Relevant bibliographies by topics / Structuralism (Literary analysis)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Structuralism (Literary analysis)'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Structuralism (Literary analysis)"

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Restaneo, Pietro. "Semiotics and dialectics: Notes on the paper “Literary criticism must be scientific” by Juri Lotman." Sign Systems Studies 50, no. 4 (2022): 473–83. http://dx.doi.org/10.12697/sss.2022.50.4.02.

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The present paper is an introduction to and analysis of the article “Literary criticism must be scientific”, presented here for the first time in English translation. The original was published by Lotman in 1967 in the journal Voprosy Literatury. The article by Lotman is a part of a wider debate, started in 1963, that saw structuralists and their opponents dispute the validity and heuristic value of structuralist methodology in literary criticism. The aim of the introduction is to explore Lotman’s engagements with his intellectual context as they emerge in his 1967 article. The first part of t
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Foucault, Michel. "Structuralism and Literary Analysis." Critical Inquiry 45, no. 2 (2019): 531–44. http://dx.doi.org/10.1086/700991.

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Kuchina, S. A. "Electronic Literary Text in the Framework of Post-Structuralism Textology." Bulletin of Kemerovo State University 21, no. 3 (2019): 821–29. http://dx.doi.org/10.21603/2078-8975-2019-21-3-821-829.

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The article features the phenomenon of electronic literary text. The research objective was to identify the structural and semantic features of electronic literary texts within the framework of post-structuralism. The electronic literary text resulted not only from the development of information technology: it is also the product of the development of philosophical and linguistics ideas of post-structuralism. The post-structuralism perspective was not repeated exactly on the technological level of the electronic text representation. However, the post-structuralist text theory was reflected in
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Dr. Ghulam Murtaza, Qasim Shafiq, and Dr. Asim Aqeel. "A Structuralist Analysis of Wordsworth’s Ode: Intimations of Immortality from Recollections of Early Childhood." sjesr 3, no. 3 (2020): 58–64. http://dx.doi.org/10.36902/sjesr-vol3-iss3-2020(58-64).

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Romantic imagination is against any fixation of form and rules and regulations but any creative attempt, however anti-rule it may be, must have some underlying principles governing its structure. This article explores Wordsworth's Ode: Intimations of Immortality from Recollections of Early Childhood from a structuralist perspective. Structuralism with its roots in Ferdinand de Saussure’s structural view of language sees cultural phenomena and literary endeavors as structured based on the underlying rules governing the writing of the creative work. This article joins two contradictory ideas: Ro
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Michelson, Annette. "Art and the Structuralist Perspective." October 169 (August 2019): 3–16. http://dx.doi.org/10.1162/octo_a_00357.

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Introducing Structuralism and theories of Claude Lévi-Strauss to American audiences in a 1970 lecture at the Guggenheim Museum, Annette Michelson stresses the importance of the linguistic mode for structuralist analysis and examines the nature and limits of its consequences for art and aesthetics. Structuralist anthropology, the author argues, is fundamentally rationalist in approach, proposing an intelligibility of the universe through the organization of differences into overarching schema; it is the relationship between signs, rather than the nature of the individual signs themselves, that
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Manshur, Fadlil Munawwar. "KAJIAN TEORI FORMALISME DAN STRUKTURALISME." SASDAYA: Gadjah Mada Journal of Humanities 3, no. 1 (2019): 79. http://dx.doi.org/10.22146/sasdayajournal.43888.

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From the perspective of formalism theory, this study aims to reveal that a research on literary texts does not only pay attention to textual facts existing in literary works, but also needs to pay attention to what exists outside the text. In the literary works, the element of defamiliarization holds that literary language is able to express facts of stories using unfamiliar languages. From the perspective of structuralism theory, this study aims to reveal that structuralism is conceptually a continuation of formalism which largely depends on language. Structuralism theory has a close relation
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Sukarto, Kasno Atmo. "PENDEKATAN STRUKTURALISME DALAM PENELITIANN SASTRA, BAHASA, DAN BUDAYA." Pujangga 3, no. 2 (2018): 190. http://dx.doi.org/10.47313/pujangga.v3i2.441.

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<p><em>Structuralism approach can be applied in language, literary and culture research. The research aims at describing Structuralism approach in language, literary and culture research. Structuralism is generally a doctrine or method that considers its object is not just the only one a collection of separate elements, but rather as a combination of elements that are related to one another, so that one depends on the other. Research method of </em><em>this research is analysis descriptive. </em><em>In this research, the researcher found description of struc
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Amin, Rebaz Mohammad, Hawkar Qadir Rasul, and Kwestan Ali Hamakarim. "Reading of Latif Halmats poem(Gorany) according to the method of structural criticism." JOURNAL OF LANGUAGE STUDIES 6, no. 4, 2 (2023): 275–89. http://dx.doi.org/10.25130/jls.6.4.2.23.

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Structuralism is a conceptual and methodological approach to describing and analyzing literature texts. This approach sees the text as separate entity that should be treated independently. In literature, (the author, the text, the reader) focuses on the text. Ferdinand de Saussure, a Swiss linguist, semiotician, and philosopher propounded the structuralism theory also known as structuralism. This approach focuses on the literary text, the text is the center for the analysis. It ignores the author's life and environment, i.e. in analyzing the structures of literary text, Structuralism is genera
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Tumbahang, Mohan Kumar. "Postmodernism and Post Structuralism: A Literary Dichotomy." Dristikon: A Multidisciplinary Journal 11, no. 1 (2021): 115–26. http://dx.doi.org/10.3126/dristikon.v11i1.39153.

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This article entitled 'Postmodern and Post Structuralism: A Literary Dichotomy' has fairly attempted to compare and contrast between the most discussed and comprehensive notions of postmodernism and post structuralism in a possible precise form. In addition, the study focuses on dichotomies of these trends against their respective pre-forms, 'modernism' and 'structuralism' as well. Their tendencies in literary creation and theory have been briefly discussed. The study method it has availed is essentially the qualitative research design which is concerned with establishing answers to 'why' and
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Naomi Pardede, Yolanda, and Syahrul Ramadhan. "DYNAMIC STRUCTURALISM IN THE NOVEL A STUDY IN SCARLET THE WORKS OF SIR ARTHUR CONAN DOYLE (A STUDY OF LITERARY CRITICISM)." Matapena: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya 6, no. 2 (2023): 558–70. http://dx.doi.org/10.36815/matapena.v6i02.3043.

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Literary works are all types of compositions created based on human imagination or imagination and using language as the medium. A good literary work is a literary work that can present a social reality based on heuristic experience and can inspire its audience. A novel is a form of work that contains characters, a series of structured events and can be used as a life experience and provide education to its readers. There are many ways to analyze or study a novel, one of which is dynamic structuralism. This research examines the novel A Study in Scarlet by Sir Arthur Conan Doyle using a dynami
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Dissertations / Theses on the topic "Structuralism (Literary analysis)"

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Brinzea, Mihail. "The universality of chiastic structure and the Gospel of John." Theological Research Exchange Network (TREN), 1993. http://www.tren.com.

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DeCoste, Damon Marcel. "Crisis and dissent : literary agency in philosophy and fiction." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=42013.

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This dissertation analyzes post-structuralist theses concerning the literary work's potential for political critique and impact. By placing contemporary claims as to the inevitably oppressive or ineffectual character of the literary work next to the texts and reception of novels by John Dos Passos, James T. Farrell and Richard Wright, I examine whether such claims can account for the political achievements of actual literary works. Locating in Dos Passos's U.S.A., Farrell's Studs Lonigan and Wright's Native Son instances of an effective oppositional literature, I argue against the post-structu
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Wong, Siu-lung Marcus, and 黃少龍. "Different perspectives on the decentredness of the human subject in novels by Carol Shields and Toni Morrison." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31952458.

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Du, Plessis W. I. "Die diskoers van kerst en andere liefdesverhalen deur Kristien Hemmerechts." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002185.

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Die doel van hierdie studie was om aan te toon hoe 'n linguistiese beskouing van 'n literere teks kan meehelp om tot gefundeerde insigte in 'n teks te kom en om langs hierdie weg die beskuldiging dat literatuurstudie grotendeels 'n 'anything-goes-dissipline' is, te omseil. Om hierdie rede is daar van die standpunt uitgegaan dat kennis oor die presiese aard van die tekslinguistiek kan meehelp in die toepassing daarvan. Dit dien as motivering vir die uitgebreide diachroniese situering van die tekslinguistiek van die eerste hoofstuk. Hier word geredeneer dat die tekslinguistiek iets soos 'n pseud
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Wolfe, John Edward Hibbs Thomas S. "Transcending the garden the role of the sign of the garden in Augustine's Confessions /." Waco, Tex. : Baylor University, 2008. http://hdl.handle.net/2104/5215.

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Wong, Siu-lung Marcus. "Different perspectives on the decentredness of the human subject in novels by Carol Shields and Toni Morrison." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161343.

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Ramey, Peter A. "Studies in oral tradition history and prospects for the future /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5003.

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Thesis (M.A.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on November 1, 2007) Includes bibliographical references.
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Thomas, Paul Brian Ebersole Gary L. "Sizing things up gigantism in ancient Near Eastern religious imaginations /." Diss., UMK access, 2005.

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Thesis (Ph. D.)--Center for Religious Studies and Dept. of History. University of Missouri--Kansas City, 2005.<br>"A dissertation in religious studies and history." Typescript. Advisor: Gary L. Ebersole. Vita. Title from "catalog record" of the print edition Description based on contents viewed March 13, 2007. Includes bibliographical references (leaves 340-360). Online version of the print edition.
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Adair, Vance. "The Shakespearean object : psychoanalysis, subjectivity and the gaze." Thesis, University of Stirling, 2000. http://hdl.handle.net/1893/1857.

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Through a close analysis of four plays by Shakespeare, this thesis argues that the question of subjectivity ultimately comes to be negotiated around a structural impasse or certain points of opacity in each of the text's signifying practices. Challenging assumptions about the utatively &quot;theatrical&quot; contexts of Richard III, Richard II, Hamlet and Antony and Cleopatra, I argue that, to varying degrees, the specular economy of each play is in fact traversed by a radical alterity that constitutively gives rise to a notion of subjectivity commonly referred to as &quot;Shakespearean&quot;.
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Masters, Kenneth Andrew. "Observing and describing textual "reality": a critique of the claims to objective reality and authentication in new critical and structuralist literary theory, seen against a background of Feyerabend's ideas concerning paradigms, dominance and ideology." Thesis, Rhodes University, 1992. http://hdl.handle.net/10962/d1002290.

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This thesis sets out to examine the claims to objective reality and authentication in New critical and Structuralist literary theories, concentrating on their claims to "objectivity" and "scientific validity." It examines the nature of these claims in the light of the original ideas proposed by some of the major New critics and structuralists in the development of their respective "sciences" of literary theory. Taking direction from the nature of reality and objectivity shown by the theorists, the thesis then attempts an assessment of the validity of some of the original perceptions and presup
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Books on the topic "Structuralism (Literary analysis)"

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Culler, Jonathan. Structuralist poetics: Structuralism, linguistics and the study of literature. Routledge, 2002.

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Hawkes, Terence. Structuralism & semiotics. Routledge, 1991.

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Endre, Bojtár. Slavic structuralism. Akadémiai Kiadó, 1985.

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Berman, Art. From the new criticism to deconstruction: Thereception of structuralism and post-structuralism. University of Illinois Press, 1988.

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Champagne, Roland A. French structuralism. Twayne Publishers, 1990.

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Culler, Jonathan D. Structuralist Poetics. Taylor & Francis Inc, 2004.

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Grazzini, Serena. Der strukturalistische Zirkel: Theorien über Mythos und Märchen bei Propp, Lévi-Strauss, Meletinskij. Deutscher Universitäts-Verlag, 1999.

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Chémali, Raymond. Structuralisme et critique littéraire: Essai sur l'ambition scientifique de la critique littéraire en France (1945-1980). Département des publications de l'Université Libanaise, 1999.

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Tachibana, Ryō. Posuto kōzō shugi monogatariron: Gengetsu "Kenzoku" o meguru shikō no echika. Shinkansha, 2009.

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Faḍl, Ṣalāḥ. Naẓarīyat al-bināʾīyah fī al-naqd al-adabī. Dār al-Shurūq, 1998.

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Book chapters on the topic "Structuralism (Literary analysis)"

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Ryan, Michael. "Structuralism, Semiology, Postmodernism." In A Complete Guide to Literary Analysis and Theory. Routledge, 2022. http://dx.doi.org/10.4324/9781003305422-8.

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Banfield, Ann. "I. A. Richards." In Literary Theory and Criticism. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199291335.003.0007.

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Abstract A. Richards’s critical activity spans the period from Modernism—Principles of Literary Criticism appeared in 1924—to French structuralism. Richards reviewed a structuralist analysis of Shakespeare by his Harvard colleague, the Russian linguist Roman Jakobson, in 1970. He also commented on generative grammar in two articles published in 1967–8. He thus recalls a time when criticism acknowledged the importance of language and the existence of linguistics. Yet that acknowledgement also meant severing the academic study of literature from Germanic philology, which had ushered in the study of English literature over classics through the history of English: the chair of Anglo-Saxon at Cambridge was first occupied in 1878 by W. W. Skeat, editor of Beowulf.
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Fairfax, Daniel. "Encounters with Structuralism." In The Red Years of Cahiers du cinéma (1968-1973). Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728607_ch14.

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This chapter outlines Cahiers du cinéma’s relationship with structuralist theory in the 1960s and 1970s. The journal’s encounter with structuralism first manifested itself in 1963, when then-editor Jacques Rivette arranged for a series of interviews with Roland Barthes, Pierre Boulez and Claude Lévi-Strauss. The dialogue with Barthes was by far the most stimulating of these interviews and initiated a relationship that lasted until the literary theorist’s death in 1980. But fruitful exchanges were also had with the pioneer of film semiology, Christian Metz, and Pier Paolo Pasolini, who combined filmmaking with his own take on Saussurean linguistics. And yet, although Cahiers was often a venue for debates between different structuralist thinkers, its critics were never entirely satisfied with the semiological approach to film analysis and in the post-1968 era were concerned more with how a film’s formal structures could subvert the cinema’s status as a signifying practice.
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Dobson, James E. "Can an Algorithm Be Disturbed?" In Critical Digital Humanities. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042270.003.0002.

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This chapter positions the use of machine learning within the digital humanities as part of a wider movement that nostalgically seeks to return literary criticism to the structuralist era, to a moment characterized by belief in systems, structure, and the transparency of language. While digital methods enable one to examine radically larger archives than those assembled in the past, a transformation that Matthew Jockers characterizes as a shift from micro to macroanalysis, the fundamental assumptions about texts and meaning implicit in these tools and in the criticism resulting from the use of these tools belong to a much earlier period of literary analysis. The author argues that the use of imported tools and procedures within literary and cultural criticism on the part of some digital humanists in the present is an attempt to separate methodology from interpretation. In the process, these critics have deemphasized the degree to which methodology participates in interpretation. The chapter closes by way of a return to the deconstructive critique of structuralism in order to highlight the ways in which numerous interpretive decisions are suppressed in the selection, encoding, and preprocessing of digitized textual sources for text mining and machine learning analysis.
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Duncan, Dennis. "Literature Machines." In The Oulipo and Modern Thought. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198831631.003.0001.

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In the group’s Second Manifesto, François Le Lionnais writes that ‘structurAlist’ (his own capitalization) is ‘a term that many of us consider with circumspection’. Therefore, as a way of describing the Oulipo’s interest in structures without getting it mixed up with the method of thinkers like Roman Jakobson or Claude Lévi-Strauss, he proposes the neologism structurElist. And yet, in their analyses of the literary canon and their fascination with cybernetics and authorless texts, much of the Oulipo’s early work does exhibit unignorable affinities with the structuralists. Using material from the BnF archives, this chapter shows how the apparent distaste for structuralism is bound up with the Oulipo’s own moves into narratological—as opposed to linguistic—constraints, and moreover is not felt uniformly by all members. Some, like Le Lionnais, had a role in structuralism’s early development, while others like Queneau are acutely aware of the contested space that the two groups occupy.
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Lauter, Paul. "The Two Criticisms—or, Structure, Lingo, and Power in the Discourse of Academic Humanists." In Canons and Contexts. Oxford University Press, 1991. http://dx.doi.org/10.1093/oso/9780195055931.003.0011.

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In October of 1966 the Johns Hopkins Humanities Center was the site of an international symposium on “The Languages of Criticism and the Sciences of Man.” The name of the symposium expresses part of its ambition: to model literary criticism on certain “scientific” paradigms. In particular, the meeting was designed to explore the implications of structuralist thinking—and especially that of continental scholars—on “critical methods in humanistic and social sciences.” Whatever the organizers may have meant by “humanistic . . . sciences,” and whatever the value of the conference in examining structuralist thought, as it turned out the symposium will be remembered historically, if at all, as a beginning of poststructuralist analysis in the United States. For at the conference Jacques Derrida made his American debut, delivering a critique of structuralism whose title, “Structure, Sign, and Play in the Discourse of the Human Sciences,” embodied many of the terms and concepts that have since characterized academic criticism in this country. In the two decades after that Baltimore conference, some version of Derridean analysis— call it deconstructionist, speculative, formalist, or, my preference, “ludic”—has come to be increasingly central to the practice of literary study ... at least as it is carried out in the influential academic towers of New Haven and its suburbs across the land. A few months before this event in 1966, and I dare say unnoted at that conference, Stokely Carmichael had posed a new slogan for what had been thought about up to that time as the “civil rights movement.” Carmichael had been arrested by Greenwood, Mississippi police when, on June 16, participants in the march named after James Meredith had attempted to erect their tents at a local black school. During that evening’s rally, Carmichael angrily asserted that blacks had obtained nothing in years of asking for freedom; “what we gonna start saying now,” he insisted, is “‘black power.’” The crowd responded immediately to those words, chanting its “black power” response to Carmichael’s call.
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Austin, Timothy R. "Narrative Transmission: Shifting Gears in Shelley’s “Ozymandias”." In Dialogue and Critical Discourse. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780195070637.003.0003.

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Abstract As the interests and concerns of theoretical linguists have changed and expanded over several decades, their colleagues in literary studies have shown themselves adept at finding ways to turn new insights in linguistic science to good account in the analysis of literary language. Structuralist and transformation a list paradigms in turn provided fertile ground for literary applications; phonological, morphological, syntactic, and semantic analyses contributed to a steadily growing body of essays and monographs by students of the language of literature. One could have predicted, therefore, that the more recent emergence within linguistic theory of a focus on discourse in everyday contexts, including specifically the study of both conversation and narration, would lead in due course to assessments of the relationship between spoken discourse and literary works.
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Harrison, Stephen. "Introduction." In Texts, Ideas, and the Classics. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780199247462.003.0002.

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Abstract As already noted in my General Introduction to this volume, the issue of literary language has been a central topic in both literary theory and classical scholarship in the twentieth century. Auer bach’s Literary Language and its Public, translated in 1965, states that ‘a literary language is distinguished from the general language of daily life by its selectivity, homogeneity and conservatism’, and classical scholars have often followed this traditional emphasis on linguistic register and lexicon as the key features of literary and (especially) poetic language. However, a larger perspective can also be applied, by which the developing concerns of twentieth century classical scholars can be seen as consonant with developments in linguistic and literary theory more generally. The turn in Saussure and structuralist thought towards language as system, the deep preoccupation with language in linguistic philosophy generally, the close analysis of literary language which is a common concern of both Formalism and New Criticism, and the radical destabilization of language and its capacity to signify in post structuralist theory, have all to some extent been reflected in the work of literary classicists, even when there is no apparent formal connection.
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"POSTSTRUCTURALISM 131 igaray, Kristeva, Lacan) as they have come to be translated and transformed through the Anglo-American theorising of questions of the literary and the matter of critical, textual analysis. The terms poststructuralism and theory or high theory have been assumed by some to be virtually synonymous (as have poststruc-turalism and deconstruction), and the salient discernible features in common of this so-called critical modality - allegedly - have to do with the following topics: the work of rhetoric, the destabilis-ing effects of language, the provisionality of meaning, the work of tropes and images in resisting uniformity or organic wholeness, questions of undecidability, discontinuity, the aporetic and frag-mentation, difference and otherness, the constructedness of the subject, matters of translation, and the denial or, perhaps more accurately, a critique of the referentiality or mimetic function of language. Bibliography Attridge, Derek. Peculiar Language: Literature as Difference from the Renaissance to James Joyce. Ithaca, NY, 1988. Attridge, Derek and Daniel Ferrer (eds). Post-Structuralist Joyce: Essays from the French. Cambridge, 1984. Attridge, Derek, Geoffrey Bennington and Robert Young (eds). Post-Structuralism and the Question of History. Cambridge, 1987. Chase, Cynthia. Decomposing Figures: Rhetorical Readings in the Ro-mantic Tradition. Baltimore, MD, 1986. Cohen, Tom. Anti-Mimesis from Plato to Hitchcock. Cambridge, 1995. Cohen, Tom. Ideology and Inscription: 'Cultural Studies' After Benja-min, De Man, and Bakhtin. Cambridge, 1998. De Man, Paul. Allegories of Reading: Figurai Language in Rousseau, Nietzsche, Rilke, and Proust. New Haven, CT, 1979. De Man, Paul. The Rhetoric of Romanticism. New York, 1984. D e Man, Paul. The Resistance to Theory. Minneapolis, MN, 1986. de Man, Paul. Aesthetic Ideology, ed and intro. Andrzej Warminski. Minneapolis, 1996. Easthope, Antony. Poetry as Discourse. London, 1983. Easthope, Antony. British Poststructuralism since 1968. London, 1988. Harari, Josué V. (éd.). Textual Strategies: Perspectives in Post-Structur-alist Criticism. London, 1979. Johnson, Barbara. The Critical Difference. Baltimore, MD, 1980." In Key Concepts in Literary Theory. Routledge, 2016. http://dx.doi.org/10.4324/9781315063799-23.

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Damrosch, David. "Introduction." In Comparing the Literatures. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691134994.003.0001.

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This chapter analyzes the best way to address the many disparate literatures at play in literary studies and explains the real meaning of “comparing” literatures. It also discusses “comparative literature” that signifies work across national boundaries and a growing number of scholars in national literature departments that are becoming comparatists to a significant degree. The chapter looks into the long-standing tension between inclusive and exclusive visions and varied politics of comparative studies. It attempts to reframe the exfoliating variety of comparative studies and provide an anatomy of comparison. It also talks about lingering structuralism that fuels a continuing interest in literary forms and in programmatic structures.
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