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1

Boyes, Sandra Elizabeth. "Opera through drama, an integrated approach for secondary school students." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0019/MQ28699.pdf.

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2

Bhebhe-Mpofu, Adilaid. "An investigation into the popularity of Zimbabwe's first health communication soap opera, Studio 263 : a qualitative reception study of Bulawayo students aged between 15 and 20 years." Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1013310.

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Within the context of debates concerning the reception and interpretation of media texts by television audiences, this qualitative reception study explores how a sample of Bulawayo students negotiate meanings from Zimbabwe's first health communication soap opera, Studio 263. The study thus examines the reasons behind the popularity of this programme with this target audience. The findings of the study reveal that meaning making is a complex process that is dependent on a variety of factors which include, among others, the socio-cultural context of media consumption, gender, economic disposition and age. It particularly maintains that gender and lived realities influence the interpretation and negotiation of meanings in this particular study.
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3

Andersson, Joakim. "Opera i Stockholm, Galärvarvet." Thesis, KTH, Arkitektur, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-35072.

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4

Molnar, Lee Marc. "Guide to Opera Stage Management for the Aspiring Theatrical Stage Manager." University of Akron / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=akron1428349593.

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5

Isaac-Johnson, Dianna. "Creating culturally relevant techonological operas in an urban school." Diss., St. Louis, Mo. : University of Missouri--St. Louis, 2007. http://etd.umsl.edu/r1841.

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6

O'Shea, Catherine Mary. "Making meaning, making a home: students watching Generations." Thesis, Rhodes University, 2005. http://hdl.handle.net/10962/d1002934.

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This thesis is a reception analysis using qualitative interviews to investigate black students' watching of a South African soap opera, Generations, taking into account the context of a largely white South African university campus. The findings of this study are that students find pleasure in talking about Generations and hold seemingly contradictory views on whether it is 'realistic' or not. The analysis concludes that watching Generations does serve to affirm these students' black identity, since there is a particular need to do so on a campus where black students witness and experience racial discrimination.
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Chuang, Ya-Ling, and 莊雅玲. "The Study of Noise Exposure for the Students in Traditional Opera School." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/06745329792652705040.

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碩士
中國文化大學
勞工關係學系
104
This investigation studied the effect to hearing for Department of Traditional Music by the sound level of learning environment, personal noise dose, hearing threshold, and questionnaire. The sound levels of group performance and personal performance were measured. The average equivalent energy sound level of the instrumental ensemble course is 76.7 - 87.0 dB(A), the accompany Peking Opera course is 78.9 - 95.8 dB(A) and the luo-gu-jing course is 80.6-89.9 dB(A). The measurements to 10 instruments of personal performance are pipa, ruan, sanxian(three string guitar), guzheng, di(bamboo flute), sheng(reed pipe), suona(woodwind horn), dulcimer, piano and two-stringed huqin. There are 2 instruments including di and suona whose average equivalent energy sound level(Leq) are over 85 dB(A). Moreover, the average equivalent energy sound level from corridor is louder than that of the practice room. The average personal noise doses(8 hours) of the instrumental ensemble course is 20.4-95.1%, the accompany Peking Opera course is 90.5-535.4%, and the luo-gu-jing course is 21.4- 125.6%. The average personal noise doses (8 hours) of ten instruments from large to small order, are di(214%), suona(208.5%), dulcimer(156.5%), sheng (93.0%), erhu(86.2%), pipa(74.9%), sanxian(50.6%), ruan(45.7%), guzheng(17.0%) and piano (6.6%) during individual practice. From the hearing threshold and questionnaire, the students of compound school of ten-year system, more than 30 minutes of talking on cell phone per day, more than 1 hour of listening music by headset, and non-use earplugs show poorer hearing. According to the standard of occupational hearing loss in Taiwan, only one student raise hearing threshold. Moreover, based on the standard from American Academy of Otolaryngology, 12 students and 11 students raise hearing threshold respectively in low frequency range and high frequency range among 18 students. Furthermore, the audiograms pattern shows a typical notch in 4000 and 6000 Hz. It means the students might emerge early symptom of noise-induced hearing loss.
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8

Hung, Shin-I., and 洪心怡. "The research on how drama teaching affects junior high school students'' ability of appreciation of opera-take example by W.A.Mozart opera"Die Zauberflote"." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/09534929390620074040.

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碩士
國立臺灣師範大學
音樂研究所
92
For application of the theory of multiple intelligences in art and humanities education, one of the teaching methods is to integrate drama teaching into music teaching. Operas are a comprehensive expression of various kinds of arts. They can be used as the best teaching materials to help students experience the beauty of different arts at the same time. This study probed into the effects of the integration of drama teaching with opera appreciation through discussion of literature, analysis of learning surveys as well as analysis and study of the teaching results of “leading students to appreciate operas through drama teaching”. The purposes of this study were: (1) to understand junior high school students’ attitude toward opera appreciation, (2) to discuss factors affecting students desire for opera appreciation, (3) to investigate into the significance and value of drama teaching in art education, (4) to know junior high school students’ acceptance psychology toward drama teaching and the feasibility of implementing drama teaching in music courses, and (5) to discuss students’ aesthetic perception of the operas through drama teaching In this study, six classes of Yang Min Junior High School, Kaohsiung City were used as subjects. They were divided into three groups: A, B, and C. Group A consisted of one class (the 2nd grade students). All students of the class were responsible for presentation of an opera in a manner of play. Group B included three classes (the 1st grade students). The students of each class were further divided into small groups. Each group was responsible for a small part of an opera and presented the opera in the form of play. Group C consisted of one class of each the 1st grade and the 2nd grade. For group C, teachers made a brief introduction of operas in class. From analysis of the learning surveys and observation in class, the researcher founded that: 1. The effects of “drama teaching” received favorable comments from students. 2. In the aspect of design in drama teaching, the contents of drama teaching for Group B could be regarded as a better design. 3. The drama teaching was able to increase students’ interest in appreciation of operas. 4. The drama teaching could enhance students’ aesthetic ability through appreciation of operas. 5. The drama teaching helped the junior high school students’ to have a further understanding of the stories and characters of the dramas they saw. According to the results of this study, the researcher put forward the following suggestions: 1. To help students develop their active thinking and creative spirit. 2. To pay attention to the creation of a learning atmosphere emphasizing mutual help and cooperation. 3. To assign each group moderate tasks upon implementation of drama teaching. 4. To enhance the maintenance of classroom order. 5. To provide music teachers with opportunities of advanced study and training in the field of performance arts. 6. To increase equipment and resources of the music classroom. 7. To hold large performance activities. From the results of the study on how to lead students to appreciate operas through drama teaching, the researcher worked out a feasible plan for reference in implementing drama teaching and submitted the said suggestions for future studies.
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9

SU, JUI-JU, and 蘇瑞儒. "The Effects of Teaching about Taiwanese Opera on Attitudes of Wu Jiang Primary School Students." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/7m7a3h.

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碩士
大仁科技大學
休閒事業管理研究所
106
Taiwanese Opera is a comprehensive art that combines music, drama, dance, and art. It plays an important role in local opera. In the early days of traditional agricultural society in Taiwan, watching an opera at temple used to be the most popular leisure and entertainment for people. However, with the changes of the times and the impact of diversified entertainment, it is a pity that Taiwanese operas are gradually declining. How we can demonstrate the local color and spirit and explore the identity and mainstream value for this land is critical. This is one of the motivations for this study. Through the performance and appreciation of traditional operas, the study is going to explore whether Taiwanese opera will promote the attitudes of students in learning about cultural and leisure activities. This is the second motivation. The study investigated part of students from grade 4 to 6 in Wu Chiang Primary School where I work. The study takes the teachers as researchers, activities related to teaching as research materials, daily teaching situation as research situation, and improvement of teaching activities as research purpose. The author would head for the teaching site performing operas to implement the teaching methods, taking Taiwanese opera music as major teaching material and Taiwanese opera as supplementary material for appreciation. In this study, Qualitative Research of Action Research was conducted, and the results of the study were found as follows: 1. The “school-based” and “comprehensive field” courses integrated into the design philosophy of Taiwanese opera music teaching can change school-children’ attitude towards the appreciation of Taiwanese opera. 2. Taiwanese opera music teaching can facilitate the implementation of traditional art and leisure culture education among school-children. 3. Taiwanese opera music teaching can promote primary students’ interest in traditional art and leisure culture. Their attitudes towards the traditional art and leisure cultures can unconsciously be changed as well. Suggestions: 1. Taiwanese opera teaching requires the method of team teaching. Teachers who seek common ideas for traditional art should enrich themselves with the qualities of the traditional art and leisure culture. 2. Provide teachers wishing to teach traditional art with the opportunity for further study, make up for the expenses to increase the school tour, and enrich the classroom equipment and resources.
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彭心晏. "The Learning Process and Effectiveness of Using WebQuest for Beijing Opera Appreciation for Sixth-Grade Elementary Students." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/78653347295999200147.

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碩士
臺北市立教育大學
音樂學系教學碩士學位班
98
The aim of this study was to investigate the learning process and effectiveness of sixth-grade elementary students in the WebQuest for Beijing Opera appreciation program. Specific research purposes included the studying of students’ participation situation and their problem encountered in such appreciation activities, as well as the examining of their learning effects in Beijing Opera cognition and appreciating attitudes. An exploratory case study was conducted, in which the researcher designed 8 lessons of the WebQuest for learning activities. Before the lessons, the researcher looked for appropriate internet information to build up linkages in the researched-designed WebQuest teaching web pages to allow for students’ exploring learning activities. Small groups among students were formed to facilitate the progressing of curriculum activities. In addition to appreciating Beijing Opera in the web pages, students had to collect and synthesize information on the teaching web pages, and to make oral reports on the stage. Three Beijing Opera repertoires of “San Cha Kou,” “The Monkey King” and “The legend of the White Snake: On the West Lake” were appreciated respectively, followed by the exposition to the brief history of Beijing Opera, performing art, role categories, Beijing Opera facial design, Beijing Opera costumes, and the Beijing Opera band. Participating observation, videotaping and documents collection were used by the researcher to achieve the research purposes. The findings of this study are stated as follows: 1. The WebQuest for Beijing Opera appreciation activities no only helped students to learn more about Beijing Opera, but also, led them to actively take part in classroom activities. 2. The related problems observed in the WebQuest for Beijing Opera appreciation activities included students’ sense of difficulty for certain terminology, their lack of self-control to internet, and the curriculum’s lack of appeal for them. 3. The WebQuest for Beijing Opera appreciation activities significantly enhanced students’ Beijing Opera cognition and appreciating attitudes.
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11

Chen, Chen-Jung, and 陳貞蓉. "Analysis on the Personality Trait Cognition of Facial Symbolism in Chinese Opera for Sixth-Grade Elementary School Students." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/s68n76.

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碩士
臺中技術學院
商業設計系碩士班
99
Since facial symbolism in Chinese opera (FSCO) holds conventional personality trait (PT), meanwhile sixth-grade elementary school students (SGESS) have the capability to select adjective to represent PT, this paper intended to survey SGESS’s PT cognition of FSCO. Further, it anticipated that FSCO could be used as a tool to help educators and counseling workers simplify the approach to survey the PT of SGESS. By selecting nine kinds of FSCO and associating with Taiwan’s adjective for PT of SGESS, 72 pre-test questionnaires were collected. Then for each FSCO, its first five adjectives rating over 59.5% were confirmed and 220 subjects were surveyed. The statistical result of cross table analysis and Chi-square examination showed that SGESS’s PT cognition of FSCO, which served as an assessing tool, is independent of gender differences and region differences. This paper selected the representative PT cognition of FSCO from the first three adjectives rating over 64.4%. However, for each FSCO the adjective with the highest rating of frequency distribution table still shows differences except the golden color (Tathagata buddha) and the silver color (Guan Ping). Following the way of self comment on PT questionnaire, this paper asked SGESS to select FSCO to represent themselves and suggest a simplified PT assessing procedure for SGESS. This could be helpful for educator and the counseling workers assessing the PT of SGESS. As for future research in this filed, this paper suggested increase the survey areas, the samples, and research variable, replace the questionnaire pictures, adopt other research techniques.
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12

Chen, Chen Shu, and 陳淑貞. "A Study of Learning Achievement and Satisfaction of Elementary Students with the Application of Taiwanese Opera on Minnan Language Teaching." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/72249026453990667164.

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碩士
中華大學
資訊工程學系
104
Native language learning is important in the trend of democratization. However, it has been neglected for a long time in elementary schools. Students show little interesting in learning native language. With the popularization of information technology, technology enhanced learning has become an important option of teaching design. On the other hand, educational drama is an activity that covers visual, auditory, tactile, speech, movement and composition. It is expected that the students’ learning performance will be enhanced with proper incorporation of information technology and educational drama/theatre in native language learning. In this study, information technology and educational drama/theatre are both incorporated through the Taiwanese opera in teaching Minnan language, which is the major native language in Taiwan. Multimedia teaching materials for learning Taiwanese opera are designed for the students to learn through web-based learning. Moreover, educational dramas of Taiwanese opera are performed by the students after they have learned. To explore the effects of incorporating web-based learning and Taiwanese opera perform on elementary school children’s Minnan learning, 56 students of fifth-grade are engaged for 6 weeks in the field experiment. The analytical results of the experiments show that the learning achievement, motivation and attitude are promoted, as well as the satisfaction of learning mode and the personal self-efficacy.
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13

CHEN, WEI-LIN, and 陳薇琳. "The Research of the Influence of Teaching Taiwanese Opera on the Students’ Learning Native Dialect─Using the Fifth Grade of Shi- Lin Elementary School." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/50704124121253853808.

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碩士
國立臺北教育大學
音樂教育學系碩士班
96
As the learning of culture through native dialect become more and more emphasized, the Ministry of Education has added local culture teaching into the curriculum of elementary school education, hoping to cultivate the next generation with a sensation towards local culture so that they will cherish their own culture. Taiwanese opera is perhaps the only traditional drama that has been developed locally and it has accompanied Taiwanese people for the past century. In order for elementary school students to have a deeper understanding of native art and dialect, the researcher tried to incorporate this traditional drama – Taiwanese opera –into the teaching of arts and humanities. This study discusses whether the interest of students in learning native dialect will increase through traditional drama appreciation and performances. The purposes of this study are as follows: 1)To understand the attitude of elementary school students toward appreciating Taiwanese opera. 2)To discuss the factors which affect students’ willingness of appreciating Taiwanese opera. 3)To discuss the significance and value of Taiwanese opera in the teaching of traditional art. 4)To understand how well the elementary school students accept the teaching of Taiwanese opera, and the feasibility of adding it into the curriculum of arts and humanities. 5)To discuss students’ interest in and reaction to the learning of native dialect through Taiwanese opera. This study is an action research using fifth graders at Shi-Lin Elementary School where the researcher teaches as the subjects. Through the teaching of Taiwanese opera appreciation and performance, this study discusses the difficulties that teachers have when instructing students to perform, and looks for ways that help students increase their interest in native art and dialect. Interviews, observations and recordings are done in class. After the teaching, a survey is conducted. The analysis of the survey reveals the following conclusion: 1)The curriculum design of Taiwanese opera teaching can help students learn both native art and dialect. 2)Having students perform Taiwanese opera can help them better understand local culture and native art. 3)Having students perform Taiwanese opera can increase their interest and ability in learning Taiwanese. This study suggests the following: 1)Create a supporting environment emphasize teamwork and classroom order. 2)Provide art teachers with opportunities for advanced studies traditional art to cultivate teachers’ knowledge. 3)Provide films and scripts of Taiwanese opera appropriate suitable for children and increase the campus tours of Taiwanese opera troupe.
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許尤美. "Study of the musical appreciative behavior of junior high school students on broadway musical play:the phantom of the opera and the cats by Andrew Lloyd Webber." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/86249079258523546236.

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碩士
國立臺灣師範大學
音樂研究所
90
This paper studies the musical appreicative behavior of students of junior high school in respect to Broadway musical play. Study is focused on the musical plays “The Phantom of the Opera” and “The Cats” directed by Andrew Lloyd Webber. Survey study of descriptive research method is used in this paper. Results show students like these two plays very much and what they favour most is music in stead of story, costume, scene brought from the musical play. Suggestion is made to include these two musical plays in the musical appreciative course of junior high school. Some songs is also suggested if singing teaching is aimed.
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(14570256), Dimitrios Kopanakis. "Operapaedia." Thesis, 2004. https://figshare.com/articles/thesis/Operapaedia/22014290.

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This project is concerned with identifying and investigating a problem faced by students undertaking studies in opera, namely, readily available performance related materials for students of opera to consult when preparing for a performance. The purpose of this project is to develop an internet-based resource containing a range of information about operas, musical scores and their interpretation, opera recordings, opera literature, opera composers, opera performers, and opera companies as a solution to this problem. The Project uses aspects of opera interpretation and opera libretti as a theoretical framework.

In order to accomplish these outcomes, this project demonstrates that no single source of information that is presently available in print or electronic form is comprehensive, reliable and convenient enough to provide opera students with information necessary for use in a production. The Project highlights the need for an electronic resource that is comprehensive for opera students.

The analysis of the usability of website research literature indicates that successful electronic resources embody the principles of: "24/7", 'anywhere', 'anytime' access; ease-of-access, user-friendly website design; and resources relevant to the specific enquiry of the user in their design.

The Project leads to the conclusion that no single source of information is comprehensive enough for an opera student to acquire, process and assimilate all of the information necessary for use in a production.

The overarching product of the project is a design and guidelines for the development of an internet-based resource aimed at eliminating the lack of performance related materials in the field of opera study. I call this resource Operapaedia.

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16

CHENG, HSU HSI, and 許錫誠. "Discussing the junior high school students' impress of idol soap operas." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/34044309422393791898.

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碩士
中華大學
應用數學學系(所)
96
Abstract The daily life of human beings is closely related to mass media. Moreover, TV programs are an indispensable consuming entertainment for junior high school students. Initially, idol soap operas were only popular in Japan, Korea, and Taiwan; gradually, the markets in China and Southeastern Asia were also developed. Accordingly, enormous successes and great economical benefits were gained. There are more female viewers than male spectators. Furthermore, teenagers occupy the largest proportion of the audience. For these young people who are still in their adolescence, the infatuation with the shows more or less reflects their future life expectancy. Idol series not only fulfill people’s expectation toward fond dreams but also lead the audience to escape from imperfect reality. By using Principal Component Analysis, five factors regarding junior high school students’ attitudes toward idol soap operas are found in this research. Moreover, these five factors can be regarded as the indicators which influence how teenagers choose the idol series. (Key terms: factor analysis, junior high school students, idol soap operas)
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17

O'shea, Catherine Mary. "Making meaning, making a home : students watching Generations /." 2004. http://eprints.ru.ac.za/432/.

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Thesis (M.A. (Journalism and Media Studies))--Rhodes University, 2005.
"A thesis submitted in partial fulfilment of the requirements of the degree of Master of Arts" -T.p. Includes bibliographical references.
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18

KRESSA, Jiří. "Sociální role "zastánce" jako významný faktor k eliminaci šikan na ZŠ." Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-369738.

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The dissertation offers the most accurate picture of "defenders as the key players" in the elimination of bullying. The research and the findings are based not only on a number of foreign studies, but also on the practical experience of the research team members who participated in the data collection and evaluation. The research brings a lot of new information that has never been investigated and presented in the Czech school environment.
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19

Tager, Michele. "The Bold and the Beautiful and Generations : a comparative ethnographic audience study of Zulu-speaking students living in residences on the University of Natal's Durban campus." Thesis, 2002. http://hdl.handle.net/10413/3839.

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This thesis is an ethnographic study of the soap opera viewing patterns and interpretations of Zulu-speaking students living in residences on the Natal University's Durban campus who watch The Bold and the Beautiful (an American soap opera) and Generations (a South African soap opera). It presents an analysis of how the viewing practices of the students compare with the findings of soap opera audience studies conducted abroad. The students' motivations and reasons for watching both soap operas are investigated. The reason for choosing black students as subjects is that I wanted to determine how a soap opera (Generations) which is comprised largely of black cast members and designed with a young black audience in mind, is interpreted and impacts on the lives of said audience, when compared with an American soap opera (The Bold and the Beautiful) which has an almost exclusively white American cast, and is popular with young black viewers in spite of the fact that it appears on the surface to be unrelated to their everyday lives. Individual one-on-one interviews were conducted with 40 students, 20 male and 20 female. The interviews were analysed to gauge how the viewing behaviour of the students differs from, or is similar to, soap opera studies conducted elsewhere in the world. It emerged that the students watch in groups and not alone, and that watching Generations and The Bold and the Beautiful is a social activity, not motivated from loneliness or isolation. The ways in which the students relate to the characters and situations of both soap operas is also examined, in an attempt to establish the role that these two shows play in the creation of the students' identities. The students displayed a tendency to be more critical of Generations than of The Bold and the Beautiful in the sense that they compared it (unfavourably) in terms of quality of production, to its American counterpart, as well as in the sense that they analysed storylines in terms of their own lived experiences and were quick to criticise Generations when they felt that it did not conform to their notions of the reality of being a black South African. They accepted situations and characters on The Bold and the Beautiful far less critically, although they did voice objections to certain characters and situations which they felt were morally questionable in terms of their understanding of right and wrong. It also became apparent that there was a greater emotional involvement with the characters on The Bold and the Beautiful than with those on Generations. The students interpretations of (and level of involvement with) situations, characters and storylines are examined, as well as the ways in which they derive pleasure from both soaps and incorporate them into their own lives. In summary, this thesis examines the consumption of an American and a South African soap opera by a black South African audience .
Thesis (Ph.D.)-University of KwaZulu-Natal, Durban, 2002.
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