Relevant bibliographies by topics / Style for Truth

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Style for Truth'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Style for Truth"

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Bernau. "Enlisting Truth." Style 50, no. 3 (2016): 261. http://dx.doi.org/10.5325/style.50.3.0261.

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Stern, Johannes. "Supervaluation-Style Truth Without Supervaluations." Journal of Philosophical Logic 47, no. 5 (January 15, 2018): 817–50. http://dx.doi.org/10.1007/s10992-017-9451-0.

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Stern, Johannes. "Author Correction: Supervaluation-Style Truth Without Supervaluations." Journal of Philosophical Logic 49, no. 1 (March 13, 2019): 219. http://dx.doi.org/10.1007/s10992-019-09506-y.

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Rabinowitz. "Truth or Inconsequence: A Reply to James Phelan." Style 52, no. 1-2 (2018): 104. http://dx.doi.org/10.5325/style.52.1-2.0104.

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Konyusheva, O. "Comparative Characteristics of Scientific Style and Language of Fiction." Bulletin of Science and Practice 7, no. 7 (July 15, 2021): 371–78. http://dx.doi.org/10.33619/2414-2948/68/52.

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The article discusses the comparative characteristics of the scientific style and the language of fiction. The article introduces separately with such styles of language as: Scientific (style) — style, which stands out to transmitting logical information and proof of its truth; Artistic (style) — style, the basis of which affects the imagination, the nervous system and emotions of the reader, represents the thoughts and emotions of the author, applies everything without exception of the wealth of vocabulary, is characterized by the imagery, the emotionality of speech. Particular attention is paid to the detailed analysis of each style, in which its features, characteristics, structures, communications, types, forms are considered. Based on these examples, both similarities and the uniqueness of these styles are revealed.
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Tandyanto, Yulius. "Membaca 'Kebenaran' Nietzsche." MELINTAS 31, no. 2 (November 23, 2015): 130. http://dx.doi.org/10.26593/mel.v31i2.1622.130-153.

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<p>Nietzsche’s early work that gives wide exploration of the idea of truth is his unpublished essay entitled <em>Wahrheit und Lüge in Ausermoralischen Sinne </em>(1872). His controversial statement in this essay was “Truths are illusions”, opening many interpretations among scholars in understanding his position on truth. Sarah Kofman argues that it is useless to speak about truth in Nietzsche’s philosophy, for values are neither true nor false. Referring values to truth means forgetting to place oneself “beyond good and evil.” Unlike Kofman, Maudemarie Clark separates sharply Nietzsche’s critique of metaphysics and his denial of truth. Clark argues that Nietzsche rejects metaphysics and eventually overcomes it in his own work, but also that he ultimately affirms the existence of truths and therefore does not undermine his own theory when he claims truth for his own position. Clark’s strategy in defending her theses tries to explain that there is a turning (<em>Kehre</em>) in Nietzsche’s position. This article wants to offer an interpretation that Nietzsche does not make a new theory of truth in <em>WL</em>, but rather examines and constates truths that hold true. With his subtile and metaphoric style, Nietzsche might want to vivify the symbolic and figurative elements in language before the truth or reality that already escapes languages.</p>
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Sheppard, Anne. "Rhetoric, Drama and Truth in Plato's Symposium." International Journal of the Platonic Tradition 2, no. 1 (2008): 28–40. http://dx.doi.org/10.1163/187254708x282277.

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AbstractThis paper draws attention to the Symposium's concern with epideictic rhetoric. It argues that in the Symposium, as in the Gorgias and the Phaedrus, a contrast is drawn between true and false rhetoric. The paper also discusses the dialogue's relationship to drama. Whereas both epideictic rhetoric and drama were directed to a mass audience, the speeches in the Symposium are delivered to a small, select group. The discussion focuses on the style of the speeches delivered by Aristophanes, Agathon, Socrates and Alcibiades. Aristophanes speaks in the simple style of comedy, fable and folktale, also used by Protagoras in Plato's Protagoras. Agathon speaks in the high-flown style of Gorgias. Socrates' speech is a miniature Platonic dialogue, and both Alcibiades' speech and Socrates' speech may be compared to satyr play. The paper concludes with a suggestion that the claim at 223D, that the same person should be able to write both comedy and tragedy, refers to style as well as subject-matter.
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Lee, Chih-Chen, and Robert B. Welker. "Prior Exposure to Interviewee's Truth-Telling (Baselining) and Deception-Detection Accuracy in Interviews." Behavioral Research in Accounting 23, no. 2 (November 1, 2011): 131–46. http://dx.doi.org/10.2308/bria-50019.

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ABSTRACT Professional accounting guidance recommends that interviewers attend to deception detection in audit interviews. Prior studies suggest that interviewers are poor detectors of a stranger's deceptions. This study assesses whether behavioral baselining (acquiring familiarity with truth-telling style prior to initiating an interview of an unfamiliar interviewee), a recommended procedure for investigative interviews, improves the ability to detect the deceptions of an unfamiliar interviewee in accounting interviews. In the present study, interviewers conducted five preliminary interviews of a truth-telling interviewee prior to the focal accounting interview. This exposure to the interviewee's truth telling increased the accuracy of detecting truths as opposed to lies, suggesting that behavioral baselining of truth telling aided the detection of primarily truth telling. These findings suggest that behavioral baselining may not facilitate the auditor's objective, that is, the detection of lies. Data Availability: Confidentiality agreements with participants, written with the assistance of human subjects committees, prevent the sharing of data with others.
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Hyok-Key Song. "The Character of Truth and Literature in Descriptive style." DONG-BANG KOREAN CHINESE LIEARATURE ll, no. 39 (June 2009): 27–52. http://dx.doi.org/10.17293/dbkcls.2009..39.27.

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Antunes, Henrique, Walter Carnielli, Andreas Kapsner, and Abilio Rodrigues. "Kripke-Style Models for Logics of Evidence and Truth." Axioms 9, no. 3 (August 19, 2020): 100. http://dx.doi.org/10.3390/axioms9030100.

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In this paper, we propose Kripke-style models for the logics of evidence and truth LETJ and LETF. These logics extend, respectively, Nelson’s logic N4 and the logic of first-degree entailment (FDE) with a classicality operator ∘ that recovers classical logic for formulas in its scope. According to the intended interpretation here proposed, these models represent a database that receives information as time passes, and such information can be positive, negative, non-reliable, or reliable, while a formula ∘A means that the information about A, either positive or negative, is reliable. This proposal is in line with the interpretation of N4 and FDE as information-based logics, but adds to the four scenarios expressed by them two new scenarios: reliable (or conclusive) information (i) for the truth and (ii) for the falsity of a given proposition.
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Dissertations / Theses on the topic "Style for Truth"

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Schneider, Bernice K. (Bernice Karen). "Direct cinema : filmmaking style and its relationship to "truth"." Thesis, Massachusetts Institute of Technology, 1989. http://hdl.handle.net/1721.1/70174.

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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1990.
Title of videocartridge: Harlem. Videocartridge is U-matic format.
Includes bibliographical references (leaves 28-31).
by Bernice K. Schneider.
M.S.V.S.
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Kubota, Shizuka. "Descartes et l’éloquence de la vérité. Les héritages jésuite et humaniste." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040040.

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La philosophie de Descartes est-elle « une philosophie sans rhétorique »? L’on s’attendrait à ce que le principe de l’évidence qui requiert une transparence totale des idées refuse catégoriquement tout recours à l’art rhétorique fondé sur le vraisemblable et réputé faire obstacle à la vérité nue. Cependant, et malgré ses prises de position, Descartes, ancien élève des jésuites, ne renie pas l’héritage des litterae anciennes. Il s’agit de l’héritage rhétorique des humanistes de la Renaissance dans lequel les Pères jésuites ont considérablement puisé : la formation linguistique de Descartes est allée de pair avec un amour de l’éloquence dans son adolescence. Mais cette éloquence, originairement déployée dans un style d’apparat mu par l’enthousiasme, ne va pas chez le Descartes de l’âge mûr sans être guidée par le souci éthique de ne pas trahir la vérité. Derrière un voile transparent propre à transmettre cette vérité intacte, le philosophe tente à la fois de scruter son for intérieur et de s’insinuer discrètement dans l’esprit d’autrui. La rhétorique est ainsi un moyen indispensable pour donner corps au dialogue de la pensée et de l’écriture cartésiennes
Is the philosophy of Descartes “a kind of philosophy without rhetoric”? We might expect that the principle of the evidence, which calls for a total transparency of the ideas, refuses categorically all recourses to the rhetorical art founded on the bounds of credibility and reputed to obstruct the bare truth. However, despite their captures of position, as an old student of the Jesuit, Descartes, doesn’t disown the heritage of the old litterae. It is important to point the rhetorical heritage of the Humanists from which the Jesuit Fathers have considerably drawn: the linguistic formation of Descartes has accompanied with a respect to the eloquence during his adolescence. But this eloquence, originally displayed in the sumptuous style driven by enthusiasm, doesn’t continue until his middle age without being guided by his ethical anxiety not to betray the truth. Behind a transparent veil proper to transmit this intact truth, the philosopher tries both to examine his deep mind and to creep into others’ spirits discreetly. The rhetoric is also an indispensable means in order to embody the dialogue of Cartesian thought and of writings
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Wang, Xing-Hau, and 王興豪. "The influence of psychological threat, coping style and perceived personality trait upon the head and neck cancer patients’ family members’ truth telling attitude." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/28888057459854261302.

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碩士
中原大學
心理學研究所
100
Background and purpose：Cancer is an important issue in Taiwan, because it would affect a person’s health very much. Although many informations focued on the patient and the disease, fewer informations were put an eye on their caregivers and families. Truth telling is the most common topic when we talk to cancer family communication. In this study, we’ll use the stress coping and cognive appraisal model to understand the the truth telling attitude through different situation of head and neck cancer patient’s relatives. Also, we’ll try to find out how the threat of disease, the threat of death, coping style, and perceived personality trait of nervous influence the truth telling attitude. Methods：This study was a corss sectional design, and the data collection was from a medical center in Taoyuan after the Institutional Review Board’s agreement. Subjects were the relatives of the patients who diagnosised the head and neck cancer, included 61 spouses and 39 children. The instruments are the basic information questionnaire, Truth Telling Attitude Survey, Brief COPE, NEO-FFI neurosis factor and the Threat Index – Taiwan version. The statistical analysis included Chi- square, ANOVA and discrimant analysis. Results：This study discovered the overall attitude of the head and neck cancer patient’s relatives are very high. After the compare attitude of different situation, the attitude toward diagnosis and the therapy plan are higher than the attitude toward prognosis related information (included the tumor metastasis, tumor recurred or the terminal cancer). Also this study found that the different relationship which is spouse or child and the patient’s education level would have a significant different between the high, medium and low attitude group. Furthermore, the avoidance coping style and the threat of death were influential variables when trying to discriminate different truth telling attitude. And the variables in this study had a middle correct rate through discriminate analysis. Conculsion：This study tried to measure the truth telling attitude through the psychometric and quantity method, and found that coping style, threat of death and relationship had an influence on it. This study offered some new information in truth telling attitude. Further study can try to measure the truth telling attitude on different cancer diagnosis and also try to figure out what kind of psychological variable would contribute the difference truth telling attitude between spouses and child.
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Nutting, Catherine M. "Rubens and the Stoic Baroque: Classical Stoic Ethics, Rhetoric, and Natural Philosophy in Rubens’s Style." Thesis, 2017. https://dspace.library.uvic.ca//handle/1828/8985.

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Rubens is known as a painter; he should also be defined as an art theorist. Following Robert Williams’ theory that Early Modern art became philosophical, I believe that style can connote art theoretical interests and philosophical models, and that in Rubens’s case, these included the classical Stoic. While it would be possible to trace Rubens’s commitment to Stoicism in his subject matter, I investigate it in his style, taking a Baxandalian approach to inferential criticism. I focus on Rubens’s formal choices, his varied brushwork, and his ability to create a vibrant picture plane. My study is divided into chapters on Ethics, Logic, and Physics. In Chapter One I treat Stoic moral philosophy as an influence in the design of Rubens’s paintings, consider similarities between classical and Early Modern interest in viewer/reader response, and argue that Baroque artists could use style to avoid dogma while targeting viewers’ personal transformation. In Chapter Two I focus on Rhetoric, a section of the Stoic philosophy of Logic. Stoic Logic privileged truth: that is, it centred on investigating existing reality. As such, Stoic rhetorical theory and the classical literature influenced by it promoted a style that is complex and nuanced. I relate this to the Early Modern interest in copia, arguing that this includes Rubens’s painterly style which, apropos copia, should be better termed the Abundant Style. In Chapter Three I explore similarities between Stoic Natural Philosophy and the Early Modern artistic interest in the unified visual field. The Stoics defined the natural world as eternally moving and mixing; with force fields, energy, and elements in constant relationships of cause/effect. The Stoic concept of natural sympathy was a notion of material/energetic interrelatedness in which the world was seen as a living body, and the divine inhered in matter. I consider ways that these classical Stoic concepts of transformation, realism, and vivified matter might be discerned in Rubens’s style.
Graduate
2020-12-14
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Stemmet, Carl. "Trust no truth : an analysis of the visual translation styles in the conspiracy film." Diss., 2011. http://hdl.handle.net/2263/23938.

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This study investigates the manner in which cinematic visual translation styles can be used to incorporate dominant and subversive historical versions in fictional narratives constructed within the conspiracy film genre. Fictional characters in a conspiracy film are often tasked with a mission to discover the alternative historical accounts, accounts which for all intents and purposes are regularly kept hidden from the public eye. These accounts are presented as a plausible and often unconventional narrative which challenges the dominant version of events. A visual translation style is a term used to describe the various methods in which a film can be shot and edited in order to create a specific aesthetic and communicate a specific idea. These styles can consist of camera movements, shot sizes or editing techniques, all of which aid in communicating a specific idea in a film. This study analyses the conventions of the conspiracy film, with regard to the manner in which the alternative and dominant versions of historical accounts are constructed. Furthermore, the study explores how these alternative and hegemonic historical events are presented and communicated through the use of visual translation styles. Theorists such as Jean Baudrillard and David Bordwell are referenced when discussing the meaning and application of terms such as “truth”, “narrative” and “history” and to problematise these notions in the context of this particular genre. Other key notions investigated include aporia, metalanguage and object-language and notions of genre theory. The conceptual and theoretical framework regarding visual translation styles is further complemented by writers such as Don Fairservice and Ken Dancyger.
Dissertation (MA)--University of Pretoria, 2012.
Drama
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LU, HAN-YING, and 呂函螢. "Natsuhiko Kyougoku’s Writing Styles in Kousetsu Hyaku Monogatari and Zoku Kousetsu Hyaku Monogatari: Focused on the Paradox of Truth and Fiction." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/q7tzrq.

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碩士
東吳大學
日本語文學系
104
This thesis selects two of Natsuhiko Kyogoku's works, Kousetsu Hyaku Monogatari and Zoku Kousetsu Hyaku Monogatari, as texts for analysis, and sets out to explore two aspects of these works. The first is to clarify how and with what purpose “kyogen,” a theatrical form, is being used. The next is to investigate into how classical Japanese literature is interpreted and integrated in modern writings. In the former studies mentioning these two works, the focus usually lies more on the author's Hyakki Yagyou series. Consiquently, the mention of these two works, also known as Hyaku Monogatari series, is often intended merely for comparison purpose. Although these two series indeed have some chronicle connections, each has its own unique writing style worth to be explored. Therefore, the idea of trying to point out the fact that Hyaku Monogatari series has plenty of themes and writing techniques yet to be explored and discussed becomes the starting point of this thesis. Within the selected two works are 13 short stories each connected to the others. This thesis approaches these texts from the following three aspects: first, by point, to analyze the building of each characters, and second, by line, to clarify how each plot line interacts with the others, while finally, by surface, to grasp the overall structure of each stories. Following the above three steps comes the investigation of specific stories which serve as the framework for the whole series, in an attempt to reveal how the author uses “kyogen” in his works. As for the discussion on his interpretation of classical Japanese literature, the comparison to Ehon Hyaku Monogatari Momoyama Sanjin Yawa, which the author actually quotes in Hyaku Monogatari series, is taken into consideration. In conclusion, this thesis points out that while all the analyzed stories are set in the Edo period, the social phenomena and conditions described in these works are not confined to the Edo period, but having a certain universal quality. The characters in the stories using “kyogen” to deal with these phenomena or conditions may serve as hints for modern society to deal with similar issues. Meanwhile, the seamless integration of the classical Japanese literature and modern novel also provides a new possibility for the writing style of modern literature.
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Books on the topic "Style for Truth"

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The truth about style. New York: Viking Adult, 2012.

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John, Daniel. Structure, style, and truth: Elements of the short story. Santa Barbara: Fithian Press, 1998.

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Donahue, Ray T. Japanese non-linear discourse style: A straight or crooked truth? New York: Applied Linguistics Research, 1990.

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Stevenson, John W. Nothing but the truth: A life style of Christian integrity. Shippensburg, Pa: Destiny Image Publishers, 1993.

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1954-, Turner Mark, ed. Clear and simple as the truth: Writing classic prose. 2nd ed. Princeton: Princeton University Press, 2010.

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1954-, Turner Mark, ed. Clear and simple as the truth: Writing classic prose. Princeton, N.J: Princeton University Press, 1996.

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1954-, Turner Mark, ed. Clear and simple as the truth: Writing classic prose. Princeton, N.J: Princeton University Press, 1994.

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Imagination und Wahrheit: Goethes Künstler-Bildungsroman "Wilhelm Meisters Lehrjahre" : Struktur, Symbolik, Poetologie. Würzburg: Königshausen & Neumann, 2003.

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"Prawda" w Biblii hebrajskiej: Analiza logiczno-lingwistyzna. Kraków: Wydawn. Austeria, 2010.

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Tilbrook, Adrian J. Truth, beauty, and design: Victorian, Edwardian, and later decorative art : an exhibition at Fischer Fine Art Limited, 15 May - 27 June 1986. London: Adrian J. Tilbrook & Fischer Fine Art Limited, 1986.

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Book chapters on the topic "Style for Truth"

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Vlad, Denisa Elena. "Conclusions – The Highest Style of Quality: post-truth social media?" In Concepts of Quality Connected to Social Media and Emotions, 187–203. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-28867-9_6.

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Adams, Don. "Truth as a Matter of Style: Alternative Paradigms of Literary Realism." In Alternative Paradigms of Literary Realism, 1–10. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230101968_1.

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Babich, Babette E. "Towards a Post-Modern Hermeneutic Ontology of Art: Nietzschean Style and Heideggerian Truth." In Phenomenology and Aesthetics, 195–209. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-2027-9_15.

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Jernazian, Ephraim K. "The Military Draft — Turkish Style." In Judgment Unto Truth, 43–45. Routledge, 2017. http://dx.doi.org/10.4324/9780203787847-13.

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"Principles of Classic Style." In Clear and Simple as the Truth, 5–106. Princeton University Press, 2011. http://dx.doi.org/10.2307/j.ctvcm4g56.5.

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"Your speaking style makes a difference." In The Truth about Confident Presenting, 53–56. Anthem Press, 2019. http://dx.doi.org/10.2307/j.ctvb1htf9.18.

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"One. Principles of Classic Style." In Clear and Simple as the Truth, 5–106. Princeton University Press, 2011. http://dx.doi.org/10.1515/9781400838547-003.

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"ONE: PRINCIPLES OF CLASSIC STYLE." In Clear and Simple as the Truth, 7–112. Princeton University Press, 2017. http://dx.doi.org/10.1515/9781400887354-003.

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Burgess, Alexis G., and John P. Burgess. "Introduction." In Truth. Princeton University Press, 2011. http://dx.doi.org/10.23943/princeton/9780691144016.003.0001.

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This book examines recent philosophical inquiries into what it is for a thing to be true. Probably the best-known saying about truth by a philosopher is Aristotle's assertion: “To say of what is that it is not, or of what is not that it is, is false, while to say of what is that it is, and of what is not that it is not, is true.” The book gives a nontechnical account of the most often discussed aspects of Alfred Tarski's views and considers the debates regarding deflationism, realism, and antirealism. It also explores views on liar-style paradoxes, with an account of the work of Saul Kripke, along with arguments advocating deviation from classical logic and arguments emphasizing the role of context in communication. Finally, it analyzes the connection between the issue of the solvability or unsolvability of the paradoxes and the issues between deflationism and inflationism.
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"Bion’s Evidence and his theoretical style." In Truth and the Unconscious in Psychoanalysis, 192–207. Routledge, 2016. http://dx.doi.org/10.4324/9781315666662-11.

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Conference papers on the topic "Style for Truth"

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Iranfar, Maryam, and Hourakhsh Ahmad Nia. "The Synthesis of Ethics and Aesthetics in Modern Movement of Architecture: ‘Truth’ Theory as an Assessment Tool." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021235n17.

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Architects and designers are obligated to think comprehensively to create aesthetically pleasing buildings together with functional features. The modern movement of architecture represents a dramatic movement in the buildings design to create a different functional and new architecture. There is a debate about the priority of beauty (aesthetics) and functionality (ethics) in this architectural style and leads to ambiguity in evaluating ethics and aesthetics. Hence, the study aims to understand the relationship between ethics and aesthetics value in architecture's modern movement. This study hypothesizes that there is a significant relationship between ethical and aesthetical values through the functionality of modern architecture. The study has proposed a conceptual model to be applied in future studies on different case studies. This is through assessment tools to evaluate the presence of ethics and aesthetics in modern architectural style.
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Burkus, Viktória, Attila Kárpáti, and László Szécsi. "Particle-Based Fluid Surface Rendering with Neural Networks." In WSCG'2021 - 29. International Conference in Central Europe on Computer Graphics, Visualization and Computer Vision'2021. Západočeská univerzita, 2021. http://dx.doi.org/10.24132/csrn.2021.3002.26.

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Surface reconstruction for particle-based fluid simulation is a computational challenge on par with the simula-tion itself. In real-time applications, splatting-style rendering approaches based on forward rendering of particleimpostors are prevalent, but they suffer from noticeable artifacts.In this paper, we present a technique that combines forward rendering simulated features with deep-learning imagemanipulation to improve the rendering quality of splatting-style approaches to be perceptually similar to ray tracingsolutions, circumventing the cost, complexity, and limitations of exact fluid surface rendering by replacing it withthe flat cost of a neural network pass. Our solution is based on the idea of training generative deep neural networkswith image pairs consisting of cheap particle impostor renders and ground truth high quality ray-traced images.
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