To see the other types of publications on this topic, follow the link: Stripteasers.
Dissertations / Theses on the topic 'Stripteasers'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 25 dissertations / theses for your research on the topic 'Stripteasers.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
1
Bloom, Michael. "The bawdy politic : strips of culture and the culture of strip." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75963.
Full textAbstract:
This work develops a new approach to female strip dancing as cultural practice by using methods of cultural history, ethnographic field work and theoretical critique in order to reconstruct the historical setting in which strip dancing emerged, the varied sites where it continues to evolve, and the diverse interpretations of strip by its different practitioners.Toward this end, the dissertation is divided into five major sections which link such forms of body movement and display to wider socio-historical movements of theory and practice; sexuality; commerce; pleasure and power; and culture.
It is then concluded that such small-scale or "stripped-down" studies following this model may advance critical understanding of human bodies and subjects in cultural theory and practice, by situating non-mechanistic notions of communication, culture and dance within detailed investigations that emphasize the complexity and specificity of the practice of everyday life.
2
Semak, Lance, and University of Lethbridge Faculty of Arts and Science. "Surfaces: a novel." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2006, 2006. http://hdl.handle.net/10133/539.
Full textAbstract:
Surfaces is a novel which explores the lifestyle of exotic dancers who live and work throughout Southern Alberta, Canada. Several exotic dancers were interviewed and many academic and creative publications were consulted prior to the writing process. Elements of power, jealousy, obsession, drug addiction and depression turned up frequently in the research, and all are prevalent throughout the story. A young woman faces several problems when she returns to the world of exotic dancing: her boyfriend's jealousy pulls him into a downward spiral, an obsessive patron with deep pockets stalks her relentlessly and the forgotten mistakes of her past come back to haunt her. Those outside of the dancing industry try to persuade her to exit the field, yet she is diligent about dancing for a living. She does have long-term occupational goals that do not involve dancing, but she chooses to pursue them on her own terms.v, 298 leaves ; 29 cm.
3
Ebeid, Omar Randi. "The Effects of Labeling and Stigma on the Social Rejection of Striptease Performers." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5466/.
Full textAbstract:
This study uses survey data collected from a convenience sample of undergraduate students (N=89). A vignette survey design is employed to measure social rejection of striptease performers compared to a control group. Data is also collected on negative stereotypes held about striptease performers, which are correlated with social rejection. Link and Phelan's conceptualization of the stigma process provides the theoretical framework for this analysis. Findings suggest that striptease performers experience higher levels of social rejection and are perceived more negatively than the control group and that endorsement of negative stereotypes is associated with social rejection.
4
Lerum, Kari A. "Doing the dirty work : emotion work, professionalism, and sexuality in a customer service economy /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/8904.
Full text
5
McGrath, Moriah McSharry. "Neighboring in Strip City: A Situational Analysis of Strip Clubs, Land Use Conflict, and Occupational Health in Portland, Oregon." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/1046.
Full textAbstract:
A lack of land use controls on sexually oriented businesses contributes to the unique configuration of Portland, Oregon's strip clubs: nearly fifty clubs are distributed throughout the city's neighborhoods. Considered a locally unwanted land use (LULU) by many, these strip clubs are regulated by a variety of formal and informal social processes in the absence of zoning. This qualitative study explores drivers and constraints shaping the spatial configuration of Portland's strip club industry as well as influences on land use conflict at strip club sites and working conditions for women who work as exotic dancers in the clubs. Data collection entailed review of documents (newspaper articles, legal and administrative decisions and records, and ballot measure pro/con statements); site observations; and in-person interviews with exotic dancers, strip club owners and managers, public employees who deal with strip clubs in their line of work, and people who live and work near strip clubs (n=43). Analysis follows Clarke's (2005) situational analysis methods. The study finds that strip clubs are not necessarily incompatible with residential locations and that such locations can confer benefits to dancers. The normalization of strip clubs in Portland decreases the place stigma associated with strip clubs but has a lesser impact on the person stigma of being an exotic dancer. With regard to land use conflict, the study finds that tolerance of sexual commerce is associated with urbanicity and that neighborhood socioeconomic status has a more complex relationship to community response than is suggested by the literature on land use conflict. Based on these findings, the dissertation argues that conflict resolution programs may be more effective than zoning at managing potential negative effects of sexually oriented businesses, and that improving working conditions for exotic dancers is a complex challenge. It proposes broader adoption of the sex work discourse, including the integration of labor issues in sex industry to advocacy efforts on behalf of other freelance and service sector workers.
6
Hurley, Alicia H. "Bitten and spanked the male revue as a liminal setting /." Greensboro, N.C. : University of North Carolina at Greensboro, 2007. http://libres.uncg.edu/edocs/etd/1475Hurley/umi-uncg-1475.pdf.
Full textAbstract:
Thesis (M.A.)--University of North Carolina at Greensboro, 2007.Title from PDF t.p. (viewed Feb. 29, 2008). Directed by Steve Kroll-Smith; submitted to the Dept. of Sociology. Includes bibliographical references (p. 64-65).
7
Milner, Lauren E. "“Respectably Dull”: Striptease, Tourism and Reform in Postwar New Orleans." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/td/1601.
Full textAbstract:
The French Quarter of New Orleans and its famous Bourbon Street receive millions of visitors each year and are the subjects of both scholarly study and the popular imagination. Bourbon Street’s history of striptease has largely been untouched by scholars. In the post-World War II period, nightclubs featuring striptease entertainment drew the attention of reform-minded city and police officials, who attempted to purge striptease from the city’s historic district in an effort to whitewash the city’s main tourist area and appeal to potential outside economic industrial opportunities. Through news articles, correspondence, tourism brochures, and published reports, this thesis explores how striptease endured on Bourbon Street despite various reform campaigns against it and shows that striptease was an integral part of the New Orleans tourist economy in the postwar period.
8
Fargo, Emily Layne. ""The fantasy of real women" new burlesque and the female spectator /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1211331939.
Full text
9
Vernon, Sarah Caroline. "The private, the public and the pubic : striptease and naked power in Scotland." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/2694/.
Full textAbstract:
Scottish strip clubs are a highly under researched area. While there is a plethora of research emanating from North America, strip club research is in its infancy in Scotland. The little research that has been conducted on Scotland?s strip clubs is unrepresentative (Bindel, 2004; AEWG, 2006). This project is an in depth participant observation based analysis of two Scottish strip clubs. The fieldwork was conducted over a period of seven years, with over 7000 hours of fieldwork based observations. Much like the work of Frank (2002) and Egan (2006) this research was conducted using a dancer-as-researcher role, giving me unrivalled access to a research setting and population that remains off-limits to most researchers. Drawing on North American based strip club studies, this research compares the interactions, service provision and operations of the Scottish clubs in relation to their North American counterparts. While a useful comparative tool, this research argues that the North American studies are not representative of Scottish strip clubs. North American clubs embody a strong customer service ethos in their service provision and organisational culture (Trautner 2005). The Scottish clubs in this study do not.There is a significant emphasis in North American studies on the use of counterfeit intimacy (Enck & Preston, 1988) as a standard sales technique used by dancers. This involves feigning intimacy and emotion in interactions with customers to elicit maximum financial gain; the dancer will aim to be ?anything you want her to be?. There is an assumption in these studies that service provision is dictated by a combination of club management and the customer?s wishes. This research highlighted that it was not the customer or management who determined service provision, but the dancers. Rather than embodying a fervent customer service ethos, Scottish strip clubs are non-customer oriented service providers. The impact of dancers on service provision and social control in the strip clubs used in this study contradict North American findings. Both clubs in this study embodied pro-dancer policies towards social control.While strip clubs throughout the world supply a similar service, the dancers in this study thought they were selling their nudity, not creating a fantasy. The sales technique most commonly used by dancers in this study to sell dances is ?Do you want to see me naked?? Their approach was in general brash, upfront and (arguably) more honest than the approaches reported in the North American literature.
10
Chen, Chiung-Chi. "From the sublime to the obscene the performativity of popular religion in Taiwan /." Diss., Restricted to subscribing institutions, 2006. http://proquest.umi.com/pqdweb?did=1280132891&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Full text
11
Wellman, Elizabeth Joanne. "Taught It to the Trade: Rose La Rose and the Re-ownership of American Burlesque, 1935-1972." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1439764548.
Full text
12
Henning, Estelle. "Spectacular careers : exotic dancing - a qualitative exploration." Thesis, 2010. http://hdl.handle.net/10210/3461.
Full textAbstract:
M.Phil.While the highly successful business of the strip-club industry and exotic dancing that is yielding millions from customers, has received increased attention in the media and amongst social scientists abroad, local scholars have, as far as could be ascertained, paid little attention to it. It is also clear from the work that has been undertaken abroad that little, if any, was done from a human-resources or industrial-psychology perspective. People, and their inner experiences, are extremely important to me. This, together with the preceding, has led me to undertake a life-history study of the life of one local stripper, Casey. Believing that every person has the right and obligation to choose how to live his or her life to the best of his or her ability, the aim of this study was not to criticise her career, which many would certainly regard as “deviant”, but to explore and describe her experiences and perspectives of it, and to obtain an understanding of how she experienced her stripping, and thereby make a contribution to our knowledge of it. A modernistic qualitative methodology, based on symbolic interactionism as theoretical framework, was employed. More particularly, a case-study and lifestory method was used. Rich data was obtained which was systematically analysed by utilising various qualitative methods, relevant theoretical constructs and empirical findings. This in turn, led to the construction of a preliminary tool, namely a typology, attempting to illuminate erotic dancing by looking at factors influencing dancers’ behaviour and experiences. I would like to believe that in a modest way this theoretical concept will provide a building block towards constructing a human-resources study of exotic-dancing careers locally.
13
Tillier, Rachel Joanne. "Naked truth: a glimpse into the lives and experiences of exotic dancers." Diss., 2008. http://hdl.handle.net/10500/1351.
Full textAbstract:
This research explores the lives and experiences of female exotic dancers with the aim of
gaining an empathic understanding of their involvement in the stripping industry. The
stereotypes and generalizations of exotic dancers and the stripping industry undermine
the exotic dancer's ability to be seen as an individual with her own story and her own
experiences. The participants of this research were selected through convenience
sampling and consist of three female exotic dancers. The researcher interviewed the
participants using a semi-structured interview format and focused on the dancer's
experience within the exotic dancing industry, her family history, her relationships, and
personal life. The data was analysed using thematic network analysis. The thematic
networks are often contradictory and inconsistent with the common stereotypes and ideas
held about exotic dancers. The results indicate that some exotic dancers experience
meaning, healing, gratification, and power within their work and live responsible,
productive lives.Psychology
M.A. (Clinical Psychology)
14
Aguiar, Ana Margarida Tapadas. "Ser stripteaser: estigma, relações de poder e trabalho emocional." Master's thesis, 2021. https://hdl.handle.net/10216/137910.
Full textAbstract:
O striptease é objeto de estudo de diversas investigações há várias décadas e as
mulheres stripteasers são as que recebem a sua maior atenção. Assim como essas
investigações, também esta tem como objeto de estudo estas mulheres e procura
compreender as suas perspetivas sobre as relações de poder existentes no clube em que
trabalham, entender o trabalho emocional que efetuam, perceber o estigma a que estão
sujeitas, conhecer as motivações para o desempenho desse trabalho e, ainda, entender em
que medida a COVID-19 teve impacto nas suas vidas.
Para atingir os nossos objetivos, utilizamos uma metodologia de investigação
qualitativa, realizando nove entrevistas a mulheres stripteasers conduzidas através de um
guião semiestruturado. As entrevistas foram levadas a cabo tanto em contexto presencial no
clube onde as participantes trabalham (n=5), como através de videochamada (n=3), e uma
foi iniciada no clube em contexto presencial e finalizada através de videochamada. As
entrevistas foram sujeitas a análise de conteúdo.
A análise dos dados levou-nos à conclusão de que as participantes consideram que
detêm o poder nas interações com os clientes, sendo que algumas consideram mesmo que,
dentro do clube, são elas quem detém mais poder, estando até acima do proprietário.
Verificamos também que o trabalho emocional é uma realidade no striptease e nem todas
consideram que esse tenha um impacto negativo nas suas vidas. Foi possível perceber, ainda,
que as participantes percecionam a existência de estigma e que apenas algumas utilizam
estratégias para lidar com ele. Constatamos também que apesar das diferentes circunstâncias,
a maioria das participantes inicia e mantem-se neste ramo com a motivação monetária.
Finalmente, compreendemos que a COVID-19 teve impacto na vida destas mulheres
essencialmente ao nível profissional, visto terem períodos em que deixaram de trabalhar,
levando a uma redução de rendimentos.
Apesar das limitações que este estudo apresenta, consideramos que ele pode ser
entendido como dando um contributo importante para a compreensão do fenómeno através
da perspetiva das suas principais atrizes.
15
Fonseca, António Pedro Vital da. "Deambulações nocturnas: contributos para uma sociologia do striptease." Master's thesis, 2019. http://hdl.handle.net/10071/18962.
Full textAbstract:
O trabalho apresentado procura trazer um pouco de luz a um dos tipos de trabalho sexual, o "striptease". As tentativas de conhecimento e aproximação ao campo do "strip" foram feitas através de visitas a clubes de "strip" e de conversas com aquelas que se julgaram ser as principais protagonistas no campo, as strippers ou bailarinas exóticas. A comercialização da sexualidade que o "strip" implica remete o campo e seus agentes para um lugar transgressivo e estigmatizado. A percepção deste estigma leva as agentes a desenvolverem estratégias de valorização relativa e de resistência, nomeadamente à entrada no campo de um olhar que lhe seja exterior (materializado no investigador) e cuja avaliação possa evidenciar a sua subalternidade. Aquilo que se apresenta é uma caracterização fragmentária do campo e seus agentes, com um enfoque nas dinâmicas (mais e menos estruturais) de género presentes nos clubes.The work presented seeks to shed some light on one of the various existing types of sex work, striptease. Attempts to get to know and approach the field of striptease were made through visits to strip clubs and conversations with those who were thought to be the main protagonists in the field, the strippers or exotic dancers. The commercialization of the sexuality that the strip implies refers the field and its agents to a place of transgression and stigma. The perception of this stigma leads the agents to develop strategies of relative valorization and resistance, namely to the entry into the field of an outsider’s gaze (materialized in the researcher), the evaluation of which may highlight the field’s subordination. What is presented is a fractional characterization of the field and its agents, with a focus on the (more and less structural) gender dynamics present in the clubs.
16
Borgas, Ana Patrícia Mano. "Autoconceito, autoestima e atribuições de causalidade em profissionais de striptease." Master's thesis, 2015. http://hdl.handle.net/10400.12/4457.
Full textAbstract:
Dissertação de Mestrado apresentada ao ISPA - Instituto UniversitárioNeste estudo tentou-se estudar autoconceito a autoestima e as atribuições de causalidade em profissionais do sexo. Participaram neste estudo 48 mulheres em que todas elas desempenhavam a mesma actividade no mesmo local. Como instrumento foram utilizados três questionários para medir o autoconceito, a autoestima e as atribuições de causalidade das mesmas. Concluiu-se que, de um modo geral a autoestima era baixa e que no autoconceito as dimensões mais elevadas. Constatámos que as principais atribuições para a entrada na profissão foram quase todas de origem externa, em parte instáveis e incontroláveis. Quanto às razões para se manterem nesta actividade estão também ligadas a factores externos, estáveis mas incontroláveis. A análise de algumas variáveis como a idade, habilitações literárias ou nacionalidade não evidenciou diferenças nem no autoconceito nem na autoestima das participantes.
ABSTRACT: According to this study we attempted to better understand the influence of the self-consciousness and self-esteem related to the casual relationship on sex workers. Do participate on the study forty-eight women; all of them performed the same activity on the same place. Where utilized as resource to this subject three questionnaires, developed to measure the self-consciousness, self-esteem and the casual relationship. The conclusion is that generally self-esteem was low and the dimensions of the self-consciousness were higher. Was noticed that the main cause for the entry in this profession were mainly through external reasons, part of them unstable and incontrollable. Regarding the reasons to stay in the activity are also connected with external factors, stable but uncontrollable. The analyze of some variables such as the age, literary habilitations or nationality showed no differences either in self-consciousness or self-esteem of participants.
17
San, Chan Wai, and 陳惠珊. "It’s Not Pornography — A Narrative Inquiry of a Striptease Teacher." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/96368837569024170240.
Full textAbstract:
碩士臺北市立體育學院
舞蹈碩士班
100
We all suppose striptease must be something related to night club, sex, or anything dirty, even more, as the title ‘strip’ tells about ‘taking off’, it’s more natural that we all think that this is not some good girls’ dance. And yet, if we put striptease under the situation of simply teaching and learning, the whole thing would turn far too simple. It’s just a dance that let girls discover themselves, and get back their confidence. This thesis aims to investigate through the process of striptease teaching and learning, what would be the influences brought to the teacher and learners. To these pure learners, striptease is not something about sex, but only a kind of dance, still, under social imagination striptease is still a ‘sex’ issue, then why would there be anyone like to learn? And why would there be anyone like to teach? As a woman, through teaching and learning, what will be inside her mind? Narrative inquiry would be the methodology of this thesis. Through the conversation between in-depth interview with a striptease teacher and the researcher’s log, I would like to rebuild an experience on the autonomy of women’s body.
18
Santos, Natacha Filipa Stanislau. "Amar e despir: a gestão de relações românticas por mulheres que desempenham striptease." Master's thesis, 2021. https://hdl.handle.net/10216/137523.
Full textAbstract:
As mulheres que desempenham striptease, enquanto trabalhadoras do sexo, enfrentam o
estigma associado à sua profissão, cujo impacto afeta a esfera privada das suas vidas. Neste
âmbito, o presente estudo pretende explorar a gestão de relações românticas por parte dessas
mulheres. Face ao surgimento da Covid-19, acresce ainda o objetivo de analisar as
repercussões desta pandemia na vida e no trabalho destas mulheres. Optou-se por uma
abordagem fenomenológica baseada em metodologia qualitativa, com recurso a entrevistas
semiestruturadas para aceder às experiências individuais de nove mulheres stripteasers. Os
dados foram sujeitos a uma Análise Fenomenológica Interpretativa, da qual resultaram
quatro temas superordenados: Estigma, Separação da Vida Profissional e Privada, Striptease
e Relações Românticas e Impacto da Pandemia de Covid-19. Conclui-se que existe
consciência do estigma experienciado e a necessidade, quase generalizada, de efetuar uma
separação da vida profissional e privada. Verificou-se que não existe consenso relativamente
à compatibilidade do desempenho de striptease e permanência em relações românticas.
Estratégias de seleção de parceiros íntimos podem ser adotadas para facilitar a gestão das
exigências relacionais e laborais, no entanto, mesmo com a aplicação destas estratégias,
apesar de alguns relatos de relações bem-sucedidas, os parceiros podem demonstrar atitudes
ciumentas e possessivas, que, em alguns casos, culminam em violência. Confirmou-se que
as consequências da pandemia são sentidas sobretudo ao nível laboral, com a perda de
rendimentos. Espera-se que este estudo contribua para a humanização das pessoas que
exercem trabalho sexual aos olhos da comunidade científica e da sociedade, enfatizando a
relevância de escutar as perspetivas das próprias sobre os fenómenos que vivenciam.
19
Queirós, Salomé Patrício. "Arte e sedução: Um estudo exploratório sobre o striptease masculino e os seus atores." Master's thesis, 2013. https://repositorio-aberto.up.pt/handle/10216/103909.
Full text
20
Queirós, Salomé Patrício. "Arte e sedução: Um estudo exploratório sobre o striptease masculino e os seus atores." Dissertação, 2013. https://repositorio-aberto.up.pt/handle/10216/103909.
Full text
21
Marques, Carolina Casaca. "As mulheres clientes de sexo comercial: um estudo exploratório sobre as clientes de striptease masculino." Dissertação, 2013. https://repositorio-aberto.up.pt/handle/10216/111011.
Full text
22
Marques, Carolina Casaca. "As mulheres clientes de sexo comercial: um estudo exploratório sobre as clientes de striptease masculino." Master's thesis, 2013. https://repositorio-aberto.up.pt/handle/10216/111011.
Full text
23
Long, Darrian. "Sex, nipple caps and smoke and mirrors : an interpretative phenomenological approach to the subjective meaning making of strippers in the South African context." Thesis, 2013. http://hdl.handle.net/10539/12994.
Full textAbstract:
The majority of literature on the adult entertainment looks at objectification and subjugation of women. Women’s experiences in such arenas are negotiated through circumstances beyond their immediate control. In fact many find themselves in this profession out of destitution and need. The result of which is an experience that is even more harrowing, and psychologically and physically destructive. Previous research suggest that many women in this profession then find themselves in precarious relations, often turning to drugs and alcohol to deal with the highly negative aspect of the industry. However, what is not that often reported on are those women who decide to explore this profession out of mere curiosity or even as a career choice. This analysis aimed to investigate one area of this industry, namely striptease. With focus on the high-end (a more regulated and lucrative end) of the striptease spectrum, this analysis was aimed at investigating the phenomological experiences of women in this sector. We look at the experiences of four women at one of the more prestigious strip-clubs in Johannesburg, referred to as The Club. This study aimed to provide some insight to why some South African women chose to enter striptease—as not much research has been done in this area. More high-end clubs seemed theoretically the most practical site to investigate such a choice. This study was based qualitatively, with the use of semi-structured interview which were analyzed through thematic content analysis. The results of this study are categorized into three sections and framed from an emotional labour perspective. Firstly, the experiences on these women provide a challenge to the traditional feminism perspective—exposing a dynamic power relation that may suggest that, within the high-end at least, women may experience a sense of liberation. Secondly, this study aimed to expose the emotional laboriousness of enacting a sexualised fantasy that is convincing. It was found that such an enactment requires an intense interplay between what is considered the real self and the embodiment and portrayal the girlfriend experience. Lastly, we look at the psychological defensive dissociation that occurs though this interplay between fantasy and reality. In essence this analysis has shed new light on striptease and has provided many new avenues for future research in South Africa.
24
Dumais, Catherine. "Les représentations de la sexualité dans les médias québécois de langue française et les technologies d'information et de communication : vers une culture du striptease?" Mémoire, 2006. http://www.archipel.uqam.ca/1858/1/M9271.pdf.
Full textAbstract:
La présente recherche vise à déterminer si les médias québécois de langue française et les technologies d'information et de communication entrent dans un mouvement de sexualisation, tout comme ceux, aux dires de nombreux observateurs, des sociétés occidentales démocratiques de la deuxième moitié du XX ieme siècle. Certes, une recherche portant sur la sexualité comporte son lot de difficultés et d'embûches, en raison de la subjectivité relative au sujet. Nous avons toutefois choisi de persévérer en ce sens, puisqu'à notre connaissance, la sexualisation des médias québécois de langue française n'a fait l'objet d'aucune recherche. La sexualisation de la culture populaire et des médias se traduit par divers concepts, dont la culture du striptease et le consensus pornographique. Ces concepts découlent de la succession de divers évènements socio-historiques et culturels. Notre recherche a pris la forme d'une enquête exploratoire et qualitative. Nos observations ont porté sur Internet, les mensuels féminins Elle Québec et Clin d'oeil, ainsi que sur les chaînes de télévision Radio-Canada, TVA et TQS. Bien que cet échantillon soit limité, il permet de rendre compte de certaines tendances. Notre problématique s'est élaborée comme suit: à l'instar de plusieurs médias des sociétés occidentales contemporaines, les médias québécois de langue française et les technologies d'information et de communication disponibles au Québec participent-ils à la culture du striptease?
A priori, ils semblent participer à la culture du striptease, puisque les représentations de la sexualité véhiculées apparaissent multiples et de plus en plus explicites. Néanmoins, certaines nuances doivent être apportées à cette observation, puisque les médias véhiculent une variété de représentations sexuelles. Certains facteurs paraissent influer sur la manière dont la sexualité est représentée. Ainsi, la réglementation, la loi marchande et le format, influencent les représentations de la sexualité présentées par les médias québécois de langue française et les technologies d'information et de communication. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Médias, Représentation, Sexualité, Sexualisation, Technologies d'information et de communication.
25
Kvapilová, Lucie. "Konstrukce a management identity striptýzových tanečnic." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-336947.
Full textAbstract:
Diplomová práce "Výchova tancem. Evaluace dopadů předmětu taneční a pohybové výchovy se zabývá zhodnocením efektů předmětu taneční a pohybové výchovy, který byl před několika lety zařazen do RVP (Rámcově vzdělávací program) pro základní školy. Cílem této práce je podat přehled o oblastech, v nichž může taneční a pohybová výchova být přínosem a naopak poukázat na případné negativní nebo problematické stránky tohoto předmětu. Informace o této problematice byly získávány prostřednictvím kvalitativních výzkumných metod, tedy pomocí polostrukturovaných a skupinových interview a také metod zúčastněného a nezúčastněného pozorování v hodinách taneční a pohybové výchovy. Informátory/kami v tomto výzkumu byli lektoři/ky taneční výchovy, pedagogové/žky tříd, v nichž je tento předmět vyučován a také žáci/kyně. Největší přínosy taneční a pohybové výchovy lze shledat ve sféře sociálních vztahů, ale i v oblastech seberozvoje jedinců a rozvoje některých klíčových kompetencí. Taneční výchova například přináší potenciál pro transformaci nefunkčních kolektivních vztahů, stává se v některých případech nástrojem začlenění jedinců upozaděných nebo vyčleněných z kolektivu. Taneční a pohybová výchova také stimuluje dětskou fantazii a do určité míry může vést k rozvoji kreativních schopností u některých jedinců. Podporuje...