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Journal articles on the topic 'Style of clothes'
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ECKERT, CLAUDIA M., and ELLEN YI-LUEN DO. "Special Issue: Understanding, representing, and reasoning about style." Artificial Intelligence for Engineering Design, Analysis and Manufacturing 20, no. 3 (June 27, 2006): 163–65. http://dx.doi.org/10.1017/s0890060406060148.
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Style is a word that people think they understand. Most people recognize artifacts like buildings and clothes as being exemplars of particular styles, and they know words like Rococo and Art Deco as names for styles. They can recognize stylistic similarities not only in one sort of artifact but also across wide ranges of different things, such as buildings, furniture, artworks, clothes, music, and even manners. However, “style” is a slippery notion: the word has been used in a variety of senses since the ancient Greeks first thought about the differences in how people wrote or painted, and it is still used to refer to different things.
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Singh, Montek, Utkarsh Bajpai, Vijayarajan V., and Surya Prasath. "Generation of fashionable clothes using generative adversarial networks." International Journal of Clothing Science and Technology 32, no. 2 (August 6, 2019): 177–87. http://dx.doi.org/10.1108/ijcst-12-2018-0148.
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Purpose There are various style options available when one buys clothes on online shopping websites, however the availability the new fashion trends or choices require further user interaction in generating fashionable clothes. The paper aims to discuss this issue. Design/methodology/approach Based on generative adversarial networks (GANs) from the deep learning paradigm, here the authors suggest model system that will take the latest fashion trends and the clothes bought by users as input and generate new clothes. The new set of clothes will be based on trending fashion but at the same time will have attributes of clothes where were bought by the consumer earlier. Findings In the proposed machine learning based approach, the clothes generated by the system will personalized for different types of consumers. This will help the manufacturing companies to come up with the designs, which will directly target the customer. Research limitations/implications The biggest limitation of the collected data set is that the clothes in the two domains do not belong to a specific category. For instance the vintage clothes data set has coats, dresses, skirts, etc. These different types of clothes are not segregated. Also there is no restriction on the number of images of each type of cloth. There can many images of dresses and only a few for the coats. This can affect the end results. The aim of the paper was to find whether new and desirable clothes can be created from two different domains or not. Analyzing the impact of “the number of images for each class of cloth” is something which is aim to work in future. Practical implications The authors believe such personalized experience can increase the sales of fashion stores and here provide the feasibility of such a clothes generation system. Originality/value Applying GANs from the deep learning models for generating fashionable clothes.
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Jeong, Yoojin, and Chae-Bong Sohn. "Readily Design and Try-On Garments by Manipulating Segmentation Images." Electronics 9, no. 9 (September 22, 2020): 1553. http://dx.doi.org/10.3390/electronics9091553.
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Recently, fashion industries have introduced artificial intelligence to provide new services, and research to combine fashion design and artificial intelligence has been continuously conducted. Among them, generative adversarial networks that synthesize realistic-looking images have been widely applied in the fashion industry. In this paper, a new apparel image is created using a generative model that can apply a new style to a desired area in a segmented image. It also creates a new fashion image by manipulating the segmentation image. Thus, interactive fashion image manipulation, which enables users to edit images by controlling segmentation images, is possible. This allows people to try new styles without the pain of inconvenient travel or changing clothes. Furthermore, they can easily determine which color and pattern suits the clothes they wear more, or whether the clothes other people wear match their clothes. Therefore, user-centered fashion design is possible. It is useful for virtually trying on or recommending clothes.
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Surikova, Olga V., Victor E. Kuzmichev, and Galina I. Surikova. "Improvment of Clothes Fit for Different Female Bodies." Autex Research Journal 17, no. 2 (June 27, 2017): 111–19. http://dx.doi.org/10.1515/aut-2016-0003.
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Abstract The factors influencing for fit and suit of women’s clothing have been studied. The main reason of misfit is the nonconformity between the front and back width of pattern block, the corresponding body sizes taken across the hipline, and the textile materials properties. To predict the behavior of textile fabrics in real clothes including the shear deformation and wrinkles appearing, the special test and device have been designed. The developed method of pattern block making includes the test of clothes proportionality based on the female bodies sizes, pattern block indexes, and textile fabrics properties. Features of “figure-clothes” systems in-cluding the vertical designing lines, styles, volume of clothes, ease allowance and its distribution between the back, armhole, and front of the pattern blocks were taken into consideration. Recommendations in terms of selecting the proper design of style for different sizes of female bodies have been made.
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Guan, Congying, Shengfeng Qin, and Yang Long. "Apparel-based deep learning system design for apparel style recommendation." International Journal of Clothing Science and Technology 31, no. 3 (June 3, 2019): 376–89. http://dx.doi.org/10.1108/ijcst-02-2018-0019.
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Purpose The big challenge in apparel recommendation system research is not the exploration of machine learning technologies in fashion, but to really understand clothes, fashion and people, and know what to learn. The purpose of this paper is to explore an advanced apparel style learning and recommendation system that can recognise deep design-associated features of clothes and learn the connotative meanings conveyed by these features relating to style and the body so that it can make recommendations as a skilled human expert. Design/methodology/approach This study first proposes a type of new clothes style training data. Second, it designs three intelligent apparel-learning models based on newly proposed training data including ATTRIBUTE, MEANING and the raw image data, and compares the models’ performances in order to identify the best learning model. For deep learning, two models are introduced to train the prediction model, one is a convolutional neural network joint with the baseline classifier support vector machine and the other is with a newly proposed classifier later kernel fusion. Findings The results show that the most accurate model (with average prediction rate of 88.1 per cent) is the third model that is designed with two steps, one is to predict apparel ATTRIBUTEs through the apparel images, and the other is to further predict apparel MEANINGs based on predicted ATTRIBUTEs. The results indicate that adding the proposed ATTRIBUTE data that captures the deep features of clothes design does improve the model performances (e.g. from 73.5 per cent, Model B to 86 per cent, Model C), and the new concept of apparel recommendation based on style meanings is technically applicable. Originality/value The apparel data and the design of three training models are originally introduced in this study. The proposed methodology can evaluate the pros and cons of different clothes feature extraction approaches through either images or design attributes and balance different machine learning technologies between the latest CNN and traditional SVM.
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Choi, Jae-Ran, and Sook-Hee Ryoo. "Image Analysis of Color in Clothes Style." Journal of the Korean Society of Clothing and Textiles 34, no. 2 (February 28, 2010): 266–79. http://dx.doi.org/10.5850/jksct.2010.34.2.266.
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Goldstein, Michael D., Craig H. Friedmann, Peter D. Griffin, and Julia U. Halberg. "The Emperor's New Clothes-Occupational Medicine Style." Journal of Occupational & Environmental Medicine 40, no. 1 (January 1998): 11. http://dx.doi.org/10.1097/00043764-199801000-00001.
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Cuckovic, Aleksandar. "Dandyism and fashion: From clothes to style." Kultura, no. 141 (2013): 73–100. http://dx.doi.org/10.5937/kultura1341073c.
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Genova, Carlo. "Participation with Style. Clothing among Young Activists in Political Groups." Societies 10, no. 3 (July 23, 2020): 55. http://dx.doi.org/10.3390/soc10030055.
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Research shows that forms of participation among youth are strongly differentiated and connected with complex meanings and motivations. A growing sector of youth develops political intervention through the adoption of distinctive everyday practices and lifestyles. The article aims to reflect upon dress among young activists involved in political groups. Very little research focuses on this topic, but following studies on everyday politics, the young activists’ clothing could be considered as a form and a field of political participation. This approach, however, seems not to be sufficient to interpret the phenomenon. Taking inspiration from research about youth cultures, the article suggests interpreting youth clothing conjointly as a component of style, as a means for constructing collective identity, and social positioning. The article is based on qualitative interviews collected in Piedmont (Italy). Six main topics have been investigated: 1. Socialization to clothing; 2. clothing of the activists and in their groups; 3. meanings of clothing; 4. relevance of clothing; 5. practices of buying clothes; 6. clothes as consumer goods.
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Serhiienko, Liubov. "Technical Quality Control of Uniforms (Uniforms-Style Clothes)." Modern Special Technics 4(59) (2019): 131–39. http://dx.doi.org/10.36486/mst2411-3816.2019.4(59).14.
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Васильєва, О. С., М. С. Винничук, І. В. Васильєва, and І. В. Олійник. "АРХІТЕКТУРА ЯК ДЖЕРЕЛО НАТХНЕННЯ ДЛЯ РОЗРОБКИ АВТОРСЬКИХ КОЛЕКЦІЙ ОДЯГУ." Art and Design, no. 1 (June 3, 2020): 70–81. http://dx.doi.org/10.30857/2617-0272.2020.1.5.
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Identify the features of the artistic and plastic properties of gothic and neo-gothic architecture. Find their characteristic forms and artistic and compositional features, explore and highlight the characteristic stylistic interpretations of gothic architecture in modern clothing collections. The study used the basic principles of a systematic approach to the art design of modern author's clothing collections: literary and analytical studies and figuratively associative stylization of the source of creativity. The analysis carried out and the most characteristic artistic and compositional solutions of the gothic architectural style solutions. The basic techniques and stylization of the elements of the gothic architectural style in modern collections of fashionable clothes are determined. The principles of design modern collections of fashion designers are defined, where a gothic architectural style was used as a creative source. The research results used in the development of the author's collection of women's clothing. The paper sets out the basic artistic and compositional features of the gothic and neo-gothic architectural styles (forms, decorative elements and color combinations) and their application in the design of collections of modern fashionable clothes. The analysis of the artistic and compositional features of the collections of the world's leading designers in the gothic and neo-gothic styles carried out and information about the features of their interpretation systematized. Practical recommendations on the choice artistic and compositional solutions, design and decorative elements, selection of materials, color, accessories, hats, for the design of modern women's clothing with stylization elements of gothic and neo-gothic architectural styles are presented. The research results used to develop a collection of women's clothing.
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Slavinska, Alla, Oksana Syrotenko, Iryna Zasornova, and Oleksandr Zasornov. "CAPSULAL APPROACH TO SIGNIFICANCE OF ETHNIC EMBROIDERY IN FORMATION OF MODERN WARDROBE." International Conference on Technics, Technologies and Education, ICTTE 2019 (2019): 396–404. http://dx.doi.org/10.15547/ictte.2019.06.025.
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The problem of capsular method in forming of modern clothes on the basis of ukrainian basic embroidery was investigated. Theoretically proved composition of geometrical ornaments in combinations of tunes of the ornament. The schemes of transformations in modifications of variants of reports of ukrainian national embroidery were created. The investigation of isomorphic filling using the technique “cross” in ornaments in the style “modern” according to zones of usage was carried out. The capsules of representative clothes according to folk ornaments were developed. The algorithms of scaling the ornaments are created with the help of schemes of setting the ornament. As examples such pieces of clothes were used: dress, woman costume, family embroidered blouse.
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Wang, Hanying, Haitao Xiong, and Yuanyuan Cai. "Image Localized Style Transfer to Design Clothes Based on CNN and Interactive Segmentation." Computational Intelligence and Neuroscience 2020 (December 28, 2020): 1–12. http://dx.doi.org/10.1155/2020/8894309.
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In recent years, image style transfer has been greatly improved by using deep learning technology. However, when directly applied to clothing style transfer, the current methods cannot allow the users to self-control the local transfer position of an image, such as separating specific T-shirt or trousers from a figure, and cannot achieve the perfect preservation of clothing shape. Therefore, this paper proposes an interactive image localized style transfer method especially for clothes. We introduce additional image called outline image, which is extracted from content image by interactive algorithm. The interaction consists simply of dragging a rectangle around the desired clothing. Then, we introduce an outline loss function based on distance transform of the outline image, which can achieve the perfect preservation of clothing shape. In order to smooth and denoise the boundary region, total variation regularization is employed. The proposed method constrains that the new style is generated only in the desired clothing part rather than the whole image including background. Therefore, in our new generated images, the original clothing shape can be reserved perfectly. Experiment results show impressive generated clothing images and demonstrate that this is a good approach to design clothes.
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Shi, Jian Ping, Xuan Wang, Xian Yan Liu, and Jia Ni Zhu. "Analysis on the Application of Traditional Shoulder Adornment Arts in Fashion Design." Advanced Materials Research 175-176 (January 2011): 777–81. http://dx.doi.org/10.4028/www.scientific.net/amr.175-176.777.
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Shoulder adornment, as a colorful flower among traditional Chinese costume, is known for its totem-rich patterns, exquisite embroidery skill and unique decorative application. In this paper, the modeling and structure of the shoulder adornment arts were discussed and explained. The direct, indirect and re-creation application method of artistic representations were applied into the design of cheongsam, sweater and evening dress to create innovative effect. These clothes not only kept the charm of Chinese shoulder adornment, but also represented the characteristics of modern fashion design. Modern women clothes with the characteristics of luxury, graceful and Chinese traditional could be designed on the basis of the combination of unique shoulder adornment styles with modern fashion style, which embodied great artistic value and unique creativity of shoulder adornment in traditional Chinese costume culture and represented the culture implication of the unity of heaven and man.
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Zhu, Xiao Lin, Yu Jing Zhang, Dan Sun, Shao Yi Feng, and Dong Ming Wang. "Analysis on the Market Prospects of Combining Application of Fur and Knitted Fabrics in Fashion Design." Advanced Materials Research 821-822 (September 2013): 731–34. http://dx.doi.org/10.4028/www.scientific.net/amr.821-822.731.
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Recently knitted fabrics with the characteristics of soft texture, good extensibility and wet and gas absorption performance have won favors of customers again. Since more and more customers are pursuing leisure, knitted fabrics are welcomed warmly [. Meantime, fur clothes have noble features and are closely with people. We can't deny that it is difficult to innovate on design. Also the exorbitant price also makes it hard to break traditional design style. Combination fur and knitted fabrics clothes offer a new design idea and has a promising market prospect.
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Краснюк, Л. В., О. М. Троян, К. М. Туржанська, and Ю. С. Глушко. "ДИЗАЙН-ПРОЕКТУВАННЯ АВТОРСЬКОЇ КОЛЕКЦІЇ ОДЯГУ В РОМАНТИЧНОМУ СТИЛІ." Art and Design, no. 3 (December 5, 2019): 77–88. http://dx.doi.org/10.30857/2617-0272.2019.3.8.
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Purpose. Artistic design and production of the author couture collection using constructive and compositional signs romantic style. Methodology. The basic principles of the systematic approach to artistic design of the author couture collection such as literary-analytical research and associative stylization of the source of creativity were used in the process. Results. Using of floral motives in an artistic and compositional solution of the modern women closthing were analyzed and systemized. The main principles of creation the clothes in a romantic style were determined. The main stages of sources of creativity stylization such as peony flowers are determined, the collection of couture in a romantic style is produced, and the main peculiarities of the designed collection are described. Scientific novelty. Systematized the constructive and compositional signs of the modern clothes in a romantic style was developed ty the range, silhouette, figure blocking, color spectrum, materials, prints, decorative and constructive elements, decoration. Practical significance. The trends were analyzed, the modern designers’ collections were reviewed and the main artistic and compositive peculiarities of the romantic style in modern clothing were determined. The main substyles of a romantic style in the modern clothing were found. Identified ways of using floral motives using in artistic and compositive solution in modern clothing was developed. The classification is fundamental for designing of the couture collection with a natural source of creativity. Artistic and compositional base of designing of couture collection in a romantic style using the floral motives as the source of creativity were developed.
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Varol, Esra. "Being a style icon in fashion world: Iris Apfel." Global Journal of Arts Education 11, no. 1 (February 27, 2021): 89–101. http://dx.doi.org/10.18844/gjae.v11i1.5727.
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The word fashion which expresses change and encompasses all areas of humanity is synonymous with clothing when taken in its narrow and common sense. People who can direct clothing fashion with their original clothing and appearances and are followed with great interest by public are called ‘style icons’. As style icons, people from many different disciplines such as cinema, music, design, politics and sports have emerged with fashion and had an impact on clothing styles of different periods. One of the style icons of this era is Iris Apfel, who was born in Astoria in 1921, studied art and is known as an interior designer. The aim of this research is to examine the clothing style as well as all the visual elements (clothes, accessories, jewellery, hair, make-up etc.) that constitute the style of Iris Apfel as a style icon. The method of the research is qualitative in line with the research problem, purpose and the path followed in reaching the findings. Thus, a visual analysis of 10 photographs randomly selected from personal social media accounts or the internet was carried out. The findings obtained as a result of the analysis are presented in detail on each image.
Keywords: Fashion, clothing, style icon, Iris Apfel.
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Shang, Xiao Mei, Qi Li, Jun Qi Kong, and Wang Yu. "Size of Clothing Styles Based on Automatic Generation of Customized Research." Advanced Materials Research 332-334 (September 2011): 2124–28. http://dx.doi.org/10.4028/www.scientific.net/amr.332-334.2124.
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In the era of mass production, bulk and individual customizing is the ultimate purpose of the clothing processing. Now, how to make the customized body dimensions generated automatically is the foundation of Agile Manufacturing. The allowance of clothes can be provided according to the style and size of the clothing, and the function of mapping the human dimensions to measurements is a part of The Clothing CAD system .This paper introduced the detail of design and implement on the demand of the system which is made up of two parts. The first part of the system can classify the body dimensions according to diffferent criteria; when the body dimensions and the clothing style are fixed ,the second part will search in the Expert Knowledge database, and finally, the most optimalizing allowance of clothes is given. With this system, personalized customization of garment will come true under the condition of volume-produce; it will not only improves the efficiency, but also increases the accuracy of the customization.
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Chuprina, N. V., T. V. Remenieva, I. V. Frolov, and O. H. Tereshchenko. "DESIGN OF THE CONTEMPORARY GARMENTS ON THE BASIS OF THE TRANSFORMATION OF STYLISTIC AND ARTISTIC-COMPOSITIONAL CHARACTERISTICS OF TRADITIONAL DECORATIVE ART." Art and Design, no. 3 (December 13, 2021): 30–44. http://dx.doi.org/10.30857/2617-0272.2021.3.3.
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The purpose. This research aims to analyze artistic-compositional characteristics of Ukrainian traditional embroidery and decorative-applied art (using the example of M. Prymachenko’s art) used in the decoration of the actual ethno-styled garments. Methodology. A systematic approach was used in this research to project authorial contemporary garments: literary-analytical, morphological, and comparative analysis of the creative primary source, associative means of its adaptation to the actual fashion trends. The methodology of the research is based on the systematic analysis of the design projects using elements of the cultural heritage of Ukraine. Systematic-informational and visual-analytical methods were used in this research. Systematic-structural analysis was used to analyze the transformation of artistic-compositional elements in the process of shaping contemporary costumes based on associative transformations. Results. In the process of design project of the authorial collection of female Ethno-style clothes, it was found that decorative art and national garments have a high level of authentic symbolism if used for the actual projection image in conditions of contemporary design activity. Characterizations were given to some principles of implementation of the national image in contemporary trends of fashion industry development. Symbolic image of the floral ornament adapted from Prymachenko’s works as well as stylization of her works in ornamental motifs of the collection were used. Based on pre-project analysis and customer survey it was defined that there is significant interest in national motifs. A collection of female clothes targeted at a wide group of customers was designed. Scientific novelty. Principles of design-project of the collection of contemporary garments with authorial embroidery were proposed using an adaptation of national traditions of female clothes embroidery and folk-art decoration as a basis. Usage of different floral motifs and geometric ornament in ethno-style and implementation of this image as popular among contemporary women in their everyday life were justified. Practical significance lies in the development of principles of formation of authorial costume collection project-image, in justification of principles of ethnographically oriented prints and embroidery and the choice of decoration methods of contemporary female clothes.
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Pashkevych, K. L., K. Khurana, O. V. Kolosnichenko, T. F. Krotova, and A. M. Veklich. "MODERN DIRECTIONS OF ECO-DESIGN IN THE FASHION INDUSTRY." Art and Design, no. 4 (February 3, 2020): 9–20. http://dx.doi.org/10.30857/2617-0272.2019.4.1.
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Determination of directions of eco-design used for designing of the products of the fashion industry, their formulation, and characteristics. Literary-analytical and visual-analytical methods, as well as system-structural analysis, are used. The activities and the products of modern brands of clothes and accessories in eco-style have been analyzed; the trends of ecological direction in the fashion industry and the latest developments in the field of production of eco-friendly textile have been researched. The directions of eco-design, which exist in the modern fashion industry, have been highlighted, in particular: clothes made from eco-materials; upcycling, trashion, zero waste cutting, creation of the clothes that have an extended period of moral agelessness. Each of the directions has been provided with a description of its features and the examples of its practical use in the modern fashion industry have been presented. Scientific novelty consists in determination, description and systematization of directions of eco-design, according to which the eco-products are designed; it also consists in outlining of tendencies in their modern practical use. The considered directions of eco-design can be used for the modern practice of designing and production of clothes and accessories, in the educational process devoted to modern directions in design, ecological tendencies in design of the clothes.
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Приходько-Кононенко, І. О., М. С. Винничук, О. С. Васильєва, Т. В. Пристав, and М. І. Маслікова. "ХУДОЖНЬО-КОМПОЗИЦІЙНІ ЕЛЕМЕНТИ КОСТЮМА НАРОДІВ ПІВНІЧНОЇ АМЕРИКИ ЯК ТВОРЧЕ ДЖЕРЕЛО ДЛЯ РОЗРОБКИ КОЛЕКЦІЇ ОДЯГУ." Art and Design, no. 4 (February 3, 2020): 132–42. http://dx.doi.org/10.30857/2617-0272.2019.4.12.
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To determine the artistic and compositional features of ethnic costume of the peoples of North America for design-projection of the modern collections of women`s clothes. The visual-analytical and the literary-analytical methods, as well as the method of synectics, etc. are used. Based on the analysis of artistic and compositional solutions for ethnic costumes of the peoples of North America, in particular, Crow, Creek, Navaho, Pancho and Pueblo, their inherent elements and decorations are identified, and the possibility of their use as a creative source for the designing of modern collections of clothes in ethnic style, using the latest fashion trends and the draping method, is presented. Compositional and constructive, and decorative solutions for the models of women`s clothes are systematized in accordance with the fashion trends of the SS 19/20 season; specific artistic and compositional elements of the ethnic costume of the Indians of North America are distinguished; possible types of finishing are described, and their application in design-projecting of the collections of clothes are presented. Artistic-design and constructive-technological solutions for the models of women`s clothes using the artistic and compositional elements of the national costume of the Indians of North America are developed.
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Chang, Yu-Chung. "Precision Marketing Strategies for Small and Medium-sized Clothing E-commerce Enterprises Based on Big Data." Business Prospects 1, no. 1 (December 1, 2020): 128–39. http://dx.doi.org/10.52288/bp.27089851.2020.12.11.
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Based on the big data analysis technology of small and medium-sized clothing e-commerce enterprises, this paper provides theoretical and practical methods for e-commerce enterprises to apply big data technology. The data sources come from questionnaires and online data grab. Through the Google online questionnaire survey, 252 valid questionnaires were received. Python is used to search valid reviews on Tmall and Internet with some keywords, and a total of 11,864 valid comments were obtained. We find that the reason why men buy clothes is as high as 68% because of the seasonal change, but only 31% of women buy clothes because of the seasonal change. The higher the average monthly income of women, the more attention is paid to whether the style of clothing design is suitable for themselves, and the more attention is paid to the service attitude of e-commerce enterprises. From decision tree analysis, the fit of clothing style is the most important factor affecting the shopping choice of customers. From the data of customer reviews, the most mentioned variables are clothing style, fashion, service attitude and price. The number of reviews and the sentiment analysis score on clothing style are all ranking first. The number of reviews and the sentiment analysis score on clothing fashion are all ranking second. We also proposes corresponding precision marketing strategies based on the results of big data analysis, such as gender recommendation strategies, personalized recommendation strategies, differentiated marketing strategies, enterprise training and clothing design strategies.
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Viswamohan, Aysha Iqbal. "Fashioning masculine anxieties: Clothes and style in The Bonfire of the Vanities." European Journal of American Culture 40, no. 3 (September 1, 2021): 215–31. http://dx.doi.org/10.1386/ejac_00054_1.
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This article is a broad-spectrum exploration of the reconciliations between fashion choices and masculine anxieties in Tom Wolfe’s The Bonfire of the Vanities. It traces the complex processes where the socially stratified worlds of the male characters are configured, especially through the tropes of clothes and lifestyle. The American 1980s, in times of Reaganomics, are understood as a period of excess, social mores and ‘bigness’. This is reflected in the operatic style of Bonfire, which offers a social critique of New York City in the 1980s. Wolfe’s dispassionate gaze takes in the excesses of the Reagan era, all the time exploring the relationship between men’s clothing and New York City. The central premise of the article pivots on performing masculinity through the 1980s menswear, where garments and lifestyle choices acquire specific meanings as indexes of class, vanity, individuality, identity and social mobility. The focus is on the three masculine protagonists at the forefront, but there are also glancing references to other secondary characters. Fashion, within the scope of this article, is based on the explorations of dress, clothes and style, rather than catwalk.
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Ozturk, Fatma, and Ozlem Berksan. "A study for the impact of impressionism period’s coloring, style and mode on fashion designers." Global Journal of Arts Education 5, no. 2 (November 15, 2015): 40. http://dx.doi.org/10.18844/gjae.v5i2.243.
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Impressionism is a result of scientific and social developments’ influence on art and cultural movements during 1870’s. Impressionism, as being the brand new and the most important development in art during 19th century, has represented the modern painting with a strict separation from former understanding of art. While other art movements of 19th century have been maintained the relations or bore trace from classical understanding, impressionists severed all these ties. Instead of observing the nature in a realistic manner, they used impressions of observing it on art.Fashion in the most general sense, is representing the change. Whereas, fashion has been seen as the synonym of dressing, it involves all the aspects of human life. The Belle Epoque Era (1890-1914) that comprised a coy eroticism in fashion overlaps with the Impressionism period. It was a period characterized by an extensive freedom, economic growth and scientific development in Europe. New daily sport clothes and expensive night dresses were the source of inspiration in fashion. Trains and cars made it possible to spend time at the outside for everybody and new fashion styles adopted for social activities.This study is intended to analyze Impressionism Period’s impact on fashion designers. The clothes of the period are going to be investigated from the view point of their color, style, models and accessories. Keywords: Fashion, art, impressionism, belle epoque
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Adhitia, Tiara Sekar, M. Kholid Arif Rozaq, and M. Fajar Apriyanto. "Pin Up Style dalam Fotografi Fashion Kontemporer." spectā: Journal of Photography, Arts, and Media 3, no. 1 (August 5, 2019): 61–72. http://dx.doi.org/10.24821/specta.v3i1.3123.
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Fashion becomes a social symbol that gives the cultural identity to a person. Pin up style has existed since the late 1950s. This style which is a combination of urban style and pop culture is identical with a light, tight, and semi-open dress. The image sticking on pin up style fashion makes the women called as "teasing ladies". The chosen genre is contemporary fashion photography that is a genre in photography which aims to show the clothes and other fashion items influenced by the impact of modernization.The result of this final assignment project is a series of fashion photography which uses the fashion style of 1950s that is pin up style. In every visualization of the creation of this photographic work, it aims to present the story based on the ideas and the concepts as well as to introduce the type of pin up style for each photograph. The background, the property, the make up, the hair style, as well as the surrounding objects are used to support the story in the resulted photographs. Keywords: pin up style, fashion, contemporary fashion photography
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Gillani, Bakht Shahida, Syeda Kaniz-i.-Fatima Haider, and Farzand Ali Jan. "The Relationship of Clothing with Personal Identity of Different Clothing Style Personalities among Working Women." Journal of Management Info 3, no. 1 (April 1, 2016): 1–4. http://dx.doi.org/10.31580/jmi.v9i1.43.
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This study examined how clothing choices are influenced by personal identity. The purpose of this study was to find out relationship of clothing with personal identity among different clothing style personalities. A convenience sample of 300 employed women from Govt., semi Govt., and private colleges, schools, offices and hospitals was selected for the study. In the first phase, women of six clothing style personalities were selected by a questionnaire based on six different choices of clothes and accessories. In the second phase, they were investigated for finding the relationship between their clothing choices and personal identity. A self constructed questionnaire was used for this purpose. Classic, Dramatic, and Natural Style Personalities scored higher on the scale than Romantic, Ingénue, and Gamin Style Personalities. To test the hypothesis, t-test was used that showed significance between Classic Style, Dramatic Style, and Natural Style Personalities (group-I) and Romantic Style, Ingénue Style and Gamin Style Personalities (group-II). It was found by this study that our clothing choices are directly related to personality traits. The study will help people to get information about clothing concept; how clothing will be related to personality impressions and judgments.
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Nistor, Laura. "The meaning of fashion: A qualitative study with students in Romania." International Journal of Fashion Studies 7, no. 1 (April 1, 2020): 49–71. http://dx.doi.org/10.1386/infs_00016_1.
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This article discusses the results of a focus-group-based qualitative study that was conducted with the students of two universities in Romania, with the aim to reveal their discourses regarding the meaning of fashion. The findings suggest that students define fashion through a complex semantic triangle of three inter-related concepts: fashion ‐ style ‐ being well-dressed. In this tripartite model, fashion receives mostly negative connotations compared with style, which is defined as a micro-level, personal take on fashion, i.e. it has agency, whereas fashion is defined as being at the macro-level and is accused of enforcing normativity and homogeneity. The meaning of being well-dressed refers mostly to dress codes and to the wearing of clothes that symbolize and signal social status, rather than to fashionable clothes. With such findings, it is possible to claim that the interviewees are ‘soft challengers’ of fashion: they are revolting against the normativity of fashion and seek to emphasize their agency when they put together an outfit. However, as much as possible, they try to respect the normative expectations of situational dress codes. When the three concepts were considered separately by the interviewees, each revealed several sub-dimensions/themes.
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Moroshkina, N. V., I. I. Ivanchei, R. V. Tikhonov, A. D. Karpov, and I. V. Ovchinnikova. "Development and Approbation of The Russian Database of Neutral and Smiling Female Faces (RuNeS Faces)." Experimental Psychology (Russia) 11, no. 2 (2018): 34–49. http://dx.doi.org/10.17759/exppsy.2018110203.
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The article presents a database of women’s faces for research in the field of social perception. Each of 55 models was photographed full-face under four conditions: with a neutral or smiling face with hair up or down. The database includes the results of facial morphometry (relative positions of homologous points), expert ratings of appearance style, scores of perceived intelligence and attractiveness. The peculiarity of the database is that, unlike the others, we preserved the natural style featured on the models: clothes, jewelry, and makeup. The database was approbated in the study of physiognomic and appearance style predictors of perceived intelligence and attractiveness. It expands the variety of stimulus images available for researchers and can be used in different studies of social perception.
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Dohrer, Gary, and Kathryn T. Flannery. "The Emperor's New Clothes: Literature, Literacy, and the Ideology of Style." Rocky Mountain Review of Language and Literature 50, no. 1 (1996): 70. http://dx.doi.org/10.2307/1348344.
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Serhienko, Liubov, Natalia Vashchuk, and Vitalii Bakal. "Ways of Unifying the Details of the Uniform (Uniform-Style Clothes)." Modern Special Technics 4(59) (2019): 123–30. http://dx.doi.org/10.36486/mst2411-3816.2019.4(59).13.
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Chaniago, Efriyeni, Tjetjep Rohendi Rohidi, and Triyanto Triyanto. "The Aesthetic Usage Response of Baju Kurung in Palembang City Government Tourism Office in Emphasizing Regional Identity." Catharsis 9, no. 1 (May 31, 2020): 38–49. http://dx.doi.org/10.15294/catharsis.v9i1.39732.
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BajuKurung is a traditional dress of the Malay community in several countries namely Malaysia, Indonesia, Brunei Darussalam, and southern Thailand. The traditional clothes worn by Palembang women including in the form of bajukurung. In the development era of bajukurung replaced by modern clothes. The modification of bajukurung is now made according to the tastes of customers with a variety of shapes and accessories. This study aims to analyze the aesthetic response to the rules of wearing Palembang's traditional clothing in service in the form of patterns, motifs, textures, and colors of clothes worn by employees. Through this interdisciplinary approach by using qualitative method. The data is presented in the descriptive form. The object of study was the employee's bajukurung in Palembang Government Tourism office. The research data sources are primary and secondary data. The data collection techniques are conducted by observation, interview, and document study. The analysis procedure is conducted by data reduction, data presentation, and data verification. The analysis was conducted with the aesthetic formalism theory, the validity of the data by triangulation of data sources. The results showed that the aesthetic response of the employees was expressed through patterns, motifs, colors, and textures of the bajukurung material that were modified with the addition of beads, sequins, and ribbons. The aesthetic response of the user to the style modification of the kurung displays the beauty of clothes but does not eliminate the original form. Modifications to the clothes do not interferethe activities of the employees while working.
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Pashkevych, K. L., O. V. Kolosnichenko, A. M. Veklych, and Т. А. Ovdіienko. "CURRENT TRENDS OF THE USE OF ECO-MATERIALS IN THE DESIGN OF LIGHT INDUSTRY PRODUCTS." Art and Design, no. 3 (December 5, 2019): 20–27. http://dx.doi.org/10.30857/2617-0272.2019.3.2.
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The purpose. Analysis of the basic directions of eco-design; development of classifications of eco-materials; determination of perspectives of their use in the design of the handbags. Methodology. The research is based on systematic analysis of eco-materials in clothes and in handbags, as well as on general methodology of clothes and accessories design. The methods of system-structural analysis and visual-analytical method are used at different stages of the research. Results. The basic principles of eco-design have been studied, the classification of eco-materials has been developed, the tendencies of using eco-materials in the design of handbags have been determined, the trends of fashion have been analyzed and the collection of handbags made of cork material has been created. The use of eco-materials in the design of light industry products makes it possible to obtain new aesthetic properties, thereby opening new opportunities for the development of the fashion industry. The use of eco-materials promotes for the development of new constructive techniques by the designers, for the creation of the latest technologies in fashion industry; it makes it possible to diversify the artistic solution of the costume and to improve its expressiveness. Scientific novelty. The regularities of formation of accessories collections in eco-style, as well as the basic hallmarks of style (color palette, accessories and furnishings) are determined. Practical significance. The collection of eco-style handbags with the use of cork material, based on current fashion trends, is developed.
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RAKIYAH, SITI. "THE INFLUENCE OF FASHION STYLE ON INCREASING STUDENTS’ INTERST IN LEARNING CLASS AT ELEMENTARY SCHOOL TEACHER EDUCATION (PGSD) STUDY PROGRAM QUALITY UNIVERSITY ACADEMIC YEAR 2017-2018." Jurnal Ilmiah Aquinas 3, no. 1 (January 31, 2020): 66–71. http://dx.doi.org/10.54367/aquinas.v3i1.632.
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The purpose of this study was to determine the effect of fashion styles on increasing student interest in learning at PGSD Study Program in Quality University. The method used in this research is descriptive method using a survey form. The subjects used were used students of PGSD Study Program at the University of Quality TA 2017/2018. The survey shows that the clothing styles used by students can affect their learning interest. They are more eager to go to college and go to class because one of them is the clothes they use are more contemporary, fashionable, and still new. However, it is not uncommon for students who wear clothes that are old fashioned in their interest to go to college less enthusiastic and often also have an impact on their activities in the classroom
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Anafarhanah, Sri. "TREN BUSANA MUSLIMAH DALAM PERSPEKTIF BISNIS DAN DAKWAH." Alhadharah: Jurnal Ilmu Dakwah 18, no. 1 (July 7, 2019): 81. http://dx.doi.org/10.18592/alhadharah.v18i1.2999.
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Indonesia is a country whose majority is the largest Muslim in the world, making Muslim clothing the choice of most Muslim women in dress. This makes Muslim clothing in Indonesia continue to grow rapidly following the development of tren and fashions. In a business perspective, there are great opportunities that can be achieved by entrepreneurs in the field of domestic fashion to contribute to this development. Because of the fact, Muslim clothing is currently not only a fashion choice to cover aurat, but has become a life style for some Muslim women. With the many Muslim fashion fashions that are now being produced by domestic and foreign businessmen, this tren is increasingly in demand. Appearing in an Islamic and fashionable style makes Muslim women increasingly choose Muslim clothing. This closed clothing is not only worn by adult women but extends to teenagers and children. In line with this tren, in the perspective of da'wah, one of the aims of da'wah in upholding the amar ma'ruf nahi munkar can be helped as long as Muslim clothing is used in accordance with Islamic law, because basically the clothes that must be worn by Muslim women are clothes that cover their nakedness the limits specified in Islam.
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Nicolay, Claire. "DELIGHTFUL COXCOMBS TO INDUSTRIOUS MEN: FASHIONABLE POLITICS IN CECIL AND PENDENNIS." Victorian Literature and Culture 30, no. 1 (March 2002): 289–304. http://dx.doi.org/10.1017/s1060150302301141.
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THOMAS CARLYLE’S CONTEMPTUOUS DESCRIPTION of the dandy as “a Clothes-wearing Man, a Man whose trade, office, and existence consists in the wearing of Clothes” (313) has survived as the best-known definition of dandyism, which is generally equated with the foppery of eighteenth-century beaux and late nineteenth-century aesthetes. Actually, however, George Brummell (1778–1840), the primary architect of dandyism, developed not only a style of dress, but also a mode of behavior and style of wit that opposed ostentation. Brummell insisted that he was completely self-made, and his audacious self-transformation served as an example for both parvenus and dissatisfied nobles: the bourgeois might achieve upward mobility by distinguishing himself from his peers, and the noble could bolster his faltering status while retaining illusions of exclusivity. Aristocrats like Byron, Bulwer, and Wellington might effortlessly cultivate themselves and indulge their taste for luxury, while at the same time ambitious social climbers like Brummell, Disraeli, and Dickens might employ the codes of dandyism in order to establish places for themselves in the urban world. Thus, dandyism served as a nexus for the declining aristocratic elite and the rising middle class, a site where each was transformed by the dialectic interplay of aristocratic and individualistic ideals.
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Iis Purnengsih. "The Semiotics Study of Wayang Kulit Purwa Attribut of Garuda Mungkur in Surakarta Style." IICACS : International and Interdisciplinary Conference on Arts Creation and Studies 3 (April 14, 2020): 233–40. http://dx.doi.org/10.33153/iicacs.v3i1.44.
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This article discusses the aesthetics and symbols of purwa Wayang Kulit of garuda mungkur in Surakarta style by using hermeneutics and semiotic analysis. This research aims to know the aesthetic and symbolic meaning of the Garuda Mungkur’s ornaments. The research method used is qualitative. The result of this research showed that the meaning of Garuda Mungkur depends on the proportional aspects with other clothes ornament that is close to and related to it, including bun, irah irahan, and praba. According to the symbolic meaning, Garuda Mungkur is be used by all action figures who have a "strong" character in purwa wayang kulit.
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Ніколаєва, Т. В., І. Л. Гаиова, and І. В. Давиденко. "ХУДОЖНЬО-КОМПОЗИЦІЙНІ ОСОБЛИВОСТІ ВИКОРИСТАННЯ ЕЛЕМЕНТІВ СТИЛЮ ВІНТАЖ В ДИЗАЙНІ СУЧАСНОГО ОДЯГУ." Art and Design, no. 1 (May 13, 2019): 127–39. http://dx.doi.org/10.30857/2617-0272.2019.1.11.
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Research of historical experience and modern trends of the vintage tendencies in design of clothing and accessories, determining methods for creative transformation of materials' surfaces and decorative elements to be used in forward-looking fashion collections. Scientific research uses modern methods of historiographical, literary and analytical, system-structural analysis as well as methods of classification of the artistic and compositional transformation means applied to decorative elements and complements to costume. The study of the historical background of vintage style and promising directions of its development was done. The analysis of the use of vintage elements in modern clothes was performed. The assortment of decorative elements and costume additions of various fashion styles of the 20th century was analyzed. Technology of material processing for creating vintage effects in a modern costume was considered.
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Readdick, Christine A., Kay S. Grise, Jeanne R. Heitmeyer, and Marla H. Furst. "Children of Elementary School-Age and Their Clothing: Development of Self-Perception and of Management of Appearance." Perceptual and Motor Skills 82, no. 2 (April 1996): 383–94. http://dx.doi.org/10.2466/pms.1996.82.2.383.
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In this study 223 children in kindergarten through Grade 5 were surveyed about their school clothing: their typical and preferred style of dress, their feelings about their clothing, and their role in clothing acquisition and care. The contribution of selected demographic variables to children's self-perception and to management of appearance was examined. By and large, children expressed highly positive feelings about their school clothing. Shorts or long pants with a T-shirt were the typical school clothing of boys and girls. Age was associated with more differences in self-perception and management of appearance than any other variable. Children in kindergarten through Grade 3 reported more positive feelings about the clothing they were wearing on testing day and appraisals of their own clothes vis-à-vis their friends' than did those in Grades 4 and 5. The latter group reported more shopping in specialty stores, more “mom and I” purchasing, and more clothes washing and ironing than did younger children.
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Guéguen, Nicolas. "The Effect of Women's Suggestive Clothing on Men's Behavior and Judgment: A Field Study." Psychological Reports 109, no. 2 (October 2011): 635–38. http://dx.doi.org/10.2466/07.17.pr0.109.5.635-638.
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Numerous studies have shown that men overestimate the sexual intent of women based on their clothing style; however, this hypothesis has not been assessed empirically in a natural setting. This small field study measured the time it took for men to approach two female confederates sitting in a tavern, one wearing suggestive clothes and one wearing more conservative clothes. The behavior of 108 men was observed over 54 periods on 16 different nights in two different taverns. The time it took for the men to approach after initial eye contact was significantly shorter in the suggestive clothing condition. The men were also asked by male confederates to rate the likelihood of having a date with the women, and having sex on the first date. The men rated their chances to have a date and to have sex significantly higher in the suggestive clothing condition. Results are discussed with respect to men's possible misinterpretation that women's clothing indicates sexual interest, and the risks associated with the misinterpretation.
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Deng, Haijuan, and Minglong Liu. "Personalized Smart Clothing Design Based on Multimodal Visual Data Detection." Computational Intelligence and Neuroscience 2022 (March 24, 2022): 1–12. http://dx.doi.org/10.1155/2022/4440652.
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In the traditional clothing customization system, only the designer participates in the clothing design, and the style is single. In the face of numerous styles, the user just repeatedly arranges and combines the styles, but does not realize the user’s innovative design. In this paper, we propose a novel multitask deep convolutional neural network training method for task-by-task transfer learning, and learn deep image features for image retrieval tasks on noisy user click data. Image retrieval model based on image-text multimodal correlation features: this paper uses image-text multimodal correlation features to calculate the correlation between query keywords and images, and calculates the correlation between images and images. In this paper, the method of automatic generation of clothing style is researched, and parameterized coding is designed for it. Taking the typical style of suits as the initial population, through the human-computer interaction interface, the scoring value is assigned to the fitness value to carry out the evolution process. The binary string of the suit style generated by the genetic algorithm is decoded through the decoding algorithm and rules, decoded into a visual style diagram of the style of the suit style, and the style diagram of the suit style is automatically drawn. From the perspective of clothing design, this paper summarizes the general design methods of outdoor sports smart clothing, follows the integration of people-clothing-environment, and proposes a wearer-centered design concept to deeply explore the rationality of outdoor sports smart clothing design methods. This paper further solves the key problems in the design process, and takes the fashion of clothing as the core principle to design the structure of clothing modeling. The fabric selection of suits is based on the principle of clothing comfort. The key is to realize the outdoor sports monitoring function of suits through sensing technology. The design uses Arduino as an electronic prototype platform, so as to detect the heart rate of the human body during exercise and the microclimate temperature under the clothes. This kind of suit with monitoring function is ultimately a combination of sensing device and clothing. It not only has monitoring function, but also has the aesthetic concept of clothing design and conforms to the performance of human body structure, which will provide reference and reference for the design of outdoor sports smart clothing.
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Bahri, Saiful. "The Meaning of Communication in Fashion Style of Muslim Student in Institut Agama Islam (IAI) Al-Aziziyah Samalanga Bireuen Aceh." Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences 3, no. 3 (August 3, 2020): 2124–41. http://dx.doi.org/10.33258/birci.v3i3.1145.
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Changes in Muslim fashion trends will not be dammed and will continue to experience changes. Different from the previous year, where the trend of Muslim clothing in Indonesia tends to show an experimental trend. This year, the experimental trend has shifted to a long head covering known as the hijab syar’i. The term shari'i used, refers to Muslim women's clothing where the clothes, according to the Islamic Shari'ah guidance. Therefore, many call this ongoing fashion trend with shar'i hijab. Moving on from that thought, the problem to be investigated in this research is the meaning of Muslimah fashion communication style for Al-Aziziyah Samalanga Bireuen Aceh's Islamic Religion Institute (IAI) students. To uncover the problem thoroughly and deeply, this study uses a qualitative descriptive method that is useful for providing data and facts about the meaning of communication in the style of Al-Aziziyah Samalanga Islamic Institute (IAI) student dress style. Then the data were analyzed with the basis of the thought of George Herbert Mead and the principle of George Ritzer, in order to obtain a deep meaning about the student's fashion style. Meaning is produced from religious background, motives, and social environment. After that, meaning is modified through an interpretive process, and then individuals develop self-concepts through interactions with others. Self-concept provides an important motive for behavior and expression in choosing a style of dress. From the results of the study it was found that the meaning of communication style of Muslim female students of the Islamic Religious Institute (IAI) Al-Aziziyah Samalanga was produced from a background of religiosity, motives, and social environment. Then, individuals do the process of self-communication and produce a meaning that is interpreted through clothing. Some of the meanings of communication of Muslim female student fashion styles The Islamic Religious Institute (IAI) Al-Aziziyah Samalanga are produced based on the female Muslim students' fashion styles, namely: The meaning of Muslimah women's fashion styles as self-identities, the meaning of Muslimah women's fashion styles as a lifestyle, and the meaning of Muslim women's clothing styles as a form of obedience. Fashion communication is produced through the use of various symbols and fashion styles, so that the attitudes and behaviors of the user are reflected and generate direct appreciation through the interaction of people around. Several ways of meaning female students of communication style of Islamic clothing Islamic Institute of Islam (IAI) Al-Aziziyah Samalanga communicates Muslim clothing styles: Dressing in one color from top to bottom, fashion that is in accordance with Islamic law and ignores the trend of the times, follows the trend of Muslim fashion at the time that, dress in colors, mix and match the color of clothing.
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Maynard, Margaret. "Fashion and Air Travel: Australian Photography and Style." Costume 51, no. 1 (March 2017): 103–20. http://dx.doi.org/10.3366/cost.2017.0007.
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The expansion of commercial air travel in Australia after the Second World War caused significant changes to women's fashion and its marketing in this country. The developing technology of aeroplanes as commercial carriers meant European clothes and ideas reached Australia increasingly rapidly. A long-term sense of stylistic inferiority diminished and the sometimes unquestioning acceptance of imported style was challenged. As post-war retailers expanded their product range, they sought possibilities to market Australian designed and made garments both in Europe and the US. Using co-marketing with the airline industry in particular, retailers began to foster a new confidence amongst middle-class women that by wearing local attire they could participate in a worldwide network of stylish production and consumption. For a brief period, Australian, US and European-made fashions were in serious competition. This article suggests promotional images featuring the connectivity between the technology of air transport and fashion after the Second World War mark a discrete moment in the representation of women in this country as mature and stylishly dressed global travellers, prior to a vigorously emerging youth market by the mid-1960s. It also posits the idea that, although representational stereotypes of Australian women as homemakers remained intact, the use of technological settings of airline travel in fashion photography created a new and cosmopolitan narrative that ran counter to the ideal of domesticity.
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Xu, Xu Bing, and Lei Feng. "A Brief View on the Reflection of Pleated Design in the Concept of Low-Carbon Clothing." Advanced Materials Research 955-959 (June 2014): 162–65. http://dx.doi.org/10.4028/www.scientific.net/amr.955-959.162.
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By defining the concept of low carbon clothing and summarizing the design factors, this paper analyzes the low-carbon characteristics of pleated design in the processes of design, production and wearing. In the concept of low-carbon clothing, pleated design achieves the structure design of “multiple ways of wearing one piece of clothes” and “one-piece style”. It saves the cost of clothing, satisfies people’s diverse needs for clothing, brings a fresh wearing experience to customers, advocates the concept of “green” wearing and consumption, and meets people’s spiritual demand for low-carbon culture and life.
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Yan, Yu Xiu, Li Juan Lou, Jian Wei Tao, and Zi Min Jin. "Fabric Materials and Sportswear Anti-Drag Performance Relationship." Advanced Materials Research 821-822 (September 2013): 305–8. http://dx.doi.org/10.4028/www.scientific.net/amr.821-822.305.
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In this study four kinds of materials on the market most commonly used for sportswear are selected to knit one sports vest in plain style, woven by seamless circular knitting machine. We use wind tunnel tests to do the experiments and gather datum of experiments and analyze them to research the relationship between textile materials and wind resistance performance of sportswear. The results showed that: in the wind tunnel experiments, when wind speed is between 3.3 m/s and 9.35m/s, the wind resistance performance of the four experiment clothes is almost the same; When between 9.35 m/s and 11.00m/s, their wind resistance performance demonstrates a dispersion level; When it is between 11.00m/s and 18.70m/s, their differences of wind resistance performance between the four clothes are significant. The wind resistance performance could be sequenced from the good to the poor like this: 15.6tex combed cotton + coolmax modified polyester, 7.7tex/48f nylon, 15.6tex combed cotton, 9.7tex modal +15.6tex TC, and the fitting curve equation is obtained from the measured datum analysis through the SPSS software.
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Alharbi, Abrar, Fahad Alharbi, and Eiji Kamioka. "Skeleton based gait recognition for long and baggy clothes." MATEC Web of Conferences 277 (2019): 03005. http://dx.doi.org/10.1051/matecconf/201927703005.
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Human gait is a significant biometric feature used for the identification of people by their style of walking. Gait offers recognition from a distance at low resolution while requiring no user interaction. On the other hand, other biometrics are likely to require a certain level of interaction. In this paper, a human gait recognition method is presented to identify people who are wearing long baggy clothes like Thobe and Abaya. Microsoft Kinect sensor is used as a tool to establish a skeleton based gait database. The skeleton joint positions are obtained and used to create five different datasets. Each dataset contained different combination of joints to explore their effectiveness. An evaluation experiment was carried out with 20 walking subjects, each having 25 walking sequences in total. The results achieved good recognition rates up to 97%.
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Vicerial, Jeanne. "Print the body. Clothes printing project." Temes de Disseny, no. 34 (November 26, 2018): 44–47. http://dx.doi.org/10.46467/tdd34.2018.44-47.
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Skin has become the main fabric of the 21st century, enabling the body itself to become the new customised apparel. Over the last three years of my studies, my research was based not only on style considerations, but also on moving away from contemporary industrial constraints and going towards a new clothing production method. My research was focused on developing an artisanal process that makes clothing comparable to 3D printing.
I drew on my research of human anatomy and the body to rethink the construction of clothing. My work is an analogy between body and clothing. My designs are based on human muscular weaves. All my patterns are extracted from human anatomy to create a new, wearable skin. This method of construction allows people to wear their own anatomies, exposing the internal construction of their bodies. Each piece is entirely made of a single recycled thread. This experimental method is hand-crafted, without the use of a sewing machine. Because this process is handmade, the goal is to develop a machine that is capable of sewing customised apparel based on a 3D body scan. While doing my PhD in fashion textiles, I have collaborated alongside engineers to produce this new technology. This method both eliminates textile waste and proposes a different form of industrial customised clothing production.
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Toomer, Heather. "Seventeenth-Century Baby Clothes? The Problems of Identification." Costume 55, no. 1 (March 2021): 24–48. http://dx.doi.org/10.3366/cost.2021.0181.
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This article follows a study of a collection of baby clothes assumed to be of late seventeenth-century date to ascertain whether or not that assumption might be correct. The collection is unusual in containing caps, rare in themselves but also decorated with lace frills in the adult frelange style; a rare pair of sleeves with paned oversleeves; and christening and other items for wear by a swaddled infant which are more common in known collections but here, more unusually, trimmed with Flemish bobbin lace. The article discusses the items in terms of their relationships with each other, their construction, their fabrics and how they were worn. Comparisons with similar and related articles in other collections and in seventeenth-century portraits of adults and children enable the author to conclude that the articles probably do date from the late seventeenth century but from slightly different decades.
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Rammal, Rachel. "Diversity Now! Sequins, Style & the End of Gender with Dr. Madison Moore." Fashion Studies 2, no. 2 (2020): 1–10. http://dx.doi.org/10.38055/fs020205.
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Diversity Now! is an annual lecture series hosted by the Centre for Fashion Diversity and Social Change at Ryerson University in Toronto, Canada. This lecture series explores how individuals have used fashion as a means to inspire social change and political advocacy in their personal lives, their community, or the fashion industry. The 2019 guest lecturer was Dr. Madison Moore, an artist-scholar, DJ, and Assistant Professor of Gender, Sexuality and Women’s Studies at Virginia Commonwealth University. In this seventh series lecture, Moore discussed the journey and research behind his recent book Fabulous: The Rise of The Beautiful Eccentric (2018). Drawing on autobiography, anecdotal evidence, and interviews, Moore took his audience on a journey from his childhood in Ferguson, Missouri, to the night scene in New York, London, and Berlin, with an emphasis on Vogue Balls and catwalks. While Moore’s lecture drew on various sources, his message was unequivocal: style and clothes have the power to inspire social change.
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최진열. "The Analysis of Pottery Figurines' Clothes in Tombs of Northern Wei Period in Luoyang: Examination of Statistical Data to Wearing Hu-style(Xianbei-style), Han-style and Western Region-style dresses." CENTRAL ASIAN STUDIES 16, no. ll (December 2011): 29–52. http://dx.doi.org/10.29174/cas.2011.16..002.
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Penney, Joel. "“We Don't Wear Tight Clothes”: Gay Panic and Queer Style in Contemporary Hip Hop." Popular Music and Society 35, no. 3 (July 2012): 321–32. http://dx.doi.org/10.1080/03007766.2011.578517.
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