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Books on the topic 'Style for Truth'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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1

The truth about style. New York: Viking Adult, 2012.

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2

John, Daniel. Structure, style, and truth: Elements of the short story. Santa Barbara: Fithian Press, 1998.

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3

Donahue, Ray T. Japanese non-linear discourse style: A straight or crooked truth? New York: Applied Linguistics Research, 1990.

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4

Stevenson, John W. Nothing but the truth: A life style of Christian integrity. Shippensburg, Pa: Destiny Image Publishers, 1993.

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5

1954-, Turner Mark, ed. Clear and simple as the truth: Writing classic prose. 2nd ed. Princeton: Princeton University Press, 2010.

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6

1954-, Turner Mark, ed. Clear and simple as the truth: Writing classic prose. Princeton, N.J: Princeton University Press, 1996.

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7

1954-, Turner Mark, ed. Clear and simple as the truth: Writing classic prose. Princeton, N.J: Princeton University Press, 1994.

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8

Imagination und Wahrheit: Goethes Künstler-Bildungsroman "Wilhelm Meisters Lehrjahre" : Struktur, Symbolik, Poetologie. Würzburg: Königshausen & Neumann, 2003.

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9

"Prawda" w Biblii hebrajskiej: Analiza logiczno-lingwistyzna. Kraków: Wydawn. Austeria, 2010.

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10

Tilbrook, Adrian J. Truth, beauty, and design: Victorian, Edwardian, and later decorative art : an exhibition at Fischer Fine Art Limited, 15 May - 27 June 1986. London: Adrian J. Tilbrook & Fischer Fine Art Limited, 1986.

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11

Sturtevant, Elaine. Sturtevant: The brutal truth. Ostfildern-Ruit: Hatje Cantz, 2004.

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12

Fortney, Steven. Seeking truth : living with doubt. Bloomington, IN: Gardners Books, 2007.

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13

Pettibon, Raymond. Raymond Pettibon: The pages which contain truth are blank. Innsbruck: Skarabaeus, 2003.

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14

Neel, Alice. Alice Neel: Painted truths. Houston: Museum of Fine Arts, 2010.

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15

Neel, Alice. Alice Neel: Painted truths. Houston: Museum of Fine Arts, 2010.

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16

Neel, Alice. Alice Neel: Painted truths. Houston: Museum of Fine Arts, 2010.

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17

Neel, Alice. Alice Neel: Painted truths. Houston: Museum of Fine Arts, 2010.

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18

Hilton, Roger. Roger Hilton: 'an instrument of truth' : the sketchbooks of Roger Hilton and related works. St. Ives: Tate Gallery St. Ives, 1997.

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19

J, Morin William, ed. Truth, trust, and the bottom line: 7 steps to trust-based management. Chicago Ill: Dearborn Trade, 2001.

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20

The believing brain: From ghosts, gods, and aliens to conspiracies, economics, & politics : how the brain constructs beliefs & reinforces them as truths. New York: Times Books, 2011.

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21

Thomas, Isabelle, Abrams Noterie Staff, and Emily Macaux. Truth about Style. Abrams, Inc., 2019.

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22

The Truth About Style. Penguin Books, 2013.

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23

Nolan, Maura. Style. Edited by James Simpson and Brian Cummings. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199212484.013.0022.

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Poetic style may be analyzed by starting with the smallest measurable units of poetry. Style has two aspects that are often contradictory: the particular and the general. The notion of style underwent numerous changes over the years between Geoffrey Chaucer and Thomas Wyatt. This article examines the question of style by juxtaposing three poets, three centuries, and two literary-historical periods. It considers the relationship between the Middle Ages and the Renaissance as well as embeddedness of Chaucer, Wyatt, and John Lydgate in those periods in stylistic terms and describes an alternative way of thinking about literary style that reveals the secretive manner that history works in art. It discusses the troublesome poetic terrain of stresses, absences of stress, feet, and meter as a way of scrutinizing the “styles” of Chaucer, Lydgate, and Wyatt in “Truth,” “The World is Variable,” and “What Vaileth Trouth,” respectively.
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24

Be More RBG: Speak Truth and Dissent with Supreme Style. Dorling Kindersley Publishing, Incorporated, 2019.

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25

Dk Publishing. Be More RBG: Speak Truth and Dissent with Supreme Style. Dorling Kindersley Publishing, Incorporated, 2019.

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26

Muckenhoupt, Meg. Truth about Baked Beans: An Edible New England History. New York University Press, 2020.

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27

Pietroski, Paul M. Truth or understanding. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198812722.003.0005.

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This chapter and the next argue against the idea that children acquire languages whose sentences have compositionally determined truth conditions. The chapter begins by discussing Davidson’s bold conjecture: the languages that children naturally acquire support Tarski-style theories of truth, which can serve as the core components of meaning theories for the languages in question. The argument is that even if there are plausible theories of truth for these languages, formulating them as plausible theories of meaning requires assumptions about truth that are extremely implausible. Sentences like ‘My favorite sentence is not true’, which happens to be my favorite sentence, illustrate this point. But the point is not merely that “Liar Sentences” are troublesome, it is that theories of truth and theories of meaning have different subject matters.
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28

Wiersbe, Warren W. Truth on Its Head: Unusual Wisdom in the Paradoxes of the Bible. Weaver Book Company, 2016.

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29

Ringbom, Sixten. Stone, style and truth: The vogue for natural stone in Nordic architecture 1880-1910. Helsinki, 1987.

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30

Reading Genesis Well: Navigating History, Poetry, Science, and Truth in Genesis 1-11. Zondervan Academic, 2018.

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31

1008 Kabir Vani Nectar of Truth and Knowledge: Essence of the Collection of Saakhis in simple Language and Style. Manoj, 2005.

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32

Truth, Sojourner. Narrative of Sojourner Truth: Includes MLA Style Citations for Scholarly Secondary Sources, Peer-Reviewed Journal Articles and Critical Essays. CreateSpace Independent Publishing Platform, 2017.

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33

Charles, David. Practical Truth. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198817277.003.0009.

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This paper concerns Aristotle’s discussion of practical truth in Nicomachean Ethics VI.2.1139a17–b5. The essay falls into five sections. In the first three, I outline two styles of interpretation of Aristotle’s remarks and suggest that one of them (which I call ‘the third way’) gives a better reading than that offered by its major competitor (which I call ‘the two-component’ view). In the fourth I consider some texts in the remainder of NE VI which provide additional support for the third way of reading. In a brief concluding section, I seek to locate Aristotle’s view of practical truth, so understood, in a broader philosophical context.
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34

Haughton, Hugh. Oscar Wilde. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198737827.003.0017.

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Unlike his mentor Pater, Wilde never wrote an essay on ‘Style’, but this chapter argues that Wilde’s career as essayist, playwright, poet, and intellectual provocateur hinges on his advocacy of style as both instrument and end in itself. A self-conscious stylist in all things, Wilde’s work creates a dizzying hall of mirrors which undermines mirror theories of art and language. By putting the critical notion of style at the centre of his dialectical prose, this study argues that Wilde transforms contemporary debates about both aestheticism and philosophy, as when he asserts in his dialogue ‘The Decay of Lying’ that ‘Truth is entirely and absolutely a matter of style’. On his principle that ‘our one duty to history is to re-write it’, Wilde’s unmelancholy essays playfully rewrite aesthetic, philosophical, and cultural history by reviewing them through the lens of his own style, making him the representative critic of his age.
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35

Burgess, Alexis. Truth in Fictionalism. Edited by Michael Glanzberg. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199557929.013.15.

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What does realism about an arbitrary subject-matter have to do with truth? Some views say everything, others hardly anything. Both answers are reflected in ongoing debates between self-styled realists and anti-realists in metaphysics, and other areas. Error theory, nonfactualism, fictionalism, and other forms of opposition to realism are normally articulated and differentiated using the notions of truth and falsity. Given its preoccupation with the limits of literal representation, fictionalism can seem especially ensared in semantics and/or the theory of mental content. Be that as it may, the present chapter aims to establish that there remains an important sense in which the fictionalist gambit does not essentially have anything to do with truth or falsity. In particular, many recognizably fictionalist positions are compatible with nominalism about truths: the view that nothing whatsoever is true.
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36

Eller, Jonathan R. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036293.003.0001.

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This book delves into Ray Bradbury's emotional world as it matured through his explorations of cinema and art, his interactions with agents and editors, his reading discoveries, and the reading suggestions of older writers. It analyzes the origins of Bradbury's wariness of intellectual writing and his conviction that intuitive things are the real truths, that “the fiction writer is, first and foremost, an emotionalist.” These origins reveal why Bradbury's unique style and his abiding creative focus on the basic emotions that define our humanity remain his greatest contributions to American literature. In order to probe Bradbury's writing career, the book establishes the chronology of his encounters with the works of authors, artists, illustrators, playwrights, and filmmakers who stimulated his imagination throughout the first three decades of his life. The goal is to elucidate the “truth” of the many masks he assumes as he becomes Ray Bradbury.
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37

de Jonge, Casper C. Dionysius of Halicarnassus on Thucydides. Edited by Sara Forsdyke, Edith Foster, and Ryan Balot. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199340385.013.17.

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Thucydides was very popular among Roman rhetoricians and historians of the first century bce. The Greek critic Dionysius of Halicarnassus, however, criticizes Thucydides for his unnatural style and his inappropriate treatment of subject matter. This chapter explains Dionysius’ criticisms by taking into account the later writer’s rhetorical perspective on the writing of history, as well as the character of his Roman audience, which included the addressee of the treatise, the historian Quintus Aelius Tubero. Dionysius’ criticisms of Thucydides’ anti-Athenian attitude ( Letter to Pompeius 3.15), and his apparently conflicting praise (On Thucydides 8.1) of Thucydides’ commitment to the truth can be reconciled if we take into account Dionysius’ concept of “truth,” his intended audience, and his rhetorical concept of historiography.
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38

Eckhard, Schneider, ed. Truth before power. Kunsthaus Bregenz, 2004.

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39

Cole, Henri, Peter Glotz, Jenny Holzer, and Eckhard Schneider. Jenny Holzer: Truth Before Power. Kunsthaus Bregenz, 2004.

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40

Fortney, Steven, and Marshall Onellion. Seeking Truth: Living With Doubt. AuthorHouse, 2007.

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41

Fortney, Steven, and Marshall Onellion. Seeking Truth: Living With Doubt. AuthorHouse, 2007.

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42

Randall, David. The Classic Origins of Conversation. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474430104.003.0002.

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In antiquity, the Greeks and Romans linked together several concepts whose history we will trace throughout this narrative. These were familiarity, its sometimes-tense analogue friendship, the friend’s doppelgänger, the flatterer, and conversation, the mode of speech inquiring after truth that articulated both familiar style and friendship. All these concepts found expression not only in conversation but also in the letter, the written analogue of conversation. The Romans in particular also began to emphasize during their Silver Age the concept of conversatio, the mutual conduct of mankind. This last concept stood at some intellectual distance from the constellation formed around familiarity, friendship, and conversation, but from the beginning it possessed conceptual associations that would allow it to be linked with them more tightly in ensuing centuries.
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43

Pietroski, Paul M. Locating meanings. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198812722.003.0002.

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This chapter characterizes meanings in terms of certain generative procedures. We can begin to locate the natural phenomenon of linguistic meaning by focusing on (Chomsky-style) examples of constrained homophony. Two or more lexical items can connect distinct meanings with the same pronunciation; and phrases like ‘ready to please’ are similarly homophonous. But as ‘eager to please’ and ‘easy to please’ illustrate, phrasal homophony is constrained. Such facts provide important clues about what meanings are, and how they can(not) be combined. The details provide reasons for identifying the languages that children naturally acquire with biologically implemented procedures, and not sets of expressions. There are English procedures; but English is not a thing that speakers share and use to communicate. In this context, some initial reasons are given for doubting that the relevant procedures generate sentences that have truth conditions.
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44

Van Cleve, James. Brute Necessity and the Mind–Body Problem. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198758600.003.0005.

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In a growing number of papers one encounters arguments to the effect that certain philosophical views are objectionable because they would imply that there are necessary truths for whose necessity there is no explanation. For short, they imply that there are brute necessities. Therefore, the arguments conclude, the views in question should be rejected in favor of rival views under which the necessities would be explained. This style of argument raises a number of questions. Do necessary truths really require explanation? Are they not paradigms of truths that either need no explanation or automatically have one, being in some sense self-explanatory? If necessary truths do admit of explanation or even require it, what types of explanation are available? Are there any necessary truths that are truly brute? This chapter surveys various answers to these questions, noting their bearing on arguments from brute necessity and arguments concerning the mind–body problem.
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45

Eaton, Margaret, Joyce Logan, Layne Seeloff, and Elizabeth Seib. Michael Bolton: The Passion, Secrets, Soul and Truths. Lifetime Books, Inc., 1997.

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46

1958-, Seeloff Layne A., ed. Michael Bolton: The passion, secrets, soul, and truths. Hollywood, Fla: Lifetime Books, 1997.

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47

Raymond Pettibon: The Pages Which Contain Truth Are Blank. Skarabaeus, 2005.

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48

Metz, Herman Fried de, ed. The Naked truth-- and other interesting country dances old & new-- with music-- in a variety of styles and formations. [Larchmont, N.Y.] (66 Chestnut Ave., Larchmont 10538): [F. de M. Herman, 1986.

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49

DeRose, Keith. Two Substantively Moorean Responses and the Project of Refuting Skepticism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199564477.003.0003.

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In this chapter, substantive Mooreanism, according to which one does know that one is not a brain in a vat, is explained, and two main varieties of it are distinguished. Contextualist Mooreanism, (a) on which it is only claimed that one knows that one is not a brain in a vat according to ordinary standards for knowledge, and (b) on which one seeks to defeat bold skepticism (according to which one doesn’t know simple, seemingly obvious truths about the external world, even by ordinary standards for knowledge), is contrasted with Putnam-style responses, on which one seeks to refute the skeptic, utilizing semantic externalism. Problems with the Putnam-style attempt to refute skepticism are identified, and then, more radically, it is argued that in important ways, such a refutation of skepticism would not have provided an adequate response to skepticism even if it could have been accomplished.
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50

Morin, William J., and Diane Tracy. Truth, Trust, and the Bottom Line: 7 Steps to Trust-Based Management. Kaplan Business, 2001.

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