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Books on the topic 'Structural transformation of the media industry'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

University of Ghana. Institute of Statistical, Social, and Economic Research, ed. Managing Ghana's oil boom for structural transformation. Sub-Saharan Publishers for Institute of Statistical, Social & Economic Research (ISSER), University of Ghana, 2014.

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2

Barbone, Luca. Structural adjustment, ownership transformation and size in Polish industry. World Bank, Europe and Central Asia, Country Department II, Country Operations Division, 1996.

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3

Dixon, Wheeler W. 21st century Hollywood: Movies in the era of transformation. Rutgers University Press, 2011.

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4

Nkya, Ananilea. 20 years of Tanzania Media Women's Association (TAMWA): Moving the agenda for social transformation in Tanzania. Published by E&D Vision Pub. on behalf of TAMWA, 2008.

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5

Ananilea, Nkya, Lema Elieshi, and Chama cha Waandishi wa Habari Wanawake Tanzania., eds. 20 years of Tanzania Media Women's Association (TAMWA): Moving the agenda for social transformation in Tanzania. Published by E&D Vision Pub. on behalf of TAMWA, 2008.

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6

Audrey, Foster Gwendolyn, ed. 21st century Hollywood: Movies in the era of transformation. Rutgers University Press, 2011.

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7

Gardiner, Drew. Balancing Act. ILO, 2024. http://dx.doi.org/10.54394/jduj2404.

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The platformization of the creative industry has fundamentally transformed the landscape of creative work. This working paper examines the impact of digital platforms on creative workers, focusing on the dichotomy between platform control and worker autonomy. It focuses on both conventional artistic occupations like musicians and photographers as well as “new” professions like bloggers and podcasters. Although social media and streaming platforms have democratized access to global audiences and fostered unprecedented creativity, they also pose significant challenges. The precarious nature of p

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8

Roy, Elodie A. Shellac in Visual and Sonic Culture. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463729543.

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This book charts the unsettled media cultures and deep time of shellac, retracing its journey from the visual to the sonic, and back again. Each chapter unveils a situated moment in the long history of shellac – travelling from its early visual culture to Emile Berliner’s discovery of its auditory properties through to its recycling in contemporary art and design practices. Unforeseen correspondences between artefacts as diverse as mirrors, seals, gramophone discs and bombs are revealed. With its combinatory approach and commitment to material thinking, Shellac in Visual and Sonic Culture insi

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9

Dahiya, Surbhi. Indian Media Giants. Oxford University PressDelhi, 2021. http://dx.doi.org/10.1093/oso/9780190132620.001.0001.

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Abstract The establishment of mass media organizations in India is contemporaneous with that of its counterparts in the developed world. Indian Media Giants: Unveiling the Business Dynamics of Print Legacies is an analytical chronicle of six Indian mega media conglomerates' individual odyssey from their humble, incipient beginnings in the pre-independence era to their transformation into powerful business empires in the digitised world. The book traces Indian Media metamorphosis, the birth, phase-wise contours of growth and development, travails and trajectories, organizational structures, edi

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10

Paternostro, Stefano, Domenico Jr., and Luca Barbone. Structural Adjustment, Ownership Transformation, and Size in Polish Industry. The World Bank, 1999. http://dx.doi.org/10.1596/1813-9450-1624.

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11

Einav, Gali. Digitized: Industry Transformation and Disruption Through Entrepreneurship and Innovation. Emerald Publishing Limited, 2019.

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12

Einav, Gali. Digitized: Industry Transformation and Disruption Through Entrepreneurship and Innovation. Emerald Publishing Limited, 2019.

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13

Einav, Gali. Digitized: Industry Transformation and Disruption Through Entrepreneurship and Innovation. Emerald Publishing Limited, 2019.

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14

Einav, Gali. New World of Transitioned Media: Digital Realignment and Industry Transformation. Springer, 2014.

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15

Yunck, David. Structural semiotics & interactive multimedia. 1995.

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16

Yunck, David. Structural semiotics & interactive multimedia. 1995.

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17

Song, Ligang, and Haimin Liu. Chinese Steel Industry's Transformation: Structural Change, Performance and Demand on Resources. Elgar Publishing Limited, Edward, 2012.

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18

Einav, Gali. The New World of Transitioned Media: Digital Realignment and Industry Transformation. Springer, 2016.

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19

Thrifts in crisis: Structural transformation of the savings and loan industry. Ballinger Pub. Co., 1985.

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20

Andreoni, Antonio, Pamela Mondliwa, Simon Roberts, and Fiona Tregenna, eds. Structural Transformation in South Africa. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192894311.001.0001.

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Taking South Africa as an important case study of the challenges of structural transformation, the book offers a new micro-meso level framework and evidence linking country-specific and global dynamics of change, with a focus on the current challenges and opportunities faced by middle-income countries. Detailed analyses of industry groupings and interests in South Africa reveal the complex set of interlocking country-specific factors which have hampered structural transformation over several decades, but also the emerging productive areas and opportunities for structural change. The structural

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21

The New World of Transitioned Media: Digital Realignment and Industry Transformation. Springer, 2014.

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22

Telenovelas and Transformation: Saving Brazil's Television Industry. Routledge, Chapman & Hall, Incorporated, 2023.

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23

Svartman, Rosane. Telenovelas and Transformation: Saving Brazil's Television Industry. Taylor & Francis Group, 2021.

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24

Svartman, Rosane. Telenovelas and Transformation: Saving Brazil's Television Industry. Taylor & Francis Group, 2021.

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25

Svartman, Rosane. Telenovelas and Transformation: Saving Brazil's Television Industry. Taylor & Francis Group, 2021.

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26

Telenovelas and Transformation: Saving Brazil's Television Industry. Taylor & Francis Group, 2021.

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27

Dutz, Mark A., Stephen D. O'Connell, and Javier L. Troncoso. Public and Private Investments in Innovation Capabilities: Structural Transformation in the Chilean Wine Industry. The World Bank, 2014. http://dx.doi.org/10.1596/1813-9450-6983.

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28

Owoo, Nkechi S., and Monica P. Lambon-Quayefio. The agro-processing industry and its potential for structural transformation of the Ghanaian economy. UNU-WIDER, 2017. http://dx.doi.org/10.35188/unu-wider/2017/233-5.

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29

Vatanartiran, Ömer, Tuna Tetik, and Bülent Sezgin. Transformation of the Industry in a Brand New Normal : : Media, Music, and Performing Arts. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2022.

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30

Vatanartiran, Ömer, Tuna Tetik, and Bülent Sezgin. Transformation of the Industry in a Brand New Normal : : Media, Music, and Performing Arts. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2022.

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31

Vatanartiran, Ömer, Tuna Tetik, and Bülent Sezgin. Transformation of the Industry in a Brand New Normal : : Media, Music, and Performing Arts. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2022.

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32

Vatanartiran, Ömer, Tuna Tetik, and Bülent Sezgin. Transformation of the Industry in a Brand New Normal : : Media, Music, and Performing Arts. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2022.

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33

Foster, Gwendolyn Audrey, and Wheeler Winston Dixon. 21st-Century Hollywood: Movies in the Era of Transformation. Rutgers University Press, 2011.

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34

Foster, Gwendolyn Audrey, and Wheeler Winston Dixon. 21st-Century Hollywood: Movies in the Era of Transformation. Rutgers University Press, 2011.

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35

Sørensen, Bjørn Bo, Christian Estmann, Enilde Francisco Sarmento, and John Rand. Economic complexity and structural transformation: the case of Mozambique. UNU-WIDER, 2020. http://dx.doi.org/10.35188/unu-wider/2020/898-6.

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Mozambique is among the world’s least complex economies. By systematically accounting for both supply- and demand-side factors, we identify new products and sectors that can help to diversify and upgrade its economy. In a supply-side analysis, we use network methods from the literature on economic complexity to identify a set of target products that are complex, require productive capabilities useful in the export of other products, and are close to Mozambique’s existing productive structure. In a demand-side analysis, we use gravity models to predict the export potential of target products an

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36

The printed image and the transformation of popular culture, 1790-1860. Clarendon Press, 1991.

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37

The printed image and the transformation of popular culture,1790-1860. Clarendon Press, 1994.

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38

Jacobs, Ronald N. Entertainment Media and the Aesthetic Public Sphere. Edited by Jeffrey C. Alexander, Ronald N. Jacobs, and Philip Smith. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780195377767.013.12.

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This article introduces the concept of the “aesthetic public sphere” as a way for cultural sociologists to understand the civic impact of entertainment media. The idea of the aesthetic public sphere draws on Jürgen Habermas’s discussion of the literary public sphere from a more cultural and historically even-handed perspective. In his Structural Transformation of the Public Sphere, Habermas noted the important connection between entertainment media and the development of democratic communication norms. This article examines three components of the aesthetic public sphere. First, aesthetic publ

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39

Anderson, Patricia. The Printed Image and the Transformation of Popular Culture, 1790-1860 (Clarendon Paperbacks). Oxford University Press, USA, 1994.

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40

Sewlal, Robin, ed. REFLECTIONS of the SOUTH AFRICAN MEDIA 1994 - 2019. Radiocracy, 2021. http://dx.doi.org/10.51415/dut.3.

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Prior to 1994, the media operated in an environment that can best be described as ‘suppressed’. Diversity of thoughts, views and opinions on media platforms were non-existent as the regime, at the time, ruled with an iron-fist. A variety of print media outlets sought to reflect reality, but it was a steady struggle especially for those with meagre resources, and exacerbated by the constant clampdowns. The state-run broadcaster, if anything, entrenched discriminatory principles and practices. Given our precarious past, the birth of democracy proved to be the perfect panacea for a promising path

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41

Cheru, Fantu, Christopher Cramer, and Arkebe Oqubay, eds. The Oxford Handbook of the Ethiopian Economy. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780198814986.001.0001.

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This volume is the first ever economics handbook on a single African country focused on the theme of structural transformation. It is intended to serve as a major reference book on the Ethiopian economy for university students, researchers, and policymakers. Part I, covering the period 1890–2017, deals with the transition from a traditional to a modern economy, from the period of Imperial rule under Emperor Haile Selassie, through the Derg regime to the post-1991 government of the EPRDF. Issues including land tenure, ethnic federalism, the constitutional framework, and legal institutions are a

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42

Hombach, Bodo, Rolf G. Heinze, and Michael Hüther, eds. Auffällig unauffällig? Tectum – ein Verlag in der Nomos Verlagsgesellschaft, 2022. http://dx.doi.org/10.5771/9783828879294.

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The Ruhr region is undergoing constant economic structural change. This study sheds light on the political attitudes and perceptions of the people in the Ruhr region and explores the question of whether so-called ‘disconnected regions’ are particularly susceptible to sociopolitical apathy and dissatisfaction. The study not only traces social dynamics in socio-spatial terms and relates them to political and media contexts, but also elaborates the building blocks of a transformation strategy promoting social cohesion, towards a new social contract. The picture that emerges is of a strikingly res

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43

Die Chemie- und Pharmaindustrie in Ostdeutschland. Tectum – ein Verlag in der Nomos Verlagsgesellschaft, 2021. http://dx.doi.org/10.5771/9783828876477.

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Where is the East German chemical and pharmaceutical industry today? What is characteristic of the East, what is similar to the rest of the country? The analysis of many different structural features leads to a diverse picture of this key industry in East Germany. It differentiates between the two different branches chemistry and pharmacy as well as between the individual six East German states. Eastern chemistry has developed into a highly productive and internationally competitive industrial sector. The analysis of the location of East Germany is followed by a look at the challenges and oppo

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44

Callison, Candis, and Mary Lynn Young. Reckoning. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190067076.001.0001.

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The book is about how journalists know what they know, who gets to decide what good journalism is, and how we know when it’s done right. Until a couple decades ago, these questions were rarely asked by journalists. When journalists were questioned by malcontented publics and critics about how they were doing journalism, these questions were easily ignored. Now, if you’re on social media, you’re likely to see multiple critiques of journalism on a daily basis. It seems not only convenient but pragmatic to give most of the credit to digital technologies and/or market failure for how relationships

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45

Epkenhans, Tim. Origins of the Civil War in Tajikistan. Edited by Marlene Laruelle. Published by Lexington Books, 2016. https://doi.org/10.5040/9781978736672.

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In May 1992 political and social tensions in the former Soviet Republic of Tajikistan escalated to a devastating civil war, which killed approximately 40,000-100,000 people and displaced more than one million. The enormous challenge of the Soviet Union’s disintegration compounded by inner-elite conflicts, ideological disputes and state failure triggered a downward spiral to one of the worst violent conflicts in the post-Soviet space. This book explains the causes of the Civil War in Tajikistan with a historical narrative recognizing long term structural causes of the conflict originating in th

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46

Lampert, Sara E. Starring Women. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043352.001.0001.

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Star actresses and dancers were among the most publicly visible, celebrated, and often polarizing female public figures in the early United States. This book examines the careers and celebrity of the women and girls from Europe and America whose fame drove the growth and transformation of theater between 1790 and 1850 from the Atlantic seaboard to the trans-Appalachian West. Starring women introduced new repertoire—melodramas, breeches roles, dance pantomime and ballet—that catalyzed debates about social ownership of American culture, regional and national identity, and women’s place in public

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47

Oqubay, Arkebe, Christopher Cramer, Ha-Joon Chang, and Richard Kozul-Wright, eds. The Oxford Handbook of Industrial Policy. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780198862420.001.0001.

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Industrial policy has long been regarded as a strategy to encourage sector, industry, or economy-wide development by the state. It has been central to competitiveness, catching-up, and structural change in both advanced and developing countries. It has also been one of the most contested issues in economics, reflecting ideologically inflected debates and shifts in prevailing ideas. There has lately been a renewed interest in industrial policy in academic circles and international policy dialogues, prompted by the weak outcomes of policies pursued by many developing countries under the directio

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48

Haukamp, Iris, Christin Hoene, and Martyn David Smith, eds. Asian Sound Cultures. Taylor & Francis Group, an informa business, 2023. https://doi.org/10.5040/9780367698911.

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This book examines the meanings, uses, and agency of voice, noise, sound, and sound technologies across Asia. Including a series of wide-ranging and interdisciplinary case studies, the book reveals sound as central to the experience of modernity in Asia and as essential to the understanding of the historical processes of cultural, social, political, and economic transformation throughout the long twentieth century. Presenting a broad range of topics—from the changing sounds of the Kyoto kimono-making industry to radio in late colonial India—the book explores how the study of Asian sound cultur

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49

Holt, Fabian. Nordic Modernity and the Structure of the Musical Landscape. Edited by Fabian Holt and Antti-Ville Kärjä. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.3.

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This chapter outlines macro structural changes in the Nordic music landscape, drawing from sociological theory of modernity. The chapter identifies popular music in wider tensions in Nordic modernity, particularly in relation to shifting hegemonic cultures to uncover the underlying dynamics of tensions between shifting mainstream formations and their alternatives. Following this logic, musical style and taste involve positionings in relation to issues of capitalism, nationalism, and mass media. The chapter analyzes changes in the region’s music landscape within the region’s evolving modernity,

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50

Brown, Matthew H. Indirect Subjects. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021506.

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In Indirect Subjects, Matthew H. Brown analyzes the content of the prolific Nigerian film industry's mostly direct-to-video movies alongside local practices of production and circulation to show how screen media play spatial roles in global power relations. Scrutinizing the deep structural and aesthetic relationship between Nollywood, as the industry is known, and Nigerian state television, Brown tracks how several Nollywood films, in ways similar to both state television programs and colonial cinema productions, invite local spectators to experience liberal capitalism not only as a form of ex

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