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Journal articles on the topic 'Stuart queens'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Peterson, Kaara L. "Elizabeth I’s Virginity and the Body of Evidence: Jonson’s Notorious Crux." Renaissance Quarterly 68, no. 3 (2015): 840–71. http://dx.doi.org/10.1086/683853.

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AbstractIn a famous, frequently quoted statement, Ben Jonson claims that Queen Elizabeth I “had a membrana on her which made her uncapable of man.” This essay reinvestigates the basis for Jonson’s 400-year-old crux and, more broadly, argues for the relevance of an unexplored area of critical studies on Elizabeth: what early modern medicine and culture thought about lifelong virginity and its distinctive perils for the queen’s aging body natural. Finally, looking at the inner-circle gossip about Tudor and Stuart queens’ health and various records documenting Elizabeth’s identified illnesses, in

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2

Levin, Carole. "Heroic Queens in the Age of the Stuart Kings: Elizabeth and Boudicca." Parergon 37, no. 2 (2020): 51–76. http://dx.doi.org/10.1353/pgn.2020.0062.

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3

Schweitzer, Christoph E., and Michael G. Paulson. "The Queens' Encounter: The Mary Stuart Anachronism in Dramas by Diamante, Boursault, Schiller, and Donizetti." South Atlantic Review 54, no. 1 (1989): 99. http://dx.doi.org/10.2307/3200072.

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4

Mackenzie, Ann L. "The Queens' Encounter. The Mary Stuart Anachronism in Dramas by Diamante, Boursault. Schiller and Donizetti." Bulletin of the Comediantes 42, no. 1 (1990): 155–57. http://dx.doi.org/10.1353/boc.1990.0025.

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5

Mazzola, Elizabeth. "Who's She When She's at Home?: “Manifest Housekeepers”, Jealous Queens, and the Artistry of Mary Stuart." Exemplaria 15, no. 2 (2003): 385–417. http://dx.doi.org/10.1179/exm.2003.15.2.385.

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6

Daye, Anne. "The Role of Le Balet Comique in Forging the Stuart Masque: Part 2 Continuation." Dance Research 33, no. 1 (2015): 50–69. http://dx.doi.org/10.3366/drs.2015.0123.

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Following the discussion in Part 1 (Dance Research 32.2 2014, 185–207) of the use made by the Jacobean court of Le Balet Comique ( McGowan 1982 ) to frame innovation in the masque, this article will explore two further examples of the continuing use of the text. The overt adoption of features of Le Balet Comique for Tempe Restored (1632, Aurelian Townshend and Inigo Jones) brought French practice into play once more for the Caroline masque. Following in his father's footsteps, Charles 1 was able to bring to the masque his personal skill as a dancer and the participation of his young and beauti

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7

LAUER, A. ROBERT. "Michael G. Paulson, "The Queens' Encounter. The Mary Stuart Anachronism in Dramas by Diamante, Boursault, Schiller and Donizetti" (Book Review)." Bulletin of Hispanic Studies 68, no. 3 (1991): 421. http://dx.doi.org/10.3828/bhs.68.3.421.

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8

Corp, Edward. "STUART AND STUARDO: JAMES III AND HIS NEAPOLITAN COUSIN." Papers of the British School at Rome 83 (September 16, 2015): 221–43. http://dx.doi.org/10.1017/s0068246215000094.

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King Charles II's first illegitimate son, the little-known Jacques de La Cloche, married a lady in Naples and had a posthumous son, born in 1669 and known as Don Giacomo Stuardo. Although his father was illegitimate and he himself a Catholic, Stuardo hoped that he might one day become King of England. The Glorious Revolution resulted in opposition between supporters of the Protestant Succession to the British thrones and supporters of the exiled Catholic Stuarts, James II and then his son James III. When the Protestant Queen Anne was succeeded by the unpopular Hanoverian George I in 1714, Jame

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9

DABBY, BENJAMIN. "HANNAH LAWRANCE AND THE CLAIMS OF WOMEN'S HISTORY IN NINETEENTH-CENTURY ENGLAND." Historical Journal 53, no. 3 (2010): 699–722. http://dx.doi.org/10.1017/s0018246x10000257.

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ABSTRACTThe historian, Hannah Lawrance (1795–1875), played an important role in nineteenth-century public debate about women's education. Like Catharine Macaulay and Mary Wollstonecraft, she argued that virtue had no sex and she promoted the broad education of women in order to increase their opportunities for employment. But unlike her bluestocking predecessors, she derived her argument from a scholarly reappraisal of women's history. Whereas the Strickland sisters' Tory Romantic histories celebrated the Tudor and Stuart eras in particular, Lawrance's ‘olden time’ celebrated the medieval peri

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Kirilov, Denis. "Forms of Representation of the Monarch in Irish Court Odes During the Reign of Queen Anne Stuart." Novaia i noveishaia istoriia, no. 4 (2021): 47. http://dx.doi.org/10.31857/s013038640010081-7.

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The article aims to explore forms of representation of a monarch in Irish court odes between 1702 and 1714. By 1702, Protestant Ireland to a large extent adopted the political structure of its mother country. The Irish parliament was turning into a regular institution, and the development of the party system was also underway. This posed a threat to the status quo, which the Irish government sought to maintain. To protect the rights of the Crown in England Queen Anne used a theatre of power and heavily relied on self-representation. However, in Ireland, the Queen&apos;s representation was

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11

Guénette, Marie-France. "Agency, Patronage and Power in Early Modern English Translation and Print Cultures: The Case of Thomas Hawkins." TTR 29, no. 2 (2018): 155–76. http://dx.doi.org/10.7202/1051017ar.

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At the English court of Queen consort Henrietta Maria (1625-1642), translation was used as a political tool, partly to impose the queen’s linguistic, cultural and Catholic heritage on Calvinist England. The queen played a pivotal role as a patron of the arts and an agent of Anglo-French cultural relations, and many translators dedicated texts to her in the hopes of winning her favour. This article focuses on “translating agents” (Buzelin, 2005), i.e. translators, printers and patrons, operating in the political, religious and literary networks in and around the Queen’s court. My research draws

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12

de la Torre, Victoria. "“We Few of an Infinite Multitude”: John Hales, Parliament, and the Gendered Politics of the Early Elizabethan Succession." Albion 33, no. 4 (2001): 557–82. http://dx.doi.org/10.1017/s009513900006779x.

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Towards the end of the 1563 Parliamentary session, John Hales, Clerk of the Hanaper and an M.P. sitting for the Borough of Lancaster, wrote and circulated a tract entitled,A Declaration of the Succession of the Crowne Imperiall of Ingland. In this work, Hales argued that until such time as Queen Elizabeth married and produced an heir, the law clearly designated a successor—Catherine Grey, the leading Protestant claimant and heir according to the terms of Henry VIII’s will, which had been enacted into law. The leading Catholic claimant, and heir by strict hereditary descent, Mary Stuart, was, H

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13

Bucholz, R. O. "“Nothing but Ceremony”: Queen Anne and the Limitations of Royal Ritual." Journal of British Studies 30, no. 3 (1991): 288–323. http://dx.doi.org/10.1086/385985.

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In recent years, historians of the Augustan period have done much to rehabilitate the posthumous reputation of Queen Anne, a monarch traditionally viewed as dull, weak, reactionary, and easily led. Beginning in the 1920s with the work of W. T. Morgan, continuing with that of G. M. Trevelyan and G. S. Holmes, and culminating in the definitive biography by Edward Gregg, Anne has gradually emerged as a figure to be reckoned with. We have come to see her as a tenacious and often skillful navigator, charting a middle course between the opposing shoals of the Whig and Tory parties, in an attempt to

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14

Graffius, Jan. "The Stuart Relics in the Stonyhurst Collections." Recusant History 31, no. 2 (2012): 147–69. http://dx.doi.org/10.1017/s0034193200013558.

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The Stuart artefacts described in this article have not previously been examined as an entity, and many are relatively unfamiliar to scholars. This paper will consider this unique collection of relics and discuss their significance within the personal as well as national and international contexts of their origins. That significance rests largely in their royal provenance, which was valued by the custodians at the English Jesuit College of St Omers, the predecessor of Stonyhurst College, founded to educate English Catholic boys in 1593. The Stuart cause, from Mary Queen of Scots to Charles Edw

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15

Reimers, Eigil. "The Return of Caribou to Ungava." Rangifer 28, no. 1 (2008): I—II. http://dx.doi.org/10.7557/2.28.1.153.

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Makarov, Arkadii N., and Elena V. Kirichuk. "Image of Mary Stuart in Tragedies of C. H. Spiess and F. Schiller." Nauchnyi dialog, no. 7 (July 30, 2020): 266–83. http://dx.doi.org/10.24224/2227-1295-2020-7-266-283.

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Features of the interpretation of events related to the life and death of the Queen of Scotland, Mary Stuart (1542-1587), in the works of the outstanding German playwright F. Schiller (1759-1805) and his contemporary, the famous writer Christian Heinrich Spiess (Spiess, 1755-1799) is considered. The originality in the image of the last days of Mary by C. H. Spiess and F. Schiller is emphasized. The question is raised about the various literary and aesthetic positions of both German writers. Attention is paid to the review of works in various genres and genres of art dedicated to Mary Stuart by

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17

Campangne, Hervé-Thomas. "« Si je ne suis pas sans reproches, du moins suis-je sans peur »: la passion dévorante de Pierre de Boscosel de Chastelard." Renaissance and Reformation 38, no. 3 (2015): 103–18. http://dx.doi.org/10.33137/rr.v38i3.26150.

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Descendant du chevalier Bayard, Pierre de Boscosel de Chastelard faisait partie de la compagnie de gentilshommes qui accompagnèrent Marie Stuart en Écosse après la mort de François II. Épris de la reine, il se cacha sous son lit en espérant peut-être séduire sa bien-aimée ; la souveraine lui pardonna cette audace, mais le jeune homme ne put s’empêcher d’oser une seconde tentative. Surpris par une servante de Marie, l’amant éperdu fut livré aux tribunaux et décapité. À partir des récits de John Knox et de Brantôme, je propose d’étudier les enjeux et les modalités de la repré

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18

Hitchmough, Wendy. "‘Setting’ the Stuart court." Journal of the History of Collections 32, no. 2 (2019): 245–64. http://dx.doi.org/10.1093/jhc/fhz004.

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Abstract This article interrogates three manuscript inventories for Anna of Denmark’s collection at the Tudor palace of Oatlands in Surrey, written at yearly intervals in 1616, 1617 and 1618. It explores the changing display of her paintings there in lavishly furnished settings and the positioning of a new portrait, Paul van Somer’s Anne of Denmark. Van Somer locates his subject in the hunting park at Oatlands with a representation, in the background, of an Inigo Jones gateway. This article explores Anna’s agency as a collector and patron. It proposes new readings for the interplay between por

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19

Heisch, Allison. "Arguments for an Execution: Queen Elizabeth's “White Paper” and Lord Burghley's “Blue Pencil”." Albion 24, no. 4 (1992): 591–604. http://dx.doi.org/10.2307/4050668.

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On the morning of 8 February 1587 (n.s.) Mary Stuart was executed at Fotheringay Castle in Northampton for her complicity in the Babington Plot—the last of the great conspiracies to assassinate Queen Elizabeth I and to place her distant cousin Mary on the English throne in order to re-establish England as a Catholic state. Particularly because of remarks Queen Elizabeth allegedly made to William Davison, to whom the execution warrant was entrusted, nearly every modern historian who has written about the trial and death of Mary Stuart has speculated about the possibility that Queen Elizabeth, p

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20

Le Baillif, Anne-Marie. "Autour de la figure de Marie Stuart." Nordlit 15, no. 2 (2012): 121. http://dx.doi.org/10.7557/13.2048.

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The Sixteenth century constitutes an inspiration for writers of the nineteenth century. My paper is based on two works: Jean de Virey’s tragédie: Jeanne d’Arques published in 1600; Le quadrille de la duchesse de Berry which took place in 1829. In both the life of Marie, Queen of Scots, is given a political meaning: she was a woman who made herself conspicuous and consequently became a symbol of decadent power.

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21

Graham, Michael F., and John Guy. "Queen of Scots: The True Life of Mary Stuart." Sixteenth Century Journal 36, no. 4 (2005): 1173. http://dx.doi.org/10.2307/20477643.

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22

Wood, Curtis W. "Queen of Scots: The True Life of Mary Stuart." History: Reviews of New Books 33, no. 1 (2004): 23. http://dx.doi.org/10.1080/03612759.2004.10526406.

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23

Catellani-Dufrêne, Nathalie. "L’icône et l’idole. Les représentations de Marie Stuart dans l’œuvre de George Buchanan." Renaissance and Reformation 36, no. 4 (2014): 81–100. http://dx.doi.org/10.33137/rr.v36i4.20983.

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In 1561, George Buchanan definitely left France to live in Scotland where he became court poet of the Catholic Queen Mary Stewart, even if he publicly became Protestant. At the beginning, the humanist composed a few epigrams in which the queen is depicted as a good sovereign who restores the Golden Age in Scotland. A few years later, Buchanan depicted Mary Queen of Scots as a tyrant in his Rerum Scoticarum Historia, published in 1582. This article will provide a comparison between Buchanan’s different works (poetical works, tragedies and political and historical works) and show that the aesthe

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24

Holt, Geoffrey. "Some Chaplains at the Stuart Court at Saint-Germain-en-Laye." Recusant History 25, no. 1 (2000): 43–51. http://dx.doi.org/10.1017/s0034193200031988.

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It was to be expected that at the court of a Catholic king and queen there would be from the beginning of the exile at Saint-Germain-en-Laye a royal chapel and an establishment of Catholic chaplains and that this would last as long as the court remained there. It continued in fact after the departure of James Edward to Lorraine in 1712 and Avignon in 1716 and for a while after the death of Queen Mary Beatrice in 1718. The priests of the English Jesuit Province—the subjects of this article—remained in office until 1720 or perhaps a year or two later. It may be presumed that they stayed on, afte

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25

Levin, Carole. "Elizabeth’s Ghost: The afterlife of the Queen in Stuart England." Royal Studies Journal 1, no. 1 (2014): 1. http://dx.doi.org/10.21039/rsj.v1i1.8.

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26

De Baar, Mirjam. "Nadine Akkerman (ed.). The Correspondence of Elizabeth Stuart, Queen of Bohemia." De Zeventiende Eeuw. Cultuur in de Nederlanden in interdisciplinair perspectief 29, no. 1 (2013): 101. http://dx.doi.org/10.18352/dze.8380.

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27

Villius, Hans. "The Casket Letters: A Famous Case Reopened." Historical Journal 28, no. 3 (1985): 517–34. http://dx.doi.org/10.1017/s0018246x00003289.

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The place where the University of Edinburgh now stands was once the site of the church of St Mary in the Fields or, as it is usually called, Kirk o'Field. On a February night in 1567, in the small house close to the church, there occurred what is certainly the most frequently discussed event in the history of Scotland, the murder of Henry Stuart, Lord Darnley, consort to Mary Queen of Scots. Much discussed it has been, but since it is still not properly resolved it merits another look.

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28

Brei, Gerald. "Due Process in EU antitrust proceedings – causa finita after Menarini?" Zeitschrift für Wettbewerbsrecht 13, no. 1 (2015): 34–54. http://dx.doi.org/10.15375/zwer-2015-0104.

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AbstractAnd these men are my judges? My lord treasurer, Towards you I will be just, be you but just To me. ‘Tis said that you consult with zeal The good of England, and of England’s queen; Are honest, watchful, indefatigable; I will believe it. Not your private ends, Your sovereign and your country’s weal alone, Inspire your counsels and direct your deeds. Therefore, my noble lord, you should the more Distrust your heart; should see that you mistake not The welfare of the government for justice.Friedrich Schiller, Mary Stuart (Act I Scene 7)

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Crowley, Timothy D. "Sidney’s Legal Patronage and the International Protestant Cause." Renaissance Quarterly 71, no. 4 (2018): 1298–350. http://dx.doi.org/10.1086/700859.

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AbstractThis study brings to light a legal treatise from the mid-1580s on diplomatic and royal immunities and the authority of magistrates. Comparison of extant manuscript copies elucidates the work’s authorship by John Hammond, its commission by Sir Philip Sidney, its legal argument, and its textual transmission to those who orchestrated the treason trial of Mary, Queen of Scots, in 1586. Documentary evidence from 1584 to 1585 aligns Sidney with Elizabeth I’s Scottish policy, not directly with the campaign against Mary Stuart. When Sidney commissioned Hammond’s treatise, this study argues, he

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Cressy, David. "The Protestant Calendar and the Vocabulary of Celebration in Early Modern England." Journal of British Studies 29, no. 1 (1990): 31–52. http://dx.doi.org/10.1086/385948.

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Under Elizabeth and the early Stuarts the English developed a relationship to time—current time within the cycle of the year and historical time with reference to the past—that set them apart from the rest of early modern Europe. All countries followed a calendar that was rooted in the rhythms of ancient Europe and that marked the passage of time by reference to the life of Christ and his saints. But only in England was this traditional calendar of Christian holidays augmented by special days honoring the Protestant monarch and the ordeals and deliverances of the national church. In addition t

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31

Steveker, Lena. "The Politics of Happiness in Richard Brome’s The Queen and Concubine." Critical Survey 32, no. 3 (2020): 70–81. http://dx.doi.org/10.3167/cs.2020.320307.

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In this article, I discuss Richard Brome’s tragicomedy The Queen and Concubine (1635–1636), focusing on how the play reflects the iconography of Charles I as well as Stuart ideals of statecraft. I argue that the play’s representation of a royal ruler in a pastoral setting draws on Van Dyck’s portraiture and on Charles I’s masques, as well as on Lipsius’s political concept of ‘love’. I claim that the play promotes a ‘politics of happiness’ which affirms the Caroline ideology of royal rule. My reading of Brome’s play aims at furthering the critical understanding of the cultural and political con

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32

Ihinger, Kelsey J. "The Mirror in Albion: Spanish Theatrical Reimaginings of Queen Elizabeth I and Mary Stuart." Bulletin of the Comediantes 70, no. 1 (2018): 33–57. http://dx.doi.org/10.1353/boc.2018.0002.

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33

Lebedinski, Ester. "‘Obtained by peculiar favour, & much difficulty of the Singer’: Vincenzo Albrici and the Function of Charles II's Italian Ensemble at the English Restoration Court." Journal of the Royal Musical Association 143, no. 2 (2018): 325–59. http://dx.doi.org/10.1080/02690403.2018.1507116.

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AbstractThis article discusses the function of Vincenzo Albrici and Charles II's Italian ensemble at the English Restoration court. The article cites newly discovered archival evidence to suggest that Albrici arrived at the English court in 1664 to become the leader of an exclusive ensemble performing Italian chamber music. The employment of the Italian ensemble imitated Mazarin's patronage of Italian music at the French court, arguably to rehabilitate the recently restored Stuart dynasty in the eyes of Continental courts. The article suggests that the ensemble performed chamber music privatel

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34

Thiel, Sara B. T. "Performing Blackface Pregnancy at the Stuart Court:The Masque of BlacknessandLove’s Mistress, or the Queen’s Masque." Renaissance Drama 45, no. 2 (2017): 211–36. http://dx.doi.org/10.1086/694326.

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35

COLLINS, JEFFREY R. "THOMAS HOBBES AND THE BLACKLOIST CONSPIRACY OF 1649." Historical Journal 45, no. 2 (2002): 305–31. http://dx.doi.org/10.1017/s0018246x02002388.

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In a jarring passage toward the conclusion of Leviathan, Thomas Hobbes endorsed the abolition of episcopacy and the establishment of an Independent religious settlement within England. Most historians have ignored this feature of Leviathan, or have dismissed it as an off-hand aside of no consequence. Others, more plausibly, have construed it as part of a royalist scheme (encouraged by Queen Henrietta Maria and her supporters) to secure a Stuart Restoration by allying with the English Independents. This article offers an alternative theory. It argues that Hobbes's attentions were probably drawn

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36

Hewitt, David. "A Private Function." International Journal of Mental Health and Capacity Law 1, no. 12 (2014): 83. http://dx.doi.org/10.19164/ijmhcl.v1i12.170.

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<strong><strong></strong></strong><p align="LEFT">R (Mersey Care NHS Trust) v Mental Health Review Tribunal; Ian Stuart Brady (First Interested Party) and Secretary of State for the Home Department (Second Interested Party)</p><strong><strong></strong></strong><p align="LEFT">Queen’s Bench Division (Administrative Court), Beatson J, 22 July 2004 EWHC (Admin) 1749</p><strong></strong><em><em></em></em><p align="LEFT"><em>A MHRT may sit in private even though a patient requests

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37

Kinzer, Bruce L. "John Stuart Mill and the Catholic Question in 1825." Utilitas 5, no. 1 (1993): 49–67. http://dx.doi.org/10.1017/s0953820800005537.

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John Stuart Mill's connection with the Irish question spanned more than four decades and embraced a variety of elements. Of his writings on Ireland, the best known are his forty-three Morning Chronicle articles of 1846–47 composed in response to the Famine, the section of the Principles of Political Economy that treats the issue of cottier tenancy and the problem of Irish land, and, most conspicuous of all, his radical pamphlet England and Ireland, published in 1868. All of these writings take the land question as their paramount concern. The fairly absorbing interest in the subject disclosed

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Campbell, Ian, and Aonghus Mackechnie. "The ‘Great Temple of Solomon’ at Stirling Castle." Architectural History 54 (2011): 91–118. http://dx.doi.org/10.1017/s0066622x00004019.

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In 1594, a new Chapel Royal was erected at Stirling Castle, for the baptism, on 30 August of that year, of Prince Henry, first-born son and heir to James VI King of Scots and his wife, Queen Anna, sister of Denmark’s Christian IV. James saw the baptism as a major opportunity to emphasize, to an international — and, above all, English — audience, both his own and Henry’s suitability as heirs to England’s childless and elderly Queen Elizabeth. To commemorate the baptism and associated festivities, a detailed written account was produced, entitledA True Reportarieand attributed to William Fowler.

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Frederick, Michele L. "Affectionate sister, most faithful friend." Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online 70, no. 1 (2020): 160–91. http://dx.doi.org/10.1163/22145966-07001008.

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In May of 1630, the exiled Queen of Bohemia, Elizabeth Stuart, sent a large painting to her brother, King Charles I of England. The work, a now-lost family portrait known since 1966 as Seladon and Astraea, was completed by the Dutch artist Gerrit van Honthorst. That this painting took Honoré d’Urfé’s pastoral romance L’Astrée as its source material has been proposed since the 1960s. This article argues for L’Astrée as an important part of Elizabeth and her husband’s self-identity in exile, and for Honthorst’s painting as a vital and overlooked token of friendship between both Elizabeth and her

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Carafano, James Jay. "William III and the Negative Voice." Albion 19, no. 4 (1987): 509–25. http://dx.doi.org/10.2307/4049472.

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A fresh interpretation of King William III's employment of the royal veto provides new insights into the political and constitutional issues of his reign. The veto, or the crown's negative voice as it was called by contemporaries, is a particularly fruitful subject for study in charting the course of politics in seventeenth century England. The employment of the veto offers an accurate barometer for measuring political and constitutional change. It addresses the key issue of sovereignty—who makes law? King or Parliament? It is surprising, therefore, that historians have neglected to examine th

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41

Tutino, Stefania. "‘Makynge Recusancy Deathe Outrighte’? Thomas Pounde, Andrew Willet and The Catholic Question in Early Jacobean England." Recusant History 27, no. 1 (2004): 31–50. http://dx.doi.org/10.1017/s0034193200031162.

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With the accession of James VI of Scotland to England’s throne as James I, many English Catholics began hoping that the vexing question of religion would soon be resolved in a manner not unfavourable to their faith. James, after all, was the son of the Catholic Mary Stuart, Queen of Scots, and it seemed not impossible that he would convert to the Catholic faith. The diplomatic contact with Spain that would eventually produce the Treaty of 1604 was already in process and religious toleration was one element in the discussion. But the more significant grounds for Catholics’ hope came most certai

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Corp, Edward. "The Jacobite Chapel Royal at Saint-Germain-En-Laye." Recusant History 23, no. 4 (1997): 528–42. http://dx.doi.org/10.1017/s0034193200002351.

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The Jacobite Court was established at Saint-Germain-en-Laye at the beginning of 1689, following the successful invasion of England by William of Orange. At the time few people expected the Court to remain there for long, but after James II’s defeat in Ireland (1690), and the failure of his planned invasion of England (1692), it became clear that there was little hope of an immediate restoration. In the event the Stuarts were to remain at Saint-Germain-en-Laye for a quarter of a century. James II himself died there in 1701. His son James III stayed until 1712, when he was obliged to leave Franc

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43

Göbels, Bettina, and John Guthrie. "Schiller's ‘Killer Queen’ on the streets of London: Recent productions ofMary Stuartin England1." Contemporary Theatre Review 16, no. 4 (2006): 439–56. http://dx.doi.org/10.1080/10486800600924000.

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44

Cogswell, Thomas. "The Correspondence of Elizabeth Stuart, Queen of Bohemia, Volume I: (1603–1631) and Volume II: (1632–1642), ed. Nadine Akkerman." English Historical Review 131, no. 553 (2016): 1518–20. http://dx.doi.org/10.1093/ehr/cew335.

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Tighe, William J. "The Gentlemen Pensioners, the Duke of Northumberland, and the Attempted Coup of July 1553." Albion 19, no. 1 (1987): 1–11. http://dx.doi.org/10.2307/4049656.

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The band of gentlemen pensioners, a body which, diminished in size and its functions altered almost beyond recognition, still survives at the English royal court under the title of “The Honourable Corps of Her Majesty's Gentlemen at Arms,” was instituted on Christmas Eve 1539 as part of a reform of the royal household. The group was a revival of the “spears” or “spears of honour,” an elite, sumptuously-outfitted royal bodyguard of gentlemen founded by Henry VIII in 1509, shortly after his accession, which appears to have lapsed in 1515 or 1516, because of the great charges involved in their ma

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LINGWOOD, P. F. "JOHN RICHARDSON. Arctic Ordeal The Journal of John Richardson, Surgeon- Naturalist, with Franklin 1820–1822. Edited by C Stuart Houston and illustrated by H Albert Hochbaum. McGill–Queens University Press, Kingston and Montreal, Canada and Alan Sutton, Gloucester, England. 1984. Pp xxxiii +[1] + 349. ISBN 0-86299-201-X. Price £16.50 CLARE LLOYD. The Travelling Naturalists. Croom Helm, Beckenham, Kent and Sydney, Australia. 1985. Pp 156. ISBN 0-7099-1658-2. Price £13.95." Archives of Natural History 14, no. 2 (1987): 223–25. http://dx.doi.org/10.3366/anh.1987.14.2.223.

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Villani, Stefano. "From Mary Queen of Scots to the Scottish Capuchins: Scotland as a symbol of Protestant persecution in seventeenth-century Italian literature." Innes Review 64, no. 2 (2013): 100–119. http://dx.doi.org/10.3366/inr.2013.0055.

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Italian authors of the seventeenth century produced a myriad of historical texts, tragedies, oratorios and poems that dealt with the events of Mary Stuart's life. The tremendous outcry that her story caused all over Europe made Scotland one of the most powerful symbols of persecution of Catholics by Protestants. It was the image of Scotland as a land of martyrdom that possibly prompted the publication of two seventeenth-century Italian ‘biographies’, narrating the vicissitudes of the lives of two Scottish capuchins, and which ran to multiple editions down to the eighteenth century. This articl

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Scarisbrick, Diana. "VIII. Anne of Denmark's Jewellery Inventory." Archaeologia 109 (1991): 193–238. http://dx.doi.org/10.1017/s0261340900014089.

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The inventory of the jewels of Anne of Denmark, wife of James I of England, belongs to a group of catalogues of personal jewellery of Tudor and Stuart royalty of which one of the most important is that made after the death of Henry VIII in 1550. It is now in the National Library of Scotland (Adv. MS 31.1.10) and was compiled in 1606, the last entry being dated January 1607. It records over four hundred items giving the weight of gold or silver, and the number and nature of the gems in each. The text was written in a neat secretary hand on the recto of each folio, the verso being left blank for

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Weinbrot, Howard D. "Pope and the Destiny of the Stuarts: History, Politics, and Mythology in the Age of Queen Anne by Pat Rogers." Scriblerian and the Kit-Cats 39, no. 2 (2007): 176–78. http://dx.doi.org/10.1353/scb.2007.0004.

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Hartman, Joan E. "The Correspondence of Elizabeth Stuart, Queen of Bohemia: Volume I, 1603–1631. Nadine Akkerman, ed. Oxford: Oxford University Press, 2015. xxiv + 996 pp. $250." Renaissance Quarterly 69, no. 4 (2016): 1493–94. http://dx.doi.org/10.1086/690370.

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