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Relevant bibliographies by topics / Stuart queens

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Academic literature on the topic 'Stuart queens'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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Journal articles on the topic "Stuart queens"

1

Peterson, Kaara L. "Elizabeth I’s Virginity and the Body of Evidence: Jonson’s Notorious Crux." Renaissance Quarterly 68, no. 3 (2015): 840–71. http://dx.doi.org/10.1086/683853.

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AbstractIn a famous, frequently quoted statement, Ben Jonson claims that Queen Elizabeth I “had a membrana on her which made her uncapable of man.” This essay reinvestigates the basis for Jonson’s 400-year-old crux and, more broadly, argues for the relevance of an unexplored area of critical studies on Elizabeth: what early modern medicine and culture thought about lifelong virginity and its distinctive perils for the queen’s aging body natural. Finally, looking at the inner-circle gossip about Tudor and Stuart queens’ health and various records documenting Elizabeth’s identified illnesses, in

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2

Levin, Carole. "Heroic Queens in the Age of the Stuart Kings: Elizabeth and Boudicca." Parergon 37, no. 2 (2020): 51–76. http://dx.doi.org/10.1353/pgn.2020.0062.

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Schweitzer, Christoph E., and Michael G. Paulson. "The Queens' Encounter: The Mary Stuart Anachronism in Dramas by Diamante, Boursault, Schiller, and Donizetti." South Atlantic Review 54, no. 1 (1989): 99. http://dx.doi.org/10.2307/3200072.

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Mackenzie, Ann L. "The Queens' Encounter. The Mary Stuart Anachronism in Dramas by Diamante, Boursault. Schiller and Donizetti." Bulletin of the Comediantes 42, no. 1 (1990): 155–57. http://dx.doi.org/10.1353/boc.1990.0025.

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Mazzola, Elizabeth. "Who's She When She's at Home?: “Manifest Housekeepers”, Jealous Queens, and the Artistry of Mary Stuart." Exemplaria 15, no. 2 (2003): 385–417. http://dx.doi.org/10.1179/exm.2003.15.2.385.

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Daye, Anne. "The Role of Le Balet Comique in Forging the Stuart Masque: Part 2 Continuation." Dance Research 33, no. 1 (2015): 50–69. http://dx.doi.org/10.3366/drs.2015.0123.

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Following the discussion in Part 1 (Dance Research 32.2 2014, 185–207) of the use made by the Jacobean court of Le Balet Comique ( McGowan 1982 ) to frame innovation in the masque, this article will explore two further examples of the continuing use of the text. The overt adoption of features of Le Balet Comique for Tempe Restored (1632, Aurelian Townshend and Inigo Jones) brought French practice into play once more for the Caroline masque. Following in his father's footsteps, Charles 1 was able to bring to the masque his personal skill as a dancer and the participation of his young and beauti

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LAUER, A. ROBERT. "Michael G. Paulson, "The Queens' Encounter. The Mary Stuart Anachronism in Dramas by Diamante, Boursault, Schiller and Donizetti" (Book Review)." Bulletin of Hispanic Studies 68, no. 3 (1991): 421. http://dx.doi.org/10.3828/bhs.68.3.421.

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Corp, Edward. "STUART AND STUARDO: JAMES III AND HIS NEAPOLITAN COUSIN." Papers of the British School at Rome 83 (September 16, 2015): 221–43. http://dx.doi.org/10.1017/s0068246215000094.

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King Charles II's first illegitimate son, the little-known Jacques de La Cloche, married a lady in Naples and had a posthumous son, born in 1669 and known as Don Giacomo Stuardo. Although his father was illegitimate and he himself a Catholic, Stuardo hoped that he might one day become King of England. The Glorious Revolution resulted in opposition between supporters of the Protestant Succession to the British thrones and supporters of the exiled Catholic Stuarts, James II and then his son James III. When the Protestant Queen Anne was succeeded by the unpopular Hanoverian George I in 1714, Jame

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DABBY, BENJAMIN. "HANNAH LAWRANCE AND THE CLAIMS OF WOMEN'S HISTORY IN NINETEENTH-CENTURY ENGLAND." Historical Journal 53, no. 3 (2010): 699–722. http://dx.doi.org/10.1017/s0018246x10000257.

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ABSTRACTThe historian, Hannah Lawrance (1795–1875), played an important role in nineteenth-century public debate about women's education. Like Catharine Macaulay and Mary Wollstonecraft, she argued that virtue had no sex and she promoted the broad education of women in order to increase their opportunities for employment. But unlike her bluestocking predecessors, she derived her argument from a scholarly reappraisal of women's history. Whereas the Strickland sisters' Tory Romantic histories celebrated the Tudor and Stuart eras in particular, Lawrance's ‘olden time’ celebrated the medieval peri

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Kirilov, Denis. "Forms of Representation of the Monarch in Irish Court Odes During the Reign of Queen Anne Stuart." Novaia i noveishaia istoriia, no. 4 (2021): 47. http://dx.doi.org/10.31857/s013038640010081-7.

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The article aims to explore forms of representation of a monarch in Irish court odes between 1702 and 1714. By 1702, Protestant Ireland to a large extent adopted the political structure of its mother country. The Irish parliament was turning into a regular institution, and the development of the party system was also underway. This posed a threat to the status quo, which the Irish government sought to maintain. To protect the rights of the Crown in England Queen Anne used a theatre of power and heavily relied on self-representation. However, in Ireland, the Queen&apos;s representation was

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Dissertations / Theses on the topic "Stuart queens"

1

Kafantaris, Mira Assaf. "Royal Marriage and the Politics of Transition in Stuart Drama 1603-1630." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1406260472.

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Linnell, Anna-Marie. "Writing the Royal Consort in Stuart England." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/23628.

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This dissertation examines the literature of royal consorts in Stuart England. Critics and historians have devoted considerable attention to the creation of the monarch’s image during this tumultuous period, which witnessed two revolutions and the explosion of print. We know that the Stuart monarchs embraced different forms of visual media – including pageantry, portraiture and print – to disseminate their image within the court and to a broader public. However, the extensive literature about the royal consorts remains under-examined. My thesis makes an original contribution to scholarship by

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Bomark, David. "Identitet och motstånd : Normbrott inom hiphop." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-113009.

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Den här uppsatsen undersöker hur identitet uttrycks i tre musikvideos som tillhör genren ”queer rap” (Mykki Blanco, Le1f och Zebra Katz) där jag ställer frågan om den identitet som uttrycks hos dem är subversiva. För att ta reda på detta användes representations-begreppet tillsammans med Richard Dyers definition av stereotyper och José Esteban Muñoz avidentifikations-begrepp. Dessa tre artisters identiteter går att tolkas som subversiva då de använder normer och redan befintliga identiteter för att skapa nya uttryck, både från det heteronormativa och andra subversiva subkulturer. De skapar nya

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4

Hsiao, Han. "An Analysis of the Representation of Queen Elizabeth I of England in the Operas by Rossini, Donizetti, and Thomas in the Context of Nineteenth-Century Vocal Style and Historical Influence." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707281/.

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The purpose of this research is to analyze representations of Queen Elizabeth I of England in nineteenth-century Franco-Italian opera, and the relationship of these representations to contemporaneous singing style and the historical background. The basis for this analysis is three arias: "Quant'é grato all'alma mia" from Elisabetta, regina d'Inghilterra (1815) by Gioachino Rossini (1792-1868), "Sì, vuol di Francia il rege...Ah! quando all'ara scorgemi...Ah! dal ciel discenda un raggio" from Maria Stuarda (1835) by Gaetano Donizetti (1797-1848), and "Malgré l'éclat qui m'environne" from Le song

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CAVALCANTE, Laís Medeiros. ""Quero deixar de ser um menino dependente para ser uma mulher autônoma": os casos transgêneros nas tirinhas de Laerte Coutinho." Universidade Federal de Campina Grande, 2014. http://dspace.sti.ufcg.edu.br:8080/jspui/handle/riufcg/1948.

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Submitted by Johnny Rodrigues (johnnyrodrigues@ufcg.edu.br) on 2018-10-10T18:07:42Z No. of bitstreams: 1 LAÍS MEDEIROS CAVALCANTE - DISSERTAÇÃO PPGH 2014..pdf: 8311281 bytes, checksum: c886c9fd1b03a87baa8b0c93c853395c (MD5)<br>Made available in DSpace on 2018-10-10T18:07:42Z (GMT). No. of bitstreams: 1 LAÍS MEDEIROS CAVALCANTE - DISSERTAÇÃO PPGH 2014..pdf: 8311281 bytes, checksum: c886c9fd1b03a87baa8b0c93c853395c (MD5) Previous issue date: 2014-03<br>O texto, objetiva analisar, como as identidades transgêneras foram produzidas, significadas e ressignificadas pela cartunista Laerte Coutinho

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(9039344), Gabriel R. Lonsberry. "The King, the Prince, and Shakespeare: Competing for Control of the Stuart Court Stage." Thesis, 2020.

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<div>When, each holiday season, William Shakespeare’s newest plays were presented for King James I of England and his court, they shared the stage with propagandistic performances and ceremonies intended to glorify the monarch and legitimate his political ideals. Between 1608 and 1613, however, the King’s son, Prince Henry Frederick, sought to use the court stage to advance his own, oppositional ideology. By examining the entertainments through which James and Henry openly competed to control this crucial mythmaking mechanism, the present investigation recreates the increasingly unstable condi

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Nesvadbová, Dominika. "Vznik Anglo-skotské unie roku 1707." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-449056.

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This diploma thesis analyzes the genesis of the issues of the Anglo-Scottish union. In its introduction the diploma thesis shortly mentions the events from the end of English Civil War in 1651 until the death of Charles II King of England. The thesis will deal in more detail with the genesis of the Anglo-Scottish and political relations as well as historical events of England from the reign of the catholic King of England James II, his expeletion in 1688, and consequential arrival of his nephew and at the same time son-in-law William III of Orange with his wife Queen Mary II. Thereafter Queen

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Books on the topic "Stuart queens"

1

Marie Stuart: Sainte ou putain? Galodé, 2012.

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2

Mary, Luc. Mary Stuart: La reine aux trois couronnes. L'Archipel, 2009.

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Mary Stuart: La reine aux trois couronnes. L'Archipel, 2009.

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Pascal, Jean-Claude. La reine maudite: Le dossier Marie Stuart. Le Rocher, 1988.

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Duchein, Michel. Marie Stuart: La femme et le mythe. Fayard, 1987.

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Marie Stuart: Reine de France et d'Ecosse. Pygmalion, 1995.

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7

Dufour, Hortense. Marie Stuart: En ma fin est mon commencement. Rocher, 2007.

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8

Maria Stuart og hennes verden: En kongelig slektshistorie. J.W. Cappelen, 1988.

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9

Queen of Scots: The true life of Mary Stuart. Houghton Mifflin Co., 2004.

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Guy, J. A. Queen of Scots: The true life of Mary Stuart. Houghton Mifflin, 2004.

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Book chapters on the topic "Stuart queens"

1

R. Bertolet, Anna. "Doppelgänger Queens: Elizabeth Tudor and Mary Stuart." In Queens Matter in Early Modern Studies. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64048-8_13.

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2

Wild, Benjamin L. "Romantic Recreations: Remembering Stuart Monarchy in Nineteenth-Century Fancy Dress Entertainments." In Remembering Queens and Kings of Early Modern England and France. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22344-1_10.

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Guyer, Benjamin M. "“Of Hopes Great as Himselfe”: Tudor and Stuart Legacies of Edward VI." In Remembering Queens and Kings of Early Modern England and France. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22344-1_5.

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4

Currie, Joy. "Mary Queen of Scots as Suffering Woman: Representations by Mary Stuart and William Wordsworth." In “High and Mighty Queens” of Early Modern England: Realities and Representations. Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-10676-6_12.

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Clifford, Catherine. "Elizabeth I and the Dancing Stuart Queens: Female Agency and Subjectivity in Early Modern English Court Drama." In The Palgrave Handbook of the History of Women on Stage. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-23828-5_7.

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Maier, Lukas. "König, Königin, Königinmutter." In Übersetzungskulturen der Frühen Neuzeit. Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-62562-0_19.

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ZusammenfassungUnder King Charles I, Queen Henrietta Maria, and the exiled French Queen Mother Maria de’ Medici, St James’s Palace in London became the scene of various cultural translation processes that were subject to different strategies and objectives. Henrietta Maria not only presented herself as the mother of the future Stuart kings, but also emphasized her Bourbon heritage with her French bedroom suite. Charles I staged himself as British emperor in the gallery and garden by translating the display context of artworks in continental European collections. Translation efforts could also have a mediating function, as can be seen in Inigo Jones’ Queen's Chapel and the apartment of Marie de’ Medici, which combined both English and French court ceremonial.

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Lockyer, Roger, and Peter Gaunt. "Queen Anne." In Tudor and Stuart Britain 1485–1714. Routledge, 2018. http://dx.doi.org/10.4324/9780429459856-20.

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Coward, Barry, and Peter Gaunt. "The reign of Queen Anne, 1702–1714." In The Stuart Age. Routledge, 2017. http://dx.doi.org/10.4324/9781315271552-19.

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Guy, John. "Mary Queen of Scots (1971)." In Tudors and Stuarts on Film. Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-09167-3_9.

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Heffernan, Troy. "Never the Queen: Anne Stuart’s Formative Years." In Unexpected Heirs in Early Modern Europe. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55294-1_6.

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