Relevant bibliographies by topics / Style of clothes

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Style of clothes'

Author: Grafiati
Published: 28 May 2022
Last updated: 29 May 2022

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Journal articles on the topic "Style of clothes"

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ECKERT, CLAUDIA M., and ELLEN YI-LUEN DO. "Special Issue: Understanding, representing, and reasoning about style." Artificial Intelligence for Engineering Design, Analysis and Manufacturing 20, no. 3 (June 27, 2006): 163–65. http://dx.doi.org/10.1017/s0890060406060148.

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Style is a word that people think they understand. Most people recognize artifacts like buildings and clothes as being exemplars of particular styles, and they know words like Rococo and Art Deco as names for styles. They can recognize stylistic similarities not only in one sort of artifact but also across wide ranges of different things, such as buildings, furniture, artworks, clothes, music, and even manners. However, “style” is a slippery notion: the word has been used in a variety of senses since the ancient Greeks first thought about the differences in how people wrote or painted, and it is still used to refer to different things.
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Singh, Montek, Utkarsh Bajpai, Vijayarajan V., and Surya Prasath. "Generation of fashionable clothes using generative adversarial networks." International Journal of Clothing Science and Technology 32, no. 2 (August 6, 2019): 177–87. http://dx.doi.org/10.1108/ijcst-12-2018-0148.

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Purpose There are various style options available when one buys clothes on online shopping websites, however the availability the new fashion trends or choices require further user interaction in generating fashionable clothes. The paper aims to discuss this issue. Design/methodology/approach Based on generative adversarial networks (GANs) from the deep learning paradigm, here the authors suggest model system that will take the latest fashion trends and the clothes bought by users as input and generate new clothes. The new set of clothes will be based on trending fashion but at the same time will have attributes of clothes where were bought by the consumer earlier. Findings In the proposed machine learning based approach, the clothes generated by the system will personalized for different types of consumers. This will help the manufacturing companies to come up with the designs, which will directly target the customer. Research limitations/implications The biggest limitation of the collected data set is that the clothes in the two domains do not belong to a specific category. For instance the vintage clothes data set has coats, dresses, skirts, etc. These different types of clothes are not segregated. Also there is no restriction on the number of images of each type of cloth. There can many images of dresses and only a few for the coats. This can affect the end results. The aim of the paper was to find whether new and desirable clothes can be created from two different domains or not. Analyzing the impact of “the number of images for each class of cloth” is something which is aim to work in future. Practical implications The authors believe such personalized experience can increase the sales of fashion stores and here provide the feasibility of such a clothes generation system. Originality/value Applying GANs from the deep learning models for generating fashionable clothes.
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Jeong, Yoojin, and Chae-Bong Sohn. "Readily Design and Try-On Garments by Manipulating Segmentation Images." Electronics 9, no. 9 (September 22, 2020): 1553. http://dx.doi.org/10.3390/electronics9091553.

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Recently, fashion industries have introduced artificial intelligence to provide new services, and research to combine fashion design and artificial intelligence has been continuously conducted. Among them, generative adversarial networks that synthesize realistic-looking images have been widely applied in the fashion industry. In this paper, a new apparel image is created using a generative model that can apply a new style to a desired area in a segmented image. It also creates a new fashion image by manipulating the segmentation image. Thus, interactive fashion image manipulation, which enables users to edit images by controlling segmentation images, is possible. This allows people to try new styles without the pain of inconvenient travel or changing clothes. Furthermore, they can easily determine which color and pattern suits the clothes they wear more, or whether the clothes other people wear match their clothes. Therefore, user-centered fashion design is possible. It is useful for virtually trying on or recommending clothes.
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Surikova, Olga V., Victor E. Kuzmichev, and Galina I. Surikova. "Improvment of Clothes Fit for Different Female Bodies." Autex Research Journal 17, no. 2 (June 27, 2017): 111–19. http://dx.doi.org/10.1515/aut-2016-0003.

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Abstract The factors influencing for fit and suit of women’s clothing have been studied. The main reason of misfit is the nonconformity between the front and back width of pattern block, the corresponding body sizes taken across the hipline, and the textile materials properties. To predict the behavior of textile fabrics in real clothes including the shear deformation and wrinkles appearing, the special test and device have been designed. The developed method of pattern block making includes the test of clothes proportionality based on the female bodies sizes, pattern block indexes, and textile fabrics properties. Features of “figure-clothes” systems in-cluding the vertical designing lines, styles, volume of clothes, ease allowance and its distribution between the back, armhole, and front of the pattern blocks were taken into consideration. Recommendations in terms of selecting the proper design of style for different sizes of female bodies have been made.
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Guan, Congying, Shengfeng Qin, and Yang Long. "Apparel-based deep learning system design for apparel style recommendation." International Journal of Clothing Science and Technology 31, no. 3 (June 3, 2019): 376–89. http://dx.doi.org/10.1108/ijcst-02-2018-0019.

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Purpose The big challenge in apparel recommendation system research is not the exploration of machine learning technologies in fashion, but to really understand clothes, fashion and people, and know what to learn. The purpose of this paper is to explore an advanced apparel style learning and recommendation system that can recognise deep design-associated features of clothes and learn the connotative meanings conveyed by these features relating to style and the body so that it can make recommendations as a skilled human expert. Design/methodology/approach This study first proposes a type of new clothes style training data. Second, it designs three intelligent apparel-learning models based on newly proposed training data including ATTRIBUTE, MEANING and the raw image data, and compares the models’ performances in order to identify the best learning model. For deep learning, two models are introduced to train the prediction model, one is a convolutional neural network joint with the baseline classifier support vector machine and the other is with a newly proposed classifier later kernel fusion. Findings The results show that the most accurate model (with average prediction rate of 88.1 per cent) is the third model that is designed with two steps, one is to predict apparel ATTRIBUTEs through the apparel images, and the other is to further predict apparel MEANINGs based on predicted ATTRIBUTEs. The results indicate that adding the proposed ATTRIBUTE data that captures the deep features of clothes design does improve the model performances (e.g. from 73.5 per cent, Model B to 86 per cent, Model C), and the new concept of apparel recommendation based on style meanings is technically applicable. Originality/value The apparel data and the design of three training models are originally introduced in this study. The proposed methodology can evaluate the pros and cons of different clothes feature extraction approaches through either images or design attributes and balance different machine learning technologies between the latest CNN and traditional SVM.
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Choi, Jae-Ran, and Sook-Hee Ryoo. "Image Analysis of Color in Clothes Style." Journal of the Korean Society of Clothing and Textiles 34, no. 2 (February 28, 2010): 266–79. http://dx.doi.org/10.5850/jksct.2010.34.2.266.

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Goldstein, Michael D., Craig H. Friedmann, Peter D. Griffin, and Julia U. Halberg. "The Emperor's New Clothes-Occupational Medicine Style." Journal of Occupational & Environmental Medicine 40, no. 1 (January 1998): 11. http://dx.doi.org/10.1097/00043764-199801000-00001.

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Cuckovic, Aleksandar. "Dandyism and fashion: From clothes to style." Kultura, no. 141 (2013): 73–100. http://dx.doi.org/10.5937/kultura1341073c.

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Genova, Carlo. "Participation with Style. Clothing among Young Activists in Political Groups." Societies 10, no. 3 (July 23, 2020): 55. http://dx.doi.org/10.3390/soc10030055.

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Research shows that forms of participation among youth are strongly differentiated and connected with complex meanings and motivations. A growing sector of youth develops political intervention through the adoption of distinctive everyday practices and lifestyles. The article aims to reflect upon dress among young activists involved in political groups. Very little research focuses on this topic, but following studies on everyday politics, the young activists’ clothing could be considered as a form and a field of political participation. This approach, however, seems not to be sufficient to interpret the phenomenon. Taking inspiration from research about youth cultures, the article suggests interpreting youth clothing conjointly as a component of style, as a means for constructing collective identity, and social positioning. The article is based on qualitative interviews collected in Piedmont (Italy). Six main topics have been investigated: 1. Socialization to clothing; 2. clothing of the activists and in their groups; 3. meanings of clothing; 4. relevance of clothing; 5. practices of buying clothes; 6. clothes as consumer goods.
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Serhiienko, Liubov. "Technical Quality Control of Uniforms (Uniforms-Style Clothes)." Modern Special Technics 4(59) (2019): 131–39. http://dx.doi.org/10.36486/mst2411-3816.2019.4(59).14.

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Dissertations / Theses on the topic "Style of clothes"

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Krotova, Tetyana, and Olga Yezhova. "Decorating modern clothes in ethnic style." Thesis, Institutul Patrimoniului Cultural, 2020. https://er.knutd.edu.ua/handle/123456789/17608.

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The entocultural heritage of the peoples of the world inspires designers to create works of industrial and consumer use. Clothing designers actively use elements of ethnic costume when creating collections of modern clothing. The purpose of the article is to review the areas of work of designers on the use of ethnocultural heritage in the development of author’s collections of modern clothing. As a result of the analysis of the creativity of the leading world and Ukrainian designers of clothes it is revealed that the use of ethnic heritage is relevant in creating collections of modern clothing.
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Сербін, Олегослав Ігорович. "Safari style in women's and men's clothes." Thesis, Київський національний університет технологій та дизайну, 2020. https://er.knutd.edu.ua/handle/123456789/15359.

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Mysakovets, N. V. "Retro style in fashion." Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/11376.

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Gerasymenko, Olena, Bohdan Kass, Olena Kolosnichenko, Kalina Pashkevich, and Anastasia Veklich. "Use of folk costume features in the design of fashion clothes." Thesis, Institutul Patrimoniului Cultural, 2020. https://er.knutd.edu.ua/handle/123456789/16413.

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Cholovska, Olga, Natalia Sadretdinova, and Serhiy Buderkevych. "Design of modern women's clothes with embroidery in the Scandinavian style taking into account consumer properties." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/19074.

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Andreichuk, Liliia, Anastasiia Antonjuzenko, Marina Kolosnichenko, Nataliia Ostapenko, and Alla Rubanka. "Features of development of a collection of modern clothes on ethnic motifs for youth." Thesis, Institutul Patrimoniului Cultural, 2020. https://er.knutd.edu.ua/handle/123456789/16389.

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Mamedova, Lala, Elfana Gasumova, and Gulchohra Salehzadeh. "The futurist direction in fashion industry – cyberpunk style." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17922.

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Cyberpunk – is the stylistic trend in literature, cinema, clothing, interiors and other areas of modern life, based on the aesthetics of science fiction films, games, ideas about the world of the future. This is a special picture of the world with incredible technologies, scientific achievements, robots -the versions have already been offered by dozens of creators of games, motion picture, novels. Futurism touched on clothes, shoes, make-up, hairstyles – a unique version of aesthetics with elements of minimalism, sports style, not lacking of comfort was obtained. The main goal of the designers is to embody the high technologies in everyday image, to emphasize the differences in the cyberpunk style with characteristic colors, shapes, accessories, and styles.
Киберпанк – стилистическое направление в литературе, кино, одежде, интерьере и других сферах современной жизни, основанное на эстетике фантастических фильмов, игр, представлениях о мире будущего. Это особая картина мира с невероятными технологиями, научными достижениями, роботами – варианты предлагали уже десятки создателей игр, кинолент, романов. Футуризм коснулся одежды, обуви, макияжа, прически – получился уникальный вариант эстетики с элементами минимализма, спортивного стиля, не лишенный комфорта. Основная цель дизайнеров – воплотить в повседневных образах высокие технологии, подчеркнуть отличия стиля киберпанк характерными цветами, формами, аксессуарами, фасонами.
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Schill, Sarah E. "Perspire in style Patagonia and the marketing of wilderness /." Laramie, Wyo. : University of Wyoming, 2009. http://proquest.umi.com/pqdweb?did=1958615761&sid=2&Fmt=2&clientId=18949&RQT=309&VName=PQD.

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Klymenko, O. "Eccentric Decisions for the Fashion Design." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/8475.

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Чуприна, Н. В. "Характеристика стилевых признаков деловой одежды в современной индустрии моды." Thesis, Publishing Center of The International Scientific Association "Science & Genesis", 2014. https://er.knutd.edu.ua/handle/123456789/9009.

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Современный рынок моды, представленный разнообразными брендами, охватывает все слои потребителей. Дизайн одежды, как продукта индустрии моды, превращается в глобальный инструмент экономики, управляет мотивацией потребления. Во второй половине ХХ века женщины начинают занимать руководящие должности. Это, в свою очередь, требует соответствующей представительности одежды, устанавливаются определенные требования к одежде деловой женщины. Исследовав основные стили одежды на основе комплекса их традиционных признаков и сравнивая их с характеристиками наряда делового назначения, можно сделать вывод, что одежда в «деловом» стиле по всем критериям соответствует одежде классического стиля. Хотя одежда делового назначения уже давно уверенно занимает свое место на рынке моды, она не характеризуется чертами, которые могли заявлять о том, что деловая одежда может существовать в рамках отдельного стиля.
The modern fashion market, variously represented by brends, engulfs all layers of users. The design of clothes, as product of fashion industry, grows into the global instrument of economy, manages motivation of consumption. In the second half of ХХ ages women begin to hold leading positions. This, in same queue, requires the proper representativity of clothes, the certain requirements are set to the clothes of business woman. Exploring basic styles of clothes on the basis of complex of their traditional signs and comparing them to descriptions of dress of the business setting, it is possible to conclude, that clothes in “business” style on all criteria correspond to the clothes of classic style. Although the clothes of the business setting already a long ago confidently take the seat at the market of fashion, she is not characterized by lines which could declare that business clothes can exist within the framework of separate style.
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Books on the topic "Style of clothes"

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Gail, Saunders-Smith, ed. Kid style: Cool clothes for you! North Mankato, MN: Capstone Press, 2014.

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Garan, Gina. Blythe style. San Francisco: Chronicle Books, 2006.

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Laurencin-Nicolas, Claude. Le style de Sennecey-le-Grand. Châlon-sur-Saône: Musée Denon, 1999.

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Expecting style. Boston: Bulfinch Press, 2003.

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Maternity style: How to look your best when you're at your biggest. New York: St. Martin's Press, 1985.

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Parks, Carol. Sewing the new classics: Clothes with easy style. New York: Sterling Pub., 1995.

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Sewing the new classics: Clothes with easy style. New York: Sterling Pub., 1995.

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Wakefield, Yvonne. Edwardian style hand-knitted fashion for 1/12 scale dolls. Lewes, East Sussex: Guild of Master Craftsman Publications, 2002.

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Sew in style: Make your own doll clothes : 22 projects for 18-inch dolls : build your sewing skills. Lafayette, CA: FunStitch Studio, an imprint of C&T Pub., Inc., 2014.

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The emperor's new clothes: Literature, literacy, and the ideology of style. Pittsburgh: University of Pittsburgh Press, 1995.

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Book chapters on the topic "Style of clothes"

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Shen, Zhenwei, Zhiwei Fang, and Jing Liu. "Same-Style Products Mining for Clothes Retrieval." In Communications in Computer and Information Science, 449–58. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-8530-7_44.

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Zaslow, Emilie. "The Clothed Body: Girls’ Social and Emotional Experiences of Style." In Feminism, Inc., 83–104. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230101531_5.

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"7. Clothes, Fashion, and Style." In Mark Twain’s Helpful Hints for Good Living, 139–54. University of California Press, 2019. http://dx.doi.org/10.1525/9780520931343-009.

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"Style Stories, Written Tastes, and the Work of Self-Composure." In Asians Wear Clothes on the Internet, 81–104. Duke University Press, 2015. http://dx.doi.org/10.2307/j.ctv11g96t3.6.

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"Chapter 2. Style Stories, Written Tastes, and the Work of Self-Composure." In Asians Wear Clothes on the Internet, 81–104. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822374886-004.

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"4. Serialized Selves Style, Identity, and the Problem of the Used Garment." In At the Mercy of Their Clothes. New York Chichester, West Sussex: Columbia University Press, 2016. http://dx.doi.org/10.7312/mars17504-007.

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"Introduction. Asian Personal Style Superbloggers and the Material Conditions and Contexts of Asian Fashion Work." In Asians Wear Clothes on the Internet, 1–40. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822374886-002.

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Marshik, Celia. "Serialized Selves." In At the Mercy of Their Clothes. Columbia University Press, 2016. http://dx.doi.org/10.7312/columbia/9780231175043.003.0005.

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Takes up secondhand clothes, the trade in which picked up between the wars as individuals who had formerly purchased new attire saw their earnings drop. Both middlebrow and modernist fiction suggests that secondhand clothing can distribute aspects of the original owner's persona, but only modernist work depicts such distribution as imprinting successive owners with an alien personality. I argue that this difference maps onto attitudes toward the artist, with writers who base characters on modern artists equating secondhand clothes with secondhand style.
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Smith, Chloe Wigston. "Fast Fashion: Style, Text, and Image in Late Eighteenth-Century Women’s Periodicals." In Women's Periodicals and Print Culture in Britain, 1690-1820s. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474419659.003.0029.

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Chloe Wigston Smith’s essay examines the innovative changes in fashion journalism in the later eighteenth century initiated by The Lady’s Magazine’s (1770–1832). Through its fold-out embroidery patterns, fashion plates, coverage of royal birthday celebrations and early forms of fashion journalism, the Lady’s circulated knowledge about particular trends and styles, ranging from reticules and caps to colours, silhouettes, shoes. Smith contends that the Lady’s fashion coverage modelled an early form of ‘fast fashion’, in which detailed textual descriptions and fashion plates that showed full figures, and sometimes the front and back of costumes, provided minute guides to style. In a period in which most middling and elite clothes were bespoke, fashion journalism in publications including the Lady’s, the Gallery of Fashion (1794–1803) and La Belle Assemblée (1806-32), Smith concludes, placed the agency of style in the hands of readers and contributed to the democratization of style.
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Gasston, Aimee. "How to Be Yourself – But Not Eccentric: Clothes, Style and Self in Bowen’s Short Fiction." In Elizabeth Bowen, 9–27. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474458641.003.0002.

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If Bowen can be said to ‘indulge’ and ‘antagonize […] modernist theory and practice’ (Hunter 113), a key question is whether it was her extra-experimentalism that ensured her sidelining from the prototypical modernist canon. Critics such as Susan Osborn have described Bowen’s texts as being written in a ‘queer, opaque style’, one that ‘realizes itself not solely as a style to be looked through but as a style to be looked at as well’ (194). Following this line of thought, this chapter examines the stylised, patterned rendering of Bowen’s short fiction as a type of dress and consider its relationship with personal statement. It explores Bowen’s material style as ‘the dress of thought’ in opposition to what she saw as the common flaw of modern short fiction; ‘too much prose draped around an insufficiently vital feeling’, and consider the material detail of her stories not as frivolous frippery but as a key technical expression of her contingent view of the world (Hepburn 250).
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Conference papers on the topic "Style of clothes"

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Hsieh, W. H., B. F. Xue, J. C. Chen, Kawuu W. Lin, and W. L. Chang. "Clothes style recommendation system." In 2013 IEEE International Conference on Granular Computing (GrC). IEEE, 2013. http://dx.doi.org/10.1109/grc.2013.6740395.

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Massey, Anne P., Yu-Ting Caisy Hung, Mitzi Montoya-Weiss, and V. Ramesh. "When culture and style aren't about clothes." In the 2001 International ACM SIGGROUP Conference. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/500286.500318.

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Xu, Jingning, Benlai Tang, Mingjie Wang, Siyuan Bian, Wenyi Guo, Xiang Yin, and Zejun Ma. "Towards Using Clothes Style Transfer for Scenario-Aware Person Video Generation." In ICASSP 2022 - 2022 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2022. http://dx.doi.org/10.1109/icassp43922.2022.9747027.

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Wang, Shijie. "Explaining Modern Chinese Women’s Views on BM Style Clothes: From Personal Aesthetics and Social Gender." In 2021 International Conference on Social Development and Media Communication (SDMC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220105.083.

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Ching-I Cheng and Damon Shing-Min Liu. "An intelligent clothes search system based on fashion styles." In 2008 International Conference on Machine Learning and Cybernetics (ICMLC). IEEE, 2008. http://dx.doi.org/10.1109/icmlc.2008.4620660.

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Fuentes, O., and G. Pincon. "PARIETAL AND MOBILE ART OF ROC-AUX-SORCIERS ROCK SHELTER (MIDDLE MAGDALENIAN, VIENNE, FRANCE)." In Знаки и образы в искусстве каменного века. Международная конференция. Тезисы докладов [Электронный ресурс]. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-308-4.15-16.

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The rock shelter of the Roc-aux-Sorciers at Angles-sur-lAnglin (Vienne, France) is one of the archaeological reference sites for the Upper Paleolithic. The sculpted, painted and engraved frieze was gradually brought to light in its archaeological context by Susanne Cassou de Saint-Mathurin and Dorothy Garrod from 1949 onwards (Saint-Mathurin, Garrod, 1950). A wealth of archaeological material was discovered alongside the parietal art, comprising numerous works of portable art, tools made of animal bone, jewellery, etc. It was very rapidly observed that the portable art and the parietal art shared the same graphic and thematic conventions. For example, images of female bodies are rendered in high relief, in a monumental way, but also in the form of small statuettes. Our research has demonstrated the undeniable intra-site links between the portable art and the parietal art (Pinon, 2012). Here we propose to broaden this analysis within a well-identified culture of the Middle Magdalenian known as the Magdalenian of Lussac-Angles spearpoints. At the time of the discovery of the Magdalenian site of La Marche in 1937 (Vienne) (Lwoff, Pricard, 1940), some similarities had been identified between this site and that of Le Roc-aux-Sorciers, where the discoveries dated back to 1927 (Rousseau, 1933). These similarities are also perceptible in shared techniques (Chehmana, Beyries, 2010), as well as in the production of objects in hard organic materials such as the Lussac-Angles spearpoints (Pinon, 1988), the jewellery in fossil mammoth ivory (Dujardin, Pinon, 2000), the engraved horse incisors (Mazire, 2009) and the figurative art (Bourdier et al., 2016 Fuentes, 2016). We propose to further explore the links between these two sites through the analysis of the dynamic processes of reworking images. In particular we examine the engraved plaquettes of La Marche and the parietal art of Le Roc-aux-Sorciers to bring these links into perspective. This could shed light on some common ways of seeing the world in this Magdalenian group. Bourdier, C., Pinon, G., Bosselin, B. (2016). Norme et individualit au Rocaux-Sorciers (Vienne, France): approches des mains du registre animalier au travers de la forme. In M. Groenen, M.-Ch. Groenen (Eds.), Style, Techniques and Graphic expression in Rock Art (pp. 1735). BAR S2787. Chehmana, L., Beyries, S. (2010). Lindustrie lithique du Roc-aux-Sorciers (collection Rousseau). In J. Buisson-Catil, J. Primault (Eds.), Prhistoire entre Электронная библиотека ИА РАН: https://www.archaeolog.ru/ru/el-bib 16 Vienne et Charente. Hommes et socit du Palolithique (pp. 453460). Association des publications Chauvinoises, mmoire XXXVIII. Dujardin, V., Pinon, G. (2000). Le Magdalnien dans la Vienne et la Charente. In G. Pion (Dir.), Le Palolithique suprieur rcent: nouvelles donnes sur le peuplement et lenvironnement (pp. 213222). Actes de la table ronde de Chambry, 12-13 mars 1999, Mmoire de la Socit prhistorique franaise 28. Fuentes, O. (2016). The social dimension of human depiction in Magdalenian rock art (16,500 cal. BP 12.000 Cal. BP): the case of the Roc-aux-Sorciers rockshelter. Quaternary International, 430, 97113. https://doi.org/10.1016/ j.quaint.2016.06.023 Pericard, L., Lwoff, S. (1940). La Marche. Commune de Lussac-les-Chteaux (Vienne). Premier atelier de Magdalnien III dalles graves mobiles. Bulletin de la Socit Prhistorique franaise, 37(79), 155180. Pinon, G. (1988). Fiche sagaie de Lussac-Angles. In H. Camps Fabrer (Dir.), Fiches typologiques de lindustrie osseuse prhistorique. Commission de nomenclature sur lindustrie de los prhistorique. Cahier I: sagaies (fiche 3bis). Universit de Provence. Pinon, G. (2012). Art mobilier et art parital du Roc-aux-Sorciers (Angles-surlAnglin, Vienne, France): disparits ou sens communs In J. Clottes (Ed.), Lart plistocne dans le monde / Pleistocene art of the world / Arte pleistoceno en el mundo (pp. 15491558). Bulletin Socit Prhistorique Arige-Pyrnes. Mazire, G. (2009). Les incisives de chevaux graves. In G. Pinon (Dir.), Le Roc-aux-Sorciers: art et parure du Magdalnien. Runion des Muses Nationaux. http://www.catalogue-roc-aux-sorciers.fr Rousseau, L. (1933). Le Magdalnien dans la Vienne. Dcouverte et fouille dun gisement du Magdalnien, Angles-sur-lAnglin (Vienne). Bulletin de la Socit Prhistorique franaise, 30, 239256. Saint-Mathurin (de), S., Garrod, D. (1950). Une frise sculpte du Magdalnien ancien dcouverte Angles-sur-lAnglin, dans la Vienne. Acadmie des Inscriptions et Belles Lettres, 94(2), 123128.
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