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Journal articles on the topic 'Studies on poetic language'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Скоробогатова, Олена Олександрівна. "ПОЕТИКА ВІРШОВОГО ТЕКСТУ В ГРАМАТИЧНОМУ ВИМІРІ". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 42 (5 квітня 2016): 78–84. https://doi.org/10.5281/zenodo.48996.

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The article deals with the current state of grammatical poetics of poetic speech. The reasons for the disbalance in the study of lexical and grammatical levels of the language of poetry were analysed. The grammaticalization of poetic language in the XX – XXI centuries was pointed out. The vectors of research directions in the field of interaction of grammar and poetics are offered: poetic morphology as a subarea of the functional grammar and morphological poetics as a general philological discipline that studies grammemes and grammatical categories in the poetic use, providing the eviden

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Mutiyev, Z., and A. Akbulatov. "ETERNAL HUMAN VALUES IN THE POETRY OF SAGAT ABDUGALIYEV." BULLETIN Series of Philological Sciences 72, no. 2 (2020): 330–35. http://dx.doi.org/10.51889/2020-2.1728-7804.50.

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Kazakh fiction is an integral system of spiritual culture of the Kazakh nation, and its basis is the literature of the region. The article deals with the problems of literary local studies, the course of its development. The work of poets-writers in the history of literary local studies is studied, including the eternal human values in the poetry of SagatAbdugaliyev. The stylistic features of the author's poetry, creative research and poetics are widely studied and two stages of poetry are analyzed. In addition, this article reveals the nature of the poet's use of literary-visual devices, his

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Hasanova, S. "POETICAL MORPHOLOGY OF THE AZERBAIJAN LANGUAGE." Sciences of Europe, no. 158 (February 10, 2025): 54–58. https://doi.org/10.5281/zenodo.14846834.

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The article discusses the poetic morphology of the Azerbaijani language. All areas of the language play a certain role in poetry. In this sense, morphology has great potential. The article analyzes the topic of poetic morphology in detail, refers to the work of various poets, reveals linguistic facts relevant to the topic, and involves scientific and theoretical analysis. Poetic morphology, as a field that studies the poetic forms of the language, examines both the morphological structure of the language and the aesthetic and poetic functions of parts of speech in the literary language. The ar

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Goren-Arzony, Sivan. "Feels Like Our Language: Vernacular Poetics in Premodern Kerala." Journal of South Asian Intellectual History 4, no. 2 (2022): 117–45. http://dx.doi.org/10.1163/25425552-12340032.

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Abstract This paper deals with the Līlātilakam, a premodern work from Kerala that analyzes the grammar and poetics of “Rubies and Coral” (Maṇipravāḷam), Kerala’s main premodern literary form, which combines Sanskrit and the local language. By examining the poetic sections of the Līlātilakam, I show some of the ways in which they are used to demonstrate that Rubies and Coral is not only a fitting tool for writing poetry in the Sanskrit style but also an autonomous literature with an internal structure of its own. In my analysis I illustrate this through the use of three case studies focusing on

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Duerbeck, Gabriele, and Yixu Lu. "New German-language Nature Writing and the Language of Resonance and Reflection." Plant Perspectives 1, no. 2 (2024): 390–411. http://dx.doi.org/10.3197/whppp.63845494909740.

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Nature writing is traditionally a genre of non-fictional, essayistic writing which combines vivid natural descriptions, profound introspection and ethical musings. Since 2000, the New Nature Writing (NNW) has emerged in Europe rejecting the escapist, heroic and sometimes nationalist conventions of the original American genre. This article analyses three examples from German New Nature Writing (NNW) from the early 2000s: Laubwerk. Zur Poetik des Stadtbaums (‘The Poetics of the Urban Tree’) by Marion Poschmann (2018), Hafen von Greifswald (‘Port of Greifswald’) by Judith Schalansky (2018), and W

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МҰРАТБЕК Б.Қ. "ҒАЛЫМ РӘБИҒА СЫЗДЫҚОВА ЗЕРТТЕУЛЕРІНДЕГІ ЛИНГВОПОЭТИКА МӘСЕЛЕСІ". Научный журнал "Вестник Актюбинского регионального университета имени К. Жубанова" 80, № 2 (2025): 251–56. https://doi.org/10.70239/arsu.2025.t80.n2.30.

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This article examines the contributions of Rafiga Syzdykova, a prominent figure in Kazakh linguistics, to the establishment of poetic linguistics as an independent discipline. The scholar systematized the nature of poetic language, its developmental stages, terminology, and methodology, laying a foundation for its study within the history of the Kazakh literary language. Her works, such as "The Language of Yasawi’s Hikmets" and "Abay’s Verbal Artistry," are pivotal in identifying the genetic foundations of the common literary language of Turkic peoples and the written Kazakh literary language.

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Dobrzyńska, Teresa. "Twórcze użycie języka w tekście literackim (analiza wiersza Urszuli Kozioł Jest mi miałko… w ramach założeń poetyki lingwistycznej) ." Poradnik Językowy, no. 7/2022(796) (November 8, 2022): 7–21. http://dx.doi.org/10.33896/porj.2022.7.1.

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This paper presents the assumptions of linguistic poetics, a direction that combines – in a curricular manner – the research on poetry and interpretation of poetic works with an analysis of language uses in a statement. It presents the role played by M.R. Mayenowa in shaping this stream in the Polish literary studies seeking support in linguistics and enumerates the most significant curricular studies and linguitic concepts employed in analyses of the represented world of poetry as “the world behind words”. The enclosed analysis of the lyric by Urszula Kozioł Jest mi miałko… (I’m feeling bland

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Ambion, Larry. "Poetic Expression of Gay Lexicon Conveyed through Imagery in Lines of Poems." Bedan Research Journal 9, no. 1 (2024): 221–45. http://dx.doi.org/10.58870/berj.v9i1.71.

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The focus of this study revolves around gay literature, specifically the poetics related to homosexuality. Gay literature includes literary works authored by individuals who identify as gay, as well as literary works by heterosexual writers that explore or discuss homosexual themes, and literary works that incorporate gay terminology. While there have been recent studies on gay literature and works, there has been a lack of attention given to gayspeak, which can be referred to more formally as a lavender lexicon, being incorporated into texts or selections that are thought to have literary sig

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Boyko, Nadiya. "Dominants of the scientific and linguistic world of Anatolii Moisiienko." Ukrainian Linguistics, no. 53 (2023): 73–87. http://dx.doi.org/10.17721/um/53(2023).73-87.

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The analysis of scientific & linguistics dominants of A. Moisiienko revealed the synthesis of the fundamental knowledge of a linguist and literary critic, the dynamics of emotions, and the expression of the poet’s evaluations aimed at updating the national scientific and artistic paradigms. The linguist managed to combine several hypostases, appearing before the reader as a scrupulous linguist-researcher of the apperceptive system of Shevchenko’s poem, the worlds of symbols and the silent word, the world of poetics and the dynamics of text structures, the world of the intertextuality of th

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Griffith, M. S. "Poetic language and the Paris Psalter: the decay of the Old English tradition." Anglo-Saxon England 20 (December 1991): 167–86. http://dx.doi.org/10.1017/s0263675100001800.

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The metrical version of psalms LI–CL, known as the Paris Psalter, is a pedestrian and unimaginative piece of poetic translation. It is rarely read by students of Old English, and most Anglo-Saxonists make only passing reference to it. There is scarcely any literary criticism written on the text, although some work has been done on its vocabulary and metre. I hope to show in this article, however, that its stylistic peculiarities mark an important stage in the disintegration of the Old English poetic mode, and that analysis of these may go some way towards answering the difficult questions whic

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ROTIROTI, Giovanni. "IL CORPO VIVO DELLA LINGUA: ALCUNE CONSIDERAZIONI PRATICO-TEORICHE SULLE LINGUE «SPARGĂ» E «LEOPARDĂ» DI NINA CASSIAN E VIRGIL TEODORESCU." Analele Universității București. Limba și literatură română 73, no. 1/2024 (2024): 135–50. http://dx.doi.org/10.62229/aubllrlxxiii/24/8.

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This contribution, starting from the studies of Giorgio Agamben, aims to highlight the peculiarity of two poetic languages invented by Nina Cassian and Virgil Teodorescu: the “spargă” language and the “leopardă” languages. The “spargă” and “leopardă” languages, developed during the surrealist period in Bucharest, embody the intrinsic dynamism of language. On the one hand, they reflect the multiplicity and original complexity of poetic language, where meanings are manifold and semantic closure is not definitive. On the other hand, these two fantastic languages highlight the pulsional heterogene

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McGann, Jerome. "SWINBURNE, “HERTHA,” AND THE VOICE OF LANGUAGE." Victorian Literature and Culture 36, no. 2 (2008): 283–97. http://dx.doi.org/10.1017/s1060150308080170.

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This soaring passage comes from Max Müller's celebrated 1855 essay on linguistic anthropology. I start with it because no brief text better captures the import of Swinburne's poetic manifesto “Hertha.” And “Hertha” is important because, like “Anactoria,” it is pivotal in Swinburne's ambitious poetic program.

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Filippova, Irina Nikolaevna. "RECIPIENT FACTOR IN POETIC TRANSLATION DIACHRONY." RUDN Journal of Language Studies, Semiotics and Semantics 10, no. 2 (2019): 435–50. http://dx.doi.org/10.22363/2313-2299-2019-10-2-435-450.

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The paper's aim is to analyze transchronical interlingual and intercultural poetic communication. Special attention is paid to the recipient, his significance in diachronic translation is investigated. Linguistic and cultural aspects of poetic communication are analyzed: realities, historicisms, archaisms, phraseological units, allusions. The recipient factor is actively studied in pragmalinguistics, which finds common ground with translation studies and the theory of intercultural communication. The research is based on the integrative method: descriptive, contextual, comparative and discursi

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Long, Kimberly Bracken. "Beyond Merely Adequate: Poetic Sensibility in Liturgical Language." Liturgy 25, no. 2 (2009): 3–11. http://dx.doi.org/10.1080/04580630903476087.

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15

Luo, Jun, and Qing Yin. "On the Theoretical Construction of the Structural System of Semiotic Atoms in the Semantic Signs of Poetic Narrative Texts." Asian Journal of Social Science Studies 1, no. 1 (2016): 39. http://dx.doi.org/10.20849/ajsss.v1i1.16.

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<p>The studies of poetic narratology has been extended to the macro-studies of the narrative language of poetic narrative texts ranging from narrative grammar to narrative model with a special attention paid to the exploration of the semiotic atoms of its semantic narration and the semiotic atoms of its pragmatic narration in poetic narrative texts as well as their interrelationships. What hasn’t been paid attention to in this area is the atomic structural system of the semiotic atoms of the narrative signs in poetic narrative texts. Grounded on the absence of studies in this regard, thi

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Shumeyko, Оlena, and Tetiana Berest. "THEORETICAL BACKGROUND OF THE LINGUISTIC STUDIES OF COMIC IN UKRAINIAN POETRY AT THE END OF XX AND THE BEGINNING OF XXI CENTURIES." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 17(85) (2023): 155–58. http://dx.doi.org/10.25264/2519-2558-2023-17(85)-155-158.

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The article reveals and investigates the peculiarities of modern poetic language and its differential features. Attention is primarily focused on those features of the poetic language that reflect its historical dynamics and allow us to classify the poetic language as one that, while preserving its universal typological features (expressive richness, aesthetic significance, etc.), at the same time appears as a specific historical phenomenon. The article is devoted to the analysis of poetic language as a linguistic and aesthetic object that needs to be studied in all its inherent complexity, he

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Omar, Nida Salim, Kais Amir Kadhim Al Alwan, and Mahmood Abdul Khaliq Al-Baqoa. "Translating Arabic Poetic Riddles into English: An Approach in Qualitative Studies." Respectus Philologicus, no. 41(46) (April 15, 2022): 180–92. http://dx.doi.org/10.15388/respectus.2022.41.46.118.

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A riddle is a question that usually occurs in prose and poetic form. The composition of poetic riddles is complicated since it encompasses trick structure of English utterances that require more efforts and deep thinking on the part of readers to reach the intention of the riddle maker. The present study investigated the interpretation of utterances in poetic riddles when translated into English. The main objective was to extend the tricky utterances in poetic riddles to obtain the intention of the riddle maker through translation. To achieve this target, a Relevance Theory by Sperber and Wils

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Calderón Quindós, M. Teresa. "Blending as a theoretical tool for poetic analysis." Annual Review of Cognitive Linguistics 3 (October 31, 2005): 269–99. http://dx.doi.org/10.1075/arcl.3.14cal.

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The relation between Linguistics and Poetics has often been a controversial issue in Poetic Studies. With the advent of Cognitive Linguistics and its open disposition to consider any kind of discourse as interesting enough samples of human thought — and human thought being discovered to be of a figurative nature — doors have been widely opened to poetry. Despite the firm reluctance of some Literary sectors to move beyond traditional Poetics, the works by E. Semino, P. Stockwell, Gavins & Steen and M. Freeman are clear confirmation of the modern tendency to incorporate CL findings into poet

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Gardi, Sardar Ahmed, and Mahdi Mohammed Bashuri. "The poetry of language deviation in Muhsin Awara's Karezamarjan." Twejer 4, no. 2 (2021): 199–240. http://dx.doi.org/10.31918/twejer.2142.5.

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Abstract In modern literary criticism, the concept of poetic has occupied an enormous scope, it has been paid a great attention and concentrated in the literature of the people, and some concerned research papers and studies have been written in relation to it in the Kurdish literature. This research (Poetic Language Deviation in Muhsin Awara’s Kareza Marjan) is an attempt to pay much more consideration to the poetic concept and to familiarize to the readers and critics. This research consists of an entrance and two sections; in the entrance, we have tried to identify the poetic as a term and

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Gerlier, Valentin. "Recovering World-Welcoming Words: Language, Metaphysics, and the Voice of Nature." Religions 12, no. 7 (2021): 501. http://dx.doi.org/10.3390/rel12070501.

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This article presents a theological–literary response to a concern in contemporary theory with heeding and articulating the speech of nonhuman things. Drawing from Rowan Williams’ metaphysics of poetic addition, I argue that an ‘ecotheological’ literary practice challenges us to become attentive and responsive to the language of the nonhuman, by creatively performing the co-mingling of nonhuman and human language. Drawing from Jean-Louis Chrétien’s phenomenology of the voice, I propose a theological conception of language as a gift of hospitality to the voice of nonhuman things that is also a

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Butova, Anna, Angelina Dubskikh, and Ekaterina Lomakina. "The peculiarities of Zabolotsky’s poetic discourse." SHS Web of Conferences 55 (2018): 04015. http://dx.doi.org/10.1051/shsconf/20185504015.

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Although N. Zabolotsky’s creative work constantly attracted researchers, there are still problems that have not been reflected in the scientific literature. This article aims to define the features of Nikolai Zabolotsky’s poetic discourse in the Russian literary tradition. To achieve the aim, the authors deal with a wide range of challenges: the study of Zabolotsky’s worldviews in the context of the general mentality of the epoch; identifying the specific nature of figurative and semantic interactions in the poetic language and the objective reality in Zabolotsky’s and the Symbolists’ poetry;

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Sarv, Mari. "Language and poetic metre in regilaul (runo song)." Folklore: Electronic Journal of Folklore 07 (1998): 87–107. http://dx.doi.org/10.7592/fejf1998.07.maripar.

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Pajević, Marko. "A Poetics of Society: Thinking Language with Henri Meschonnic." Comparative Critical Studies 15, no. 3 (2018): 291–310. http://dx.doi.org/10.3366/ccs.2018.0297.

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Throughout his oeuvre, Henri Meschonnic pursued language and literary studies as a means to better understand meaning-making processes and the functioning of society. By systematically establishing what Meschonnic called a poetics of society, this article explores the connection between a theory of language and a theory of society. Meschonnic makes use of the old debate between realism and nominalism to criticize realism as totalitarian, and situates this on the side of a language theory exclusively based on the sign, to which he opposes his theory of rhythm, which emphasizes the semantic valu

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Prerna Raj. "Perspectives on Poetic Language Construction of Identity through Language." Creative Launcher 8, no. 4 (2023): 82–89. http://dx.doi.org/10.53032/tcl.2023.8.4.09.

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The present research article aims to investigate the intricate tapestry of language and its profound role in shaping and conveying human identity. One of the most pivotal movements in the intellectual history of the twentieth century revolves around the exploration and understanding of language and its fundamental roles in the human experience. Since the dawn of civilization, language has served as the conduit for narrating, preserving, and influencing the multifaceted dimensions of human experience. It stands as a reflection and assertion of individual and collective identity, offering insigh

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Loevlie, Elisabeth. "Poetic Language and the Expression of Nothing." Angelaki 17, no. 3 (2012): 85–96. http://dx.doi.org/10.1080/0969725x.2012.722398.

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Lares, Leandro Marinho ,., and Andréa Portolomeos. "Language in displacement: The word-image in the poetry of Marília Garcia." International Journal of English Literature and Social Sciences 9, no. 2 (2024): 172–79. http://dx.doi.org/10.22161/ijels.92.25.

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This article studies the interactions between poetic language and cinematographic language in the poetry of Marília Garcia. Taking into account the research of Rosa Maria Martelo (2007, 2012), this work explores dialogs between poetry and cinema to analyze the poem “estereofonia” (stereophonia) in the book Camera Lenta (Slow Motion). In addition, the article positions the poem closer to the cinema of poetry, a cinematographic genre described by Pier Paolo Pasolini (1982). Ultimatley, it concludes that cinematographic syntax organizes the word-images of Marília Garcia’s poetics.

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Marićević Balać, Jelena. "Anastasia Gavrilovici’s Poetry in Serbian Language: Poetic and Intertextual Relations." Revista de Istorie și Teorie Literară 18 (December 20, 2024): 278–83. https://doi.org/10.59277/ritl.2024.18.24.

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The paper on the poetry of Romanian poet Anastasia Gavrilovici, translated into Serbian by Marija Nenadić, discusses her poetic positioning in relation to Serbian literature and the broader European context. It begins by outlining the fundamental principles of her poetics, based on relevant literature on her poetry in Romanian and English. Then, Anastasia Gavrilovici’s poetry is compared to that of Czech classic Ivan Blatný and Polish Nobel laureate Wisława Szymborska. Finally, the paper concludes that her poetry can also be compared to that of the Serbian poets of her generation (Milica Špadi

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Bates, Catherine. "Obtaining Grace: Poetic Language and the Language of Reform in Astrophil and Stella." Reformation 26, no. 1 (2021): 23–41. http://dx.doi.org/10.1080/13574175.2021.1898234.

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Vande Wiele, Héloïse. "The loss of poetic effects: From indeterminate to conventionalised meaning." Language and Literature: International Journal of Stylistics 25, no. 1 (2016): 54–71. http://dx.doi.org/10.1177/0963947015623419.

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This study investigates the diachronic evolution of poetic figurative language and some of its aesthetic effects. It suggests that poetic expressions can lose their poetic force over time as they conventionalise through repetition. A hypothesis based on the concept of poetic effects developed in Relevance Theory (Pilkington, 2000; Sperber and Wilson, 1995 [1989]) and on the theory of semantic change (Traugott and Dasher, 2002) is proposed to explain this phenomenon. This hypothesis was successfully tested through three case studies, in which French idiomatic expressions that have originated in

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Anastassov, Vassil. "Poetic Function of Language in Political Time and Space: Language, Linguistics and Political Studies." International Journal of the Humanities: Annual Review 6, no. 5 (2008): 31–38. http://dx.doi.org/10.18848/1447-9508/cgp/v06i05/42431.

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K.K., Pirmanova, Serikbayeva A.D., Nurlybayev N.М., and Sabirova D.A. "Potential Of Using Abai's Poetic Corpara for Research, Educational and Methodical Purposes." Journal of Ecohumanism 3, no. 4 (2024): 618–26. http://dx.doi.org/10.62754/joe.v3i4.3589.

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The article describes the goals and objectives of creating national language corpora and their educational potential. The creation of Abai’s poetic corpora, the potential of the poetic corpora in solving research, educational and methodological problems is described as part of the research carried out by the authors.The article contains a demonstration of the capabilities of national language corpora, including poetic sub-corpora. The latter, from the authors’ point of view, can become a tool for studying both the theory and history of literature, the author’s style, the system of artistic ima

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Greenstein, Edward L. "The Language of Job and Its Poetic Function." Journal of Biblical Literature 122, no. 4 (2003): 651. http://dx.doi.org/10.2307/3268070.

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Baker, Dorothy Z. "Poetry and Apocalypse: Theological Disclosures of Poetic Language." Comparative Literature Studies 46, no. 4 (2009): 674–76. http://dx.doi.org/10.2307/complitstudies.46.4.0674.

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Wang, Siqi. "Language of Poetry and Poetic Discourse (on the Problem of the Relationship of Concepts)." Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki 163, no. 4–5 (2021): 119–28. http://dx.doi.org/10.26907/2541-7738.2021.4-5.119-128.

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The article examines the essential and logical-hierarchical relationships of such concepts as poetic discourse, poetic language, and the language of poetry. The relevance of the research is determined by fact that the understanding and interpretation of poetic discourse within the framework of the scientific theory is in a state of development, the methodology of literary criticism and linguistics is evolving, and many concepts are still confused. Opinions expressed by the researchers who have studied the essence of poetic language and language of poetry, as well as support the concept of poet

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Temple, Michael, Hans-Jost Frey, William Whobrey, and Bridget McDonald. "Studies in Poetic Discourse: Mallarme, Baudelaire, Rimbaud, Holderlin." Modern Language Review 94, no. 1 (1999): 203. http://dx.doi.org/10.2307/3736052.

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К., Д. Каруник. "ПОЕТИЧНА МОВА П. ТИЧИНИ В ОЦІНЦІ Ю. ШЕВЕЛЬОВА". Лінгвістичні дослідження: Зб. наук. праць ХНПУ ім. Г.С. Сковороди, № 46 (14 листопада 2017): 206–13. https://doi.org/10.5281/zenodo.1048807.

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<em>The paper addresses George Y. Shevelov’s linguistic studies on Pavlo Tychyna’s poetic language and style. This problem was in the focus of Shevelov’s PhD thesis, written in 1936–1939 under Leonid Bulakhovs’kyj’s supervision and defended at the University of Kharkiv. Although the typescript in question is now considered to be lost, some chapters of it are available in the form of three lengthy articles published in 1940–1941. This makes it possible to analyze Shevelov’s early research into Tychyna’s oeuvre within the entire corpus of his studies on poetic language and style, especially from

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Utkirovna, Ruzieva Khurshida. "Phraseologisms in Abdulla Oripov's Poetry." International Journal of Biological Engineering and Agriculture 3, no. 4 (2024): 463–67. http://dx.doi.org/10.51699/ijbea.v3i4.97.

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This article explores the use of phraseological units in the poetry of Abdulla Oripov, a renowned people's poet of Uzbekistan. It examines how Oripov skillfully incorporates phraseological expressions into his poems, enhancing their artistic value. The study also delves into synonymous phrases and lexical-phraseological synonyms, providing insight into their role in enriching poetic language. By analyzing the poet's use of these linguistic elements, the article aims to highlight the artistic and expressive potential of phraseological units in poetry. The research contributes to the understandi

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Bermúdez, Víctor. "Felt Anticipation: Rhythm, Expectation, and Emotion in Friederike Mayröcker’s Poetic Spoken Atmospheres." arcadia 59, no. 2 (2024): 169–86. http://dx.doi.org/10.1515/arcadia-2024-2008.

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Abstract This paper addresses the work of the Austrian poet Friederike Mayröcker (1924–2021) with an interdisciplinary approach contextualised within Cognitive Poetics and Cognitive Literary Theory studies. The specific focus of this study is the voice and the meaning produced through the proposed notion of a ‘poetic spoken atmosphere’. The poetic spoken atmosphere is understood here not as the unique property of an audio-text but rather as an intersubjective phenomenon emerging at the intersection of the poetic language and a listener. This notion underlines the importance of voice and its ef

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Zakharkiv, E. V. "Verbal aggression in modern poetry: conventional and unconventional functioning of discourse markers." Slovo.ru: Baltic accent 11, no. 4 (2020): 15–27. http://dx.doi.org/10.5922/2225-5346-2020-4-2.

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The article examines the specifics of speech aggression in poetic communication. Special attention is paid to the unconventional functioning of discourse markers of aggression. The aim of the study is to analyse aggressive verbal behaviour in poetic communication and identify distinctive characteristics of expressing aggression in everyday discourse. The research methodology includes methods of linguopragmatic, linguopoetic and discourse analyses. The author studies discourse markers of verbal aggression in poetic speech acts, where aggression can be expressed explicitly and implicitly. The s

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PALASH, Alyona. "INTERTEXTUALITY IN THE POETIC LANGUAGE OF MAXYM RYLSKYI." Culture of the Word, no. 92 (2020): 114–22. http://dx.doi.org/10.37919/0201-419x-2020.92.9.

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Problem’s setting. The problem of interpretation and research of the term “intertextuality” today is a topical issue of philosophy, literary criticism, linguistics, modern Ukrainian linguistic poetics, and stylistics of the text. That is, no text can be created in an empty space, it must have an intertextual relationship with other works or texts. Analysis of recent studies. The theoretical basis for the study formed works in the field of modern linguistics, in particular, Robert de Bogrand, Alexander Veselovsky, Olga Vorobyova, Wolfgang Dressler, Alexander Potebnya considered “intertextuality

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Dugar, AM. "The role of poetics in architectural lighting design." Lighting Research & Technology 50, no. 2 (2016): 253–65. http://dx.doi.org/10.1177/1477153516664967.

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Architectural lighting design is generally believed to have visual and psychological consequences on humans, and has been investigated either as an artistic or a scientific endeavour. This paper explores the possibility that these two viewpoints are not mutually exclusive with a poetic approach. It builds upon two arguments: the first is that poetry, being an inherently compositional system like language, impacts the perceived meaning of lit environments; the second is that humans seek qualities with experiential richness when interacting with lit environments, which is very much aligned with

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Marvick, L. "Mallarme and Wagner: Music and Poetic Language." French Studies 62, no. 4 (2008): 483–84. http://dx.doi.org/10.1093/fs/knn076.

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Weber, Andreas. "Poetic Objectivity." Zeitschrift für Semiotik 37, no. 3-4 (2018): 55–70. http://dx.doi.org/10.14464/zsem.v37i3-4.368.

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In this essay I will explore the possibility of an objective ecological ethics. To do this, I follow the embodied ethos of relationships: meaningful expression and mutual sharing occuring in living organisms and systems. Living beings on various levels of identity (cellular selves, individuals, and ecosystems) strive toward increased aliveness. They are self-healing, and generate meaningful relationships, all without the need or interference of human ethical thinking. Ecosystems tend toward complexity and organisms tend to avoid their own destruction. Both tendencies create “natural values” –

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Koschmal, Walter. "Poetik einer neuen Metamorphose: zu Róža Domašcynas Dichtung." Zeitschrift für Slawistik 66, no. 1 (2021): 1–22. http://dx.doi.org/10.1515/slaw-2021-0001.

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Summary The paper characterizes the poetics of the Sorbian poet Róža Domašcyna (*1951). Domašcyna creates diverse methods of metamorphosis in her numerous lyrical works. Different concepts of metamorphosis from Ovid to Goethe as well as concepts of Chinese philosophy are discussed. The novelty of Domašcyna’s concept lies in her language, particularly in the mutation of sound and transformation of all reality. The paper uses “parkfiguren,” a speech composition created together with the composer Harald Muenz, as an example to analyze Domašcyna’s new metamorphosis. It is precisely her extremely u

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De Regt, Lénart J. "Translating Biblical Poetry as Poetry." Między Oryginałem a Przekładem 27, no. 3(53) (2021): 103–16. http://dx.doi.org/10.12797/moap.27.2021.53.06.

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After an introduction into translating biblical poetry as a new communication event in the target culture (and not as a documentation of a source culture event), an analysis is made of a Dutch poetic translation of Psalms 23 and 121 and a Frisian poetic translation of Psalm 23. Of the poetic features and means of expression in these translations, Dutch and Frisian patterns ofmeter are the most important. When a poetic translation of biblical poetry follows genre conventions of the target language and culture (rather than attempting but failing to reproduce the poetic features of the source tex

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Stepanova, Varvara Egorovna. "Artistic peculiarities of the philosophical works of S. S. Vasilyev-Borogonsky." Litera, no. 12 (December 2021): 15–24. http://dx.doi.org/10.25136/2409-8698.2021.12.37099.

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The goal of this research lies in the description of artistic uniqueness of the philosophical lyrics of S. S. Vasilyev. The author reviews the problem of the poetic language of Vasilyev&rsquo;s philosophical poems from the perspective of determination of the role and function of poetic images, as well as the techniques of rhetorical patterns, stylistics and syntax as method of expressing the original philosophical views. Examination of the philosophical lyrics of S. S. Vasilyev required an overview of the context of philosophical poetry of the Yakut classics &ndash; A. E. Kulakovsky, A

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Selemeneva, Olga A. "I.A. Bunin’s poetic mythonymicon: connotative aspect." Russian Language Studies 19, no. 3 (2021): 285–97. http://dx.doi.org/10.22363/2618-8163-2021-19-3-285-297.

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The article studies the system of mythological names in I.A. Bunins poetic heritage. The relevance of the topic is due to the unexplored problems of word-formation motivation, semantics, structure, and the role of mythological names in I.A. Bunins prose and poetic texts. The aim of the paper is to analyze the connotative potential of different-structured mythological names which are significant for the artistic system of I.A. Bunin. The actual material of the study contains I.A. Bunins poetic texts written in 1888-1952. The main research methods are descriptive, etymological, contextual, seman

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Dyadyshcheva-Rosovetska, Yuliia, and Olga Pyatetska. "Stanislav Rosovetskyi's contribution to the study of the language of Taras Shevchenko." Current issues of Ukrainian linguistics: theory and practice, no. 49 (2024): 169–87. https://doi.org/10.17721/apultp.2024.49.169-187.

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The article attempts to outline the contribution of Stanislav Rosovetsky to the study of the language of Taras Shevchenko – a talented scholar, a versatile philologist, a professor at Taras Shevchenko National University of Kyiv, and the author of more than two hundred literary, folkloristic, and linguistic studies on the works of Taras Shevchenko, more than a hundred of which are included in the Shevchenko Encyclopedia. The focus is placed on the linguopoetic, stylistic, and linguofolkloristic issues in his works, as well as on questions concerning the history of the Ukrainian literary langua

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Grosser, Emmylou J. "What Symmetry Can Do That Parallelism Can’t: Line Perception and Poetic Effects in the Song of Deborah (Judges 5:2–31)." Vetus Testamentum 71, no. 2 (2021): 175–204. http://dx.doi.org/10.1163/15685330-12341455.

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Abstract The concept of parallelism has framed discussions of biblical poetry for more than two centuries, but there is still no consensus on what exactly parallelism is. This study contends that consensus does not exist because the side-by-side correspondence approach of parallelism is not suited to the part-whole free-rhythm nature of biblical poetic lines. Instead, perceptual symmetry better accounts for certain aspects of poetic lines that have been understood as parallelism. Unlike parallelism, symmetry is able to account for how lines emerge in aural, free-rhythm biblical poetry, as well

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Malik Umer bin Ajmal, Edi Suprayetno, and Muhammad Usman Abbasi. "A Stylistic Analysis of W.H. Davies’ Selected Poems: Unveiling Linguistic Features in His Poetry." Journal of Applied Linguistics 4, no. 1 (2024): 49–58. http://dx.doi.org/10.52622/joal.v4i1.241.

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The purpose of this paper was to analyze William Henry Davies’ poems “The Rain”, “Money” and “The Fog” from the lens of Stylistic analysis. This analysis was done at the level of graphological, Lexico-syntactical, morphological, and phonological patterns. Stylistic analysis is used in linguistics to discover the various language features that are in the poems and create the meaning that can be found from the language features. This piece of the paper helps in understanding the stylistics according to different scholars, the basic concept of these poems that are related to life’s problems, and

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