-ii)1.3.

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9

Pei, GAO. "Stella’s Choice - Re-read A Streetcar Named Desire." Studies in English Language Teaching 8, no. 4 (2020): p10. http://dx.doi.org/10.22158/selt.v8n4p10.

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Tennessee Williams’ A Streetcar Named Desire reveals Blanche’s tragic fate in the period of social change from the perspective of sexual conflict, and reveals the contest between the declining traditional civilization of the South and the emerging industrial civilization in American history. The play renders symbolism to show incisively and vividly the collision between the industrial civilization of the north and the planting civilization of the south, as well as the collision between personal fantasy and the reality of that time. In order to highlight the theme better, the writer skillfully
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10

Al-Khalili, Raja Khaleel. "The Application of Bakhtin’s “Heteroglossia” to Tennessee Williams’s A Streetcar Named Desire." Advances in Language and Literary Studies 9, no. 6 (2018): 223. http://dx.doi.org/10.7575/aiac.alls.v.9n.6p.223.

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Tennessee William in A Streetcar Named Desire shows the struggles of middle class Americans as they undergo socio-ideological contradictions. The research applies Bakhtin’s theory that is defined in his book The Dialogic Imagination and specifically applies heteroglossia on A Streetcar Named Desire. Edward Said’s concept of “orientalism” is useful because Said’s concept explains the link between the problems of American society and its heterogeneous structure. Theplay explores the effects of diversity on American society. The characters in the play perceive their lives as a reflection of their
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