Relevant bibliographies by topics / Studies and exercises (Popular music)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Studies and exercises (Popular music)'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "Studies and exercises (Popular music)"

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Street, John, Matthew Worley, and David Wilkinson. "‘Does it threaten the status quo?’ Elite responses to British punk, 1976–1978." Popular Music 37, no. 2 (April 13, 2018): 271–89. http://dx.doi.org/10.1017/s026114301800003x.

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AbstractThe emergence of punk in Britain (1976–1978) is recalled and documented as a moment of rebellion, one in which youth culture was seen to challenge accepted values and forms of behaviour, and to set in motion a new kind of cultural politics. In this article we do two things. First, we ask how far punk's challenge extended. Did it penetrate those political, cultural and social elites against which it set itself? And second, we reflect on the problem of recovering the history and politics of moments such as punk, and on the value of archives to such exercises in recuperation. In pursuit of both tasks, we make use of a wide range of historical sources, relying on these rather than on retrospective oral or autobiographical accounts. We set our findings against the narratives offered by both subcultural and mainstream histories of punk. We show how punk's impact on elites can be detected in the rhetoric of the popular media, and in aspects of the practice of local government and the police. Its impact on other elites (e.g. central government or the monarchy) is much harder to discern. These insights are important both for enriching our understanding of the political significance of punk and for how we approach the historical record left by popular music.
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Sheppard, Jennifer R. "Sound of Body: Music, Sports and Health in Victorian Britain." Journal of the Royal Musical Association 140, no. 2 (2015): 343–69. http://dx.doi.org/10.1080/02690403.2015.1075810.

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ABSTRACTThis article explores ways in which music intersected with the growth of sports in Victorian Britain at the end of the nineteenth century. Although there have been valuable studies of music and sports recently, their main emphasis has been on popular music and contemporary sporting events; a study of the period when playing and watching sports began to acquire its present-day shape has yet to be undertaken. This article moves towards that by examining connections between music and sports through broader social and cultural developments, in particular new ideas about morality, health and physical fitness. It situates commentaries about the healthfulness of music in relation to nineteenth-century discourses about sport, in addition to contextualizing notions of singing and health in the increasing professionalization of Victorian medicine. Finally, this article extends and relocates early twentieth-century encapsulations of singing as physical exercise in the context of concern over degeneration in national fitness.
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Hernandez, Deborah Pacini. "Cantando la cama vacía: love, sexuality and gender relationships in Dominican bachata." Popular Music 9, no. 3 (October 1990): 351–67. http://dx.doi.org/10.1017/s026114300000413x.

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Several patterns emerge in bachata's discussions of love, sex and relationships with women. There is little sense of place in the songs – rarely is a specific place name mentioned or invoked, in marked contrast to other Caribbean musical genres associated with listeners of rural origins, in which place names are constantly invoked for affective purposes. The people in bachata songs do not seem to exist anywhere – except the bar, which, I suggest, is a metaphor for the urban shantytown itself. Neither is there a sense of movement, of going anywhere. There is no imagery of journey, or travel, unlike other musics, such as Brazilian popular music or US country music, in which the road and trucks figure prominently. People are neither being pulled or pushed anywhere – out of home, into home, out of work, into work.Life, as expressed in bachata songs, seems fragmentary and lacks coherence – and in that sense, these songs are thoroughly modern. The songs as texts are vignettes, brief snapshots – bites, to use contemporary jargon – that evoke salient parts of events or situations, rather than descriptive narratives that carefully develop a story over time and place. (The only exceptions are the double entendre songs, in which narrative is more a necessity as a framework for the word play than an end in itself.)Bachata songs focus on the pain of losing a woman, but the difficulties of city life are implicitly to blame. Given that both men and women experience this pain, it seems odd that bachateros express no sense of solidarity with women, of shared social and economic trouble, as can sometimes be found in rock songs, for example, where singers invoke the power of love to overcome economic hardship or social prejudice. Bachata expresses a strong sense of vulnerability, betrayal, alienation and despair; yet the songs' anger is directed not at those above – the middle and upper classes – who have indeed betrayed and abandoned the poor as a class: instead, men's wrath is directed below, to a group of people – women – even more vulnerable to exploitation than men themselves. As we have seen, in bachata women are often portrayed as the aggressors and men as victims. Yet men certainly know that even if they can no longer control women as they once may have, in the modern world men clearly exercise more power over their lives than women. Men can, in fact, afford the luxury of expressing vulnerability to emotional pain. Women are the silent ones; their voices are not heard, although their presence can nevertheless be felt intensely. These unresolved tensions, between owner and property, aggressor and victim, voice and silence, freedom and control, order and chaos, are all symbolically explored in bachata.
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McCrary, J. Matt, Emma Redding, and Eckart Altenmüller. "Performing arts as a health resource? An umbrella review of the health impacts of music and dance participation." PLOS ONE 16, no. 6 (June 10, 2021): e0252956. http://dx.doi.org/10.1371/journal.pone.0252956.

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An increasing body of evidence notes the health benefits of arts engagement and participation. However, specific health effects and optimal modes and ‘doses’ of arts participation remain unclear, limiting evidence-based recommendations and prescriptions. The performing arts are the most popular form of arts participation, presenting substantial scope for established interest to be leveraged into positive health outcomes. Results of a three-component umbrella review (PROSPERO ID #: CRD42020191991) of relevant systematic reviews (33), epidemiologic studies (9) and descriptive studies (87) demonstrate that performing arts participation is broadly health promoting activity. Beneficial effects of performing arts participation were reported in healthy (non-clinical) children, adolescents, adults, and older adults across 17 health domains (9 supported by moderate-high quality evidence (GRADE criteria)). Positive health effects were associated with as little as 30 (acute effects) to 60 minutes (sustained weekly participation) of performing arts participation, with drumming and both expressive (ballroom, social) and exercise-based (aerobic dance, Zumba) modes of dance linked to the broadest health benefits. Links between specific health effects and performing arts modes/doses remain unclear and specific conclusions are limited by a still young and disparate evidence base. Further research is necessary, with this umbrella review providing a critical knowledge foundation.
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Megoran, Nick. "The Critical Geopolitics of Danger in Uzbekistan and Kyrgyzstan." Environment and Planning D: Society and Space 23, no. 4 (August 2005): 555–80. http://dx.doi.org/10.1068/d56j.

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Drawing on critical security studies and critical geopolitics, I examine how geopolitical discourses of danger circulate in Kyrgyzstan and Uzbekistan. Whereas some work in this field risks reinscribing the discursive articulation of danger as an inevitable condition of political formation, in this paper I emphasise the need to disaggregate the concept of danger carefully to highlight its operation in specific contexts. I explore these processes across a range of discursive sites from official media to popular music, contrasting findings with material from focus groups composed of socially marginalised populations. I demonstrate the role of discursive constructions of danger or safety in the production and maintenance of the political identity of the new states, and how this is inseparable from material conditions of elite power struggle. I conclude by echoing Hewitt's call for a critical geography that confronts and challenges the domestic exercise of state terror.
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Kawamoto, Akitsugu. "Popular Music Studies in Japan: Reviewing the Journal Popular Music Studies." IASPM Journal 9, no. 2 (December 2019): 86–91. http://dx.doi.org/10.5429/2079-3871(2019)v9i2.8en.

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Shin, Hyunjoon. "Inter‐Asia popular music studies: cultural studies of popular music in Asia." Inter-Asia Cultural Studies 10, no. 4 (December 2009): 471–73. http://dx.doi.org/10.1080/14649370903166077.

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Mendez, Kyra Jennifer Waligora, and Hae Ra Han. "4056 Dementia family caregivers’ mobile app use and intention to adopt mHealth apps." Journal of Clinical and Translational Science 4, s1 (June 2020): 54–55. http://dx.doi.org/10.1017/cts.2020.194.

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OBJECTIVES/GOALS: To describe preliminary results of Alzheimer’s and dementia caregivers’ (CGs) mobile app use and intention to adopt mHealth apps for their own chronic condition self-management. To discuss implications for designing and implementing mHealth interventions for CGs. METHODS/STUDY POPULATION: This study aims to recruit 110 racially and ethnically diverse family caregivers (CGs) who have a chronic condition, provide care for persons with Alzheimer’s disease or related dementias, and have access to a mobile device. This is a cross-sectional correlational study collecting data with computer-assisted telephone interviews stored through REDCap. The study survey was created using existing surveys about mobile app use; relevant, well-validated research instruments; and questions from the U.S. Census and other national surveys. CGs are being actively recruited from the Baltimore-Washington metropolitan area using various recruitment strategies that have been effective in prior studies. RESULTS/ANTICIPATED RESULTS: The majority of CGs used websites (86%), mobile devices (68%) or apps (53%) to manage their own health. CGs using health-related apps were tracking their exercise (60%), diet (60%), medical records (50%), and physical health measures (50%). More than 4 out of 5 (82%) predicted they would use mobile apps to self-manage their chronic condition, though only 68% actually planned to use them. 86% of CGs were using mobile apps for non-health related purposes, with the most popular app being weather (90%), followed by social media (74%), music/entertainment (68%), and banking/business apps (63%). CGs used weather and social media apps most often (2 or more times/day) and spent 9 hours/week on apps. DISCUSSION/SIGNIFICANCE OF IMPACT: Websites and mobile apps appear to be feasible modes to deliver health interventions to CGs. Researchers should consider including features of apps most frequently used by CGs, such as the weather, ways to connect with others, and music/entertainment, when delivering mHealth interventions to CGs.
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Burns, Gary. "Popular music and societyand the evolving discipline of popular music studies." Popular Music and Society 21, no. 1 (March 1997): 123–31. http://dx.doi.org/10.1080/03007769708591662.

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JOHNSON, BRUCE. "DIRECTIONS IN POPULAR MUSIC STUDIES." Perfect Beat 2, no. 4 (October 6, 2015): 98–105. http://dx.doi.org/10.1558/prbt.v2i4.28773.

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Dissertations / Theses on the topic "Studies and exercises (Popular music)"

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Man, Oi-kuen Ivy. "Cantonese popular song in Hong Kong in the 1970s : an examination of musical content and social context in selected case studies /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20566013.

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Harvey, Sandi K. "The analysis of Okinawan popular music and identity in relation to other studies of southeast Asian popular music." Thesis, Wichita State University, 2010. http://hdl.handle.net/10057/3720.

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This research attempts to use the creation of popular music in Okinawa as a symbolic resource to reveal attributes related to the making of identity. Popular music in non-Western societies is a useful unit of analysis that can explain how people respond to cultural change and can tell us much about cultural values. The origin of identity studies is both historical and political by nature. However, socio-cultural functions can further expand our understanding of both cultural and political resistance. Popular music as identity is not static and is always in flux. Identity addresses the ongoing relationship between the global (capitalized market) and the local (maintenance of cultural heritage). Negotiation between the two is explained through the use of imagined communities and the concept of place and space. Only through a historical, social, political and economic context is identity making fully realized. The functions of popular music are expressive behaviors which shape and are shaped by social, historical, political and economic experiences. In using the comparative method, the lyrical content and other important features of Okinawan popular music will be contrasted with other Southeast Asian studies. This research will highlight similarities, but will also reveal distinct differences between the formation of identity in both Okinawan and other Southeast Asian communities.
Thesis (M.A.)--Wichita State University, College of Liberal Arts and Sciences, Dept. of Anthropology.
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Camara, Samba. "Recording Postcolonial Nationhood: Islam and Popular Music in Senegal." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1510780384221502.

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Brocken, Michael. "The British folk revival : an analysis of folk/popular dichotomies from a popular music studies perspective." Thesis, University of Liverpool, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266140.

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Theron, Marie Antoinette. "Aspekte van stemontwikkeling : 'n psigo-fisiese benadering." Thesis, Stellenbosch : Stellenbosch University, 1994. http://hdl.handle.net/10019.1/58276.

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Thesis(M. Mus.) -- Stellenbosch University, 1994.
ENGLISH ABSTRACT: The purpose of this study is to investigate the relationship between developing the voice and freeing the voice. The ultimate aim of developing the singing voice is expression through the medium of sound. For this to happen, a singer's voice has to function free and resonant. Every song demands certain expressive qualities, and the singing instrument should be able to react to a wide range of impulses. The singing instrument should be freed to enable optimal functioning, while authentically conveying powerful emotions. Developing and freeing the voice is a psycho-physical process. A person's psycho-physical functioning is manifested in body posture. As it were, the body conforms to a person's predisposition and muscle use. Muscle condition, muscle use and the singer's psychological state of mind influence the way in which sound is produced. Sensory perception, the body and breathing in balance, and the use of the body as singing instrument is discussed in chapter two. During the teaching of singing it is imperative that singers develop free habits and expectations. A process of releasing the voice is needed, because stressful habits and distorted sound-expectations have become part of the singer's performance. This inhibits expression in sound and causes the singing apparatus to operate ineffectively. The proper balance between effort and result is often disturbed. In chapter three it is pointed out that more attention should be paid to psycho-physical aspects, including psychological hindrances, the mind, motivation and body language. The teacher-pupil relationship and fear can also influence the development of the voice. In the process of freeing the voice, the Alexander technique can contribute to recognition of malfunctioning and tension in the body. A new and expanded approach to teaching and learning is needed - this will enable the singer to fully participate through thought, physical sensing, feeling and intuitive functions during teaching sessions. All these components interact with each other to support the singing process and develop good technical skills. In chapter four activities which can contribute to the freeing process of the voice and psycho-physical development are discussed. Activities used to promote the integration of all components are game playing as aid to singing development, characterisation as tool for personality and emotional development, imagery and imagination, and voice and movement. In the final chapter some conclusions and directives are given for future teaching of singing, with recommendations about areas in which more research is needed, including development of mental concepts in singing, sound and movement, and the role and influence of feeling and emotion during the singing process.
AFRIKAANSE OPSOMMING: Die doel van hierdie studie is 'n ondersoek na die verband tussen stemontwikkeling en stembevryding. Tydens sangstemontwikkeling is die uiteindelike doelwit ekspressie - om deur middel van klank uitdrukking te kan gee. Om dit te laat gebeur moet 'n sanger se stem vry en resonant klink. Elke lied stel sekere vereistes ten opsigte van uitdrukking en die sangapparaat behoort te kan reageer op 'n verskeidenheid van impulse. Die sangapparaat moet vry wees om optimaal te funksioneer en kragtige emosies getrou te verklank. Stemontwikkeling en stembevryding is 'n psigo-fisiese proses. Liggaamshouding IS 'n uiting of manifestasie van die mens se psigo-fisiese funksionering. Die liggaam neem as 't ware die vorm van die persoon se ingesteldheid en spiergebruik aan. Die toestand van spiere, die funksionering van spiere en die persoon se psigiese toestand het 'n invloed op die klank. Sensoriese waarneming, die liggaam en asemhaling in balans en die gebruik van die liggaam as sanginstrument word in hoofstuk twee bespreek. In sangonderrig is dit noodsaaklik dat sangers vrye gewoontes en verwagtinge sal ontwikkel. In Bevrydingsproses is dus nodig omdat spanningsvolle gewoontes en verwronge klankverwagtinge deel geword het van die sanger se denkwyse as gevolg van wanbegrippe oor sang. Dit inhibeer klankuitdrukking en laat die sangapparaat oneffektief funksioneer. Die korrekte verhouding tussen inspanning en resultaat is dikwels versteur. In hoofstuk drie word aangetoon dat in sangonderrig meer aandag gegee behoort te word aan psigo-fisiese aspekte, waaronder psigiese blokkerings, die denke, motivering en liggaamstaal. Ook die onderwyser-sanger-verhouding en vrees kan stemontwikkeling beinvloed. In die stembevrydingsproses kan lesse in die Alexandertegniek heelwat bydra tot die herkenning van wanfunksionering en spanning in die liggaam. 'n Nuwe en uitgebreide benadering tot onderrig en leer is dus wenslik, sodat die sanger tydens sangonderrig in sy totaliteit betrek kan word in sy denk-, fisiessintuiglike, gevoels- en intultiewe funksies. Al hierdie komponente werk interafhanklik saam om die sangproses te onderhou en goeie tegniese vaardighede te laat ontwikkel. In hoofstuk vier word aktiwiteite bespreek wat kan help met stembevryding en psigofisiese ontwikkeling. Die aktiwiteite wat integrasie van alle komponente bevorder, sluit in spel as hulpmiddel vir sangontwikkeling, karakterisering as middel tot persoonlikheids- en emosionele ontwikkeling, beeldingspel en verbeelding, en stem en beweging. In die finale hoofstuk word gevolgtrekkings en rigtingwysers vir toekomstige sangonderrig gemaak, met aanbevelings oor areas waaroor meer navorsing nodig is soos denkontwikkeling vir sangers, stem en beweging, en die funksionering en invloed van gevoel en emosie tydens die sangproses.
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Hesmondhalgh, David. "Independent record companies and democratisation in the popular music industry." Thesis, Online version, 1996. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.243541.

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Yuan, Xiaorong. "Chinese Minority Popular Music: A Case Study of Shanren, a Contemporary Popular Band." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461073565.

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Liu, Menghan. "Rephrasing Mainstream And Alternatives: An Ideological Analysis Of The Birth Of Chinese Indie Music." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1351367197.

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Ha, Jarryn. "My Song is My Power: Postcolonial South Korean Popular Music." Case Western Reserve University School of Graduate Studies / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=case1522941303946503.

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Gervin, Kelly J. "Music and Environmentalism in Twenty-First Century American Popular Culture." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1494162797534902.

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Books on the topic "Studies and exercises (Popular music)"

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Ukulele aerobics: A 40-week, one-lick-per-day workout program for developing, improving, and maintaining ukulele technique. Milwaukee, WI: Hal Leonard, 2013.

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Parent, Philippe. La voix au présent. [Outremont, Québec]: Ateliers de voix, 1990.

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Savage, Steve. The Billboard book of rhythm. New York: Billboard Books, 1989.

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Savage, Steve. The Billboard book of rhythm. New York: Billboard Books, 1989.

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Merrill, Julia, ed. Popular Music Studies Today. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-17740-9.

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Dumnić Vilotijević, Marija, and Ivana Medić, eds. Contemporary Popular Music Studies. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3.

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Taylor, Mark. Pop standards: 10 favorite tunes. Milwaukee, WI: Hal Leonard, 2013.

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Made in Spain: Studies in popular music. New York: Routledge, 2013.

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International Conference on Popular Music Studies (7th 1993 Stockton, California). Popular music--style and identity: International Association for the Study of Popular Music Seventh International Conference on Popular Music Studies. Montreal: Centre for Research on Canadian Cultural Industries and Institutions, 1995.

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International, Conference on Popular Music Studies (7th 1993 Stockton Calif ). Popular music: Style and identity : International Association for the Study of Popular Music, seventh International Conference on Popular Music Studies. Montreal: Centre for Research on Canadian Cultural Industries and Institutions, 1995.

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Book chapters on the topic "Studies and exercises (Popular music)"

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Prado, Yuri. "The Music of Samba Schools: A Challenge for Popular Music Studies." In Popular Music Studies Today, 253–60. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-17740-9_26.

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Vilotijević, Marija Dumnić, and Ivana Medić. "Introduction." In Contemporary Popular Music Studies, 9–14. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3_1.

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Fredriksson, Daniel. "Pathways of pop: Arts and education policy, studieförbund and genre hierarchies." In Contemporary Popular Music Studies, 101–8. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3_10.

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Guerra, Paula, and Carles Feixa. "Golfos, punkis, alternativos, indignados: Subterranean traditions of youth in Spain, 1960 ̶ 2015." In Contemporary Popular Music Studies, 111–26. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3_11.

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Guerra, Paula, and Ana Oliveira. "Heart of glass: Gender and domination in the early days of punk in Portugal." In Contemporary Popular Music Studies, 127–36. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3_12.

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dos Santos, Débora Gomes, Ana Oliveira, and Paula Guerra. "One struggle, one fight, all day, all night: Punk cartographies in the subway of São Paulo and Lisbon." In Contemporary Popular Music Studies, 137–46. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3_13.

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Gálvez, José. "On analyzing EDM DJ sets: Problems and perspectives for a sociology of sound." In Contemporary Popular Music Studies, 149–59. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3_14.

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Keeler, Marianne L. "An ethnographic investigation into the culture and people of the UK Free Party (illegal rave) scene in the twenty first century." In Contemporary Popular Music Studies, 161–69. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3_15.

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Marx, Tobias. "Collaboration in semi-professional music groups." In Contemporary Popular Music Studies, 173–81. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3_16.

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Assis Santana Mestrinel, Francisco. "Samba batucada: Flexibility and integration." In Contemporary Popular Music Studies, 183–92. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25253-3_17.

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Conference papers on the topic "Studies and exercises (Popular music)"

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Ulhôa, Martha. "Southern currents: Some thoughts on Latin American popular music studies." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.34.

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Levy, Claire. "Remembering Gencho Gaytandjiev (1935-2010): On the impact of popular music studies in Bulgarian schools." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.22.

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Galih, Sekar, and Susy Ong. "The Correlation of Women’s Purchasing Power and New Trend In Japan’s Popular Music Industry." In Proceedings of the 2nd International Conference on Strategic and Global Studies, ICSGS 0218, October 24-26, 2018, Central Jakarta, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.24-10-2018.2289676.

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Tyszka, Konrad, and Michał Jagosz. "Polish music press in the face of systemic change in 1989 as an example of cultural transformation in post-communist countries." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.09103t.

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The systemic transformation has significantly increased and diversified the music press market. Liquidation of the monopoly, privatization, censorship abolition and media pluralism are just some of the factors that contributed to shaping new cultural policy in Poland. The research material used for this paper’s analytical purposes consists of Polish music magazines; based on a query covering over 110 journals being published since 1946 to the present, a historical and comparative analysis was made. It allowed to determine what new solutions the publishers started to put into practice to make their magazines more attractive. Moreover, it showed a clear fragmentation of the market. After ’89, popular music magazines began to prevail; there are also many specialist journals devoted to a specific topic. A look at cultural transformation from the perspective of the music press is therefore an innovative idea, combining knowledge from the borderline of musicology, cultural studies, and press studies.
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Tyszka, Konrad, and Michał Jagosz. "Polish music press in the face of systemic change in 1989 as an example of cultural transformation in post-communist countries." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.09103t.

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The systemic transformation has significantly increased and diversified the music press market. Liquidation of the monopoly, privatization, censorship abolition and media pluralism are just some of the factors that contributed to shaping new cultural policy in Poland. The research material used for this paper’s analytical purposes consists of Polish music magazines; based on a query covering over 110 journals being published since 1946 to the present, a historical and comparative analysis was made. It allowed to determine what new solutions the publishers started to put into practice to make their magazines more attractive. Moreover, it showed a clear fragmentation of the market. After ’89, popular music magazines began to prevail; there are also many specialist journals devoted to a specific topic. A look at cultural transformation from the perspective of the music press is therefore an innovative idea, combining knowledge from the borderline of musicology, cultural studies, and press studies.
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Newbold, Joseph W., Nadia Bianchi-Berthouze, and Nicolas E. Gold. "Musical Expectancy in Squat Sonification for People Who Struggle with Physical Activity." In The 23rd International Conference on Auditory Display. Arlington, Virginia: The International Community for Auditory Display, 2017. http://dx.doi.org/10.21785/icad2017.008.

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Physical activity is important for a healthy lifestyle. However, it can be hard to stay engaged with exercise and this can often lead to avoidance. Sonification has been used to support physical activity through the optimisation/correction of movement. Though previous work has shown how sonification can improve movement execution and motivation, the specific mechanisms of motivation have yet to be investigated in the context of challenging exercises. We investigate the role of music expectancy as a way to leverage people’s implicit and embodied understanding of music within move- ment sonification to provide information on technique while also motivating continuation of movement and rewarding its completion. The paper presents two studies showing how this musically-informed sonification can be used to support the squat movement. The results show how musical expectancy impacted people’s perception of their own movement, in terms of reward, motivation and movement behaviour and the way in which they moved.
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Barber-Kersovan, Alenka. "Songs for the Goddess. Das popmusikalische Neo-Matriarchat zwischen Ethno-Beat, erfundenen Traditionen und kommerzieller Vermarktung." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.47.

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The musical neo-matriarchy is linked to the growing popularity of Neo-Paganism. This pseudo-religious scene is based on romantic heritage, real or invented folk traditions and more or less serious historical, theological and anthropological studies of neo-matriarchy. In the focus of the scene stands the veneration of the Great Goddess and its worshipers are exclusively women. The main ideas of this eco-feminist movement are being conveyed also through (popular) music. My contribution encompasses the origins of the musical neo-matriarchy, the mythology it is based on, the message of the songs for the Great Goddess, the musical characteristics of the material collected, the use of typical instruments, and the dissemination of (musical) knowledge as the rather ‘modern’ way of distribution and consumption of the allegedly ‘archaic’ issues.
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Reports on the topic "Studies and exercises (Popular music)"

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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. The most popular platform for mass information and social interaction is, first of all, network journalism, which is characterized by mobility and unlimited time and space. Authors have complete freedom to express their views in direct language, including their own word formation. Phonetic, lexical, phraseological and stylistic means of speech create expression of the text. A figurative word, a good aphorism or proverb, a paraphrased expression, etc. enhance the effectiveness of a multimedia text. This is especially important for headlines that simultaneously inform and influence the views of millions of readers. Given the wide range of issues raised by the Internet as a medium, research in this area is interdisciplinary. The science of information, combining language and social communication, is at the forefront of global interactions. The Internet is an effective source of knowledge and a forum for free thought. Nonlinear texts (hypertexts) – «branching texts or texts that perform actions on request», multimedia texts change the principles of information collection, storage and dissemination, involving billions of readers in the discussion of global issues. Mastering the word is not an easy task if the author of the publication is not well-read, is not deep in the topic, does not know the psychology of the audience for which he writes. Therefore, the study of media broadcasting is an important component of the professional training of future journalists. The functions of the language of the media require the authors to make the right statements and convincing arguments in the text. Journalism education is not only knowledge of imperative and dispositive norms, but also apodictic ones. In practice, this means that there are rules in media creativity that are based on logical necessity. Apodicticity is the first sign of impressive language on the platform of print or electronic media. Social expression is a combination of creative abilities and linguistic competencies that a journalist realizes in his activity. Creative self-expression is realized in a set of many important factors in the media: the choice of topic, convincing arguments, logical presentation of ideas and deep philological education. Linguistic art, in contrast to painting, music, sculpture, accumulates all visual, auditory, tactile and empathic sensations in a universal sign – the word. The choice of the word for the reproduction of sensory and semantic meanings, its competent use in the appropriate context distinguishes the journalist-intellectual from other participants in forums, round tables, analytical or entertainment programs. Expressive speech in the media is a product of the intellect (ability to think) of all those who write on socio-political or economic topics. In the same plane with him – intelligence (awareness, prudence), the first sign of which (according to Ivan Ogienko) is a good knowledge of the language. Intellectual language is an important means of organizing a journalistic text. It, on the one hand, logically conveys the author’s thoughts, and on the other – encourages the reader to reflect and comprehend what is read. The richness of language is accumulated through continuous self-education and interesting communication. Studies of social expression as an important factor influencing the formation of public consciousness should open up new facets of rational and emotional media broadcasting; to trace physical and psychological reactions to communicative mimicry in the media. Speech mimicry as one of the methods of disguise is increasingly becoming a dangerous factor in manipulating the media. Mimicry is an unprincipled adaptation to the surrounding social conditions; one of the most famous examples of an animal characterized by mimicry (change of protective color and shape) is a chameleon. In a figurative sense, chameleons are called adaptive journalists. Observations show that mimicry in politics is to some extent a kind of game that, like every game, is always conditional and artificial.
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