Relevant bibliographies by topics / Streisand, barbra, 1942-

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  1. Dissertations / Theses
  2. Books
  3. Book chapters

Academic literature on the topic 'Streisand, barbra, 1942-'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Dissertations / Theses on the topic "Streisand, barbra, 1942-"

1

Carlin, Abigail. "Let Us Now Praise Famous Women: Deborah Kass’s The Warhol Project (1992–2000)." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243344700.

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Books on the topic "Streisand, barbra, 1942-"

1

Nickens, Christopher. The films of Barbra Streisand. Citadel Press, 2000.

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Swenson, Karen. Barbra, the second decade. Citadel Press, 1986.

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Mann, William J. Hello gorgeous: Becoming Barbra Streisand. Robson Press, 2012.

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Edwards, Anne. Streisand: A biography. Little, Brown, 1997.

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Andersen, Christopher. Barbra. HarperCollins, 2006.

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6

Ann, Vare Ethlie, ed. Diva: Barbra Streisand and the making of a superstar. Boulevard Books, 1996.

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7

Dennen, Barry. My life with Barbra: A love story. Prometheus Books, 1997.

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8

James, Kimbrell. Barbra, an actress who sings: An unauthorized biography. Branden Pub. Co., 1989.

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9

Barbra Streisand: A biography. R. Hale, 1991.

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10

Waldman, Allison. The Barbra Streisand Scrapbook. Citadel, 2001.

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Book chapters on the topic "Streisand, barbra, 1942-"

1

Mordden, Ethan. "Streisand’s Theatre." In On Streisand. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190651763.003.0002.

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This chapter focuses on Barbra Streisand’s career in theater, beginning with her 1961 debut in New York via Another Evening With Harry Stoones followed by her very first Broadway role in I Can Get It For You Wholesale in 1962. Whereas Another Evening With Harry Stoones did nothing for Streisand, I Can Get It For You Wholesale gave the character “Miss Marmelstein” as Streisand’s breakout musical spot. The following year, 1963, Streisand’s first two albums were released, and in 1964, Streisand starred in her second Broadway appearance, Funny Girl, for which she was nominated for Best Performance
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Mordden, Ethan. "Streisand’s Cinema." In On Streisand. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190651763.003.0005.

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This chapter focuses on Barbra Streisand’s movies, beginning with Funny Girl in 1968 followed by Hello, Dolly! a year later. A roadshow release, Funny Girl dropped eight of the numbers, including the best title, “The Music That Makes Me Dance,” but added three songs associated with Fanny Brice, the most notable of which is her “autobiography” piece, “My Man.” Hello, Dolly! is considered one of Streisand’s best portrayals. The chapter also offers a commentary on Streisand’s third film, On a Clear Day You Can See Forever (1970), along with other projects such as The Owl and the Pussycat (1970),
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Wyatt, Justin. "“Industrial Signposts to New Hollywood’s Demise: First Artists, the Directors Company and United Artists”." In The Oxford Handbook of American Film History. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197556153.003.0020.

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Abstract The New Hollywood was distinguished by aesthetic and narrative experimentation. Accounts of this seeming moviemaking renaissance most often attend the narrative and stylistic audacity of the directors who “made it happen.” But this chapter counterintuitively focuses instead on industry experiments that accompanied this transition from Old to New Hollywood. To that end, Wyatt presents a case study of First Artists, established in 1969 by the movie stars Sidney Poitier, Paul Newman, and Barbra Streisand (and later joined by Steve McQueen in 1971 and Dustin Hoffman in 1972) under the aus
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