Relevant bibliographies by topics / Stylistic analysis

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Stylistic analysis'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 March 2023

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Journal articles on the topic "Stylistic analysis"

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GEBAUER, ANNE BIRGITTE. "Stylistic Analysis." Journal of Danish Archaeology 6, no. 1 (January 1987): 223–29. http://dx.doi.org/10.1080/0108464x.1987.10589990.

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Fadhil Kadhum Al-Janabi, Suadad, and Nawar Hussein Rdhaiwi Al-Marsumi. "Doing Stylistic Versus Critical Stylistic: An Analysis of If by Rudyard Kipling." Arab World English Journal 12, no. 1 (March 15, 2021): 239–52. http://dx.doi.org/10.24093/awej/vol12no1.17.

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This paper displays the ideological positioning as found in Rudyard Kipling’s poem If. It is a poem published in 1910. It presents the embedded ideologies and shows how the poet used the available linguistic resources to achieve his goal. The models of analysis adopted are Critical Stylistics as proposed by Lesley Jeffries (2010) and Stylistic Analysis as submitted by McIntyre (2010). The paper aims at identifying the poet’s beliefs to show that success is the outcome of self-control and a real sense of the values of things. It is a try to discover how the poet used various linguistic choices to build a message telling us how to deal with life confidently and identify a line of ideological positioning through Critical Stylistic strategies. The paper presents a theoretical background of the term stylistics and critical stylistics, explaining the adopted models; Analyzing the poem stylistically with a focus on critical stylistic regarding two tools: Representing and Negating for their dominant use in the poem and their effectiveness in interpreting the hidden ideologies. Stylistic devices are used because they steer the text to enable the writer to reach the intended goal. In conclusion, the paper displays that the poet uses the stylistic tools in a brilliant way that leads All, not only his son, to follow and consider it a moral lesson of life.
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Dr. Aisha Farid, Madiha Saeed, and Dr. Muhammad Sabboor Hussain. "An Exploration of Muhammadu Bukhari’s Socio-Political Cognition through Stylistic Analysis." sjesr 4, no. 2 (May 1, 2021): 100–108. http://dx.doi.org/10.36902/sjesr-vol4-iss2-2021(100-108).

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Political discourse is a recent but increasingly exciting field of study. The political discourse offers much scope for interdisciplinary research. This current study is a stylistic analysis of the Inaugural speech delivered by Nigerian President Muhammadu Bukhari in Abuja on 29th May 2015. The current study aims to signify the role of Stylistics in CDA to unleash socio-political cognition in speeches. This qualitative research owing to its interdisciplinary nature draws on stylistics and critical discourse analysis as well. Teun A. Van Dijk's socio-cognitive approach is used to analyze the mental models underlying linguistic structures made explicit through stylistic analysis. The stylistic analysis is conducted on lexical and grammatical levels, but cohesion and speech acts have also been highlighted in the findings and discussion part. The study explores how stylistic devices are used to create a rhetorical effect and how this effect qualifies for being persuasive. The stylistic analysis reconnoiters the linguistic patterns, and CDA leads to the ideologies that shape these patterns. This study strengthens the belief that both stylistics and critical discourse analysis have great scope and power in revealing discursive practices of hegemony and persuasion.
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McIntyre, Dan. "Towards an integrated corpus stylistics." Topics in Linguistics 16, no. 1 (December 1, 2015): 59–68. http://dx.doi.org/10.2478/topling-2015-0011.

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Abstract Over recent years, the use of corpora in stylistic analysis has grown in popularity. However, questions still remain over the remit of corpus stylistics, its distinction from corpus linguistics generally and its capacity to explain complex stylistic effects. This article argues in favour of an integrated corpus stylistics; that is, an approach to corpus stylistics that integrates it with other stylistic methods and analytical frameworks. I suggest that this approach is needed for two main reasons: (i) it is analytically necessary in order to fully explain stylistic effects in texts, and (ii) integrating corpus methods with other stylistic tools is what will distinguish corpus stylistics from corpus linguistics. My argument is supported by reference to examples from Mark Haddon’s no vel The Curious Incident of the Dog in the Night-time and the HBO TV series Deadwood. Both these examples rely for their explanation on a combination of corpus stylistic analytical techniques and other stylistic methods of analysis.
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Gargesh, Ravinder. "Stylistics and Stylistic Analysis of a Modern Hindi Poem." Journal of Indian Studies 12, no. 1 (May 2007): 267–313. http://dx.doi.org/10.21758/jis.2007.12.1.267.

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Kang, Chuanmei. "Stylistics and the Teaching of Advanced English for Senior English Majors." Theory and Practice in Language Studies 8, no. 10 (October 1, 2018): 1346. http://dx.doi.org/10.17507/tpls.0810.13.

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This paper first briefly reviews that stylistics is applied to the teaching of English by scholars both abroad and in china, then discusses what and how to do stylistic analysis, and then by means of three sample analyses it aims at illustrating the view that as an effective method, stylistic analysis is conducive to improving students’ abilities of reading and appreciation, and it concludes that it is both necessary and practical to apply stylistics to Advanced English teaching.
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Iermolenko, Svitlana, Svitlana Bybyk, Tetiana Kots′, Halyna Siuta, and Anhelina Hanzha. "The modern Ukrainian academic linguistic stylistics: A strategy of the integrative development." Ukrainska mova, no. 4 (2021): 3–23. http://dx.doi.org/10.15407/ukrmova2021.04.003.

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This article offers an analytical review of the Department of Stylistics, Culture of Language, and Sociolinguistics’ study outcomes in 1991—2021. It focuses on the publications with the expanded linguo-stylistic analysis and the developing of the terminological system of Ukrainian stylistics. The authors reinterpret a term style and concept of language culture and outline the contribution to the development of structural stylistics, i.e., linguistic text analysis, and interpretive stylistics from the Department staff also naming major studies which determined the connection of linguistic stylistics with the history of Standard Ukrainian and establishing the significant role of historical stylistics. Being determined by the view of language as a system of signs the structural approach in linguistic stylistics dominated at early stages the Ukrainian stylistics formation. The paper advances a new idea regarding the fluidity of the modern system of functional styles and the need to revise and restructure their socially significant hierarchy with respect to the linguo-cultural and communicative-pragmatic reinterpretation of integrative linguo-stylistics. The interdisciplinary aspects of functional-stylistic and genre-stylistic researches are the following: linguoculturology, linguofolkloristics, linguosophy, linguopersonology, linguoconflictology, discourseology, media stylistics, legal linguistics, psycholinguistics, ethnolinguistics, and linguistic expertise. The conclusion evaluates the digital methods to process texts in Standard Ukrainian and the need to create lexicographic sources of stylistic terminology and expand the aspects of stylistic lexicography. Keywords: linguo-stylistics, style, culture of language, norm, interdisciplinarity, research method, integrative linguo-stylistics
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Isti'anah, Arina, Caecilia Riris Krismarini, and Elisabet Ayu Pramesthi Lebdo Putri. "Stylistic Analysis of Maya Angelou’s “Woman Work”." ENGLISH FRANCA : Academic Journal of English Language and Education 4, no. 1 (May 11, 2020): 55. http://dx.doi.org/10.29240/ef.v4i1.1460.

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This paper presented the stylistic analysis of a poem by Maya Angelou, “Woman Work”. This stylistic analysis focused on analyzing two language levels, phonology and syntax, covering the study of sound repetition, transitivity, and pronoun. The phonological features employed in the poem were assonance and consonance. On the other hand, the syntactic features were in the form of material processes that described the works of a woman. The employment of pronoun referred to the poet and nature. This analysis found that Angelou positioned nature as an essential part of a woman's life as it helped her to provide a living to her family. Further, nature was placed as an Actor that helped her face her world as a woman. This paper concludes that stylistics is applicable to analyse literary works in an objective way as it provides the hard data. Keywords: stylistics, poem, woman, Angelou
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Walidah, Ziana, Muslim Yanuar, Dyah Nurul Azizah, and Syihabuddin Qalyubi. "Stylistic Analysis in Surah Al-Najm." Izdihar : Journal of Arabic Language Teaching, Linguistics, and Literature 3, no. 2 (August 31, 2020): 129–46. http://dx.doi.org/10.22219/jiz.v3i2.11624.

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Stylistic is a multidisciplinary approach that aims to foreground the peculiar properties of texts on the basis of language and derive hidden and in-depth meaning to figure out major and minor themes. The evident fact that makes Stylistic a multidisciplinary approach is its retrievable, rigorous, and replicable principles. With Stylistic science, someone can reveal the secrets of the Qur’an as a whole by analyzing all aspects of the Qur’anic linguistics. This article aimed to analyze Surah al-Najm with the Stylistic theory. The research was qualitative research with library research or literature study. The analysis was carried out using an objective approach and descriptive analysis method by reading Surah al-Najm repeatedly then collecting relevant data. So, the data that has been found was analyzed with the two terms of Stylistics, they are semantics and imagery. From this study, it was concluded that in Surah al-Najm there were (1) nouns and verb preferences, various sentence structures and sentence confirmation in syntactic aspects, synonyms and antonyms in semantic aspects, and (2) several kinds of language styles such as isti'arah, majaz, and kinayah in imagery.
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Isti'anah, Arina. "Stylistic Analysis of Maya Angelou’s Equality." Lingua Cultura 11, no. 2 (November 30, 2017): 85. http://dx.doi.org/10.21512/lc.v11i2.1602.

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This research presented the stylistic analysis of a poem by Maya Angelou, Equality. The poem was chosen as it became Angelou’s one of well-known poems. The Stylistic analysis aimed at comprehending the meanings of either literary or non-literary text by means of observing the language device used in the texts. In this article, the stylistic analysis was conducted to analyze Maya Angelou’s Equality. To achieve the goal of stylistic analysis, there were some language levels to observe; they were phonological, graphological, grammatical, and semantic levels. In the phonological level, the repetition of rhyme in some stanzas, assonance, consonance, and alliteration were used to voice Angelou’s dream about freedom for black people. In the graphological level, the use of prominent punctuation in stanzas 3, 6, and 9 stressed equality as the requirement for the freedom she expected. In the grammatical level, Angelou used pronoun I and you as the dominant words in the poem, revealed different class the poet experienced in the country. The use of metaphors in the poem brought the same meaning as freedom, voice, effort, and racism that black people experienced in America. This research concludes that stylistics applies to analyze literary work so that thorough appreciation to it can be achieved.
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Dissertations / Theses on the topic "Stylistic analysis"

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Lin, Shen-An. "The Lieder of Beethoven: A Stylistic Analysis." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc500227/.

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Beethoven is generally acknowledged to be the most important composer of the 19th century. However, many critics and musicologists dismiss Beethoven's Lieder as being of less musical value and sophistication than his more instrumentally conceived late vocal writings. The true musical sophistication of Beethoven's Lieder can be discovered by a careful study of the harmonic structure and the relationship between the vocal and the piano part in Beethoven's Lieder. In discussing Beethoven's Lieder style based on analysis, a number of aspects shall be examined: (1) the harmonic idiom and key relationships; (2) the role of the piano; and (3) other stylistic features.
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Park, Jinha. "Piano music of Elisenda Fabregas| A stylistic analysis." Thesis, University of South Carolina, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3561836.

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The purpose of this study is to present a stylistic analysis of the piano music by American-Spanish composer and pianist Elisenda Fábregas (b.1955). Fábregas' compositional output includes more than forty works for solo, chamber ensemble, vocal, chorus and orchestra; her large-scale piano works consist of Mirage (1997), Portraits I (2000), Homenatge a Mompou (2006), and Hommage à Mozart (2006). Chapter I consists of an introduction, including the purpose of the investigation and a literature review. Chapter II covers brief biographical information, compositional genre and style, and compositional output of piano, vocal and chamber music. Chapter III provides a stylistic analysis of the four concert piano works of Fábregas: Mirage (1997), Portraits I (2000), Homenatge a Mompou (2006) and Hommage à Mozart (2006). Chapter IV consists of a summary, conclusion, and recommendations for further research.

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Goverts, Desirée Elise. "A linguistic and stylistic analysis of the Bórama." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707968.

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Lister, W. "A stylistic analysis of 'Jacob's Well' (chapters 1-50)." Thesis, University of Southampton, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372483.

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Williams, Laura M. "Libby Larsen's Seven Ghosts: A Stylistic and Gestural Analysis." University of Akron / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=akron1335442135.

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Keene, Nadene Ann McMahan Elizabeth. "Male/female language a stylistic analysis of freshman compositions /." Normal, Ill. Illinois State University, 1985. http://wwwlib.umi.com/cr/ilstu/fullcit?p8608951.

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Thesis (D.A.)--Illinois State University, 1985.
Title from title page screen, viewed July 1, 2005. Dissertation Committee: Elizabeth McMahan (chair), Janice Neuleib, Maurice Scharton, Ronald Halinski. Includes bibliographical references (leaves 73-75) and abstract. Also available in print.
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Srinivasan, Sharada. "Archaeometallurgical and stylistic re-analysis of South Indian statuary bronzes." Thesis, University College London (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619148.

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Broad, Lynne English Media &amp Performing Arts Faculty of Arts &amp Social Sciences UNSW. "Chris Marker: A stylistic analysis of his film and media work." Publisher:University of New South Wales. English, Media, & Performing Arts, 2009. http://handle.unsw.edu.au/1959.4/41548.

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This thesis explores the poetics of editing in the films and multimedia works of Chris Marker. From his first essay films of the 1950s to his 1998 CD-ROM Immemory, the director’s work has attracted critical attention for its beauty and originality of expression. Much existing analysis engages with this work in terms of its subject matter and themes and their relationship with its associational, rather than linear, narrative form, with relatively little focus on the stylistics of Marker’s editing. While questions of the director’s thematic concerns also arise in my study, I argue that Marker’s contribution to cinema and the visual arts cannot be fully appreciated without a systematic understanding of his stylistics—his expressive use of cinematic forms and patterns. In developing such an understanding, this thesis utilises the work of a number of film writers explicitly concerned with the expressive use of cinematic space and time. From Andr?? Bazin, I take the idea of rapprochement to mean the way the comparison between two juxtaposed events or images suggests or expresses the meaning of their juxtaposition. From Jean-Andr?? Fieschi, I draw on the idea that the dialectical interaction of the plastic, formal and narrative elements of a film gives meaning to its cinematic space and time. My approach synthesises and builds upon both ideas for its account of the stylistics of Marker’s work. Starting with a preliminary analysis of one cinematic comparison in The Case of the Grinning Cat (2004), I then consider Marker’s exploration of the imaginative potential of a single image sequence in The Last Bolshevik (1993). After this, I explore examples of the stylistic figure of rapprochement in Letter from Siberia (1958), and the stylistic figure of transformation in Sunless (1982). The thesis then studies articulations of rapprochement and transformation in the museum installations Zapping Zone: Proposals for an Imaginary Television (1991), Silent Movie (1995) and the CD-ROM Immemory.
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Holm, Margaret Ann. "Prehistoric Northwest Coast art : a stylistic analysis of the archaeological record." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/29932.

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This thesis is a stylistic study of the prehistoric art record from the Northwest Coast of North America. Its purpose is three-fold: to describe the spatial and temporal variation in the stylistic attributes of prehistoric art; to evaluate theories on the evolution of the Northwest Coast art tradition; and to comment on the possible factors behind variation in the prehistoric art record. This study examines stylistic attributes related to representational imagery, concentrating on five variables: decorated forms, carving techniques, design elements, design principles, and motifs. The core sample consists of anthropomorphic and zoomorphic images from dated archaeological contexts; a total of 242 artifacts from 58 sites are examined. The material is presented in chronological order corresponding to the Gulf of Georgia prehistoric cultural sequence. The major finding of this study is that by the end of the Locarno Beach phase or the beginning of the Marpole phase the essential character of the Northwest Coast art style had developed. There are new developments in the late period, but the evidence presented suggests a previously undocumented stylistic continuity from the late Locarno Beach phase to historic Coast Salish art with no decline in quality or productivity. This study indicates that, as far back as the record extends, three-dimensional, naturalistic forms and two-dimensional incising and engraving techniques have equal antiquity. From the Locarno Beach phase onward the flat, engraved style and the three-dimensional sculpture style developed together; the formline concept developed very early out of the raised, positive lines created by deep engraving in antler.
Arts, Faculty of
Anthropology, Department of
Graduate
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Teranishi, Masayuki. "Polyphony in fiction : a stylistic analysis of Middlemarch, Nostromo, and Herzog /." Oxford ; Bern Berlin Bruxelles Frankfurt, M. New York, NY Wien : Lang, 2008. http://d-nb.info/987953192/04.

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Books on the topic "Stylistic analysis"

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Rubin, Geetha. Emma: A stylistic analysis. Calcutta: Writers Workshop, 1996.

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Chhibber, S. D. S. Poetic discourse: An introduction to stylistic analysis. New Delhi: Sterling Publishers Private Ltd., 1987.

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Bhelande, Anjali. Lord of the flies: A stylistic analysis. Calcutta: Writers Workshop, in association with S.N.D.T. Women's University, Mumbai, 1996.

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Falsetto, Mario. Stanley Kubrick: A narrative and stylistic analysis. Westport, Conn: Praeger, 1994.

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Stanley Kubrick: A narrative and stylistic analysis. Westport, Conn: Greenwood Press, 1994.

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Stanley Kubrick: A narrative and stylistic analysis. 2nd ed. Westport, Conn: Praeger, 2001.

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Bhabani Bhattacharya: A stylistic analysis of his novels. New Delhi: Sterling Publishers, 1994.

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Lemmen, Hans Van. Dutch tiles at 'Farrago': An iconographic, stylistic, technical analysis. 2nd ed. Leeds: Leeds Polytechnic, 1990.

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Jane Austen's narrative techniques: A stylistic and pragmatic analysis. Aldershot, Hants, England: Ashgate, 2009.

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A theory of stylistic rules in English. New York: Garland Pub., 1985.

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Book chapters on the topic "Stylistic analysis"

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Burden, Robert. "Stylistic analysis." In Heart of Darkness, 45–53. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21294-1_5.

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Francesconi, Sabrina. "Multimodal Stylistic Analysis." In A Multimodal Stylistic Approach to Screen Adaptations of the Work of Alice Munro, 32–50. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003183846-3.

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Short, Mick, and Elena Semino. "7. Evaluation and stylistic analysis." In Linguistic Approaches to Literature, 117–37. Amsterdam: John Benjamins Publishing Company, 2008. http://dx.doi.org/10.1075/lal.4.09sho.

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Abdul-Raof, Hussein. "Stylistic analysis of Qur’anic discourse." In New Horizons in Qur'anic Linguistics, 140–214. Milton Park, Abingdon, Oxon; New York: Routledge, 2017. | Series: Culture and civilization in the Middle East; 56: Routledge, 2017. http://dx.doi.org/10.4324/9781315670911-5.

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Abdul-Raof, Hussein. "Stylistic and pragmatic analysis of Q18." In New Horizons in Qur'anic Linguistics, 338–53. Milton Park, Abingdon, Oxon; New York: Routledge, 2017. | Series: Culture and civilization in the Middle East; 56: Routledge, 2017. http://dx.doi.org/10.4324/9781315670911-8.

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Nielsen, K. Høilund. "Stylistic Analyses in Archaeology by Means of Correspondence Analysis." In Studies in Classification, Data Analysis, and Knowledge Organization, 277–84. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-642-46757-8_28.

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Carter, Ronald. "Methodologies for Stylistic Analysis: Practices and Pedagogies." In Language and Style, 55–68. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-06574-2_4.

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Kovačević, Zorica. "Analysis of Syntactical Stylistic Elements in Swedish." In Belgrade Linguistics Days (BeLiDa), 159–72. Belgrade: University of Belgrade, Faculty of Philology, 2022. http://dx.doi.org/10.18485/belida.2022.1.ch5.

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Roy, Shatarupa Thakurta, and Amarendra Kumar Das. "Stylistic Analysis of Space in Indian Folk Painting." In Lecture Notes in Mechanical Engineering, 1277–86. India: Springer India, 2013. http://dx.doi.org/10.1007/978-81-322-1050-4_102.

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van Leeuwen, Maarten. "Systematic Stylistic Analysis: The Use of a Linguistic Checklist." In From Text to Political Positions, 225–44. Amsterdam: John Benjamins Publishing Company, 2014. http://dx.doi.org/10.1075/dapsac.55.11lee.

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Conference papers on the topic "Stylistic analysis"

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Fan, Chulin, and Ying Liu. "A Stylistic Analysis on the Shijing." In 7th Annual International Conference on Language, Literature & Linguistics (L3 2018). GSTF, 2018. http://dx.doi.org/10.5176/2251-33566_l318.320.

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Zhou, Wei. "Stylistic Analysis of English Advertising Language." In Proceedings of the International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/cesses-18.2018.89.

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Haider, Thomas, and Alexis Palmer. "Modeling Communicative Purpose with Functional Style: Corpus and Features for German Genre and Register Analysis." In Proceedings of the Workshop on Stylistic Variation. Stroudsburg, PA, USA: Association for Computational Linguistics, 2017. http://dx.doi.org/10.18653/v1/w17-4910.

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"Exploration of a Stylistic Motion Space Through Realtime Synthesis." In Special Session on ICT-based Analysis and Modeling of Intangible Cultural Heritage. SCITEPRESS - Science and and Technology Publications, 2014. http://dx.doi.org/10.5220/0004876008030809.

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Huang, Yu. "The Application of Stylistic Analysis in College English Teaching." In Proceedings of the 2018 8th International Conference on Education and Management (ICEM 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icem-18.2019.145.

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"Analysis on Individual Characteristics of Stylistic Differences in Speech." In 2020 International Conference on Social Sciences and Social Phenomena. Scholar Publishing Group, 2020. http://dx.doi.org/10.38007/proceedings.0001106.

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Berry, Daniel, and Edward Sazonov. "Clustering technical documents by stylistic features for authorship analysis." In SoutheastCon 2015. IEEE, 2015. http://dx.doi.org/10.1109/secon.2015.7132936.

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Snegariova, Liudmila Leonidovna. "Relevant Problems of Linguo-Stylistic Analysis of Literary English Texts." In All-Russian Scientific Conference with International Participation. Publishing house Sreda, 2021. http://dx.doi.org/10.31483/r-98857.

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Cai, Xiaoying, and Wei Cao. "Analysis of Tickets,Please from the Perspective of Female Stylistic." In 2015 International Conference on Economics, Social Science, Arts, Education and Management Engineering. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/essaeme-15.2015.46.

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Osiyanova, Anna. "Authentic Literary Text As The Subject Of Linguistic And Stylistic Analysis." In Philological Readings. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.04.02.54.

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Reports on the topic "Stylistic analysis"

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BIZIKOEVA, L. S., and M. I. BALIKOEVA. LEXICO-STYLISTIC MEANS OF CREATING CHARACTERS (BASED ON THE STORY “THE POOL” BY W.S. MAUGHAM). Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-3-62-70.

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Purpose. The article deals with various lexico-stylistic means of portraying a literary character. The analysis is based on the empirical study of the story “The Pool” by a famous English writer William Somerset Maugham. The main methods used in the research are: the method of contextual analysis and the descriptive-analytical method. Results. The results of the research revealed that the peculiar characteristic of the story “The Pool” as well as of many other Maugham’s stories is the author’s strong presence. The portrayal characteristics of the protagonists, their manner of speech, the surrounding nature greatly contribute to creating the unforgettable characters of Lawson and his wife Ethel. Somerset Maugham employs various lexico-stylistic means to create the images of Lawson and Ethel, allowing the reader to vividly portray their personalities. Practical implications. The received results can be used in teaching Stylistics of the English language, stylistic analysis of the text as well as theory and practice of translation, in writing course and graduation papers.
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BIZIKOEVA, L. S., and M. I. BALIKOEVA. SOMERSET MAUGHAM - MASTER OF CREATING CHARACTERS. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-2-111-121.

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Purpose. The goal of the present article is to study various means of creating a literary character. Analyzing the creative work of a famous English writer William Somerset Maugham and basing on the story «The Kite» an attempt is made to scrutinize Maugham’s peculiar style and lexico-stylistic devices he employs to create the main female characters of the story «The Kite». The main methods used in the research are: the method of contextual analysis and the descriptive-analytical method. Results. The results of the research revealed that the peculiar characteristic of the protagonists of the story “The Kite” is the author’s strong presence. Portraying the characters of Missis Sunbury and Miss Bevan, Somerset Maugham pays special attention to precise description of their appearances and manner of speech. Employing various lexico-stylistic devices, S. Maugham creates extraordinarily vivid characters. Practical implications. The received results can be used in teaching Stylistics of the English language, stylistic analysis of the text as well as theory and practice of translation.
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NARYKOVA, N. A., S. V. KHATAGOVA, and Yu R. PEREPELITSYNA. PEJORATIVE WORDS IN GERMAN MASS-MEDIA IN NOMINATIONS OF POLITICIANS. Science and Innovation Center Publishing House, April 2022. http://dx.doi.org/10.12731/2077-1770-2021-14-1-3-57-68.

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One of the main functions of mass media is influence on public opinion. So emotionally-painted lexical means are widely used in mass media in relation to leading politicians who are the centre of political arena. They are exposed to the frequent criticism, a negative estimation. The present article is devoted to the consideration of pejorative lexicon which is applied in nominations for heads of states. An empirical material of research were electronic newspapers and editions: Der Spiegel, Die Zeit, Sueddeutsche Zeitung, Der Tagesspiegel, taz, Die Welt, Gegenblende. As the basic methods of research are the following: the componental analysis, the lexico-semantic analysis, the stylistic analysis. The result of research revealed, that in German mass media there is a significant amount of persons names pejorative colouring. They express censure, disrespect, sneer, hatred, antipathy, condemnation, mistrust and so on. There main word-formations for persons nominations are composition, a derivation with using of suffixes and subsuffixes, attributive word-combinations, metaphorically-metonymical way. The materials of the research work can be used in the course of learning German language, at the practical training in oral speech, and also in the course of lexicology, general and aspect lexicography.
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Yatsymirska, Mariya. KEY IMPRESSIONS OF 2020 IN JOURNALISTIC TEXTS. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11107.

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The article explores the key vocabulary of 2020 in the network space of Ukraine. Texts of journalistic, official-business style, analytical publications of well-known journalists on current topics are analyzed. Extralinguistic factors of new word formation, their adaptation to the sphere of special and socio-political vocabulary of the Ukrainian language are determined. Examples show modern impressions in the media, their stylistic use and impact on public opinion in a pandemic. New meanings of foreign expressions, media terminology, peculiarities of translation of neologisms from English into Ukrainian have been clarified. According to the materials of the online media, a «dictionary of the coronavirus era» is provided. The journalistic text functions in the media on the basis of logical judgments, credible arguments, impressive language. Its purpose is to show the socio-political problem, to sharpen its significance for society and to propose solutions through convincing considerations. Most researchers emphasize the influential role of journalistic style, which through the media shapes public opinion on issues of politics, economics, education, health care, war, the future of the country. To cover such a wide range of topics, socio-political vocabulary is used first of all – neutral and emotionally-evaluative, rhetorical questions and imperatives, special terminology, foreign words. There is an ongoing discussion in online publications about the use of the new foreign token «lockdown» instead of the word «quarantine», which has long been learned in the Ukrainian language. Research on this topic has shown that at the initial stage of the pandemic, the word «lockdown» prevailed in the colloquial language of politicians, media personalities and part of society did not quite understand its meaning. Lockdown, in its current interpretation, is a restrictive measure to protect people from a dangerous virus that has spread to many countries; isolation of the population («stay in place») in case of risk of spreading Covid-19. In English, US citizens are told what a lockdown is: «A lockdown is a restriction policy for people or communities to stay where they are, usually due to specific risks to themselves or to others if they can move and interact freely. The term «stay-at-home» or «shelter-in-place» is often used for lockdowns that affect an area, rather than specific locations». Content analysis of online texts leads to the conclusion that in 2020 a special vocabulary was actively functioning, with the appropriate definitions, which the media described as a «dictionary of coronavirus vocabulary». Media broadcasting is the deepest and pulsating source of creative texts with new meanings, phrases, expressiveness. The influential power of the word finds its unconditional embodiment in the media. Journalists, bloggers, experts, politicians, analyzing current events, produce concepts of a new reality. The world is changing and the language of the media is responding to these changes. It manifests itself most vividly and emotionally in the network sphere, in various genres and styles.
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Yatsymirska, Mariya. MODERN MEDIA TEXT: POLITICAL NARRATIVES, MEANINGS AND SENSES, EMOTIONAL MARKERS. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11411.

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The article examines modern media texts in the field of political journalism; the role of information narratives and emotional markers in media doctrine is clarified; verbal expression of rational meanings in the articles of famous Ukrainian analysts is shown. Popular theories of emotions in the process of cognition are considered, their relationship with the author’s personality, reader psychology and gonzo journalism is shown. Since the media text, in contrast to the text, is a product of social communication, the main narrative is information with the intention of influencing public opinion. Media text implies the presence of the author as a creator of meanings. In addition, media texts have universal features: word, sound, visuality (stills, photos, videos). They are traditionally divided into radio, TV, newspaper and Internet texts. The concepts of multimedia and hypertext are related to online texts. Web combinations, especially in political journalism, have intensified the interactive branching of nonlinear texts that cannot be published in traditional media. The Internet as a medium has created the conditions for the exchange of ideas in the most emotional way. Hence Gonzo’s interest in journalism, which expresses impressions of certain events in words and epithets, regardless of their stylistic affiliation. There are many such examples on social media in connection with the events surrounding the Wagnerians, the Poroshenko case, Russia’s new aggression against Ukraine, and others. Thus, the study of new features of media text in the context of modern political narratives and emotional markers is important in media research. The article focuses review of etymology, origin and features of using lexemes “cмисл (meaning)” and “сенс (sense)” in linguistic practice of Ukrainians results in the development of meanings and functional stylistic coloring in the usage of these units. Lexemes “cмисл (meaning)” and “сенс (sense)” are used as synonyms, but there are specific fields of meanings where they cannot be interchanged: lexeme “сенс (sense)” should be used when it comes to reasonable grounds for something, lexeme “cмисл (meaning)” should be used when it comes to notion, concept, understanding. Modern political texts are most prominent in genres such as interviews with politicians, political commentaries, analytical articles by media experts and journalists, political reviews, political portraits, political talk shows, and conversations about recent events, accompanied by effective emotional narratives. Etymologically, the concept of “narrative” is associated with the Latin adjective “gnarus” – expert. Speakers, philosophers, and literary critics considered narrative an “example of the human mind.” In modern media texts it is not only “story”, “explanation”, “message techniques”, “chronological reproduction of events”, but first of all the semantic load and what subjective meanings the author voices; it is a process of logical presentation of arguments (narration). The highly professional narrator uses narration as a “method of organizing discourse” around facts and impressions, impresses with his political erudition, extraordinary intelligence and creativity. Some of the above theses are reflected in the following illustrations from the Ukrainian media: “Culture outside politics” – a pro-Russian narrative…” (MP Gabibullayeva); “The next will be Russia – in the post-Soviet space is the Arab Spring…” (journalist Vitaly Portnikov); “In Russia, only the collapse of Ukraine will be perceived as success” (Pavel Klimkin); “Our army is fighting, hiding from the leadership” (Yuri Butusov).
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