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Dissertations / Theses on the topic 'Style of clothes'
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Krotova, Tetyana, and Olga Yezhova. "Decorating modern clothes in ethnic style." Thesis, Institutul Patrimoniului Cultural, 2020. https://er.knutd.edu.ua/handle/123456789/17608.
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The entocultural heritage of the peoples of the world inspires designers to create works of industrial and consumer use. Clothing designers actively use elements of ethnic costume when creating collections of modern clothing. The purpose of the article is to review the areas of work of designers on the use of ethnocultural heritage in the development of author’s collections of modern clothing. As a result of the analysis of the creativity of the leading world and Ukrainian designers of clothes it is revealed that the use of ethnic heritage is relevant in creating collections of modern clothing.
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Сербін, Олегослав Ігорович. "Safari style in women's and men's clothes." Thesis, Київський національний університет технологій та дизайну, 2020. https://er.knutd.edu.ua/handle/123456789/15359.
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Mysakovets, N. V. "Retro style in fashion." Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/11376.
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Gerasymenko, Olena, Bohdan Kass, Olena Kolosnichenko, Kalina Pashkevich, and Anastasia Veklich. "Use of folk costume features in the design of fashion clothes." Thesis, Institutul Patrimoniului Cultural, 2020. https://er.knutd.edu.ua/handle/123456789/16413.
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Cholovska, Olga, Natalia Sadretdinova, and Serhiy Buderkevych. "Design of modern women's clothes with embroidery in the Scandinavian style taking into account consumer properties." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/19074.
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Andreichuk, Liliia, Anastasiia Antonjuzenko, Marina Kolosnichenko, Nataliia Ostapenko, and Alla Rubanka. "Features of development of a collection of modern clothes on ethnic motifs for youth." Thesis, Institutul Patrimoniului Cultural, 2020. https://er.knutd.edu.ua/handle/123456789/16389.
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Mamedova, Lala, Elfana Gasumova, and Gulchohra Salehzadeh. "The futurist direction in fashion industry – cyberpunk style." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17922.
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Cyberpunk – is the stylistic trend in literature, cinema, clothing, interiors and other areas of modern life, based on the aesthetics of science fiction films, games, ideas about the world of the future. This is a special picture of the world with incredible technologies, scientific achievements, robots -the versions have already been offered by dozens of creators of games, motion picture, novels. Futurism touched on clothes, shoes, make-up, hairstyles – a unique version of aesthetics with elements of minimalism, sports style, not lacking of comfort was obtained. The main goal of the designers is to embody the high technologies in everyday image, to emphasize the differences in the cyberpunk style with characteristic colors, shapes, accessories, and styles.Киберпанк – стилистическое направление в литературе, кино, одежде, интерьере и других сферах современной жизни, основанное на эстетике фантастических фильмов, игр, представлениях о мире будущего. Это особая картина мира с невероятными технологиями, научными достижениями, роботами – варианты предлагали уже десятки создателей игр, кинолент, романов. Футуризм коснулся одежды, обуви, макияжа, прически – получился уникальный вариант эстетики с элементами минимализма, спортивного стиля, не лишенный комфорта. Основная цель дизайнеров – воплотить в повседневных образах высокие технологии, подчеркнуть отличия стиля киберпанк характерными цветами, формами, аксессуарами, фасонами.
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Schill, Sarah E. "Perspire in style Patagonia and the marketing of wilderness /." Laramie, Wyo. : University of Wyoming, 2009. http://proquest.umi.com/pqdweb?did=1958615761&sid=2&Fmt=2&clientId=18949&RQT=309&VName=PQD.
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Klymenko, O. "Eccentric Decisions for the Fashion Design." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/8475.
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Чуприна, Н. В. "Характеристика стилевых признаков деловой одежды в современной индустрии моды." Thesis, Publishing Center of The International Scientific Association "Science & Genesis", 2014. https://er.knutd.edu.ua/handle/123456789/9009.
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Современный рынок моды, представленный разнообразными брендами, охватывает все слои потребителей. Дизайн одежды, как продукта индустрии моды, превращается в глобальный инструмент экономики, управляет мотивацией потребления. Во второй половине ХХ века женщины начинают занимать руководящие должности. Это, в свою очередь, требует соответствующей представительности одежды, устанавливаются определенные требования к одежде деловой женщины. Исследовав основные стили одежды на основе комплекса их традиционных признаков и сравнивая их с характеристиками наряда делового назначения, можно сделать вывод, что одежда в «деловом» стиле по всем критериям соответствует одежде классического стиля. Хотя одежда делового назначения уже давно уверенно занимает свое место на рынке моды, она не характеризуется чертами, которые могли заявлять о том, что деловая одежда может существовать в рамках отдельного стиля.The modern fashion market, variously represented by brends, engulfs all layers of users. The design of clothes, as product of fashion industry, grows into the global instrument of economy, manages motivation of consumption. In the second half of ХХ ages women begin to hold leading positions. This, in same queue, requires the proper representativity of clothes, the certain requirements are set to the clothes of business woman. Exploring basic styles of clothes on the basis of complex of their traditional signs and comparing them to descriptions of dress of the business setting, it is possible to conclude, that clothes in “business” style on all criteria correspond to the clothes of classic style. Although the clothes of the business setting already a long ago confidently take the seat at the market of fashion, she is not characterized by lines which could declare that business clothes can exist within the framework of separate style.
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Коропенко, Маріанна. "Ukrainian Fashion Week 2018:Тенденції в дизайні одягу." Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/10998.
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Викладено результати дослідження колекцій модного одягу сезону осінь-зима 2018-19 (FW 18-19) в межах Українського тижня моди (Ukrainian Fashion Week). Метою розгляду проекту є визначення засад результативності художнього проектування моделей одягу та наявності актуальних стилістичних напрямів у дизайн розробках українських модельєрів. В ході вивчення представлених на шоу колекцій було класифіковано стилі та засоби формотворення в моделях одягу. Окремо було розглянуто та охарактеризовано колористичні пріоритети модельних рядів. За результатами дослідження визначено ступінь перспективності та подальшої ефективної реалізації колекцій одягу, запропонованих українськими дизайнерами.Results of a research of fashion clothes collections of autumn-winter 2018-2019 seasons (FW 18-19) within Ukrainian Fashion Week are presented here. The goal of reviewing the project is to define the basics of effectiveness at art designing of clothes models and availability of relevant stylistic directions at design projects of Ukrainian designers. During studying the presented at the show collections styles and ways of form creating in clothes models were classified. Colouristic priorities of model rows were reviewed and characterized separately. The study defined the level of promise of fashion projects and likelihood of further effective realisation of clothes collections offered by Ukrainian designers.
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Кононученко, І. С., Є. О. Головчанська, and В. О. Мусієнко. "Особливості розробки логотипу для компанії брендового спортивного одягу." Thesis, Херсонський національний технічний універсітет, 2021. https://er.knutd.edu.ua/handle/123456789/17920.
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У роботі надано результати розробки дизайну логотипу для вітчизняної компанії-виробника брендового спортивного одягу "Сила". Назва бренду відповідає внутрішнім прагненням споживачів до лідерства в роботі та спорті, а також "виходу за рамки". Розроблений логотип бренду відображає стиль компанії та особливості характеру споживачів ‒ справжніх лідерів та новаторів, поціновувачів якісних та унікальних товарів і послуг.
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Frööjd, Tobias. "When All Comes down to Clothes : An Interpretation of P.G. Wodehouse's The Inimitable Jeeves." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-21134.
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Abstract My aim for this paper is to analyse the character Jeeves' obsession with perfect clothing in P. G. Wodehouse's The Inimitable Jeeves (1923). My method has been to study the historical context of the British aristocracy at the time of the first publication of the book in 1923, as well as the previous four decades during which the author grew up and decisive changes in the British class society took place. This paper studies sources on the significance of clothing in general, and examines its importance at the time in particular. For my analysis I have borrowed elements from new historicism. The norms, traditions and values of the aristocracy lost in importance during this time, and the aristocracy was divided into individuals who were willing to adopt to these changes and others who fought to defy them. My conclusion is that Jeeves considers the strict dress codes to be an important symbol of the old aristocratic values that he has to defend, in order to legitimize his own position, as he is profoundly devoted to his calling of being a first class valet faithful to the old traditions. Wooster, then, acts as Jeeves' opponent on the matter as he embodies the part of the aristocracy willing to embrace the changes instead.
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Ho, Sum-yee May. "The body of christ in Chinese clothes understanding the heritage significance of Hong Kong's Chinese-style church architecture through St. Mary's Church in Tai Hang /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B4218289X.
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Mesquita, Cristiane. "Políticas do vestir: recortes em viés." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/15771.
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Previous issue date: 2008-12-05Itaú Cultural
Inspired by the rituals of the conceptual character Jardelina Da Silva, this thesis aims to delineate cuts on the lines of forces that crosses on vestiments flows and the appearance composition in different perspectives, approaches and conceptual boardings. Taking the zigzag movement as a research method and a writing strategy, our journey initiates by the documentary Jardelina da Silva, me myself. In this text, we will be in her company in the first part, covering concepts as well as schizo, ressonating body, line of flight, becoming, event, territory and style. We proceed in the second part examining other cuts for the concept of style, emphasising it as the strongest operator for the fashion machine, main scenario of the vestiments flows market in connection with the body. In this context, we punctuate the body as a subjective constitution locus and investigate the style under diferent aspects. The third part explores ways of relation and production of senses in the field of encounters constituted by dressing. Finally, we present as a way out zigzag movements, some works selected in the art field, crossing the questions delineated and covered in this thesis. All the journey is pervaded by the theories of the philosopher Gilles Deleuze and the psychoanalyst Felix Guattari s and by other voices, as well as Suely Rolnik, Peter Pál Pelbart, Luis Orlandi, Michel Foucault, Jurandir Freire Costa, Maurizio Lazzarato, Patrice Bollon, Denise Bernuzzi de Sant' Anna, Rosane Preciosa and Peter Stallybrass, among others
A partir de um percurso inspirado pelos rituais da personagem conceitual Jardelina da Silva, esta tese procura delinear recortes para as linhas de força que permeiam os fluxos vestimentares e à composição da aparência em diferentes perspectivas, abordagens e planos conceituais. Tomando a forma ziguezague como método de pesquisa e estratégia de escrita, nosso trajeto é iniciado pelo documentário Jardelina da Silva, eu mesma. Na escrita, seguimos com ela pela primeira parte, percorrendo conceitos assim como esquizo, corpo vibrátil, linha de fuga, devir, acontecimento, território e estilo. Na seqüência, examinamos outros recortes para o conceito de estilo, enfatizando-o como mais forte operador do funcionamento da máquina moda, principal cenário do mercado dos fluxos vestimentares em conexão com o corpo. Nesse contexto, pontuamos o corpo como locus da constituição subjetiva e investigamos o estilo sob diversas perspectivas. A terceira parte explora modos de relação e produção de sentido no campo de encontros constituído pelo vestir. Por fim, apresentamos como ziguezague de saída, trabalhos coletados no campo da arte que atravessam as questões delineadas e percorridas na tese. Todo o trajeto é permeado pelo pensamento do filósofo Gilles Deleuze e do psicanalista Felix Guattari e pontuado por outras vozes, assim como as de Suely Rolnik, Peter Pál Pelbart, Luis Orlandi, Michel Foucault, Jurandir Freire Costa, Maurizio Lazzarato, Patrice Bollon, Denise Bernuzzi de Sant Anna, Rosane Preciosa e Peter Stallybrass, entre outros
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Belkaid, Leyla. "Le design comme fabrique de l'altérité : trajectoires sino-américaines et vêtements en devenir à New York." Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20020.
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Basée sur une enquête de terrain à Manhattan, cette thèse appréhende le design en tant qu’arène transnationale de formation de la différence à partir de l’analyse des expériences, des pratiques créatives et de la production des designers de mode sino-américains nés en Asie orientale. Elle scrute les objets vestimentaires créés par un groupe de designers indépendants de la diaspora chinoise pour expliquer les cohérences et les dissonances des logiques identitaires et des processus mnémoniques qui influent sur leurs performances subjectivantes. Les récits de vie des designers et le contexte historique et social qui conditionne leurs parcours biographiques et artistiques sont examinés dans la première partie de l’essai. La seconde partie porte sur l’analyse comparative des traits stylistiques singularisants d’artefacts qui composent une sélection de collections de prêt-à-porter, selon la méthode des degrés du fait de Leroi-Gourhan. Les itinéraires sociaux hétérogènes de vêtements en circulation au moment de l’enquête à travers les réseaux commerciaux et médiatiques qui orientent leurs trajectoires de marchandises sont interrogés dans la troisème partie de la thèse. L’étude se poursuit par l’investigation des modes d’incorporation de la dynamique des innovations conçues par les designers diasporiques dans les styles de vie, les conduites sensori-motrices, les attitudes corporelles et les apparences des consommateurs. L’exploration des mécanismes par lesquels le capitalisme global opère sur les identités, les imaginaires, les objets, les techniques du corps et les techniques de soi des sujets met en lumière l’émergence de nouveaux “cosmopolitismes vernaculaires” associés à la conception, à la diffusion et au port du vêtement de mode contemporainBased on a fieldwork in Manhattan, the dissertation deals with design as a transnational arena for the formation of otherness through the analysis of the experiences, the creative practices and the production of Chinese-American fashion designers born in Eastern Asia. It scrutinizes the creative work of a group of independant designers from the Chinese diaspora to explain the coherences and the dissonances of the identity logics and the mnemonic processes which impact their subjective performances. The designers’ life stories and the historical and social context which determines their biographical and artistic pathways are examined in the first part of the dissertation.The second part addresses the comparative analysis of the stylistic distinguishing features of the artefacts which make up a selection of ready-to-wear collections, according to Leroi-Gourhan’s “fact degrees” method. The heterogeneous social routes of clothing items in circulation at the time of the inquiry through the commercial and media nets which drive their trajectories as commodities are questioned in the third part of the dissertation. The essay also investigates the modes of incorporation of the innovations fashioned by the diasporic designers in the lifestyles, the sensorial and motor behaviours, the bodily conducts and the appearances of the consumers. The exploration of the mecanisms through which global capitalism operates on the subjects’ identities, imaginaries, objects, bodily techniques and “technologies of the self” sheds light on the emergence of new “vernacular cosmopolitanisms” associated to the design, the dissemination and the display of contemporary dress
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Навроцька, Анастасія Антонівна. "Проектування творчої колекції моделей жіночого одягу." Магістерська робота, Київський національний університет технологій та дизайну, 2020. https://er.knutd.edu.ua/handle/123456789/18550.
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В дипломному проекті розроблено творчу колекцію моделей жіночого одягу для жінок молодшої та середньої вікових груп. Було обрано споживача та сферу застосування, опрацьовано тенденції моди на 2020 рік, вивчено нові матеріали і методи оздоблення. Було обрано творчу концепцію, розроблено колажі художнього образу споживача та творчого джерела. За допомогою автоматизованої системи проектування було розроблено базову конструкцію, виконано моделювання та створено лекала. У технологічному розділі обрано методи обробки відносно матеріалу, створено послідовність виготовлення базової моделі.В дипломном проекте разработано творческую коллекцию моделей женской одежды для женщин младшей и средней возрастных групп. Был избран потребитель и область применения, обработано тенденции моды на 2020 год, изучены новые материалы и методы отделки. Была избрана творческая концепция, разработаны коллажи художественного образа потребителя и творческого источника. С помощью автоматизированной системы проектирования была разработана базовая конструкция, выполнено моделирование и созданы лекала. В технологическом разделе избран способ обработки относительно материала, создана последовательность изготовления базовой модели.
Thesis master's degree work is devoted to the development of a creative collection of clothing models for women of younger and middle age groups. The consumer and scope were selected, fashion trends for 2020 were studied, new materials and finishing methods were studied. A creative concept was chosen, collages of the artistic image of the consumer and a creative source were developed. With the help of an automated design system, the basic design was developed, modeling was performed and patterns were created. In the technological section the methods of processing concerning material are chosen, the sequence of manufacturing of base model is created.
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Miguel, Carla Loureiro. "O CAMPO DA MODA E JOVENS ESTUDANTES TRABALHADORAS: DA PRODUÇÃO DA CRENÇA À NECESSIDADE CULTURAL." Pontifícia Universidade Católica de Goiás, 2003. http://tede2.pucgoias.edu.br:8080/handle/tede/3771.
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The relationship that young student workers establish with fashion in clothes is discussed, given that there is a field (of fashion) with all its specificities and strategies which constructs values and belief in its goods. Both the classified and classifying goods as well as the hierarchical and hierarchizing goods create a cultural necessity and legitimize the dominant culture. This study is based on Bourdieu’s theory of practice. It analyses the meaning of family, school and work for these young workers when drawing up their values and choices (habitus), and recognizes in the type of work that they carry out (domestic help and sales women), the fundamental structure in the formation of their likes, their life style, and, especially, of the meaning that fashion in clothes acquires, depending on the place in the social strata where they find themselves.
Discute-se a relação que jovens estudantes trabalhadoras estabelecem com a modavestimenta, sendo que existe um campo (da moda) com suas especificidades e estratégias construindo valores e a crença em seus bens. Bens classificados e classificantes, hierarquizados e hierarquizantes, criando a necessidade cultural e legitimando a cultura dominante. Fundamenta- se na teoria da prática de Bourdieu. Esse trabalho analisa o significado da família, da escola e do trabalho para essas jovens na construção de seus valores e escolhas (habitus), reconhecendo no tipo de ocupação (domésticas e vendedoras) que exercitam, a estrutura fundamental na formação do gosto, do estilo de vida e, principalmente o sentido que a modavestimenta adquire, a partir da posição que se encontram no espaço social.
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Hsieh, Wei-Han, and 謝瑋涵. "Clothes Style Recommendation System." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/20971394800465461466.
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碩士國立高雄應用科技大學
資訊工程系
102
People is always busy with work, and many things start to networked, where behavior and more particularly lively commercial trading, for example: Internet mall, buy network, the Internet auction, Internet second-hand shops, etc., whether the food, clothing or household items can be contacted by Internet Shopping available. The present paper focuses on female browse some clothing online store, although most of these stores by the store model for display, but when looking at costume photos still do not know whether the clothes is suitable. Therefore, this article based on this idea to establish a system that allows the user to input face image and according to recommended clothing, to provide to the user as a reference. Firstly, according to user input of the image, after face detection, followed by removing facial feature points to obtain the coordinates of geometric features, and then, with two multi-label classification methods, namely Label Powerset with Binary Relevance, using the method of classification these two methods in addition, we categorized five face and defines seven kinds of clothing styles, and through the SVM classifier select the appropriate function, and finally comparing the classification results in the experimental section.
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Xue, Bai-Fen, and 薛百芬. "Clothes Style Recognition System." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/74526909705456405170.
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碩士國立高雄應用科技大學
資訊工程系
102
In this study, we proposes a system for clothing style recognition. We collected 10 kinds of clothing styles on the internet, including Baroque、Bohemian、bustier style、cute style、office lady clothes、overcoat、preppy style、Punk、sporty style and suit. In the proposed system, the region of interest (ROI) is manually segmented from each clothing image. Then the color-based feature is extracted in the CIE L*a*b* color space. In addition, in order to discover the elements for clothing style, the texture-based feature, Local Binary Patterns (LBP) and Histogram of Oriented Gradients (HOG), are extracted as well. Moreover, the sparse-coding approach is applied to learn the element dictionaries for each kind of texture feature and then each clothing image is coded with sparse representation. Finally, the sparse representation of texture feature is concatenated with color feature for clothing style recognition via SVM model. In our experiments, the recognition rate in Top 5 can be 91%.
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Chao, Sz-Han, and 趙思涵. "Clothes Recommendation System based on Style Recognition." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/13707127597560827887.
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碩士國立臺灣大學
資訊工程學研究所
104
Many people have trouble selecting clothes in the everyday morning. They often cost much time to choose the clothes. In order to help them easier choose clothes, we proposed a clothes recommendation system based on the style to recommend the suitable clothes for them. In our system, we define the style of clothes as the emotion. It means the feeling when people look at the clothes or look at a person wearing clothes. Thus, we use the dimension emotion model to design the style space. In addition to low-level features, the clothing attributes are used as the mid-level features. Then we train style score functions by the standard support vector regression to recognize the styles of clothes. Besides, the style color theme is used to assess the color matching of clothes. Because there is not suitable dataset for our system, we construct two new datasets with style labels by our style space. The experiments and user study show that the clothes recommended by our system almost match the style (emotion) in common sense.
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Santos, Ana Cristina Lança dos. "Barriers to the purchase of second hand clothes : the purchase of second hand clothes : barriers and challenges." Master's thesis, 2020. http://hdl.handle.net/10400.14/31875.
Full textAbstract:
A compra de roupa em segunda mao e um metodo de consumo de roupa em crescimento. No entanto, devido a todos os beneficios que este metodo apresenta, a adesao nao e tao grande como poderia ser. Varios estudos exploraram as principais motivacoes, mas poucos incidiram sobre os fatores que impedem os consumidores de adotar este comportamento de consumo. Este estudo pretende identificar barreiras, atraves das diferencas na percecao dos consumidores experientes e inexperientes. Da literatura foram selecionadas as motivacoes mais frequentes e algumas das barreiras ja identificadas a compra de SHC e agrupados em 3 constructos: percecoes do consumidor, ambiente de compra e caracteristicas do produto. A recolha de dados primarios foi efetuada atraves de um questionario online e posteriormente analisados atraves do SPSS. A analise as respostas demonstrou que ter uma experiencia previa na compra de SHC influencia a percecao que os consumidores tem das barreiras. Os resultados indicam tambem que o constrangimento social e o fator que influencia mais negativamente a compra de roupa em segunda mao, tal como o desconhecimento dos consumidores relativamente aos canais disponiveis para este tipo de compra. Assim, recomenda-se que as lojas de roupa em segunda mao estabelecam estrategias de marketing com o intuito de publicitar, mas tambem de desmistificar e educar o consumidor sobre este mercado.The purchase of second-hand clothing (SHC) is a growing method of clothing consumption. However, due to all the benefits that this method presents, consumer adherence is not as high as it could be. Several studies have explored the main motivations, but few have focused on the factors that prevent consumers from adopting this consumption behaviour. This study intends to identify barriers through the differences in the perception of experienced and inexperienced consumers in second-hand clothing purchase. The most frequent motivations and some of the already identified barriers to the purchase SHC were selected from the literature, and grouped in three constructs, consumer perceptions, purchase environment and product characteristics. The collection of primary data was conducted through an online questionnaire and subsequently analysed using the SPSS. The analysis of the responses showed that having previous experience in purchasing SHC influences the perception that consumers have of the barriers. The results also indicate that Social Embarrassment is the factor that most negatively influences the purchase of SHC, as well as the consumers' lack of knowledge regarding the channels available to this type of purchase. On this basis, it is recommended that SHC stores establish marketing strategies not only with advertisement purposes but also to educate consumers about this market.
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HUANG, CHIU-HUNG, and 黃秋紅. "The study of life style and consumer behavior in buying clothes of vocational senior high school students: a case of students in home economics group." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/71678022793447914489.
Full textAbstract:
碩士國立臺灣師範大學
人類發展與家庭學系在職進修碩士班
99
The purpose of this research was to examine the difference of lifestyles and the difference of consumer behavior in buying clothes among vocational senior high school students of home economic group with different background variables. Furthermore, we also explored the influence on consumer behavior in buying clothes based on background variables and diverse lifestyles. Quantitative approach and stratified sampling were chosen as the date collection method. 550 questionnaires were distributed to home economics group students among nine vocational senior high schools in Taiwan, and 456 questionnaires were returned. Descriptive statistics, t-test, one-way Anova, Person product-moment correlation and hierarchical multiple regression analysis as techniques were used to analyze and interpret the data. The results of this study were as follows: 1. There are significant difference between male and female in brand fanaticism, endeavor independent, fame and success, and exercise lover. 2. In terms of the brand fanaticism, the students having over 5000 dollars as monthly disposable pocket money were keener on the pursuit of brand than those who had 1000 dollars and less as monthly disposable pocket money. 3. The students at middle family socioeconomic status were keener on the pursuit of brand than those at low family socioeconomic status. 4. The male students were much more inclined to purchase clothes for the purpose of conspicuousness than the female students. 5. The students who had 4001 dollars and above as monthly disposable pocket money were more inclined to purchase clothes for the purpose of conspicuousness than those who had 1000 dollars and less as monthly disposable pocket money. 6. The students at middle family socioeconomic status were more inclined to purchase clothes for the purpose of conspicuousness than those at low family socioeconomic status. 7. The students who had more monthly disposable pocket money, and who were more fanatical about brand, more interested in fashion hunting, and had prospect at sea were more inclined to buy for clothes the purpose of conspicuousness. On the contrary, the students who were more independent had less motivation to purchase clothes for the purpose of conspicuousness. Above all, the students who were more fanatical about brand purchased clothes for the purpose of conspicuousness significantly. 8. The students as exercise lovers and fame and success chaser were more inclined to buy clothes for functional purpose. 9. The students who loved exercise or were fanatical about brand had higher satisfaction in clothes shopping.
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Kutílková, Dagmar. "Předpoklady vzniku novodobého pánského obleku(Obecné a jedinečné v typologii mužského dvorského, vojenského a církevního oděvu ve světle ikonografických a písemných pramenů v českých zemích raného novověku v rámci evropské kultury odívání)." Doctoral thesis, 2013. http://www.nusl.cz/ntk/nusl-326731.
Full textAbstract:
v anglickém jazyce The dissertation thesis with title "Presumptions of the formation of the modern men's suit" elaborates the general and unique features in the typology of men's court, military and ecclesiastical clothes. Research, which is based on written, iconographical and material sources, is aimed at environment at the court of the Austrian Habsburgs in early new ages from the end of the 15th century till beginning of the 90s of the 18th century having respect to history of clothing in the in Czech countries in the context with European clothing culture. The conception of the thesis goes out from the approach to men's suit in the history of clothing as to the cultural discipline. The main theoretic-metodological basis is investigsation of the general and the unique features in the concrete types of the men's clothing, which are characterized most of all of the contemporary construction (cut), material (cloth) and colours of the men's clothing and which has got the style-forming importance by means of these general features. The results of the research work amplifies not only the knowledge in the area of the clothing history, but also brings the possibility of practical application of this knowledge to increase of the cultural values of written, iconographical and material memories with time,...
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Sun, Pei-Ju, and 孫珮如. "OFFICE LADIES AND THEIR NEW CLOTHESA STUDY OF BUSINESSWOMEN IN THE PRIVATE ENTERPRISE IN TAIWAN AS CONSUMERS OF FASHION BRANDS AND STYLES." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/34721261151121518976.
Full textAbstract:
碩士元智大學
藝術管理研究所
94
In late twentieth-century Taiwan, feminism and women’s new important role in the country’s workforce structure have joined to create a whole new class of consumers with its own set of priorities and buying habits. A poll conducted for this research shows that women working in Taiwan’s corporate world are free and willing to spend their disposable incomes on acquiring personal outfits for workplace uses. For them fashion consumerism amply demonstrates both their buying powers and good tastes as patrons, even if it also suggests their total subjugation under the merchandizing influences of marketing ploys such as trends and brands. The present research opens with an overview of fashion as a popular (sub) cultural phenomenon and offers consideration from as diverse in angles as semiotics, cultural theory and Roland Barthes’s anthropology of the fashion system. The following chapter traces the idea of women’s fashion in history and discovers links between the forebears of western cultural and aesthetic values and Taiwan’s fashion scene today. Chapter three cites the customized research poll which targets female professionals working in the private companies and the nature of their behaviors as consumers of fashion objects and service. The last chapter explores the possibilities of women’s fashion as a cultural industry in Taiwan and recommends measures that may be best taken to bridge its current division between commercial developments and artistic ambitions.
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Lai, Yi-Chun, and 賴怡君. "The Effects of Using Cloth Book Instruction for Young EFL Readers of Different Learning Styles." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/k4n3rk.
Full textAbstract:
碩士國立彰化師範大學
兒童英語研究所
107
Over the years, research has established that involving students in thinking while engaging facilitates learning. Drawing on learning styles, this study aims to investigate the effectiveness of cloth book reading instruction compared to flashcard-based instruction and to traditional reading instruction. The study specifically focuses on the aspects of vocabulary recognition, sentence comprehension and speaking performance. The participants were third-grade elementary school students from three intact classes (N=31) randomly assigned to the control and experimental groups. The three homogeneous groups received a forty-minute instruction once a week up to 20 weeks encompassing 6 units in total. The instruments included quantitative analyses of a proficiency pretest, six immediate reading and speaking comprehension tests, and an achievement posttest. Moreover, to further probe the subjects’ perceptions of cloth book instruction, a questionnaire was administered to the subjects of the experimental group after the treatment. Results of the study showed that the experimental group performed significantly better than the control groups on reading and speaking comprehension, indicating the intervention with cloth book active reading instruction effectively enhanced young EFL learners’ reading growth. Moreover, the subjects in the experimental group responded positively toward the cloth book usage in learning English. In light of the findings, it is recommended that there is a need for providing a variety of engaging materials and opportunities to facilitate language development in young EFL learners.