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Books on the topic 'Stylistic Analyses'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Fokkelman, J. P. Narative art and poetry in the books of Samuel: A full interpretation based on stylistic and structural analyses. Van Gorcum, 1986.

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2

Stylistika a--: Současná situace stylistiky. Trizonia, 1997.

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3

Rubin, Geetha. Emma: A stylistic analysis. Writers Workshop, 1996.

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4

Abdul-Raof, Hussein. Qurʾanic stylistics: A linguistic analysis. Lincom Europa, 2004.

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5

Stanley Kubrick: A narrative and stylistic analysis. Greenwood Press, 1994.

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6

Stanley Kubrick: A narrative and stylistic analysis. 2nd ed. Praeger, 2001.

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7

Falsetto, Mario. Stanley Kubrick: A narrative and stylistic analysis. Praeger, 1994.

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8

Bhelande, Anjali. Lord of the flies: A stylistic analysis. Writers Workshop, in association with S.N.D.T. Women's University, Mumbai, 1996.

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9

Chhibber, S. D. S. Poetic discourse: An introduction to stylistic analysis. Sterling Publishers Private Ltd., 1987.

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10

Naciscione, Anita. Stylistic use of phraseological units in discourse. John Benjamins Pub. Co., 2010.

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11

Bhabani Bhattacharya: A stylistic analysis of his novels. Sterling Publishers, 1994.

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12

A theory of stylistic rules in English. Garland Pub., 1985.

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13

Lemmen, Hans Van. Dutch tiles at 'Farrago': An iconographic, stylistic, technical analysis. 2nd ed. Leeds Polytechnic, 1990.

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14

Jane Austen's narrative techniques: A stylistic and pragmatic analysis. Ashgate, 2009.

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15

Corpus stylistics and Dickens's fiction. Routledge, 2012.

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16

Kumar, Suresh. Stylistics and language teaching. Kalinga Publications, 1988.

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17

missing], [name. Cognitive stylistics: Language and cognition in text analysis. Benjamins, 2002.

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18

Language in literature: An introduction to stylistics. Arnold, 1997.

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19

Jeffries, Lesley. Critical stylistics: The power of English. Palgrave Macmillan, 2010.

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20

Critical stylistics: The power of English. Palgrave Macmillan, 2010.

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21

author, Halder Manju, ed. Temple architecture of Bengal: Analysis of stylislic evolution from fifth to nineteenth century. Urbee Prakashan, 2011.

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22

Style-shifting in public: New perspectives on stylistic variation. John Benjamins Pub. Co., 2012.

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23

Naciscione, Anita. Phraseological units in discourse: Towards applied stylistics. Latvian Academy of Culture, 2001.

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24

On the discourse of satire: Towards a stylistic model of satirical humor. John Benjamins, 2003.

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25

Sheppard, Peter J. The Capsian of North Africa: Stylistic variation in stone tool assemblages. B.A.R., 1987.

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26

Jones, Frederic J. The structure of Petrarch's Canzoniere: A chronological, psychological, and stylistic analysis. D.S. Brewer, 1995.

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27

Polyphony in fiction: A stylistic analysis of Middlemarch, Nostromo, and Herzog. Peter Lang, 2008.

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28

Marley, Carol Nicola. Stylistic implications of discourse analysis: With special reference to R.E. Longacre's theory of narrative analysis. University of Birmingham, 1987.

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29

Lueg, Sabine. The commonplace and the magic: A stylistic analysis of Brian Patten's work. Die Blaue Eule, 2000.

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30

Hansen, Sharon A. Selected Latin Catholic Church Music of Robert Lucas Pearsall: A Stylistic Analysis. University of Missouri, 1986.

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31

O'Neill, Christine. Too fine a point: A stylistic analysis of the Eumaeus episode in James Joyce's Ulysses. WVT, 1996.

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32

Guido, Maria Grazia. Voice and poetic discourse: A pilot study in stylistics and English literature teaching. Congedo, 1995.

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33

Stylistics and language teaching: With a section on translation studies. Kalinga Publications, 2003.

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34

Printing, London College of. BA Film and Video thesis 1990: Expressionism in the Films of Martin Scorsese A Stylistic Analysis. LCP, 1990.

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35

Fusco, Susan Wirth. Syntactic structure in Rimbaud's Illuminations: A stylistic approach to the analysis of form in prose poetry. Romance Monographs, Inc, 1990.

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36

Fusco, Susan Wirth. Syntactic structure in Rimbaud's Illuminations: A stylistic approach to the analysis of form in prose poetry. Romance Monographs, Inc., 1990.

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37

Boccali, Giuliano, and Elena Mucciarelli. Stylistic devices in Indian literature and arts: Gargnano del Garda, September 16-18, 2010. Cisalpino, Istituto editoriale universitario, 2013.

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38

Neitzel, Jill E. The regional organization of the Hohokam in the American Southwest: A stylistic analysis of red-on-buff pottery. Garland Pub., 1991.

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39

Mick, Short, ed. Corpus stylistics: Speech, writing and thought presentation in a corpus of English writing. Routledge, 2004.

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40

Horin, Benny. Stylistic contrast between Beethoven and Mozart: Based upon the Beethoven Quartet no. 11 in F minor, op. 95, and the Mozart Quartet in C major, K. 465. Shazco, 1990.

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41

Temperley, David. Analyses. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190653774.003.0010.

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This chapter tries to show how analysis—in-depth exploration of a song in all of its aspects—can be informed and enriched by the theoretical framework presented in previous chapters, allowing us to appreciate more fully how a song follows or departs from stylistic norms. The chapter presents analyses of six songs: Marvin Gaye, “I Heard It through the Grapevine”; Elton John, “Philadelphia Freedom”; Fleetwood Mac, “Landslide”; U2, “Sunday Bloody Sunday”; Alanis Morissette, “You Oughta Know”; and Destiny’s Child, “Jumpin’ Jumpin’.”

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42

Labelle, Marie, and Paul Hirschbühler. Leftward Stylistic Displacement (LSD) in Medieval French. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198747840.003.0010.

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It is argued that, contrary to recent analyses, there was no stylistic fronting of the Icelandic type in Medieval French but a number of leftward stylistic displacements (LSD). The arguments against a stylistic fronting analysis include the absence of intervention effects and the absence of an empty subject condition. It is also argued that the LSD expression may have a diversity of informational roles and that the variety of constructions observed may be accounted for by a combination of (remnant) VP movement and short scrambling. Finally, three distinct constructions are identified: a V2 con

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43

Berliner, Todd. Classicism and Deviation in His Girl Friday and Double Indemnity. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190658748.003.0002.

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Chapter 2 illustrates an aesthetically productive balance between easy understanding and cognitive challenge in classical Hollywood cinema with extended analyses of His Girl Friday and Double Indemnity. These films combine classical narrative, stylistic, ideological, and genre properties with artistic devices that complicate formal patterning and thwart audience expectations.

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44

Short, M. Stylistic Analysis of Drama. Pearson Education, Limited, 2013.

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45

Stylistics. University of Cambridge ESOL Examinations, 2010.

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46

Stylistics. Cambridge University Press, 2010.

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47

Fokkelman, J. P. Narrative Art and Poetry in the Books of Samuel: A Full Interpretation Based on Stylistic and Structural Analyses (Narrative Art and Poetry in the Books of Samuel). Eisenbrauns, 1986.

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48

Jockers, Matthew L. Nationality. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037528.003.0007.

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This chapter explores the potential influences or entailments of nationality on authorial style. Nations have distinct linguistic habits of style. For example, the British have the propensity to drop the word the in front of certain nouns for which American speakers and writers always deploy the article. This explains why the mean relative frequency of the word the is lower in British and Irish novels than in American novels. In this chapter, an analysis of a corpus of 3,346 nineteenth-century American and British novels reveals that British authors use the word the at a rate of 5 percent, com

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49

Temperley, David. The Musical Language of Rock. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190653774.001.0001.

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A theory of the structure of rock music is presented, addressing aspects such as tonality/key, harmony, rhythm/meter, melody, phrase structure, timbre/instrumentation, form, and emotional expression. The book brings together ideas from the author’s previous articles but also contains substantial new material. Rock is defined broadly (as it often is) to include a wide range of late twentieth-century Anglo-American popular styles, including 1950s rock & roll, Motown, soul, “British invasion” rock, soft rock, heavy metal, disco, new wave, and alternative rock. The study largely employs the in

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50

Solly, Martin. Stylistics of Professional Discourse. Edinburgh University Press, 2015.

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