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Journal articles on the topic 'Studi postcoloniali'

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1

Biondi, Carminella. "“Il Tolomeo”. Rivista di studi postcoloniali." Studi Francesi, no. 189 (LXIII | III) (December 1, 2019): 611–12. http://dx.doi.org/10.4000/studifrancesi.21759.

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2

Biondi, Carminella. "“Il Tolomeo”. Rivista di studi postcoloniali, 23." Studi Francesi, no. 198 (LXVI | III) (December 1, 2022): 731–32. http://dx.doi.org/10.4000/studifrancesi.51809.

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3

Grandelis, Alessandra. "Guerra in camicia nera di Berto: una possibile lettura postcoloniale." ENTHYMEMA, no. 34 (March 2, 2024): 180–91. http://dx.doi.org/10.54103/2037-2426/20575.

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Se gli studi postcoloniali conoscono la loro fortuna in Italia in un passato recente, le pubblicazioni dimostrano un fertile ampliamento degli interessi e dei campi d’indagine, accompagnati da una costruttiva discussione di carattere teorico.
 A partire dall’idea che le grandi opere letterarie non sono mai espressione della sola cultura del dominio – conservatrici ed eversive allo stesso tempo – l’articolo offre un contributo all’interno della critica postcoloniale prendendo in esame Guerra in camicia nera di Giuseppe Berto. Scritto da chi, almeno in una prima fase, si è schierato apertam
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4

Bobbio, Tommaso. "Brevi cenni sulla storiografia italiana sul subcontinente indiano." SOCIETÀ E STORIA, no. 187 (April 2025): 199–206. https://doi.org/10.3280/ss2025-187011.

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In questa rassegna cerco di riassumere l'evoluzione della storiografia italiana sul subcontinente indiano, focalizzandomi sul periodo dalla fine dell'era pre-coloniale all'India contemporanea. L'idea di fondo è di analizzare la transizione metodologica da ricerche incentrate su fonti coloniali e postcoloniali in lingua inglese verso un interesse crescente nello studio delle lingue vernacolari. Il saggio evidenzia l'espansione degli studi italiani sull'India negli ultimi decenni e le problematicità legate allo studio della storia dell'India nell'accademia italiana, sottolineando il contributo d
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Santiago, Flávio. "Estudos pós-coloniais e o emprego da categoria racial nas pesquisas europeias: uma entrevista com Miguel Mellino." ETD - Educação Temática Digital 20, no. 2 (2018): 570–78. http://dx.doi.org/10.20396/etd.v20i2.8651375.

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A presente entrevista com o professor Miguel Angel Mellino, da Università degli studi di Napoli L'Orientale e membro do Centro Studi Postcoloniali e di Genere, tem intuito de promover o debate acerca da construção dos estudos pós-coloniais no continente europeu, em particular no contexto italiano, e mostrar o modo pelo qual é mobilizada a categoria racial na área das ciências sociais nesses espaços, destacando os limites impostos pelo passado colonialista e racista ainda não superado
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6

Manai, Franco. "Gli studi postcoloniali italiani fuori confine in due diversi approcci." Narrativa, no. 38 (December 1, 2016): 215–25. http://dx.doi.org/10.4000/narrativa.915.

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7

Comberiati, Daniele. "La colonia cinese: Le rappresentazioni culturali e letterarie della Concessione italiana di Tientsin nella letteratura e nella cultura italiana del Novecento." Forum Italicum: A Journal of Italian Studies 48, no. 3 (2014): 398–410. http://dx.doi.org/10.1177/0014585814540421.

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Pur essendo stata breve e marginale rispetto alle altre esperienze coloniali, la Concessione italiana di Tientsin (1901–1947), unica esperienza di colonizzazione italiana in Asia, è interessante per le particolari dinamiche di decostruzione e ricostruzione dell’identità nazionale di cui è stata portatrice. Attraverso lo studio delle rappresentazioni letterarie e culturali di cui è stata oggetto (dai romanzi tardo-futuristi del collettivo marinettiano de I Dieci fino al fumetto Shanghai Devil di Gianfranco Manfredi, passando per le autobiografie degli ufficiali e per i testi degli esploratori,
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8

Gefen, Alexandre. "A che punto è la teoria letteraria?" Narrativa 46 (2024): 33–47. https://doi.org/10.4000/12x3h.

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L’articolo1 sintetizza le trasformazioni della critica letteraria nel corso degli ultimi decenni, illustrando come il campo si sia evoluto dalla predominanza della teoria letteraria post-strutturalista e formalista verso una maggiore diversificazione e interazione con altre discipline. L’eclettismo metodologico riflette una visione della letteratura non più considerata nella sua autonomia ma come fenomeno culturale e antropologico complesso intrecciato ad altre sfere della conoscenza. Nuovi quadri interpretativi emergono dalle scienze cognitive, dalle Digital Humanities, dai Cultural Studies,
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9

Biondi, Carminella. "“Il Tolomeo”. Rivista di studi postcoloniali, Dossier Jacques-Stéphen Alexis soixante ans plus tard, vol. 21." Studi Francesi, no. 193 (LXV | I) (June 1, 2021): 259–60. http://dx.doi.org/10.4000/studifrancesi.44468.

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10

Půtová, Barbora. "Similarities and Connections between Postsocialism and Postcolonialism: Analysis of Postsocialist and Postcolonial Countries." Anthropologia integra 7, no. 1 (2016): 61–68. http://dx.doi.org/10.5817/ai2016-1-61.

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Předmětem studie je teoretická analýza postsocialistických a postkoloniálních států z hlediska jejich současného stavu a budoucího rozvoje. Studie se zaměří na analýzu a interpretaci sociokulturního vývoje bývalých socialistických společností po roce 1989 a bývalých koloniálních území. Cílem studie je postihnout podobnosti a odlišnosti mezi postkoloniálními a postsocialistickými státy. Pojem postsocialismus je užíván jako označení historického období, které vystřídalo vývojovou fázi socialismu. V interpretaci vztahu socialismu a postsocialismu po roce 1989 jsou sledovány přístupy a současně js
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11

Binayak, Prasad Pradhan. "Resisting Colonial Enterprise: A Postcolonial Study of Hind Swaraj by M. K. Gandhi." postScriptum: An Interdisciplinary Journal of Literary Studies 3, no. 1 (2018): 83–92. https://doi.org/10.5281/zenodo.1318890.

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Subverting the colonial hegemony in all its manifestations has been the prime concern of postcolonial literature right from its inception. As a counter narrative, postcolonial literature aims at challenging the socalled hierarchy set by the colonizing masters and exposing the colonial hypocrisy. However, the study of postcolonialism is closely associated with the works of certain critics like Edward Said, Homi K. Bhabha, Gayatri Chakravorty Spivak and others. But, a retrospective approach to the history of decolonization places some other figures like Frantz Fanon, M. K. Gandhi, Cesaire and ot
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12

Singh, Kumari Bharti. "Elements of Postcolonialism and its Supporter - A Brief Study." International Journal of Research 10, no. 11 (2023): 13–24. https://doi.org/10.5281/zenodo.10076048.

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<i>Postcolonialism is the critical academic study of the cultural, political, and economic legacy of colonialism and imperialism, focusing on the impact of human control and exploitation of colonized people and their lands.&nbsp;The "post-colonial" (with a hyphen) signifies a period that comes chronologically "after" colonialism. "Postcolonial," on the other hand, signals the persisting impact of colonization across time periods and geographical regions.</i><i>A possible working definition for postcolonialism is that&nbsp;it involves a studied engagement with the experience of colonialism and
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13

Metayer, Myriam. "Art national ou art universel ? L’impérialisme des manuels et des synthèses publiés en Italie et en France : une relecture postcoloniale." Studiolo 13, no. 1 (2016): 264–83. http://dx.doi.org/10.3406/studi.2016.1041.

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On ne peut ignorer, aujourd’hui, la représentation universalisante des synthèses d’histoire de l’art. La rhétorique impérialiste de ces ouvrages est partagée par leurs équivalents italiens, les manuels scolaires d’histoire de l’art. Tous offrent une place marginale aux arts des colonies d’Afrique du Nord qui, loin de constituer une catégorie, sont au contraire associés à des entités territoriales et culturelles plus étendues : l’empire romain d’une part, le monde oriental d’autre part. L’étude évalue ainsi l’articulation entre les notions d’art national et d’art universel dans le grand récit –
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14

Pulami, Manish Jung. "(De) Construction of State Identity through Postcolonial Examination of Geography: A Case Study of Nepal." Tasambo Journal of Language, Literature, and Culture 1, no. 01 (2023): 43–52. http://dx.doi.org/10.36349/tjllc.2023.v01i01.006.

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Postcolonialism on geographical studies encompasses scholarships that draw on postcolonial perspectives to challenge forms of colonial and imperial domination of geographical narratives. The studies within and beyond geography have construed how colonial discourse and discrimination have distinctive spatial dimensions and special effects on the (de)construction of the identity of the states. Thus, applying postcolonial lenses and examining colonial and Eurocentric geographical narratives, the paper aims to deconstruct the state identity. First, the paper introduces postcolonial studies to geog
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15

Brajesh, Sharma. "THE ANALYTICAL STUDY OF DIASPORA LITERATURE." International Educational Applied Research Journal 09, no. 05 (2025): 164–70. https://doi.org/10.5281/zenodo.15564308.

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A study of postcolonial literature must begin with the historical contexts of colonialism, contexts that are unremittingly and frighteningly shot through with violence. While it might seem a bad choice to begin with violence, it is a deliberate strategy that announces the very nature of the colonial encounter. The violence of colonialism-epistemic, cultural, economic, political, and military-is so integral to the history of 'Third World' nations that no literature or critical approach, as far as I know, has been able to ignore it. Zen was centrally air-conditioned and every possible corner of
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16

Jahan, Dr Farhin. "Tabish Khair’s The Thing About Thugs: Approaching a Postcolonial Study from the Perspective of Oriental Phobia." International Journal of English Literature and Social Sciences 7, no. 3 (2022): 094–100. http://dx.doi.org/10.22161/ijels.73.15.

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The ideas of civilized versus uncivilized or west versus non-west, created with the aid of using the European Enlightenment, had been recognized, elevated and remodeled with the enlargement of European colonialism. Stereotypes of outsiders had been generated with the aid of using the colonial establishments of European nations and a few traits inclusive of laziness, aggression, violence, greed, sexual promiscuity, bestiality, primitivism, innocence and irrationality had been thrown at those businesses termed as ‘others.’ Postcolonialism, with the aid of using the tough colonial manner of wonde
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17

Jahan, Dr Farhin. "Tabish Khair’s The Thing About Thugs: Approaching a Postcolonial Study from the Perspective of Oriental Phobia." International Journal of English Literature and Social Sciences 7, no. 3 (2022): 094–100. http://dx.doi.org/10.22161/ijels.73.15.

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The ideas of civilized versus uncivilized or west versus non-west, created with the aid of using the European Enlightenment, had been recognized, elevated and remodeled with the enlargement of European colonialism. Stereotypes of outsiders had been generated with the aid of using the colonial establishments of European nations and a few traits inclusive of laziness, aggression, violence, greed, sexual promiscuity, bestiality, primitivism, innocence and irrationality had been thrown at those businesses termed as ‘others.’ Postcolonialism, with the aid of using the tough colonial manner of wonde
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18

Albertazzi, Stefania, and Valerio Bini. "La produzione della natura nella postcolonia: la foresta Mau (Kenya)." RIVISTA GEOGRAFICA ITALIANA, no. 2 (June 2021): 21–36. http://dx.doi.org/10.3280/rgioa2-2021oa12030.

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Muovendosi nell'ambito dell'ecologia politica e adottando la prospettiva teorica della&amp;nbsp;produzione sociale della natura, questo contributo vuole illustrare come elementi umani&amp;nbsp;e non umani coevolvono, determinandosi reciprocamente, nello specifico contesto della&amp;nbsp;postcolonia. Si utilizzer&amp;agrave; il caso studio della foresta Mau (Kenya), per mettere in luce l'esistenza&amp;nbsp;di quattro socio-ecologie che si fondano sulle relazioni intrattenute con la foresta&amp;nbsp;e la producono, a livello simbolico e materiale. L'analisi della "natura sociale" porter&amp;agra
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19

Suresh, More Hrishikesh. "A Post-Colonialism Study and Booker Prize Winning Novels by Indian Authors." Journal of Advances and Scholarly Researches in Allied Education 22, no. 01 (2025): 207–18. https://doi.org/10.29070/zrg15171.

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Within the framework of contemporary Indian literature, Indian writers who truthfully depict Indian reality write in English. Many things in the literary world may be attributed to them. Their work as anthropologists, sociologists, novelists, essayists, travel writers, and professors is impeccable, and they shoulder the responsibility of fostering global peace as ambassadors. The postmodern and postcolonial writers who raised the standard for international literature Salman Rushdie, Vikram Seth, Vikram Chandra, Sashi Tharoor, Arundhati Roy have been surpassed by them. Because of its rich colon
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20

Nawaz, Arshad, Mazhar Hayat, and Nimra Iftikhar. "Issue of Identity in Jamaica's A Small Place and Hamid's The Reluctant Fundamentalist: A Comparative Postcolonial Study." Global Social Sciences Review VI, no. I (2021): 509–15. http://dx.doi.org/10.31703/gssr.2021(vi-i).51.

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The study analyzes the issue of identity under postcolonialism by comparing two postcolonial novels from different countries. The data consists of selected textual passages taken from the two works to invoke comparative study. Hamid presents that America is acting like a Neo-colonial power to show its superiority, while Kincaid evinces the realistic manner that depicts the inferiority of indigenous culture, which is also the result of Neo-colonialism. Postcolonial theory is used as a research methodology. Homi K. Bhaba's concepts of identity, hybridity, mimicry and otherness provide a basic fr
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21

Umar, Abdullahi Dahiru, and Nuhu Lawan. "Critical Review of Postcolonial Theory of Homi Bhabha’s Hybridity: A Study of “The Location of Culture”." Middle East Research Journal of Linguistics and Literature 4, no. 01 (2024): 15–19. http://dx.doi.org/10.36348/merjll.2024.v04i01.003.

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Homi K. Bhabha's The Location of Culture, published in 1994, is one of the foundational texts of the branch of literary theory known as postcolonialism. Although postcolonialism has many facets, the central question lies in the interpretation and understanding of the encounters between the Western colonial powers and the nations of the world to which they belong, and colonization is not only an economic, military or political process but also a process that profoundly affects cultures and identities around the world. This is an area in which interpretation takes centre stage, and its strength
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Saraswati, Asri. "Understanding migration in a globalized era: How postcolonialism views diaspora." Satwika : Kajian Ilmu Budaya dan Perubahan Sosial 5, no. 2 (2021): 353–69. http://dx.doi.org/10.22219/satwika.v5i2.16432.

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Artikel ini adalah sebuah pembacaan kritis terhadap pendekatan poskolonial, mulai dari pemikir utama dalam teori kritis hingga pemikiran yang lebih baru, yang selama ini membantu kajian sastra dan budaya dalam memahami konsep diaspora. Diaspora merujuk pada mobilitas manusia yang terjadi akibat penjajahan dan globalisasi serta karya sastra yang dihasilkan melalui pergerakan manusia tersebut. Tujuan artikel ini adalah untuk memahami perkembangan pendekatan poskolonial dalam memahami pengalaman hidup migran dan konsep diaspora. Metode yang diterapkan adalah analisis teks dengan menyajikan kajian
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23

Goulet, Nicole. "Postcolonialism and the Study of Religion: Dissecting Orientalism, Nationalism, and Gender Using Postcolonial Theory." Religion Compass 5, no. 10 (2011): 631–37. http://dx.doi.org/10.1111/j.1749-8171.2011.00306.x.

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24

Pandey, Sanjay Prasad, and Reetu Limba. "A Study of Cultural Hybridity and Liminality in the Works of Hala Alyan." Journal of Advanced Zoology 44, S-3 (2023): 1252–58. http://dx.doi.org/10.17762/jaz.v44is-3.1348.

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The concept of Liminality emerged from the anthropological works of Arnold Van Gennep and Victor Turner. Liminality refers to the "threshold". The liminal stage is a transitional or in-between phase of different characters and situations. In the era of postcolonialism, liminality has been applied in the context of culture. Concept of hybridity was at first used in the field of science and later in postcolonial scenario, it got associated with the mixing of cultures. Liminality theory has put a significant impact on postcolonial studies because it provides a framework for understanding the comp
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25

Furqon, Syihabul, and NFN Busro. "HIBRIDITAS POSTKOLONIALISME HOMI K. BHABHA Dalam Novel Midnight’s And Children Salman Rushdie." JENTERA: Jurnal Kajian Sastra 9, no. 1 (2020): 73. http://dx.doi.org/10.26499/jentera.v9i1.494.

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Postcolonialism is a branch of the cultural studies that focuses on socio-cultural analysis, including signs and languages. Colonialism had clear implications in the actions of postcolonial society. Homi K. Bhabha found identification that in postcolonialism there emerged what he called as hybridity. Hybridity is a cross-culture (both intrinsic and extrinsic) that appears in society in many forms, one of which is language and attitude. This research will review Salman Rushdie's Midnight’s Children novel to reveal which aspects are hybridities. As a methodological tool, the authors use descript
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Liu, Yilin. "Language and Liberation: A Study of J.M. Coetzee's Postcolonial Writing." Communications in Humanities Research 62, no. 1 (2025): None. https://doi.org/10.54254/2753-7064/2025.20906.

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This paper explores postcolonialism in the works of J.M. Coetzee, analyzing his critique of imperial discourse, narrative multiculturalism, and the pursuit of individual liberation. As a South African author profoundly influenced by apartheid and multiculturalism, Coetzee's major worksDisgrace, Waiting for the Barbarians, and Life &amp; Times of Michael Killustrate the lingering trauma of colonial history and resist the authority of imperial discourse. Through an examination of Coetzee's writings, this study analyzes his critique of imperial centrism and proposes the possibility of reexamining
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27

Voropayeva, Tetyana. "CONSOLIDATION OF UKRAINIANESS IN THE POST-COLONIAL PERIOD: THEORETICAL AND EMPIRICAL RESULTS OF THE STUDY." Almanac of Ukrainian Studies, no. 23 (2018): 16–25. http://dx.doi.org/10.17721/2520-2626/2018.23.3.

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The article is devoted to the problem of consolidation of Ukrainianness in the modern world. In the introduction the urgency of research processes of consolidation of Ukrainian society and Ukrainianness in general. The сhanges in the socio-cultural and cognitive situations require from Ukrainian study as integrative science the development of new methods, concepts and methodologies to adequately investigating Ukraine and ukrainianness in a complex changing world. On the basis of the integrative approach, the trends of modern consolidation processes are analyzed. The article discusses the probl
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Salar Abdulqadr, Kezhan, and Kawthar Hiwa Mohammed. "The Binational Interpreter in Kachachi’s The American Granddaughter: A Postcolonial Study." Arab World English Journal 1, no. 1 (2022): 164–73. http://dx.doi.org/10.24093/awej/kust.13.

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This research paper is an attempt at describing and applying the postcolonial theory to the novel titled The American Granddaughter(2021) by the Iraqi novelist Inaam Kachachi. This is achieved by examining the main character in the novel, Zeina, who works as an interpreter for the American army. Zeina experiences a complex anxiety in America. Her anxiety has come from the differences between the Iraqi and American nationalities which mislead her to be a binational character in the work. She confronts trauma in the story and struggles to know where she really belongs. She wants to find her root
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Al-BARZENJI, Luma Ibrahim. "ROOTLESSNESS IN ELIZABETH BOWEN'S THE DEATH OF THE HEART, AND CHINUA ACHEBE'S ARROW OF GOD: A COMPARATIVE STUDY BETWEEN ANGLO-IRISH AND AFRICAN POSTCOLONIAL LITERATURE." International Journal Of Education And Language Studies 01, no. 01 (2021): 43–55. http://dx.doi.org/10.47832/2791-9323.1-1.4.

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Postcolonial literature views the British Empire of the nineteenth century as unique in human history and literary products for it provides writers with different subjects that deal with the idea of how to resurrect the colonized identity even after getting liberation. Postcolonial literature seems to label literature written by people living in countries formerly colonized by other colonized and other colonial powers as British. Such literature and particularly novel, emerged to focus on social, moral, and cultural influences and their interrelation with the impact of English existence upon s
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Majeed, Munazza, Uzma Imtiaz, and Akifa Imtiaz. "Reterritorialization in A Small Place by Jamaica Kincaid: A Postcolonial Eco-Critical Study." SAGE Open 11, no. 1 (2021): 215824402199741. http://dx.doi.org/10.1177/2158244021997419.

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This article intends to understand how the postcolonial ecocritical writers attempt to reterritorialize their land, its history, and its culture by underscoring the hazards of tourism. In the wake of capitalism, tourism has increased environmental racism and environmental injustice encountered by people of marginalized communities. For this study, we have analyzed a creative nonfiction work A Small Place by Jamaica Kincaid in the light of postcolonial ecocritical theory presented by Donelle N. Dreese. This literary theory deals with the exploitation of land, its resources, its environment, and
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Arefin, K. M., and Tasnim Naz. "The Postcolonial Feminist Struggle of Nazneen in Monica Ali’s Brick Lane: An Intersectional Study." Journal of Women Empowerment and Studies, no. 25 (August 23, 2022): 9–18. http://dx.doi.org/10.55529/jwes.25.9.18.

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The paper is an intersectional case study of the character Nazneen, the protagonist of Brick Lane. In an intersectional approach, the paper identifies the oppression of Nazneen in relation to her gender and cultural identity. Firstly, it studies the trials and tribulations of Nazneen from a feminist viewpoint, in relation to the theories of Simone de Beauvoir and Betty Freidan. Secondly, the research under a postcolonial lens locates the position of Nazneen in the diasporic society of Brick Lane, in relation to the theories of Homi K. Bhabha and Gayatri Spivak. Lastly, the paper in an intersec
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Arefin, K. M., and Tasnim Naz. "The Postcolonial Feminist Struggle of Nazneen in Monica Ali’s Brick Lane: An Intersectional Study." Journal of Women Empowerment and Studies, no. 25 (August 23, 2022): 1–10. http://dx.doi.org/10.55529/jwes.25.1.10.

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The paper is an intersectional case study of the character Nazneen, the protagonist of Brick Lane. In an intersectional approach, the paper identifies the oppression of Nazneen in relation to her gender and cultural identity. Firstly, it studies the trials and tribulations of Nazneen from a feminist viewpoint, in relation to the theories of Simone de Beauvoir and Betty Freidan. Secondly, the research under a postcolonial lens locates the position of Nazneen in the diasporic society of Brick Lane, in relation to the theories of Homi K. Bhabha and Gayatri Spivak. Lastly, the paper in an intersec
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Uzma Munir and Memoona Asif. "Racism and Alienation in Postcolonial Context: A Study of Tariq Rehman’s Short Story “BINGO”." ANNALS OF SOCIAL SCIENCES AND PERSPECTIVE 5, no. 1 (2024): 1–8. http://dx.doi.org/10.52700/assap.v5i1.347.

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Referring to the phenomenon of racism and alienation in Pakistani literature, it is first advantageous to examine Pakistan’s Postcolonial democracy. Pakistan was colonized under British rule for 90 years and got its independent recognition in 1947. In 1971, the political and social conflicts fueled the armed forces to start a third war between India and Pakistan. Consequently, East Pakistan (i.e., present Bangladesh) formally separated from West Pakistan. This paper focuses on two major dimensions of postcolonialism i.e., Racism and Alienation, in Tariq Rehman’s short fiction Bingo. Postcoloni
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Shafiq, Qasim, Asim Aqeel, and Qamar Sumaira. "Postcolonial Merger/Dissolution of Identities in In-Between Spaces: A Diaspora Study of Ondaatje�s The English Patient." Global Social Sciences Review III, no. IV (2018): 647–61. http://dx.doi.org/10.31703/gssr.2018(iii-iv).44.

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The epistemological shift from colonialism to postcolonialism refashioned the colonial conceptualization of gender, race, geopolitical locale and sexual orientation to focus on those processes theorized by Homi K. Bhabha as 'in-between spaces'. With the delimitation of Michael Ondaatje's The English Patient (1992), this research explores how these 'in-between spaces' led colonialism and its subjects to the postcolonial / post-World War II milieu. The colonizers were not psychologically resilient enough to survive the hybrid 'in-between space' that dismantled the binary of the self and the othe
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Nasar Iqbal, Abeera Shoukat, and Dr. Saleem Akhtar Khan. "Living in the Third Space: A Postcolonial Study of Aslam’s Maps for Lost Lovers." Research Journal of Social Sciences and Economics Review (RJSSER) 2, no. 1 (2021): 182–88. http://dx.doi.org/10.36902/rjsser-vol2-iss1-2021(182-188).

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The Postcoloniality of Pakistani Literature in English is manifest in all the works produced both by the local and the diasporic writers representing the nation. Multifarious postcolonial dimensions of these literary yields, ranging from the personal exilic agonies to the collective traumas triggered by displacement, have been explored. Among these sociocultural dimensions represented in the creative works and theorized in the critical works, the notions of the Third Space and exilic consciousness remain the central ones. Invoking Homi Bhabha’s theoretical articulations on the issue, the resea
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R., Kalaiselvi Dr. H. Marie Evangeline. "UNDERSTANDING THE POSTCOLONIAL MIND: A STUDY OF SELECT PLAY OF GIRISH KARNAD's THE FIRE AND THE RAIN." International Journal of Advance and Applied Research 2, no. 20 (2022): 74–76. https://doi.org/10.5281/zenodo.7049483.

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<strong><em>Abstract &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </em></strong> <em>The present paper is an attempt to highlight Girish Karnad&rsquo;s plays with the concept of post-colonial perspective and towards the struggle in life. Karnad is the most powerful playwright of the contemporary era. Karnad has a very strong &lsquo;passion&rdquo; for the theatrical art. He longs to present multi-colored Indian life and sensibility. Significantly, the responses of colonized (particularly those ones colonized by Britain) in forms to narratives, poetics, dramatics, treatises and dialectics on the i
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Khoirunnisa, Firda, Tisna Prabasmoro, and Ari Jogaiswara Adipurwawidjana. "Zainichi Identity and American Ideology in Pachinko (2022): A Narratological Study of Literature Analysis." Journal of Language and Literature Studies 5, no. 1 (2025): 151–62. https://doi.org/10.36312/jolls.v5i1.2579.

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Pachinko (2022) is an American series produced and aired by Apple TV+ portraying generations of Zainichi trying to settle in Japan after their displacement from Japan-Occupied Korea that at the same time shows how American ideology as colonial contagion spread within the people. The act of mimicry displayed in the film’s narratology, production process, and additional intrinsic elements that differ from its novel version, Pachinko (2017), makes this series tend to become something ambivalent and lack a definite position—as if it gets recolonized after being free on its own. Other than that, dy
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Ahmed, Shene Mohammad. "Double Colonization: A Postcolonial Feminist Study Of Sia Figiel’s Where We Once Belonged." Scholaria: Jurnal Pendidikan dan Kebudayaan 9, no. 1 (2019): 1–10. http://dx.doi.org/10.24246/j.js.2019.v9.i1.p1-10.

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The article deals with analyzing female characters in the WHERE WE ONCE BELONGED by Sia Figiel. The novel is important for students who study postcolonialism and feminism as it gives an insight for gender and race issues. The aim of this article is to show how females in a male-dominated societies are persecuted. Furthermore, females are regarded as inferior according to Edward Said’s theory of Orientalism. The Samoan culture was once colonized by the British. Therefore, the legacy of colonialism and its effects remains there, even after the national independence. It first gives some clarifica
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Arif, Kawan Othman, and Hemn Salahalddin Esamalddin. "Curse and Blessing: A Postcolonial Study of Ngugi wa Thiong’o’s The River Between." Journal of Zankoy Sulaimani Part (B - for Humanities) 20, no. 3 (2000): 635–48. http://dx.doi.org/10.17656/jzsb.10930.

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Lakawa, Septemmy Eucharistia. "Bible Study as Postcolonial Witnessing." International Review of Mission 113, no. 1 (2024): 68–91. http://dx.doi.org/10.1111/irom.12490.

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AbstractThis article contextualizes Stef Craps’ concept of postcolonial witnessing and Shelly Rambo's concept of the afterlife of trauma to offer a model of Bible study as a postcolonial witnessing to the afterlife. The aim is to identify the contextual and multilayered dimensions of Bible study as a witnessing practice embedded in an Indonesian local Christian community's story of post‐religious communal violence and cultural trauma and its rereading of the Bible as a narrative of the afterlife. The community's story unveils an intergenerational community of survivors witnessing life within t
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Khan, Md Sadat Zaman. "Postcolonial Study of Cameron’s Avatar." Crossings: A Journal of English Studies 3, no. 1 (2011): 322–27. http://dx.doi.org/10.59817/cjes.v3i1.360.

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James Cameron’s Avatar (2010) is a movie based on the experiences of different paradigms of post colonialism which emerge as a reaction to the colonial discourses in the history of theory. Post colonial discourse aims at re-reading any text that “… directly addresses the experience of Empire” (Mcleod 2007: 33).It is also “concerned with the workings and legacy of colonialism” (Mcleod 2007: 33). Avatar has been screened with the realities of the colonial history where we discover two groups–oppressors and oppressed. Post colonialism, with its multifarious characteristics, enables us to examine
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Bower, Richard. "Marginality and the Third Space of Unadopted Plotlander Roads." Space and Culture 20, no. 4 (2017): 485–99. http://dx.doi.org/10.1177/1206331217707474.

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This article explores the characteristics and relationships of marginality in informal space and plotlander housing in the context of Homi K. Bhabha’s cultural hybridity and Third Space. To illustrate and examine the processes of marginalization that defined informal space in the United Kingdom, this article will critically analyze the previously undocumented plotlander community at Studd Hill on the North Kent coastline.1 Examining key aspects of this sites social origins and its marginal spatial context reveals the positive implications and challenges of informal space and social hybridizati
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Aje, Christine Agbor, and Galbert Demanou. "Language, Inequality and Subordination in Postcolonial Discourses: A Study of Chirikure Chirikure and Mathew Takwi’s Selected Poems." Education and Linguistics Research 11, no. 1 (2025): 103. https://doi.org/10.5296/elr.v11i1.22960.

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Postcolonial societies have perpetually been decrying their inferiority to the colonialist. The difficulty to stride to the Centre with ease remains worrisome because of the derogatory language used to describe native culture as opposed to the colonialist culture. This paper aims at highlighting the inferiority complex of postcolonial societies as stemming from the dehumanising language used when referring to the formerly colonized. The paper blends a literary theory (Postcolonial Theory) and a linguistic theory (the Appraisal Systems by Martin, 2000). Language contributes to degrade the ident
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Lenssen, Anneka. "The Two-Fold Global Turn." ARTMargins 7, no. 1 (2018): 83–99. http://dx.doi.org/10.1162/artm_r_00201.

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This essay is a review of art historian Chika Okeke-Agulu's Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria (Duke University Press, 2015). The book offers a chronicle of artistic theories, practices, and institutions during Nigeria's independence years (1957–67) amid the historical frames of Third World liberation, African decolonization, and Cold War realpolitik. The essay explores in particular how Postcolonial Modernism revisits and explores the thematic of “national culture”—the concept presented by Frantz Fanon in 1959, with long-lasting impact on theories of p
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Singgih, Emanuel Gerrit. "A Postcolonial Biography of Sadrach: the Tragic Story of an Indigenous Missionary." Al-Jami'ah: Journal of Islamic Studies 53, no. 2 (2015): 367. http://dx.doi.org/10.14421/ajis.2015.532.367-386.

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Nowadays, many Indonesian Christians are fully aware that evangelic mission in Indonesian context is to be involved in the dialogue of life with one’s neighbor and share their struggles. Sadrach, an indigenous missionary who lived in 19th century, can be seen as a pioneer in this mission method. However, this method was not accepted by the foreign missionaries at that time. They accused Sadrach’s method as a form of syncretism. This work is an attempt to analyze Sadrach’s biography in the framework of postcolonial theory which argues that Indonesian Christians have to learn about their colonia
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Adnan Bajaber, Musab. "Alien Encounters in Twentieth-Century Arabic Science Fiction: Talib Imran’s Ashbah as a Case Study." Arab World English Journal For Translation and Literary Studies 8, no. 4 (2024): 2–10. http://dx.doi.org/10.24093/awejtls/vol8no4.1.

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This essay surveys alien encounters in 20th-century Arabic Science Fiction (ASF). It points out that two characteristics prevail: first, aliens exclusively encounter Arabs; second, aliens are predominantly superior but indifferent to inferior humans. While the first characteristic is understandable, the second one is peculiar; it is odd that a genre written by colonized people and has been described as “emphatically postcolonial” dismisses the power struggle embedded in the superior colonizer-inferior colonized dichotomy. The author of the essay argues that understanding the difference between
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Agyo, Azetu, Martins Ogba, and Materclaus Isah. "Postcolonial Memories and Emotional Dislocation in Zimbabwean Literature: A Study of Noviolet Bulawayo’s We Need New Names." Rainbow : Journal of Literature, Linguistics and Culture Studies 14, no. 1 (2025): 41–53. https://doi.org/10.15294/rainbow.v14i1.22137.

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This study examines the intersection of colonial and postcolonial memories, gender, and emotional dislocation in NoViolet Bulawayo’s We Need New Names (2013). It explores how the novel portrays the enduring legacies of colonialism in shaping identity, cultural hybridity, and psychological experiences. While previous research has addressed themes of migration and cultural alienation in Bulawayo’s work, there is limited analysis of the novel’s engagement with colonial and postcolonial memories, particularly through the lens of gender and emotional trauma. This study addresses this gap by investi
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Glyal, Mohanad Ghanim. "The Influence of Indigenous Oral Storytelling on Western Literary Forms: A Study of Joy Harjo's Poetic Narratives." Technium Education and Humanities 11 (February 9, 2025): 42–54. https://doi.org/10.47577/teh.v11i.12510.

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This postcolonial deconstructive analysis of American Indian literature builds on hard postcolonial theoretical work. However, it also places very much emphasis on the often-oral tradition of a large portion of American Indian literatures. The works of Joy Harjo are only a small part of this tradition, which separates it from other postcolonial literatures. My essay attempts to make new statements about the importance of American Indian storytelling, particularly as developed in Harjo's poetic narratives. I hope to provide some diverse and inspired reading of Harjo's poetry, looking at the inf
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Yusuf, Adi Yusuf. "Postcolonialism in Africa Based on Colonialism Analysis in Chinua Achebe's Things Fall Apart." Diglossia: Jurnal Kajian Ilmiah Kebahasaan dan Kesusastraan 8, no. 2 (2017): 69. http://dx.doi.org/10.26594/diglossia.v8i2.861.

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Adi YusufUniversitas Pesantren Tinggi Darul Ulum Jombangadiyusuf@fbs.unipdu.ac.id AbstractOne of the interesting things in the study of literary works is to explore the representation of a literary work itself to the culture of real life. More specifically, when it is related to the history – in this case, the condition of precolonial, colonial, and postcolonial times. This article discusses postcolonialism analysis on Things fall Apart by Achebe. The method used in this study is descriptive qualitative. It is found that the novel represents “precolonial tribal” life in Africa: earning a livin
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AL-Fatlawi, Athraa, and Hasan Abu-Krooz. "Postcolonial Symbolic Representation in Joseph Conrad’s Heart of Darkness: A Cognitive-Semantic Study." Arab World English Journal 16, no. 2 (2025): 57——79. https://doi.org/10.24093/awej/vol16no2.4.

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This study investigates the postcolonial metaphoric symbolism that appears in Joseph Conrad’s Heart of Darkness by employing cognitive-semantic theoretical analysis. Through symbolic acts, the book shows how colonial power systems and resistance provide their encoding by using conceptual metaphors together with image schemas. The first research questions focus on how cognitive-semantic models describe postcolonial symbolic actions and how those methods work when analyzing Heart of Darkness. The research adapts cognitive semantics and postcolonial theory as its methodological base to evaluate p
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